英文电影影评20字

❶ 肖申克的救赎 影评,英文,200字

肖申克的救赎 影评：

Shawshank Redemption is one of the most exciting and morally satisfactory films in the 1990s. This is not just because it contains religious factors. God never cares for Shawshank, but because it is a story of looking for hope in the unshakable friendship between two people.

Crucially, as an age film based on a non horror short story by Stephen King, the film has never grown old. It is a moral fable about maintaining one's integrity and personal freedom, regardless of the environment. This is also true in real life, just as in this fictional fable.

翻译：

《肖申克的救赎》是20世纪90年代最振奋人心，也是在道德上最令人满意的电影之一。这并非只是因为它包含了宗教因素，上帝从来不会眷顾肖申克，而是因为它是一部在两个人之间不可动摇的友谊中寻找希望的故事。

关键的是，作为一部根据斯蒂芬·金的一个非恐怖短篇小说改编的年代片，该片从未衰老。它是一个关于保持一个人的正直和个人自由的道德寓言，不论身处何种环境。这一点在现实生活中也是真实的，就如同在这部虚构的寓言中一样。

❷ 星球大战影评(英文)

1

Well, Star Wars: Clone Wars was released, and though it was a much anticipated event (or ploy) to get every Star Wars geek to the theater for something a little different, you might spend your money better on the Genndy Tartakovsky versions.

The action picks up shortly after Episode II: Attack of the Clones and owes a lot to the aforementioned Tartakovsky versions in voices, style, and tone. But that is where the similarities end. We’re thrown smack in the middle of the narrative with no explanation of character or setting, because, well, you know it all by now, don’t you? Obi-Wan and Anakin are deep into battle when they are called to action to find and rescue Jabba the Hutt’s little "punky muffin" (yes, that is what Jabba called him). The message is delivered by Ahsoka Tano, Anakin’s new padawan learner, a whiny, vacuous little twit who, if she wasn’t a force-wielding Jedi who kicks some serious Droid behind, would fit right in as a character on Hannah Montanna. I knew we were lost when Anakin called her "Snips" and she called him "Sky-guy" and R2D2 "Artooie." With the introction of Ahsoka, one can almost forget Hayden Christensen ever happened. But there are some neat new characters who make appearances and, of course, plenty of aliens.

As far as the animation rendering goes, there are some stylistic choices that give the whole thing a "dirty," monochromatic feel with the look of papier-maché sculptures. The animation was supposedly done to resemble Japanese anime, but methinks they confused anime with Supermarionation. I felt like I was watching an episode of Thunderbirds.

Let’s be clear. It’s Star Wars, and it satisfies your yearning for clone trooper-on-droid action and light saber els. We get to see lots of armored and unarmored clones do their business and big spaceships battling in the void. My 5-year-old simply loved it and would not have let me hear the end of it if he was forced to wait until the DVD, or worse, the TV show. There are some very silly things about this Clone Wars such as the fact that the battle droids all sound like Erkle from Family Matters, and Zero (Cero?) the Hutt sounds more like Capote the Hutt. But there are some very cool things about this version of Clone Wars too which should add some real variety to the mythos. Ventress is one of these things. This character is one evil Sith witch and is the best carry-over from the Tartakovsky toons. She should make the subsequent TV episodes fun to watch, if the show lasts that long for her to become a major feature that is. I also can’t wait to see more Jedi and General Grievous.

In short, see it if you or the geeklets can’t bear the wait, but you might spend your money better somewhere else waiting for the inevitable repeat ring the TV release.

2
The action of the film was far more intense than I was expecting. There were so many giant set pieces and grand action sequences that the film hardly ever stopped to catch its breath. And it’s not just that there was a LOT of action… it was all really good action. From the giant space battles to the huge ground troop battles, the lightsaber els and the Jedi throwing themselves into swarms of battle droid fights… it was all really quite spectacular. To me, it was easily the most action packed Star Wars movie to date, and maybe the most action packed Sci Fi film I’ve ever seen (animated or otherwise). It was fantastic. My hats off to them.

As much as I worried about how the animation looked in the trailers, I’ve got to admit within about 3 minutes I was totally sold on it and thought it worked and looked quite beautiful. Yeah, the facial animation could have been a lot better, but aside from that I thought the landscapes, the structures, the ships, the movements and the environments in general were all done wonderfully in my opinion, but I can see why others may differ.

