灰姑娘是一个善良，坚强的孩子，她信守着母亲的诺言做一个坚强勇敢善良的孩子，母亲死后她体谅父亲的孤苦，答应父亲找一位继母，对于新姐姐们也真诚相待。父亲死后对于继母的刁难也默默承受着，面临着如此困境但她却依旧阳光开朗，她就像蒙灰的明珠，虽然外表灰暗，真实确是美丽明亮而温暖。王子的出现为她拂去了灰尘，开始流光溢彩，绽放光芒。因为她的善良仙女让她穿上了华丽衣服与王子在舞会相遇，互诉衷肠。结局是美好的王子和灰姑娘在一起了，坏人受到惩罚。这告诉我们要真诚善良，遇到困境依旧能开朗对待。
㈡ 观后感：Ever After（是英语就太感谢啦～！）
1
Danielle De Barbarac (Drew Barrymore) lives alone with her father and their servants after the death of her mother, until one day her father brings home a new bride, the Baroness Rodmilla De Ghent (Anjelica Huston) and her two daughters, Marguerite and Jacqueline. When Danielle's father dies, the Baroness turns Danielle into a servant to wait on her and her spoiled daughters.
Danielle accidently meets young Prince Henry (Dougray Scott) when the Prince pilfers a horse from their manor in order to escape his parents restrictions. For her silence, he gives her coins, which she uses to pose as a courtier to buy back their old servant the Baroness sold to pay her taxes.
She meets Prince Henry again, but this time posed as a Lady, and Henry finds himself enchanted not simply by her beauty but by her intelligence and spirit. He becomes determined to know more about her, but first must find her for she keeps slipping away from him. In the meantime, Marguerite has set her sights on the handsome prince, with the help of her mother and a michevious courtier.
I won't give away any more of the movie, but absolutely must mention that there is a great deal of humor in this unique telling of the Cinderella story (take special note of the wedding chapel scene with the Spanish Princess). The acting is supurb and the script very tight and well written, the costumes are stunning, the scenery is breathtaking, and the photography brilliant.
Overall, this is a wonderful movie that softened even my cold, hard heart, allowing it to pump warm blood if only for the length of the movie. This is a love story without sappiness, a handsome hero with faults of his own, and a beautiful heroine who knows how to save herself. Enjoy!
2
This is a wonderful movie. The premise may be cliché, but this is much, much more than just another "Cinderella" movie. Its effects are really quite magical--it will make you laugh, it will make you cry, and it will totally immerse you in its spell. If you are human, it will proce a lump in your throat that will remain there for hours. Some people might call this a "woman's" movie, but I, as a man, will proclaim that it really touches my heart every time I watch it, and I freely admit that it does bring tears to my eyes. I need not go into detail describing the plot--it is a somewhat modernized Cinderella story, replete with the evil stepmother, charming prince, and angelic, mistreated heroine. Instead of a fairy godmother, there is Leonardo da Vinci--an unexpected but brilliant scripting decision, I feel. There are no magic pumpkins turning into horses and carriages, but there is magic; it is the magic of true love.
The entire cast is superb, particularly Anjelica Huston as the evil stepmother, but all of them are overshadowed by Drew Barrymore. Anyone who does not feel that Drew Barrymore is one of the greatest actresses of this and any other generation has obviously not seen this movie. I love all of Drew's movies, but I really believe this movie represents her finest performance. Even down to the most unimportant nuances of acting, she is simply brilliant. She is equally convincing as a peasant in the field as she is a royal courtier among the nobility of France. The emotion she is able to express to the audience is deep and amazingly real. I really can't say enough about her performance here.
All I can do is encourage you to experience this movie. I believe you will want to watch it more than once; it is just as fresh and moving the second and third time as it is the first. Don't dismiss it as a "sappy love story" or think its 16th century setting will make it hard to relate to. This is a story as old as time itself, really, and it is a story that will always be relevant to humankind. It celebrates the power of true love and shows all of us that dreams can indeed come true.
