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电影第六感台词图片

发布时间:2022-10-03 09:58:13

㈠ The Sixth Sense灵异第六感的全部对白

灵异第六感/鬼眼 The Sixth Sense (1999)

精彩对白:

[first lines]
Anna Crowe: It's getting cold.
Malcolm Crowe: That is one fine frame; one fine frame that is. How much...
[he sits down with a grunt]
Malcolm Crowe: ... does a fine frame like that cost, do you think?
Anna Crowe: I never told you, but you sound a little like Dr. Seuss when you're drunk.
Cole Sear: We were supposed to draw a picture, anything we wanted. I drew a man who got hurt in the neck by another man with a screwdriver.
Malcolm Crowe: You saw that on TV, Cole?
Cole Sear: Everyone got upset. They had a meeting. Mom started crying. I don't draw like that any more.
Malcolm Crowe: How do you draw now?
Cole Sear: Draw... people smiling, dogs running, rainbows. They don't have meetings about rainbows.
Vincent Gray: Do you know why you're afraid when you're alone? I do. I do.
Cole Sear: Are you a good doctor?
Malcolm Crowe: Well... I used to be. I won an award once. From the Mayor. It had an expensive frame.
Cole Sear: I'm gonna see you again, right?
Malcolm Crowe: If that's okay with you.
Stanley Cunningham: Philadelphia is one of the oldest cities in this country. A lot of generations have lived here and died here. Almost any place you go in this city has a history and a story behind it. Even this school and the grounds it sits on. Can anyone guess what this building was used for a hundred years ago, before you went to this school, before I went to this school? Yes, Cole?
Cole Sear: They used to hang people here.
Stanley Cunningham: No, uh, that, mm-mm, that's not correct. Uh, where'd you hear that?
Cole Sear: They'd pull the people in, crying and kissing their families 'bye. People watching would spit at them.
Stanley Cunningham: Uh, Cole, this, this building was a legal courthouse. Laws were passed here. Some of the very first laws of this country. This whole building was full of, uh, lawyers, uh, lawmakers.
Cole Sear: They were the ones that hanged everybody.
Cole Sear: Tell me the story about why you're sad.
Malcolm Crowe: You think I'm sad?
[Cole nods]
Malcolm Crowe: What makes you think that?
Cole Sear: Your eyes told me.
Malcolm Crowe: Once upon a time there was this person named Malcolm. He worked with children. He loved it. He loved it more than anything else. And then one night, he found out that he made a mistake with one of them. He couldn't help that one. And he can't stop thinking about it, he can't forget. Ever since then, things have been different. He's not the same person that he used to be. And his wife doesn't like the person that he's become. They barely speak anymore, they're like strangers. And then one day Malcolm meets this wonderful little boy, a really cool little boy. Reminds him a lot of the other one. And Malcolm decides to try and help this new boy. 'Cause he feels that if he can help this new boy, it would be like helping that other one too.
Cole Sear: How does the story end?
Malcolm Crowe: I don't know.
Cole Sear: I see dead people.
Malcolm Crowe: In your dreams?
[Cole shakes his head no]
Malcolm Crowe: While you're awake?
[Cole nods]
Malcolm Crowe: Dead people like, in graves? In coffins?
Cole Sear: Walking around like regular people. They don't see each other. They only see what they want to see. They don't know they're dead.
Malcolm Crowe: How often do you see them?
Cole Sear: All the time. They're everywhere.
Cole Sear: They see only what they want to see.
Cole Sear: She wanted me to tell you...
Lynn Sear: Cole, please stop...
Cole Sear: She wanted me to tell you she saw you dance. She said, when you were little, you and her had a fight, right before your dance recital. You thought she didn't come see you dance. She did. She hid in the back so you wouldn't see. She said you were like an angel. She said you came to the place where they buried her. Asked her a question? She said the answer is... "Every day." What did you ask?
Lynn Sear: Do... Do I make her proud?
Cole Sear: She came a long way to visit me, didn't she?
Malcolm Crowe: I guess she did.
Cole Sear: I walk this way to school with Tommy Tammisimo.
Malcolm Crowe: He your best buddy?
Cole Sear: He hates me.
Malcolm Crowe: Do you hate him?
Cole Sear: No.
Malcolm Crowe: Did your mom set that up?
Cole Sear: Yes.
Malcolm Crowe: Do you ever talk to your mom about how things are with Tommy?
Cole Sear: I don't tell her things.