3
I saw Star Wars Episode Two: Attack of the Clones hours ago. The ‘how’ of that will be a thing of mystery buried in a passed piece of paper from my book signing with a hotel, a room number and a time listed upon it. You don’t want to know about that room or the person(s) in that room, you want to know about Episode Two.
Jar Jar Binks. Jar Jar has a 15 second StepInFetchIt shuffle speak routine he does as he goes to first let Obi Wan Kenobi and Anakin Skywalker into the Amidala’s quarters that is so offensively awful, that it will not only make you recoil in horror, but it will remind you of all of the worst aspects of his character from THE PHANTOM MENACE. I wanted to burn the film, destroy, maim and murder it at this stage. I was steeling myself from the impending incompetence, the horror of my childhood being molested. I was prepared to have a very bad time.
I found myself not liking Anakin Skywalker at all, he’s a punk spoiled brat… A snotty nosed ego trip, that angry evil high school football quarterback that wants the head cheerleader. He whines like a Mark Hamill squealing about going to Toshi Station to get some power converters. There is much anger in him. He’s impulsive, conflicted, out of control and a mass murderer. Everytime I saw him and Natalie Portman together, I wanted to tell her to run, fly you fool. But am I not supposed to feel that way?
So did George Lucas drop the ball? Did he rape our childhood? Has he turned into nothing more than flannel wearing toy salesman without a soul or an eye for storytelling anymore? Was I disappointed to such a state that I wanted to yell and scream and break my original 12 inch Boba Fett and defecate upon it in a ritualistic purging of all that was once sacred to my childhood?
To answer all of those questions…. THANK GOD NO!!! Lucas succeeds with the film beyond my wildest dreams.
I was scared and thrilled to be watching Episode 2. The entire time I was in that hotel room, I was convinced that agents of Lucasfilm were going to knock down the doors and I knew I was being set up for a fall. I mean, it isn’t possible to see STAR WARS early. I know that, but there I was watching it. Listening to the sounds of drunk SXSW revelers falling into the door outside.
After about 20 minutes of that awareness everything but the film ceased to exist. The lights in the room dimmed in my mind. The person(s) in the room shrank like Scott Carey into the microverse. Everything about me was concentrating upon the film. The movie was not complete. There were moments where the effects were quite rough, but the work that was finished, was beyond reproach.
How do I explain the success of ATTACK OF THE CLONES? First, I must say that this film makes THE PHANTOM MENACE a better film. In fact, I would have to say that not only does it do that, but suddenly you will realize with horror, exactly why Jar Jar Binks is in the series at all. Upon first viewing, in less than ideal circumstances, I must say that I feel that this is by far the most entertaining Star Wars film to date. It may not have that innocent sense of wonder for the first film. It doesn’t have that sense of intimacy that EMPIRE STRIKES BACK had, or that film’s desperation. However, it also doesn’t have the trivial frivolity of JEDI or MENACE. ATTACK OF THE CLONES is a turning point in the saga. The point of no return.
I love this film desperately. I want to continually watch it for about a week with my best friends. I want to see it digitally projected with sternum shaking sound. I want to watch as friends discover the twists that Palpatine/Sidious/Dooku have in store for us. I want to have the conversations about what this all means, the speculative conversations about how these elements will play out in the final chapter of the prequels.
What is great about the film?
Obi Wan Kenobi / Ewan McGregor. He just owns the role now. There is a moment in the Cantina/Sports Bar on the surface level of Coruscant, where he and Anakin have chased an assassin. As they enter this packed sci-yuppie-scum club, they realize they can’t seem to be able to see ‘the assassin’ anymore. Anakin wants to rush in, tear the place apart looking for the suspect. Obi Wan tells him to slow down or something then turns to head in a different direction, Anakin asks him, "Where you going?" to which Kenobi dryly responds, "To get something to drink." Kenobi is just that calm about things. He is the king of cool. He’ll get his suspect, but he’s going to get a drink first. Priorities. I was reminded of him telling Luke to let go and to trust his feelings. He doesn’t repeat that here, he simply lets go and trusts his feelings. We see it as an action, a path he chose. Then when he gets to that bar, leaning on it, sipping that odd drink, a drug dealer comes up to him and asks, "Wanna buy some deathsticks?" Obi Wan responds, "You don’t want to sell me death sticks." Drug dealer says, "I don’t want to sell you death sticks." "You want to go home and rethink your direction in life," Kenobi continues. "I want to go home and rethink my direction in life," the dealer says as he blankly turns and walks out of the club. Before he can get too smug about his little trick he senses the assassin behind him and he pulls the patented Obi Wan pivoting light saber at a bar strike that you’ve seen in the trailer. He gets his suspect and he’s never broke a sweat. He is the master. Kenobi is just plainly cool in the film. Watch how he handles things on Camino or the way he doesn’t betray a single thought in his conversation with Jango Fett there. He knows his game, his methods and his ways. He is confident and completely on the clock. Ewan is relaxed in the role, clearly having fun and is very very very good in the film. Contrary to Moriarty’s assertion that he would be more ‘Han Solo’ he is in fact much more Master Li Mu Bai (Chow Yun Fat from CROUCHING TIGER HIDDEN DRAGON) but without the romance.
Jango Fett – Boba Fett / Temuera Morrison – Daniel Logan -- I love this pair. I love them because they are the renegade Father and Son. They have their own set of rules, they are a self contained functioning unit. Jango wanted a son to raise his own way, that doesn’t mean he beats him and does evil things. He loves his kid. He’s training him to be a good Bounty Hunter like he is. There is very much a father/son – Master/Apprentice style thing going on here. And they have my favorite moment of the entire film, which is a tiny little moment between these two. Jango and Boba are headed to Genosia when they pick up that Kenobi is tailing them. They dive into the asteroid belt surrounding Genosia, Obi Wan trails behind them, not being lost. Jango tells Boba something like, "Prepare the sonic mines, we’ll give him…" something, I couldn’t make out… but Boba presses some buttons while doing what I can only describe as an evil giggle… a delighted giggle. Jango looks at him smiling, as if to say… "That’s my boy!" The moment is so honest and real. I’ve never seen a father – son moment like this in science fiction. Completely classic.