3This is the kind of movie that no self-respecting guy would admit to liking in front of his friends. Seeing as i have no self-respect and even fewer friends, i have no reservations in stating that i loved this one from start to finish. It is a clever and highly original retelling of the classic Cinderella story, set in France. The entire cast does an inspired job. Drew Barrymore hasn't been this endearing since "E.T." (or was it "Doppelganger" ? I keep confusing the two), Anjelica Huston is a fittingly loathsome stepmother and even the featured "prince charming" i found easy to stomach. Need i recount the (allegedly true) tale ? (daughter turned lowly servant turned pretend courtier turned princess) Check elsewhere !
The pre-feminist subtext is hard to overlook, but far from obtrusive. Couldn't help liking the not so evil second stepsister. No fantastic elements are introced: there is no evidence of sorcery, or a pumpkin anywhere to be found. Replacing the fairy godmother with Leonardo da Vinci of all people is a stroke of genius, adding to the credibility of the storyline. The payoff is thoroughly satisfactory, leaving you with a smile on your face. My fellow countryman Jeroen Krabbé (Barrymore's father) sees his acting career cut short as he is killed off within the first five minutes or so. The whole thing is accompanied by a great music score. Set aside your prejudice & suspend your disbelief.
4
Every once in a while, a movie surprises me. Such is the case with Andy Tennant's Ever After. Based on the lackluster previews, I was prepared for the worst, but, instead of getting a juvenile, pointless re-telling of the classic "Cinderella" fairy tale, I was confronted with a delightful re-interpretation. While I won't claim that Ever After is the best cinematic version of the fable, this is deft storytelling, and sure to be a hit with almost everyone who sees it (except, perhaps, unromantic cynics).
One of the most curious things about this movie is the PG-13 rating bestowed upon it by the MPAA. This is the third would-be family film in less than a month to carry that classification, and, while it is understandable in the case of the other two, Dr. Dolittle and Small Soldiers, I am at a loss to explain why Ever After was treated so harshly. Aside from a couple of mild swordfights, the evidence of a whipping (the actual event is not shown), and an inconsequential instance of profanity, there's nothing remotely objectionable about Ever After's content. Parents made wary by the PG-13 need not fret; this picture is entirely suitable for viewing by children of all ages.
Ever After's twist is that it's telling the "real" Cinderella story from which the Brothers Grimm fable was derived (the two famous fairy tale scribes make a brief appearance in a prologue that also features a cameo by the incomparable Jeanne Moreau). Consequently, there are no pumpkins, mice, magic spells, or fairy godmothers. The love story between a peasant girl and a prince is still at the core, although, in this case, "Cinderella" (whose name is Danielle), has the kind of progressive attitude that would be more at home in the 1990s than in the 1500s.
The broad strokes of the story are certainly familiar. After the tragic death of her father (Jeroen Krabbe), Danielle (played by Anna Maguire as a little girl, and Drew Barrymore thereafter) is consigned to a life of servitude for her cruel stepmother, Rodmilla (Anjelica Huston), and vain step-sister, Marguerite (Megan Dodds). Danielle has an ally in the household, her second step-sister, Jacqueline (Melanie Lynskey, last seen opposite Kate Winslet in Heavenly Creatures), but she's too meek to stand up to her mother. While Rodmilla, Marguerite, and Jacqueline enjoy as much luxury as their farm house provides, Danielle (bbed "Cinderella" by Marguerite for the cinders that always stain her clothing) is forced to scrub the floors, cook the meals, and feed the animals.