Malcolm Crowe: Why not?
Cole Sear: Because she doesn't look at me like everybody else, and I don't want her to. I don't want her to know.
Malcolm Crowe: Know what?
Cole Sear: That I'm a freak.
Malcolm Crowe: Hey... you are not a freak. Okay? Don't you believe anybody that tries to convince you of that. That's bullshit! You don't have to go through your life believing that. Okay?
Cole Sear: You said the "s" word.
Malcolm Crowe: Yeah... I know. Sorry.
Lynn Sear: Look at my face; I was not thinking anything bad about you.
Cole Sear: Some magic's real.
Cole Sear: You know the accident up there?
Lynn Sear: Yeah.
Cole Sear: Someone got hurt.
Lynn Sear: They did?
Cole Sear: A lady. She died.
Lynn Sear: Oh my god. What, you can see her?
Cole Sear: Yes.
Lynn Sear: Where is she?
Cole Sear: Standing next to my window.
Lynn Sear: Cole, you're scaring me.
Cole Sear: They scare me too sometimes.
Lynn Sear: They?
Cole Sear: Ghosts.
Cole Sear: Grandma says hi.
[Lynn looks up sharply]
Cole Sear: She says she's sorry for taking the bumblebee pendant. She just likes it a lot.
Lynn Sear: [when Cole comes to Lynn to ask to sleep in her bed] Look at my face; I'm not very mad.
Lynn Sear: [at accident] Look at my face; I would never think that about you. Ever! Got it?
[Malcolm arrives late for dinner with his wife]
Malcolm Crowe: I thought you meant the other Italian restaurant I asked you to marry me in.
Cole Sear: [unimpressed after Malcolm Crowe's magic trick with coin] I didn't know you were funny.
Cole Sear: De profundis clamo ad te, domine.
Cole Sear: You ever feel the prickly things on the back of your neck?
Malcolm Crowe: Yes.
Cole Sear: And the tiny hairs on your arm, you know when they stand up? That's them. When they get mad... it gets cold.
Malcolm Crowe: Anna Crowe, I am in love... in love I am.
Kyra Collins: I'm feeling much better now.
Cole Sear: Do you want to tell me something?
Cole Sear: Stop looking at me. I don't like people looking at me like that.
Cole Sear: Instead of something I want, can it be something I don't want?
Malcolm Crowe: Okay...
Cole Sear: I don't wanna be scared anymore.
Cole Sear: I want to tell you my secret now.
Malcolm Crowe: [referring to the award his just received] Wow. We should hang it in the bathroom.
Malcolm Crowe: [to Anna] I would like some wine in a glass, I would not like it in a mug, I would not like it in a jug.
Malcolm Crowe: [Looking at Vincent in the bathroom] Vincent Gray. I do remember you. Quiet, very smart, compassionate. Unusually compassionate.
Vincent Gray: You forgot cursed.
Vincent Gray: [screaming at Malcolm] You failed me! You failed me!
Malcolm Crowe: [a co-worker of Anna's asks her out, he cannot decide whether to leave or not, then finally leaves] Keep moving, cheesedick.
Spanish Ghost on Tape: [Spanish ghost speaks to a young Vincent Gray] Yo no quiero morir!
Malcolm Crowe: [after watching the school play] I thought Tommy Tammisimo sucked big time.
Malcolm Crowe: [to Anna sleeping in a chair] Anna?
Anna Crowe: [in her sleep] I miss you.
Malcolm Crowe: I miss you too.
Anna Crowe: Why, Malcolm?
Malcolm Crowe: What, what is it?
Anna Crowe: Why did you leave me?
Malcolm Crowe: I didn't leave you.
[the ring Anna is holding falls out of her hand to the floor, and Malcolm suddenly remembers everything]
Malcolm Crowe: [after being shot by Vincent Gray] I think I'm okay really. I think it just went in and out. I... It doesn't even hurt anymore.
[last lines]
Malcolm Crowe: [after realizing the time has come for him to move on] I think I can go now. Just needed to do a couple of things. I needed to help someone; I think I did. And I needed to tell you something: You were never second, ever. I love you. You sleep now. Everything will be different in the morning.
Anna Crowe: [in her sleep] Good night, Malcolm...
Malcolm Crowe: Good night, sweetheart.
Ghost in the Closet: Is someone out there? Open this door, please! Come on. I can't breathe! If you can hear me, open this door... I swear on my life I didn't take the master's horse! OPEN THIS DOOR, OR I'LL BREAK THROUGH IT AND GRAB YOU!
Teenage Boy Ghost: Hey, come on! I'll show you where my dad keeps his gun. Come on!
[turns to reveal bloody hole in the back of his head]
The Cabinet Lady: You can't hurt me anymore!
[holds up her wrists, which are slit]
Bobby: Silence, village idiot!
Lynn Sear: Cole, you're scaring me.
Cole Sear: They scare me too sometimes.
Lynn Sear: They?
Cole Sear: Dead people.