Anakin Skywalker - Padme Amidala / Hayden Christensen – Natalie Portman -- First Anakin is just an ass in this film. Like I said earlier, I can’t stand him. He’s like that boy in the TWILIGHT ZONE movie that has too much power and thinks about using it too much, but sometimes it goes terribly astray. Portman’s Padme in this film has mostly dropped the ‘high speak’ that she had from the first film…. Injecting into her character far more vocal variety than the droll monotone of the first film that killed the performance. Here she infuses the character with more of herself, which is a very good thing. I like that she doesn’t want to have anything to do with Anakin. That she constantly is aware of all the reasons they shouldn’t be together. Of the scandal. Of their careers. Anakin hates being told no. She can see all the reasons, but when they go through what they go through… When the emotional binding takes place between these characters through a brief adventure, a loss of a loved one, a decent into hell… When faced with certain doom, they realize that life is too short to worry about the ifs and buts… And when it happens… John Williams’ love theme kicks in. This really kicks in just as Anakin and Padme kiss before being taken out and strung up in the arena (you know the sequence when they are chained against the pillars.) It actually starts from the shot (which we see in the trailer - of the arena with all the Geonosis creatures seated and cheering - the long shot looking from high to low). It consists of maybe three instruments playing at first, classic violin, very sorrowful and warm. It almost sounds a little bit like the theme for the Incredible Hulk TV series with Lou Ferrigno. The intros are similar before other instruments join in. It also reminded me of Francis Lai’s theme from Arthur Hiller’s LOVE STORY. Although it is strikingly different from other parts in the film, IT FITS IN BEAUTIFULLY. Elegant but not soppy. Gentle but not melodramatic. Williams thinking differently (after all, a very different relationship from Han and Leia!) and succeeding. It starts to crescendo as the lovers are wheeled out into the arena (reminded me of the shot of Luke with the twin suns) - same type of crescendo. It continues through the cuts between Obi-Wan chained and them being taken over to the same place but changes into a military drum style (you know, the thumping dictatorship heavy beat - almost like the 'sacrifice has arrived'). This changes the whole tone as we realize their 'moment' has been intruded and they are in serious poodoo. The romance is handled in terms of familiarity and proximity. This is that sort of romance where one loves the other, but only at the point of an emotional precipice where the other could see that they shared that feeling and embrace it. I liked this.
Palpatine-Sidious – Count Dooku-Darth Tyrannus / Ian McDiarmid – Christopher Lee -- Wow. Ok, read no spoilers about all of this. I remember thinking that Lucas could be soft in the head for trying to fool the audience into thinking Palpatine isn’t Sidious. I mean we can see that in the credits. What the hell? Right? See that is so like a self-centered audience. To sit there and think they are the center of the universe. The Palpatine-Sidious thing from the first film… The trade dispute… All of it not only makes sense with this film, but the way it unfolds. As you see the point of the various guises and names… How Yoda and Win sense no ‘disturbance’ around Palpatine… There are reasons for these things… Just because you don’t know them yet, doesn’t mean Lucas doesn’t know what he’s doing… Upon seeing this film, seeing how he handles these two characters being 4 characters… It is genius. Compelling Machiavellian positioning and deception. There are points in this film where I wanted to scream at the screen and say, "Palpatine is an evil Sith Lord! They’re conspiring to destroy the Republic from within!" That’s when Christopher Lee essentially tells Obi Wan the same thing… My god. The evil. The evil of using the truth, knowing it could only be interpreted as being a deception and a lie. The Devil uses truth to betray mankind, because he is expected to lie… and the truth sounds better, but will never be believed. Just wait till you see how the Death Star plays into this… You’ll friggin die! FANTASTIC.
Yoda-Dooku fight… HOLY GOD! Right now there is a lot of speculation about Yoda with lightning. It is on one of the soundtrack covers. When you look at that. When people described the ball of lightning in Yoda’s hands from ShoWest, I thought they were insane. I thought only the bad guys did that. When I saw the film, well… I can tell you exactly how that moment plays out. So far as I have seen that hasn’t leaked and it isn’t a huge spoiler. When Yoda and Dooku first set up to go at it, Dooku hurls lightning at Yoda… Yes, Chris Lee’s character is that strong. Perhaps the strongest character with the force I have ever seen in Star Wars history. He attacks Yoda with lightning, Yoda captures it, twirls it around, balls it up and redirects it back at Lee. When I saw this, I screamed like a little girl. I mean it was like Uncle Tony grabbed my pantied ass. I jumped about 12 feet up in the air and squealed. WHAT A THRILL! The Yoda – Dooku fight is astonishing. I can not emphasize that enough. I have been thinking for quite some time that there was no way on earth that Yoda with a light saber could look cool. Folks, not only does it look cool, but there will be a collective scream of HOLY SHIT when what happens happens. Yoda’s fighting style is… well let’s just say he could kick all your asses. Oh and by the way, Williams’ DUEL OF THE FATES was nothing in comparison to this. Remember Vader vs Luke in EMPIRE… How overwhelmingly powerful Vader felt in comparison to Luke. Remember how weak Vader felt in comparison to the Emperor? Now imagine someone with The emperor’s powers in a full on battle with a master. Here towers of metal are torn asunder with the power of the force. The ceiling ripped apart. Seemingly unlimited strength with the force. You will quiver, shake and scream. You are warned.
You have to understand something in going into this film. What you have seen in Star Wars movies before were skirmishes… incidents… Remember, The Battle of Hoth was small, a minor hiccup. In ATTACK OF THE CLONES, you have the first REAL Star War. It isn’t a space battle, but you understand the scale of things. The size and scope of a MAJOR OFFENSIVE. And unlike in PHANTOM MENACE, where Lucas decided to cut up the action by trying to intercut three consecutive arenas of battle, here he portrays the action linearly… basically following Obi Wan and Anakin and Padme… who all basically stick together, with Padme taking a roll in some sand to miss out on the Dooku battle.
After the film was finished playing I was just beside myself with glee.
Right now it is a very interesting time for Star Wars fandom. PHANTOM MENACE polarized the audience into the faithful and those that felt it had all gone wrong. That everything was doomed. With the introction of MATRIX and LORD OF THE RINGS into fan circles, there began to be a real angry mix.
You know those guys that have been camping up in Seattle? The experience they are going to have in the theater upon that first showing… They will be so completely happy.
Now the cut I saw was still a bit rough around the edges, but folks… I can’t wait to see this on the big screen complete. To see what gets cut, what gets changed, what I notice when watching this movie the way Lucas meant for people to see it.