One day, when Danielle is picking apples, she spies a man stealing one of her step-mother's horses. It's actually Prince Henry (Dougray Scott), the heir to the throne of France, in the process of running away from his father because he is unwilling to be trapped in a loveless, arranged marriage. Mistaking Henry for a common thief, Danielle knocks him from the horse with a well-aimed apple. After she realizes who he is, she is apologetic, but the meeting leaves an impression on both of them. At the time of their next encounter, Danielle is posing as a countess in order to rescue a family retainer from debtors' prison. She engages the Prince in a spirited debate, and, although he thinks he recognizes her, he can't put a name to the face. Soon, he is scouring the countryside looking for her, and, although Danielle is attracted to him, she avoids contact, fearing that if he learns that she isn't a member of the nobility, he will shun her. Through all of this, there is a fairy godmother of sorts -- Leonardo da Vinci (Patrick Godfrey), who uses science, not magic, to smooth the path of true love.
Movies like Ever After, if fashioned with little skill, become curiosities for pre-teen girls looking for a summer afternoon at the movies. However, Tennant takes this familiar material and crafts a charming, captivating motion picture. He gives the villains a few human qualities, but still manages to make them despicable enough that we feel justified in cheering when they receive their comeuppance. The all-important romance is nicely-developed. Danielle and Henry are clearly fated to be together, but they have to overcome a number of obstacles along the way, including her dishonesty, her step-family's plicity, and his prejudice. Of course, everything turns out "happily ever after" (hence, the title), but, as in all romances, our enjoyment lies in observing the games played by the two smitten protagonists en route to that ending.
As good as the costumes and setting are, Tennant does not craft a flawless period piece. In fact, Ever After transpires in a pseudo-16th century that bears only a passing resemblance to the historical reality. Anachronisms abound, both in attitudes and in speech. The characters talk as if they are procts of the 1900s, not the 1500s, using idioms that, at the time, were centuries away from making their way into the language. Tennant doesn't appear to be bothered by these inaccuracies, but those who are sticklers for period detail may be distracted by this sort of thing.
Drew Barrymore, continuing to rehabilitate her once-tarnished image, proves that her winning turn as a romantic lead in the otherwise-dreadful The Wedding Singer was no fluke. As Danielle, she radiates tremendous appeal. Like Prince Henry, we are immediately taken not only with Danielle's beauty (which shines through the dirt on her face) but with her spirit. Speaking of the Prince, Dougray Scott (who can also be seen in this summer's Deep Impact) manages the difficult feat of making Henry likable rather than bland (blandness is often the unfortunate fate of the male leads in movies like this). Anjelica Huston and Megan Dodds turn on the bitchiness as step-mom and step-sister, and veteran actors Timothy West and Judy Parfitt have comical turns as the King and Queen of France. Patrick Godfrey's wise-but-humorous da Vinci is a delight.
Tennant, who showed skill at the helm of a romance with his last film, Fools Rush In, has found the right tone for this effort. The love story is wrapped around interludes of comedy, adventure, and drama. It never seems to matter that we know the entire story from the beginning -- the characters, not the plot, capture our attention. One concern I have about this film is that, because it's not high-profile, it has the potential to become lost in the summer crush. Here's hoping that enough viewers discover Ever After to give it a happy ending at the box office.
5
“Once Upon A Time…” begins the classic tale of Cinderella, hapless victim of a cruel stepmother and wicked stepsisters. This time do not look for fairy godmothers or magic pumpkins and mice, and Cinderella may not be the demure damsel portrayed by Disney. Cinderella, AKA Danielle (Drew Barrymore) is a spunky, independent young woman who reads Sir Thomas More's “Utopia” and dreams of running the estate of her deceased father sans stepmother and stepsisters. Prince Charming Henry (Dougray Scott) is a young man struggling to define his own identity in the midst of an arranged marriage and a domineering father. When the two meet, a twisted tale of class struggle, political power brokering and love mix in this retelling of the Cinderella classic called “Ever After: A Cinderella Story”.