㈡ 你们舍不得删的电影台词截图都有哪些

有很多的

“我在最好的时候碰到了你 是我的运气,我心中有过你,喜欢人不犯法,可我也只能到喜欢为止了”--《一代宗师》

“我像上天发过誓,谁能拔出我的紫青宝剑,谁就是我的如意郎君。”“糟了,我的宝剑正发出嘟嘟嘟的信号。”这些耳熟能详的台词都让我们记起了那个如飞蛾扑火般的紫霞仙子。成年后,我们的爱情不再那么纯粹,当纷繁复杂的外界因素开始介导时,不知道谁能像紫霞一样永葆初心。我们迷恋紫霞仙子,实际上是痴迷那份毫无保留的纯爱。大家是怎样认为的呢?

㈢ 女人的第六感经典语句

  1. 生活就是--忙碌的时候想放假,放假的时候想发薪,发薪的时候才知道忙碌的价值。

2.做人一定要经得起谎言,受得起敷衍,忍得住欺骗,忘得了诺言,放得下一切,最后用笑来伪装掉下的眼泪。越是忍住泪水,越会变成幸福的良药。

3.你永远都看不到我最想你的时候,因为我只有在看不到你的时候才最想你。

女人的第六感确实比较准,只要真正的在乎一个人。只要对方发生一点小小的变化。都会感觉得出来。


正因为这个第六感,既能让男人感到害怕又能让男人感到高兴。害怕是因为做了坏事会被女人发觉。高兴是因为这个女人正在在乎着他,满足了他的虚荣心 。


女人似乎天生就有一种测谎能力,有一双“火眼金睛”,能够接受和捕捉各种细微的、转瞬即逝的非语言暗示,并在大脑中将这些暗示同语言信号加以分析比较,进而作出较为正确的判断。

女人也不清楚自己为什么具有这种超常能力。因而当丈夫问她为什么知道他在撒谎时,他会笑着说道:“我也不知道为什么,但第六感告诉我,你就是在撒谎。”

㈣ 你怎样评价电影《第六感生死缘》

就用一首歌名来形容 让我欢喜让我忧

导演王家卫有哪些比较好的台词

王家卫几乎每一部电影,都有让人难忘的台词。

如果有多一张船票,你会不会跟我走。——《花样年华》

在这片都市森林里,有人欢喜有人愁;有人相恋有人失恋,可喜的是,爱情一直都在,美好的故事总在发生。

㈥ 再刷《第六感生死恋》,依旧被布拉德·皮特帅哭,感动依旧

本文作者:王砚梅

人间最灵动的一个词叫缘分,这是一个自带能量与光环的词汇,是一切神圣与美好的原点。

最近二刷了《第六感生死恋》,马丁·布莱斯特执导,皮特、霍普金斯、弗兰妮精彩演绎得没有惊悚度然而好评如潮的一部“鬼片”。毋庸置疑,即使过了二十年,它仍然散发着唯美高贵的人性味儿,作为一部人类 探索 人性的弱点与神性的光辉的电影,无疑它成功地起到了向善的教化作用。

剧本有灵魂,导演有智慧,演员有灵性,两个多小时的铺陈,没有惊悚,没有血腥,没有悬念,没有烧脑梗,死神一反传说中的阴森恐怖形象,借用了一个英俊潇洒青年的身体来到人间,进行了一次降维 旅游 。

男二号是一个时年65岁的富豪,事业成功,家庭和睦。虽然太太去世但是两个女儿十分贴心。大女儿已成家立业,小女儿是一个住院医生,在与父亲的年轻助手平平淡淡地交往。但是父亲对于他们鸡肋般的感情并不看好,而是鼓励女儿一定“疯狂地去爱一个迷恋你的人,他在哪里?要用心去找。”