This movie is the real deal. It is smart, beautiful (god digital photography is the glory and the future of the world of film, the palette is strikingly dramatically colorful), thrilling and electrical. Essentially it is a pure action adventure science fiction fantasy with a touch of romance. Line up now. This Star Wars is for real.

P.s. To the talkbacker concerned about Jimmy Smits... He doesn't really do anything major in this film. He is next to Palpatine though right before that amazing shot of all the Clone Troopers and those Star Destroyer things... So he's close to Palpatine, but I bet he betrays Palp in the next one (speculation) Oh, I'm off to Los Angeles, so I won't be doing talk back looking on this to answer questions, but if you come to the book signing at BOOK SOUP Tuesday at 7pm, I'll answer all NON-SPOILER QUESTIONS about Episode 2. In fact, I'll even do imitations of scenes and looks on faces. I'm so jazzed about this movie now! Can't wait to share, but not spoil!!! The gods of spies have looked out for me on this one.... That sacrificial Power Puff doll was worth it!

❸ 求《申肖克的救赎》的影评，急用！

Some birds aren't meant to be caged, that's all. Their feathers are just too bright.
有些鸟儿是永远关不住的，因为它们的每一片羽翼上都沾满了自由的光辉！

Hope is a good thing, maybe the best of things, and no good thing ever dies.
希望是美好的，也许是人间至善，而美好的事物永不消逝。

《肖申克的救赎》(Shawshank Redemption)是我所看过令人震撼的一部电影之一。故事与其说讲述的是主人公安迪成功越狱、重获自由，倒不如说是安迪从灵魂到肉体获得拯救的过程。在我看来，这部电影所表现的深刻、玄奥的宗教、社会、人生哲理是该片受到赞扬的最重要的原因。也就是说这部片子触及到了人类灵魂最深处的东西，它反思的是一个关于体制化与反体制化、希望与绝望、灵魂救赎的深刻的主题。

institutionalized（体制化）、hope（希望）、redemption（救赎）是《肖》片中三个最为关键的灵魂性词语，理解了这三个词语，我们才能够很好的解读该片所探讨的主题。

第一个词语institutionalized（体制化），影片是通过瑞德（Mogran Freeman饰演）之口说出对这个词语的看法的。他说：“first you hate them ，then you get used to,enough time passes...you get so you depend on them 。That is instititutionalized（起初，你讨厌它，然后你逐渐的习惯它，足够的时间后你开始依赖他。这就是体制化）”。理解片中所谓的体制化，我们回顾一下老布（那个监狱的图书管理员）的一生就明白了。老布在监狱中也就是在一种体制下，渡过了50年，几乎就是一生的时间。可以想象，曾经年轻的布，在刚刚进入这种体制时，他肯定曾经像一切刚刚进入Shawshank的所有NEW fish（菜鸟）一样，愤世嫉俗，并试图反抗，然后和大部分的囚徒一样，他们逐渐发现：反抗等于徒劳，于是从对体制的反抗逐渐变为慢慢的接受然后学会适应体制，最后发展到对体制的严重依赖。可怜的老布，他的灵魂和肉体都已经完全体制化了，在垂暮之年却被放逐出体制之外，可以想象的到，老布在一个几乎完全陌生的体制下是根本无法存活的，此时老布与体制脱离无异于一个胎儿被斩断脐带，因此老布最终选择了结束自己的生命。

第二个词语hope(希望)。对这个词语的阐释是通过安迪和瑞德在午餐中的争论展开的。心存信念和希望的安迪说：“forget that there are ...places...in the world that aren't made out of stone，
there is something ...inside...that they can't get to...that is hope （不要忘了这个世界上还有可以穿透一切高墙的东西，它就在我们的内心深处，他们无法达到，也触摸不到，那就是希望）”,然而睿智的瑞德马上反驳说：“let me tell you something my friend 。hope is a dangerous thing hope can drive a man insane it's got no use on the inside.you'd better get used to that idea （让我来告诉你什么是希望，我的朋友。希望一个危险的东西，它能够使人疯狂，我们心中的希望根本毫无用处。你最好习惯这个观念）”

安迪的救赎 ——个人和群体的灵魂拯救

理解了以上两个词语，体制化和反体制化、希望和绝望，我们的主人公安迪开始了影片的主题——灵魂的救赎（redemption）。在Shawshank这个世界中，我们可以把人们划分成两大群体：体制内群体和体制外群体。体制内包括像典狱长和狱警在内，他们是体制的缔造者、执行者和维护者，以典狱长和那个凶狠的狱警无疑是撒旦的化身、穷凶极恶的统治者。而Shawshank的囚徒无疑是属于体制外的人群，他们是体制的服从者、被同化者。体制外的囚徒可以分为四类，以安迪为代表的英雄（hero），以瑞德为代表的精英（elite），以老布等为代表的大众(the masses),和以被虐待致死的肥仔为代表的失败者（alsoran）。英雄在灵魂上是超越体制的，尽管他们的肉体不得不服从体制的约束，然而英雄却能够利用自己伟大的灵魂和伟大的行动不断改变体制、超越体制。精英属于对体制有深刻清醒认识、曾经试图反抗但是最终选择妥协的那一类人。精英和英雄的共同之处在于在灵魂深处，二者都有希望存在。精英和英雄的区别在于，英雄除了在精神上笃信希望外，而且在行动上试图改变体制，这种卓越智慧的努力，正是是英雄成为英雄的根本所在。精英虽然在灵魂中尚有对希望的信仰，然而在行动上他们已经完全放弃了反抗的可能，他们在灵魂上虽然没有被体制化，但在肉体上已经完全体制化了。其次，就是绝大多数的大众（就是你我这样的芸芸众生），他们也曾经试图反抗，但是在强大的体制化的力量之下，他们却不幸的从精神到肉体完全被体制化了。最后，就是那些被淘汰的失败者，他们成了体制的祭品，很快被淹没在体制化的漩涡之中。

当然，安迪通过自己的行动不仅改变了自己的命运，而且深深的影响了牢笼中的其他人：安迪在狱中扩建图书馆，帮助其他犯人读书识字，那个拿到同等学历的问题青年就是被拯救的典型，一个跨掉一代中的嬉皮士竟然能够被教化成一个绅士，我们不得不感叹于救赎的力量。因此安迪的拯救不单单是一个个体的行为，还是一个群体的行为，这完全符合基督教关救赎的定义。影片在阐释安迪反抗的过程时，用了一个宗教性很强的词语——redemption（救赎）。追述这个词语的宗教渊源，我们很容易想起耶稣灵魂拯救的故事，事实上，在片中不知一次的出现过《圣经》，以及对《圣经》的引用。具有讽刺意味的是，那个道貌岸然的典狱长，外表似乎是一个圣洁的圣徒而他的行为和内心却肮脏的像魔鬼。在他的办公室旁边又一个精致的隽语：主的审判将要降临，然而这末日的审判却最终降临到这个审判者身上。