A suprisingly well assembled cast along with some original additions to the Cinderella tale make “Ever After” captivating despite any previous exposure to the story. Anjelica Huston makes one mean stepmother, shockingly icy and venomous at times. So well portrayed is the wicked stepmother than you cannot help but be endeared to young Danielle. Drew Barrymore is a master of (acting) youthful innocence and her simple sweet smile was everything I needed to forget some of the racier characters she has played. Even the “bit parts” we filled with charming characters, from quaint country folk to legends from the annals of history. Don't expect history here though; remember this is a fairy tale (and at some points quite anachronistic) but a lively retelling of a well loved story.
“Ever After: A Cinderella Story” contains two instances of profanity, some violence, and some alt topics (including some sexual innuendo). In spite of the above, I was pleased to see positive (albeit brief) references to Christian values. There is even a mention (and I quote) of “the Son of God”! There is a brief instance of prayer and a mention of the positive role that Christian monks played in the ecation of society. This does not excuse the negative and sometimes too frequent sexual innuendo (which many viewers did not even notice, however) but it was good to see Christianity displayed somewhat openly and positively!
“Ever After: A Cinderella Story”” was originally rated PG-13. However, the video version is slightly edited to make it a PG rating. Even with this in mind, however, some topics are better left alone with younger audiences. But otherwise a great film with some positive references to the Christian faith—perhaps you could use this to discuss your Christian faith with a friend!
6
Drew Barrymore as Cinderella? What a perfect fit for an update, like when Alicia Silverstone did a 1995 modern-dress version of Jane Austen's Emma in Clueless. But wait. Ever After doesn't step a toe out of the sixteenth century. Director Andy Tennant shot the film in France, with fairy-tale costumes by Jenny Beavan. Luckily, Barrymore is not the kind of actress who'd settle for a musty retread. The last time she and Tennant worked together, she was a hellcat Lolita in his TV version of The Amy Fisher Story. Barrymore's take on Cinderella is more Betty Friedan than Brothers Grimm. No prince would mistake her for a docile dolly.
Let's start with her attitude. As the orphaned Danielle, Barrymore is willing to take just so much shit from her stepmother, Rodmilla (Anjelica Huston). Danielle doesn't pine for a fairy godmother to solve her problems. Good thing: The script by Tennant, Susannah Grant and Rick Parks doesn't give her one. Danielle makes her own miracles, though she does get sound advice from Leonardo da Vinci (Patrick Godfrey) -- you heard me -- in handling her stepsisters (Megan Dodds and Melanie Lynskey) and Prince Henry (Dougray Scott), a handsome snob with a thing about servants; he recoils in horror when he finds out that Danielle is one.
Enough remains of the Cinderella myth -- masked ball, glass slipper -- to please purists. But it's the feminist spin that makes Ever After mischievous fun. The radiant Barrymore energizes Cinderella with a tough core of intelligence and wit. And Huston is a devilish delight, wringing laughs and a grudging sympathy from a role usually caricatured as pure evil. Shake off the cobwebs. These sisters are doing it for themselves
㈢ 《cinderella》观后感英文版
《Cinderella》观后感英文版：
是一部经典的童话故事，它向我们展示了一个美好、浪漫的世界。在观看这部电影后，我感受到了许多积极的情感和启示。
首先，灰姑娘的故事告诉我们，无论遇到多么艰难的困境，我们都应该保持善良和勇敢。灰姑娘虽然遭受了继母和姐姐们的虐待，但她从未放弃对美好未来的向往。她通过努力和坚韧不拔的精神，最终实现了自己的梦想。
其次，这个故事也表明了真正的爱情是建立在内在美而不是外在美的基础上的。灰姑娘虽然穿着破旧的衣服和鞋子，但她的美丽和善良却吸引了王子的目光。这种爱情观念对于我们现代社会仍然具有非常重要的启示意义。
此外，灰姑娘的故事也传递了一种乐观向上的人生态度。无论遇到多大的困难，我们都应该保持乐观的心态，相信自己有能力克服一切困难。
总之，《Cinderella》是一部非常经典的童话故事，它向我们展示了善良、勇敢、真爱和乐观向上的人生态度。这些主题对于现代社会仍然具有非常重要的意义，让我们更加珍惜自己的生活，保持积极向上的心态。
㈣ 《灰姑娘》600字读后感5篇范文
《灰姑娘》被翻拍过多部影视作品，我最喜欢的还是迪士尼拍的最早的那部动画片。我为大家带来几篇《灰姑娘》 读后感 供大家阅读。下面是我为你们整理的内容，希望你们喜欢。
《灰姑娘》读后感一
“哇!南瓜车、马车、礼服、水晶鞋，好美的画面!”可是为什么偏偏要出现恶毒的继母呢?说到这里，大家应该知道我在讲格林童话《灰姑娘》。下面就来和大家分享一下我读了灰姑娘的感受吧!