女不恨嫁,父不催婚,值得很多为儿女婚事焦虑而乱点鸳鸯谱的家长们学习。

影片的经典桥段是女主和男主在咖啡馆里惊鸿一见,布莱克和弗兰妮这对颜值爆棚的cp倾情飙戏,完美演绎了素未平生,却一见钟情的灵犀与相悦,这段教科书式的爱情戏唯美,惊艳,浪漫,出离,满屏的多巴胺,深深地带入感,令人大有“今夕何夕,得遇良人”的欣慰。女主分分钟感到自己在对的时间遇到了那个对的人。然而,命运却跟他们开了一个天大的玩笑,萍水相逢,彼此都没有勇气挽留住对方。欲言又止恋恋不舍地告别后。南来北往的人流中,男主女主先后三次的回眸,都被双方遗憾地错过。观影者的这颗玻璃心啊,稀里哗啦碎了一地。

或许这就是命吧,最后一次回首,犹豫不决的男主被一辆飞驰而来的 汽车 撞飞,死神利用了这个机会,选中这个帅哥的身体,开启了人间一次短期旅行。

你以为是平常的一次道别,有可能一转身就是一生。

在愉快的家庭聚餐时,如果来了一个不请自到的人而且一家之主对其唯唯诺诺,设身处地,你会怎么想?

影片以男主(死神)和男二号(富豪)的一个交易作为主线串联起故事的脉络。富豪的大女儿在为父亲张罗着盛大的生日派对。餐桌上,父亲心事重重明显不太在意大女儿关于晚会的事无巨细的絮叨,而对于姗姗来迟的美丽、知性,特立独行的小女儿则眼前一亮。在他生日派对即将到来的时候,突然接到死神的邀请,既不能说与家人,又无处安放对亲情的牵挂与不舍,此情此景,感同身受地与之共情。而这个神不仅要带他走,还跟他谈了一个交易,他选中男二号为人间的导游,他需要带着死神看看他生活的全部。作为回报,死神会给他延长在人世间的时间。前提是他必须保守秘密,一旦他暴露死神的身份,假期马上取消。

听上去多么不可思议,千百年来,被人类深恶痛绝的死亡竟然变成了一个可以谈判的 游戏 。然而导演的脑洞就是这么大,用这种不可以拒绝的被动合作让男主介入了男二号的生活。

于是,当女主回到家里参加家庭聚会时,惊喜地看到了她早上在咖啡馆为之心仪的那个人,然而却不知他已经被死神附体,因此对于男主的茫然非常错愕。

你是谁?为什么是你却又如此陌生?

人类一思考,神就会发笑。面对被消磁了记忆的男主,女主凌乱了此时的心情。

影片用男主的眼睛看男二号的家庭,大女儿婆婆妈妈,大女婿敦厚无能;小女儿聪明能干,跟父亲的助手的暧昧情愫因为男主的出现,激发了他的嫉妒心而瞬间瓦解。年轻的助手阴险狡诈,利用大女婿的愚蠢博得董事会的信任,陷害男二号并借他数次拒不说明与男主的关系挟持董事会免除了他的董事长的职务,力图里应外合,两头受益把男二号的事业分割卖掉。男二号为了守诺,不惜被家人、被合作伙伴误解而独自承担痛苦。

死神虽然降维人间借用了一个身体,然而他洞悉人世间一切的阴谋,在和男二号共同揭露他的助手,夺回险些被摧毁的事业时,男二号对于家庭、事业体现出的释怀,对于亲情与背叛体现出的宽宥与善良超出了人性的高度,充满了神性的光辉。而男主在劝阻年轻跋扈的助手终止即将犯下的罪行时说“不是几天、几个月的牢狱,是千年的黑狱”,一语道破天机。

有些人聪明能干是他们的标识,卑鄙无耻是他们的通行证,狂妄贪婪是他们的墓志铭。因为无知,所以无畏。而没有敬畏不知止的人性丑恶将会面临什么样的因果铁律,冥冥中自有天意。

男主在与女主的接触中深深地陷入了人间的爱情而不能自拔,他情不自禁地去医院看望女主。被一个行将就木的老人认了出来,老人求他带她走以解除痛苦,然而神道有神道的规则,男主用神力抚慰了她的病痛,却拒绝了她的请求。

当神降维后,人性让他有了人的本能,男主爱恋上了女主,他对于女主产生了不可名状的热爱,他迷恋“作人”的这种感觉,于是决定时间到了要同时带着男二号和他的小女儿一起走。而男二号在得知男主与小女儿在恋爱后,不顾得罪男主可能的后果,点醒男主女儿爱的是有着这个身体的“臭小子”,“她知道你是谁吗?你敢告诉她你是谁吗?”