因此，《肖》片最重要的贡献在于对历史观的一种寓言式的阐述和对个体救赎、群体救赎的宗教式的反思。

对该片的反思——救赎就在你我心中

不难理解，Shawshank不过是一个寓言而已，它事实上就存在于我们现实的生活中。现实中的每一个人，都在自觉不自觉的扮演着Shawshank中囚徒或者狱方的角色。我们中的大部分人，都将沦为老布那样的命运，逐渐地被体制化直到严重地依赖体制，终其一生不曾越规逾矩。任何一种组织、制度、社会都可以视Shawshank为缩影。比如，我们的大学，某种程度上就是一个Shawshank城堡，当我们离开这座城堡时，我们中的绝大多数是注定要被体制化的，即使进入社会，体制对人的侵蚀也一刻没有停止过，社会历史就是在体制化和反抗体制化的循环中不断前进的，然而救赎却完全在于我们自己的选择，正如安迪的选择一样，再强大的体制也永远无法剥夺我们选择救赎的权利，因为，救赎就存在于我们的心中，那是任何强权也无法到达的地方。to being，or not to being，选择救赎还是选择绝望，选择英雄还是选择大众，选择上帝还是选择撒旦，这一切都在你我心中

摘自：http://happyhour2005.blogchina.com/2271159.html

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另：
一部揭露美国司法黑幕的巨片，一幅用友谊和希望描绘的生命画卷，寓含人生哲理的喻世之作。

一条漫长的自由之路、一次灵魂深处的洗涤、一部不朽的励志经典，“希望”遵循神的旨意安睡在内页被挖空的《圣经》里，附着在安迪高大的身躯里，匍匐在500码的下水道里，最后，那条仅有的肮脏之路把安迪送往美丽的新世界。这段充满绝望与沉重的救赎之旅来自臭名远扬的鲨堡监狱、来自惊悚小说大师史蒂芬·金的原著、来自哲理导演达拉邦特的倾力之作。《肖申克的救赎》带来的是恒久不变的真挚友情、百折不挠的灵魂铸炼和生生不息的命运之火。

希望不需要热情，热情的希望只是灵魂深处一次不经意的冲动。在监狱里，当生命的过程只能以时间为刻度的时候，任何高涨的热情都只能无可奈何地向失望举起双手，宿命地接受命运的安排。只有内心清澈的人才能看清人生的荒谬，否则，人只有在面对冤枉时委屈和无奈、在面对压制时愤怒和狂暴、在困境下腐烂，甚或在平常的环境中寂寞和绝望。

怯懦囚禁人的灵魂，希望才可感受自由。强者自救，圣者渡人。

和以往那些讲述阴暗晦涩牢狱生活的监狱片有所不同的是，《肖申克的救赎》是一部讲述友情、困顿、希望与梦想的电影，剧中的男主角冷静的心态、不屈的斗志、足智多谋的设计、锲而不舍的精神非常令人感动。这部电影最能打动人心之处，便是自始至终都能给予人们希望。

总的来说，这是一部值得再三品味的电影佳作。

——《华盛顿邮报》

自由是什么� 自由就是能在阳光下悠闲自得地呼吸。对于我们而言，它就像空气，平常得让你根本不去想失去它会怎样，但是自由对于那些高墙内的囚徒，尤其是那些注定一辈子都要呆在那里的人们又是多么珍贵而又遥不可及。安迪最后逃出鲨堡监狱，是什么实现了对他的救赎？是他心中对自由的渴望，是希望的存在！

——影评人 米 朵

《肖申克的救赎》里，我深深地为主人公安迪对自由一刻不息的渴望震憾了，当他从下水道逃向外面的世界时，当他迎着暴雨和闪电怒吼时，我的心也随着他一同律动着，安迪所获得的身体和心灵上的自由让我觉得痛快极了。

——网友 灯 笼

故事发生在1947年，银行家安迪被指控枪杀了妻子及其情人，被判无期徒刑，关在鲨堡监狱里。

好长时间以来，安迪不和任何人接触，在大家抱怨的同时，他在院子里很悠闲地散步，就像在公园里一样。老犯人瑞德是监狱中的“权威人物”，只要你付得起钱，他几乎有办法搞到任何你想要的东西：香烟，糖果，酒，甚至是大麻。一个月后，安迪请瑞德帮他搞的第一件东西是一把小石锤，他的解释是想雕刻一些小东西以消磨时光，并说会自己想办法逃过狱方的例行检查。不久，瑞德就玩上了安迪刻的国际象棋。之后，安迪又搞了一幅丽塔·海华丝的巨幅海报贴在了牢房的墙上。

由于安迪精通财务制度方面的知识，很快使他摆脱了狱中繁重的体力劳动和其他变态囚犯的骚扰。不久，声名远扬的安迪开始为越来越多的狱警处理税务问题，同时他也逐步成为监狱长诺顿洗黑钱的重要工具。由于安迪不停地写信给州长，终于为监狱申请到了一小笔钱用于监狱图书馆的建设。监狱生活非常平谈，总要自己找一些事情来做，安迪听说瑞德原来很喜欢吹口琴，就买了一把送给他。夜深人静之后，总可以听到悠扬的口琴声回荡在监狱里。

一个年轻犯人的到来打破了安迪平静的狱中生活：这个犯人以前在另一所监狱服刑时听说过安迪的案子，他知道谁是真凶。但当安迪向监狱长诺顿提出要求重新审理此案时却遭到了断然拒绝，并受到了单独禁闭两个月的严重惩罚。为了防止安迪获释，诺顿甚至不惜设计害死了知情人！

面对残酷的现实，安迪变得很消沉……一天，他对瑞德说：“如果有一天，你可以获得假释，一定要到某个地方替我完成一个心愿。那是我第一次和妻子约会的地方，把那里一棵大橡树下的一个盒子挖出来，到那时你就知道是什么了。”当天夜里，风雨交加，雷声大作，已得到灵魂救赎的安迪越狱成功。原来20年来，安迪每天都在用那把小石锤挖洞，然后用海报将洞口遮住。安迪出狱后，领走了诺顿存的一部分黑钱，并告发了他贪污受贿的真相。而诺顿在自己存小账本的保险柜里见到的是安迪留下的一本《圣经》，里边挖空的部分放着一把几乎磨成圆头的石锤。