灰姑娘在她小的时候本来是幸福的，但是意外之祸降临在这个和睦的家庭，她六岁的时候，母亲生病去世了。她的父亲又另娶了一个长相漂亮但是心肠很坏的女人。可怜的灰姑娘祸不单行，父亲在他 出国 回来后，旧病复发也永远离开了灰姑娘。灰姑娘经历悲痛欲绝的打击后，最终坚强的她接受了上苍的不公，坦然的面对人生。
可无情的继母让灰姑娘睡在又冷又潮湿的阁楼上，每天负责给全家洗衣打扫，干最脏的最重的粗活。两个姐姐不但不做一点家务，反而嫉妒灰姑娘的美貌，把她所有的漂亮衣服、鞋子和首饰都据为己有。只留给灰姑娘又脏又难看的女佣服，但灰姑娘并不抱怨，每天不分昼夜的打扫清理。后来王子选王妃，上天终于眷顾了这个善良、美丽的女孩!
看到这儿，我就想：灰姑娘这个朴素的女孩，从来不怕吃苦，也不计较穿的多么光鲜亮丽，但越是这样越彰显出她内心的美丽来。而在平常的日子里，我总是挑最好的衣服穿，哪怕衣服上有一点儿脏，我也会不乐意的撅起嘴巴耍个公主脾气，跟别提让我每天干什么 家务活 了。看来我身上有许多不足之处，反而像是灰姑娘的姐姐一样无所事事又好吃懒做了，我真是羞愧啊!
读了灰姑娘的 故事 ，我领悟到很多道理，首先要珍惜和父母之间的爱，然后要多包容一下对我们不太好的人。最后，坚持善良，抱有梦想，你也会从灰姑娘变成一个光彩夺目的“公主”。
《灰姑娘》读后感二
这个寒假我在家里读了一篇《灰姑娘》,里面讲了一个富人的妻子病了，在弥留之际，把女儿叫到床前，说：“好孩子，你以后无论做什么，只要心肠好，我就会保佑你的。”说完她就闭上了眼睛。女孩很伤心，后来她每天就到母亲的坟上哭一场。没有过多久，富人又娶了一个女人。
那个女人有两个女儿，那两个女儿长得都很漂亮。但心肠很坏、很恶毒。从此可怜的小姑娘就开始受苦了。那两个女孩夺走了她漂亮的衣服，只给她穿一件灰色的旧褂子和一双草靴。每天都从早到晚地做着苦工。晚上睡觉只能躺在灶旁的灰里。于是她们就叫她“灰姑娘”。
灰姑娘的爸爸也对她不好，有一次她爸爸外出回来给两个姐姐买了好多礼物，而只给灰姑娘带回来一棵棒树的丫枝。灰姑娘把这丫枝栽到她母亲的坟前。就是这个丫枝改变了灰姑娘的命运。这个丫枝慢慢的长成的一棵美丽的棒树。后来灰姑娘每天都要去三次，每一次都有白鸟飞到树上来。如果她说出一个愿望白鸟就会把要的东西送给她。