原来,无论人或是神,人性与神性都需要不断地成长。所以佛才说,人也曾是佛,佛也曾是人啊。

男二号在65岁生日的夜宴上为自己的一生划上了圆满的句号,临走时他浓浓的父爱感动了死神,死神与女主依依惜别后,与男二号一同走上夜幕深处的台阶。

精彩台词是:

男二号:我会害怕吗?

死神:你这样的人不需要。

女主满怀狐疑若有所感地远远望着父亲和男主的背影,直到他们消失在目光的尽头。

剪不断,理还乱,是离愁,别有一番滋味在心头。

人间最恨是离别。就在观众悲从中来时,影片出现了最温暖的反转,男主突然从夜幕中独自走了回来,他莫名其妙地看着自己的一身行头,惊喜地发现早上遇见的对的那个人就在眼前!

善良是天堂的通行证,男二号用实际行动印证了“生死簿”对于他的记载,完成了神性的提升。而死神一次跨

维度的爱体会了人类摸得着的幸福,用神性的觉悟成全了人世间最美的遇见。

人生依然如初见,完美!

㈦ 第六感(The Six Sense)的台词

SUSAN
You're not listening --

PARRISH
Oh yes, I am. Not an ounce of
excitement, not a whisper of a
thrill, this relationship has all
the passion of a pair of titmice.

SUSAN
Don't get dirty, Dad --

PARRISH
Well, it worries me. I want you
to get swept away. I want you to
levitate. I want you to sing with
rapture and dance like a dervish.

SUSAN
That's all?

PARRISH
Be deliriously happy. Or at least
leave yourself open to be.

SUSAN
'Be deliriously happy'. I'm going
to do my upmost --

He smiles.

PARRISH
I know it's a cornball thing but
love is passion, obsession, someone
you can't live without. If you
don't start with that, what are you
going to end up with? I say fall
head over heels. Find someone you
can love like crazy and who'll love
you the same way back. And how do
you find him? Forget your head and
listen to your heart. I'm not
hearing any heart.
(a moment)
Run the risk, if you get hurt, you'll
come back. Because, the truth is
there is no sense living your life
without this. To make the journey
and not fall deeply in love -- well,
you haven't lived a life at all.
You have to try. Because if you
haven't tried, you haven't lived.

SUSAN
Bravo.

PARRISH
Aw, you're tough.

SUSAN
I'm sorry. But give it to me again.
The short version.

PARRISH
Stay open. Who knows? Lightning
could strike.

Silence.

PARRISH (cont'd)
Forgive the lecture --

SUSAN
I won't. And when I tell Drew about
it, he won't either.

PARRISH
You won't tell him, and even if you
did, he'd clock it and punch it into
his laptop in order to pull out some
key phrases when he gives the
Commencement Speech at Wharton.

SUSAN
You're terrible.

PARRISH
I know. But I'm the only father
you've got.

She kisses him on the cheek.

SUSAN
Thank God.

PARRISH
He doesn't care. But thanks anyway.

㈧ 灵异第六感电影英语台词

今天中午刚刚看的怎么没注意到有什么台词,好像有句“你帮不了我”,是不是啊

㈨ 导演王家卫有哪些比较好的台词

王家卫的《东邪西毒》中,有很多经典台词,比如“有些人是离开之后,才会发现离开了的人才是自己的最爱”,人往往是这样,在身边时不好好珍惜,等到失去了,才恍然大悟发现失去了最爱,然后就捶胸顿足,后悔莫及。

“从小我就懂得保护自己,我知道要想不被人拒绝,最好的办法就是先拒绝别人。”这个做法可以说是曹操“宁教我负天下人,莫叫天下人负我”的初级版。这样的人,其实内心比较脆弱,害怕受到伤害;同时,又非常爱面子。因此,他先拒绝别人,一方面保护了自己,另一方面他自己面子上有过得去。


“当你年轻时,以为什么都有答案,可是老了的时候,你可能又觉得其实人生并没有所谓的答案。”——《堕落天使》
小时候,特别是上小学时,很多时候都会觉得每个问题有答案,即使备注着答案进攻参考,我也会觉得这就是标准答案。上中学了,发现很多解题的答案,答出要点即可,不要求一字不差,意思达到就行。
后来发现,在一些道德框架或者一些规则之内,很多事情按照自己的想法来办,甚至也可以不按常理出招,但求问心无愧。

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