瑞德获释了，他在橡树下找到了一盒现金，两个老朋友终于在墨西哥阳光明媚的海滨重逢了。

《肖申克的救赎》和《圣经·出埃及记》

《肖申克的救赎》是一部被广大影迷所喜爱的影片，在分析《肖》之前，我想先叙述一个故事，一个《圣经·出埃及记》的故事。

犹太人始祖之一雅各有子众多，其中最受宠爱的是约瑟，其他几个兄弟很嫉妒他，就趁一次一起外出的机会把约瑟卖给了商人做奴隶，而对父亲谎称约瑟在野外被野兽杀死了。

约瑟被带到埃及，又卖给一个埃及贵族做奴隶。而那个贵族的妻子看上了约瑟的才华，就百般地勾引他，结果被约瑟严辞拒绝。于是这个女人反咬约瑟调戏自己，约瑟被送进了监牢。

一天，法老的酒政和膳长也被关进监狱，晚上，这两个人各做了一个梦，就找约瑟来解。约瑟说这两个梦说明：3天之后，酒政要被释放，而膳长要被处死。3天后，约瑟的预言果然都应验了。

不久，埃及的法老也做了两个梦，先是梦见7头瘦弱的牛吃掉了7头肥壮的牛，又梦见7个细弱的谷穗吞掉了7个饱满的谷穗。谁也解不出这两个梦，酒政就把约瑟推荐来，约瑟从监狱到王宫，告诉法老，这两个梦实际上是一个意思，即天下将有7个丰年，继之以7个荒年，荒年之害将远大于丰年之得。他向法老提建议，在丰年蓄积粮食，在荒年售出，既度荒，又谋利。法老很欣赏约瑟，就把他从监狱里释放出来，任命他为埃及的宰相。

事情果然像约瑟预言的那样，7个丰年之后7个荒年来到了，天下绝粮，只有埃及有仓储。犹太地区也面临粮荒，约瑟的兄弟们也要到埃及来买粮食，他们没有认出约瑟，被约瑟狠狠地报复了一通，最后兄弟和解，犹太人全族迁到埃及。

由此看来，《肖申克的救赎》与《圣经》中犹太人在埃及的遭遇在基本故事走向和情节构架上惊人地一致，曾经有人把《肖》比做《基督山伯爵》，而我则认为比做《出埃及记》更恰当一些，因为后者无疑与《肖》有更多共同之处。犹太人几百年间的遭遇在《肖》中被浓缩到了20年，安迪则兼两代犹太人族长约瑟和摩西于一身。

《肖》剧与《出埃及记》在大节上处处契合，正与西方人心理上的文化积淀引起共鸣，这应该不是无意得之，而是精心设计的产物。

另一方面，如果我们把视野从西方扩展到整个人类文化圈，受侮辱与损害者起而复仇、向施暴者连本带利索还的故事，从来都为人类各个民族所喜爱。几乎每个文化发达的民族都有类似的故事或传说。泰戈尔在《飞鸟集》中有语云：历史在很有耐性地等待着被侮辱者的胜利。此话就历史真实来看未必为真，但却是几乎所有人类社会成员的共同理想。

在戏剧里，一个人被打得越狠，被踩得越低，被欺压得越万劫不复，他的报复就越让人痛快，戏剧性就越强，也最容易引起观众的认同。安迪在几乎不可能站起来的地方站起来，在几乎不可能活过来的地方活过来，从烂泥里站起来，从阴沟里钻出来，从坟墓里爬出来，这种生命力已超越了人本身，是神的光芒。大雨冲刷着他的身体，荡涤着他的灵魂，他用地狱的眼光看着曾经真真切切发生在周围的一切，他用雷一样的声音怒吼：“归还的时刻到了！”

哪位导演能掌握住这种力量，就等于掌握住了闪电。

摘自：
http://egg888.blogbus.com/logs/2006/02/1974919.html

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另
发行： Columbia Tristar 哥伦比亚公司
出品： 1994年
类型： 剧情/悬疑
导演： 弗兰克•达拉邦特 Frank Darabont

主演:
蒂姆•罗宾斯 Tim Robbins
摩根•弗里曼 Morgan Freeman
鲍伯•高顿 Bob Gunton
威廉姆•桑德拉 William Sadler
詹姆斯•怀特摩尔 James Whitmore

制片： 尼齐•马文 Niki Marvin

编剧： 弗兰克•达拉伯恩特 Frank Darabont

剧情简介：

故事发生在1947年，银行家安迪因为妻子有婚外情，用枪杀死了她和她的情人，因此他被指控枪杀了妻子及其情人，安迪被判无期徙刑，这意味着他将在肖恩克监狱中渡过余生。
阿瑞1927年因谋杀罪被判无期徙刑，数次假释都未获成功。他现在已经成为肖恩克监狱中的“权威人物”，只要你付得起钱，他几乎有办法搞到任何你想要的东 西：香烟，糖果，酒，甚至是大麻。每当有新囚犯来的时候，大家就赌谁会在第一个夜晚哭泣。阿瑞认为弱不禁风、书生气时足的安迪一定会哭，结果安迪的沉默使 他输掉了四包烟。但同时也使阿瑞对他另眼相看。
好长时间以来，安迪不和任何人接触，在大家报怨的同时，他在院子里很悠闲地散步，就象在公园里一样。一个月后，安迪请阿瑞帮他搞的第一件东西是一把小 的鹤嘴锄，他的解释是他想雕刻一些小东西以消磨时光，并说他自己想办法逃过狱方的例行检查。不久，阿瑞就玩上了安迪刻的国际象棋。之后，安迪又搞了一幅丽 塔.海华丝的巨幅海报贴在了牢房的墙上。
一次，安迪和另几个犯人外出劳动，他无意间听到监狱官在讲有关上税的事。安迪说他有办法可以使监狱官合法地免去这一大笔税金，做为交换，他为十几个犯人朋友每人争得了两瓶Tiger啤酒。喝着啤酒，阿瑞说多年来，他又第一次感受到了自由的感觉。
由于安迪精通财务制度方面的的知识，很快使他摆脱了狱中繁重的体力劳动和其它变态囚犯的骚扰。不久，声名远扬的安迪开始为越来越多的狱警处理税务问 题，甚至孩子的升学问题也来向他请教。同时安迪也逐步成为肖恩克监狱长沃登洗黑钱的重要工具。由于安迪不停地写信给州长，终于为监狱申请到了一小笔钱用于 监狱图书馆的建设。监狱生活非常平谈，总要自己找一些事情来做。安迪听说阿瑞原来很喜欢吹口琴，就买了一把送给他。夜深人静之后，可以听到悠扬而轻微的口 琴声回荡在监狱里。
一个年轻犯人的到来打破了安迪平静的狱中生活：这个犯人以前在另一所监狱服刑时听到过安迪的案子，他知道谁是真凶！但当安迪向监狱长提出要求重新审理此案时，却遭到了断然拒绝，并受到了单独禁闭两个月的严重惩罚。为了防止安迪获释，监狱不惜设计害死了知情人！
面对残酷的现实，安迪变得很消沉……有一天，他对阿瑞说：“如果有一天，你可以获得假释，一定要到某个地方替我完成一个心愿。那是我第一次和妻子约会 的地方，把那里一棵大橡树下的一个盒子挖出来。到时个你就知道是什么了。”当天夜里，风雨交加，雷声大作，已得到灵魂救赎的安迪越狱成功。
原来二十年来，安迪每天都在用那把小鹤嘴锄挖洞，然后用海报将洞口遮住。安迪出狱后，领走了部分监狱长存的黑钱，并告发了监狱长贪污受贿的真相。监狱长在自己存小账本的保险柜里见到的是安迪留下的一本圣经，里边挖空的部分放这一把几乎磨成圆头的鹤嘴锄。
阿瑞获释了，他在橡树下找到了一盒现金，两个老朋友终于在墨西哥阳光明媚的海滨重逢了。