国王举办一个舞会，国内所有的姑娘都可以参加，当然灰姑娘也想参加，可是继母和两个姐姐都不想让灰姑娘参加故意找事刁难灰姑娘，灰姑娘经受了不少的挫折，就是这时候在白鸟、棒树的帮助下。灰姑娘终于参加到的舞会。在舞会上认识了一位王子，王子也被这位善良的姑娘打动了。和她结了婚最后终于过上了幸福美满的生活。
读了这个故事我懂得了心地善良的人，不管她经受怎样的挫折，都能得到幸福。
《灰姑娘》读后感三
今天，我读了《灰姑娘》这篇 童话故事 。讲的是从前有个富商，他和他的的妻子有一个女儿，长的非常可爱!可是不久他妻子因为生病去世了。后来富商又取了一个新的妻子。给自己的女儿当后母。后母带来了她自己的两个女儿。后母把灰姑娘赶到了厨房，白天干粗重的活，晚上灰姑娘就睡在厨房炉灰边。而且又受尽了后母和姐姐们的欺负和侮辱。
后来，有一位王子要要举行一场舞会，可是灰姑娘只能给两个姐姐打扮的份。等到家里只剩灰姑娘自己了的时候，灰姑娘跑到妈妈的坟墓前哭着说：“请送我一件漂亮的礼服好吗妈妈，我也很想参加舞会”!话音刚落一双水晶鞋和一套漂亮的礼服就出现在灰姑娘面前。灰姑娘开心极了!赶紧穿上了礼服去参加舞会了!舞会上灰姑娘的美吸引住了王子，两个姐姐没有认出她来!一个晚上王子和灰姑娘一个人跳舞，天越来愈来黑，当钟声敲响十二点时候，灰姑娘突然挣脱王子跑掉了。
第二天，胡姑娘穿着更漂亮的礼服来参加舞会!整个晚上王子都在和她一个人跳舞!和上次一样当钟声敲响十二点的时候，灰姑娘挣脱王子跑掉了，可是这次由于匆忙。灰姑娘的跑掉一只水晶鞋。
后来，王子为了找到灰姑娘，拿着水晶鞋全国挨家挨户的找，很多的姑娘都穿不上水晶鞋。后来来到了灰姑娘家，两个坏姐姐都争着穿水晶鞋，可是她们脚不是太大了，就是太肥了。王子准备要走的时候，看到了炉灶变的灰姑娘!说这位姑娘你也试一试吧。灰姑娘走过来一穿正合适!接着她另一只水晶鞋也拿出来了!这个时候王子也认出了她就是和自己跳舞的美丽的姑娘。高兴的说：“我终于找到我的新娘!”于是王子带着灰姑娘走了!他们过上了幸福的生活!
我觉得灰姑娘很可怜!总是给两个坏姐姐欺负，最后两个坏姐姐会得到惩罚的!