THE SHAWSHANK REDEMPTION

最常见的三个译名：《肖申克的救赎》、《刺激1995》、《月黑高飞》；

（如果你没有看过这部片，你所应该做的是马上去找一张碟回来看。而决不是看这篇影评。）

redemption，救赎，并不只是andy本身，从某种意义上来说，他不但拯救了自己，也拯救了他的狱友。他对狱友的拯救，表现在一种精神上 的拯救，因为他一定程度上使他的周围的人明白了，追求自由和希望的可贵－－red就是其中一个典型。两个对自由持有一样的寄望，但有着不同态度的人，构成 了全片的主线。三次“redemption”如下：

第一次是他帮助狱警HADLEY逃税，为狱友赢得每人3瓶啤酒的奖励。 “We sat and drank with the sun on our shoulders, and felt like free men. We could'a been tarring the roof of one of our own houses. We were the Lords of all Creation.”... “You could argue he'd done it to curry favor with the guards. Or maybe make a few friends among us cons. Me, I think he did it just to feel normal again...if only for a short while.” 这时，你看到了T.Robbins第一次露出笑容。毕竟，自由总是最快乐的，同时也代表一种自我价值的实现。每个人都有这种需要，使自己有重要感。

第二次则是本片中最为精彩的一part，他在狱警办公室放“费加罗的婚礼”（Le Nozze de Figaro）。这个片段看似平静如水，但 实则激情四射，杀伤力极强，最能使你两眼发热。 “I have no idea to this day what them two Italian ladies were singin' about. Truth is, I don't want to know. Some things are best left unsaid. I like to think they were singin' about something so beautiful it can't be expressed in words, and makes your heart ache because of it.”...“I tell you, those voices soared. Higher and farther than anybody in a gray place dares to dream. It was like some beautiful bird flapped into our drab little cage and made these walls dissolve away... and for the briefest of moments -- every last man at Shawshank felt free.” 这次，andy的微笑是一种带有胜利感的微笑。他利用自己在狱警中的价值以及依此得到的信任，再次给他的朋友，带来自由的感觉－－哪怕是一刹那。 “There are things in this world not carved out of gray stone. That there's a small place inside of us they can never lock away, and that place is called hope.”

第三次，他为监狱建立了一个图书馆。为了得到第一批书，他每周一封信，连续写了六年。然后他增加到每周两封，在andy入狱的第二个十年间，图书馆落成。这也是一个划时代的胜利，这个胜利的影响是深远的。大概也是在这个时候，Tommy出现了，剧情也随之发生了转折。

Tommy被杀后，andy从hole中出来，临脱狱的一天，和red的对白非常耐人寻味。在逃离此处之前，andy反思了自己的错误，妻子的死 他要负一定责任。“I killed her, Red.”... “I didn't pull the trigger. But I drove her away. That's why she died. Because of me, the way I am.”当谈及以后的打算时，经过近40年的煎熬，red显得很沮丧（并且如果你比较20年、30年、40年这三次听证，你会发现 M.Freeman表演的细腻之处）。 “I couldn't hack it on the outside. Been in here too long. I'm an institutional man now. Like old Brooks Hatlen was.”... “In here I'm the guy who can get it for you. Out there, all you need are Yellow Pages. I wouldn't know where to begin.” 他对希望怀有恐惧－－因为他也曾拥有希望。但他明白，希望越大，失望越大。很多时候，这也是使我们裹足不前和抱有消极思想的原因。然后andy用一个精辟 有力的句子，结束了两人的谈话：“Get busy living－－or get busy dying.”这句话甚至可以视为全剧的中心思想。

这里不得不提一下的是，逃狱前后的片段处理得很好。red总是担心andy会自杀。面对绝望，有人选择死，因为这意味着一种解脱－－导演在这里也 有引导观众往“死”那个方向想的倾向，似乎是想和观众开个玩笑－－但对于那些真正想获得自由的人来说，会选择另外一条路，一条真正通往自由的路。

其后，norton自杀，“HIS JUDGMENT COMETH AND THAT RIGHT SOON.”这句话非常有讽刺意味。而从 andy脱狱成功到red出狱后的这一段戏，完全是对M.Freeman演技的考验。M.Freeman的独白和表演总是给人一种看破红尘，炉火纯青的感 觉，为本剧增色不少。（王家卫也在《重庆森林》、《春光乍泄》等片中用过独白的手法，但梁朝伟的表现似乎还是稍欠火候。）从在狱中： “Sometimes it makes me sad, though, Andy being gone. I have to remind myself that some birds aren't meant to be caged, that's all. Their feathers are just too bright...”到最后他打开盒子，决定到 Zihuatanejo找他的朋友andy，说出内心最后的独白： “I find I am so excited I can barely sit still or hold a thought in my head. I think it is the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain...” 均可以看出他的深厚功力。

显然，这并不是一部简单的、纯粹的商业片－－虽然它确实带来很高的商业成就－－1995年全美影带租售冠军。但除却票房，它带来的信息量也是很大 的。比如“价值”就是该片带来的一个重要信息。出狱监犯的人生价值何在？Brooks（老布）的从出狱到自杀，也是催人泪下的一个片段。正如red所说， 他已经长期的监狱生活institutionalized（“体制化”）了。 “Man's been here fifty years. This place is all he knows. In here, he's an important man, an ecated man. A librarian. Out there, he's nothing but a used-up old con with arthritis in both hands. Couldn't even get a library card if he applied. You see what I'm saying?”...“Believe what you want. These walls are funny. First you hate 'em, then you get used to 'em. After long enough, you get so you depend on 'em. That's "institutionalized."”