《灰姑娘》读后感四
格林的童话《灰姑娘》，被改编成电影，被改编成戏剧，以多种艺术形式继续感动着人们，而且被感动的对象已经不仅仅是孩子们。安徒生的《卖火柴的女孩》与之相比，就单薄了，不光是情节单薄，就其给予人们内涵的感受也是单薄的。灰姑娘的故事，更与潜藏在每一个人内心深处的美好愿望共鸣。因而更具魅力。
继母不懂得珍惜她，因为她还有自己的两个亲生的女儿需要珍惜。她是母亲，她有母爱，但是她的母爱过于自私了，全部的爱都在了亲生的女儿身上。
继母带来的两姐妹不懂得珍惜灰姑娘，也许她们的自私就是受了自私的母亲的影响。她们扒去了灰姑娘漂亮的衣裳，把她当女佣使用。
亲生的父亲不敢爱惜灰姑娘，他的懦弱助长着老妖婆和她的女儿对灰姑娘放肆地虐待。
灰姑娘没有得到爱心，但是灰姑娘珍惜着自己的爱心，没有因为别人不能够给予自己爱心就变得刻毒起来。她把自己的那爱心用在了对母亲的倾诉上，她把自己的爱心用在了对小鸟的交往上，用在了那株美丽的大榛树上……
珍惜我们的爱心，别叫它死亡，别去管个别人如何地对待我们。珍惜我们的梦想，别去管我们此时此刻是多么地艰难。那么，你也会让自己完成一部新版的灰姑娘的故事的。
《灰姑娘》读后感五
今天我看了一本书，名叫《格林童话》。这本书里有贪心的《渔夫和他的妻子》还有《聪明的格莱特》……其中给我印象最深的是《灰姑娘》。
故事讲的是有一个有钱人，他的妻子病死了，给他留下了一个女儿。过了几天，有钱人又娶了一个妻子，这个女人带来了她的两个女儿。这两个女儿长得不错，但心眼很坏。自从她们母女三人进门后，善良的女孩就没过过一天好日子。她们让女孩脱下漂亮的衣裙，扔下一件又破又烂的灰布裙子、一双木屐，还不让她进餐厅吃饭。从此女孩被赶进了厨房里，干又脏又累的活，两个姐姐不但一点也不帮她，还总是变法欺负她、捉弄她。两个姐姐见她弄的满身灰土，从此以后她们就叫她“灰姑娘”。
有一天，父亲到城里去，问三个女儿想要什么。两个姐姐一个说要漂亮的衣服，一个说要值钱的珍珠、宝石。灰姑娘说：“父亲在您回家的路上，把碰着您帽子的第一根树枝折下来带给我吧。”父亲到了城里，分别给两个女儿买了礼物，在回家的路上给灰姑娘带回了一根小榛树的树枝。到家给了她们，灰姑娘把树枝插到了院子里。
王子要找一位理想的妻子，国王请所有漂亮的姑娘都来参加舞会。继母不让灰姑娘参加舞会，带着她的两个女儿去了。灰姑娘等她们走后liuxue86.com，来到小榛树下，让树上的小白鸟，给她丢下一套金银制的衣服。小白鸟从树上丢下一套金银制的衣服和一双水晶制的鞋，灰姑娘换上衣服和鞋来到舞会上，人们都觉得灰姑娘是一位外国的公主，王子也被这位气质高雅、身份不明的姑娘深深地征服了。她拉着灰姑娘的手翩翩起舞，舞会一直进行到深夜，灰姑娘回到家，来到小榛树前换上了以前的衣服回到厨房。连续三天王子都只跟灰姑娘跳舞，王子不知道灰姑娘的家在哪，让人在楼梯上涂上柏油，灰姑娘的一只水晶鞋被粘住了。王子拿着鞋让全国的姑娘试穿，最后终于找到了灰姑娘，并带她进皇宫举行了盛大的婚礼。
如果灰姑娘不去找小白鸟帮忙，而是听她继母的话，乖乖地在厨房里，那灰姑娘也不可能和王子结婚。通过这个故事，我知道了只有通过自己的努力才能实现自己的愿望，光想不去努力的做是不行的。我要向灰姑娘一样，遇到事情自己想办法，通过自己的努力去把事情完成。而不是在那里光想不做，那样什么事也不会做成的。我会为了自己的愿望而努力的。
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5. 《灰姑娘》观后感:Cinderella之麻雀变凤凰
㈤ 灰姑娘电影英文观后感
Cinderella is my favorite fairy tale. It told us a wonderful love story. The poor girl, Cinderella, was ill treated by her step mother and self sisters. But finally, she got her true love with the prince.
It made me moved because Cinderella is such a brave girl; she doesn't care about the gap between her and her beloved one. I learn from it that miracles are often created by our own effort.