珍惜你的自由，也是本片所要表现的主旨之一。red是这样评价自己的： “I'm the only guilty man in Shawshank.”他最后一次在HEARINGS ROOM所说的，他对自己所做的一切， 深感悔恨。“Not a day goes by I don't feel regret, and not because I'm in here or because you think I should. I look back on myself the way I was...stupid kid who did that terrible crime...wish I could talk sense to him. Tell him how things are. But I can't. That kid's long gone, this old man is all that's left, and I have to live with that.”

其

❹ 《泰坦尼克号》英语影评（200字左右）

Titanic is a ship that carries two things, love and disaster.

It's not deep at all, so it can be understood and touched by any audience across nationalities, ages, genders and cultures.

The love story of Jack and Rose is how a diaosi defeated a handsome man and achieved an unforgettable love.

Therefore, even though it is an old film, it is very close to the psychology and desire of the current audience.

Love without hierarchy and love that transcends secular prejudice are tear-incing in any age.

译文：《泰坦尼克号》这只大船装着两个东西，爱情和灾难。

它一点都不深沉，因此跨国籍、跨年龄、跨性别还跨文化，什么样的观众都能看明白，都能被打动。

杰克和露丝的爱情故事用现在的流行语来说，就是一个屌丝如何战胜高富帅，成就一份刻骨铭心的爱情。

因此，即使是一部老片，它却非常贴近当下观众的心理和欲望。

没有等级观念的爱情、超越世俗偏见的爱情，这放在什么时代都具有催泪的功效。

幕后制作

影片选拍摄地址，从零开始搭建一个包含蓄水槽的大型摄影基地，一开始定的是马耳他的一个天然水坑，但当地政府以破坏环境为由，不予放行。

最终选定的是墨西哥罗萨里托的一个沿海开发区，经过了漫长的谈判，福斯公司买下了罗萨斯托40英亩的土地，还另购置60英亩以备不时之需。

❺ 英语影评一篇

《功夫熊猫》采用纯东方家庭伦理的叙事逻辑，使得整个故事更轻松。

Kung Fu Panda adopts the narrative logic of pure Oriental family ethics, which makes the whole story more relaxed.

这样处理使得“主题”略显单薄，但确实更适合小朋友去看。

This treatment makes the "theme" slightly thin, but it is more suitable for children to see.

这部作品不会感动到落泪，也不会无厘头到笑翻天，但是这个平衡点才是“小朋友”最轻松的观看环境。

This work will not be moved to tears, nor will it be ridiculous to laugh, but this balance point is the most relaxed viewing environment for "children".

(5)英文电影影评20字扩展阅读

影评目的——

电影评论的目的在于分析、鉴定和评价蕴含在银幕中的审美价值、认识价值、社会意义、镜头语言等方面，达到拍摄影片的目的，解释影片中所表达的主题，既能通过分析影片的成败得失，帮助导演开阔视野，

提高创作水平，以促进电影艺术的繁荣和发展；又能通过分析和评价，影响观众对影片的理解和鉴赏，提高观众的欣赏水平，从而间接促进电影艺术的发展。

❻ 狮子王的观后感英文要用了五十字要带翻译

Film is an amazing technical achievement, but even if it is meticulous, it is only "realistic", because real animals can't talk, they can't sing, and they can't quote those interesting pop culture stalks.

Movies are sometimes wonderful, but they are often absurd. And sometimes-for example, a very lifelike animal dies on the big screen in front of you, and the only son cries for him-it is really wandering on the edge of grotesque.

该片是一部令人惊叹的技术成就，不过即便细致成这样，它也只是“逼真”的，因为真正的动物不会说话，他们不会唱歌，也不会引用那些有趣的流行文化梗。电影有的时候很妙，不过常常是荒谬的。而且有时候——比如一个非常逼真的动物在你面前的大银幕上死去，独子为他哀嚎——真是在怪诞的边缘游走。

幕后制作

《狮子王》由《奇幻森林》导演乔恩·费儒构思并执导，翻拍自迪士尼动画经典《狮子王》，是一部真人与CG结合的电影。费儒借用了他在《奇幻森林》中的经验——使用真人儿童演员，并利用尖端技术和在洛杉矶摄影棚的绿幕片场，制作丛林和动物。

乔恩·费儒也是电影《奇幻森林》的导演，他带领《阿凡达》《泰坦尼克号》的视觉效果团队，进一步提升了迪士尼CG（Computer Graphics）电影的制作技术水平，运用计算机设计、人工模型及道具等，使电影中的动物毛发、大自然的光和影等，都显得更加逼真，而不是真正引入狮子等动物来拍摄电影。

❼ 急求《当幸福来敲门》的英文影评

The Pursuit of HappinessI was fortunate to see this movie in a screening. I really enjoyed it, and felt that it lived up to the teary and heartwarming trailer. While the movie has an uplifting "go for your dreams" message, the deepest theme is that of family.Will Smith did a great job as the father trying to protect his son from their circumstances of becoming homeless as much as he can, while at the same time trying to work in the competitive world of stocks as an un-paid intern. Jaden Smith was outstanding as the preschool-aged kid who knows things are going wrong and tries to have a stiff upper lip, but just can't do it all the time.The story is very touching and was close to home for me. My family has been through some tough times, and this movie just reminded me of how much my parents struggled to provide for our family and yet kept life fun as much as they could. I am excited to go see this with my parents as a way to say thank you