㈥ 灰姑娘,美女与野兽的英文观后感！100词左右，急求啊~~~
灰姑娘：
Cinderella is a deeply beloved animated classic. This is very easily one of my Disney animated films ever made because it is such a delightful adaptation of the classic fairy tale. The characters are a lot of fun to watch and the story was handled excellently. The songs in the movie are also very good to listen to and fit perfectly into the movie. I strongly recommend it to any Disney fan.
美女与野兽：
'La Belle et la bête' is a romantic fantasy masterpiece.
The atmosphere is ethereal, hazy, ripe with magic. There is a quality to the pace, visuals, dialogue and blocking that just feels otherworldly. Perfect for this tale.
The use of human and other life forms in unusual ways is most imaginative. Especially so are the faces in the mantel and the torch sconces. I mention them as inspired and labeled this review for spoilers because I still remember the pleasure of the surprise of those images when I first saw this film.
I do not speak french but I think that the actual dialogue matters less than in any film I have seen. This one can be enjoyed by yielding to the image and the rhythm.
㈦ 灰姑娘 2015 电影观后感英文100字
灰姑娘 2015 电影观后感英文100字左右，见附件。
如果看不到附件，请用电脑访问。
㈧ 《灰姑娘》观后感600字 - 观后感范文
今年暑假，我看了一部非常好看的电影——《灰姑娘》。我被灰姑娘坚强而勇敢、仁慈而善良的精神感动了。
这部电影讲的是一个叫瑞拉的小姑娘，妈妈在她小的时候去世了，几年后爸爸新娶了一个妻子，还带着两个女儿。瑞拉的继母和两个姐姐都很漂亮，但她们非常恶毒，经常折磨瑞拉，尤其是在瑞拉的爸爸去世后，继母辞退了所有的佣人，把瑞拉当女仆用。不过，瑞拉始终记着妈妈去世的时候告诉她的话：“要坚强而勇敢，仁慈而善良。”在瑞拉伤心难过的时候，也不忘帮助比她更需要帮助的人。最终，瑞拉在仙女教母的帮助下，参加了舞会，和王子过上了幸福的生活。
看了这部电影，我觉得灰姑娘不仅外表美，心灵也很美。灰姑娘不仅长得很漂亮，而且有一颗仁慈的心。继母和两个姐姐根本不把瑞拉当人看，每天给瑞拉找来一堆又一堆的活儿让她干，还给瑞拉起了一个难听的外号——灰姑娘。灰姑娘不但没有恼怒，每天还为继母和两个姐姐洗衣做饭，尽心尽力地照顾她们，用一颗仁慈的心去面对恶毒的继母。灰姑娘唯一的宣泄方式是骑着马在森林里奔跑，这使她与王子有了第一次的相遇。正因为灰姑娘有一颗仁慈的心，没有与后母争吵，没有将自己的委屈在家里宣泄，而是骑马在森林里奔跑，才使她与王子相遇了。当我看到瑞拉的父亲不幸去世后，继母和她的两个女儿像对待仆人一样对待瑞拉时，我觉得瑞拉非常可怜。再看看我自己，爸爸妈妈把我看成掌上明珠，每天陪在我身边，关心我、照顾我。我的生活是多么美好啊，我以后要更加珍惜现在的幸福生活。
灰姑娘从始至终都记得妈妈的话，一直保持着一颗善良的心。灰姑娘的善良感动了仙女教母，使她获得了仙女教母的帮助。仙女教母用魔法帮灰姑娘变出了晶莹剔透的水晶鞋、漂亮的蓝裙子和金光闪闪的马车，使灰姑娘参加了王子的舞会，最终和王子幸福地生活在一起。灰姑娘的故事，使我懂得了善有善报的道理。
灰姑娘非常坚强、非常勇敢，自始至终积极地面对生活。灰姑娘想去参加舞会，但她没有裙子，在受到继母的重重阻挠后，她没有选择逃避，而是勇敢地面对，积极寻找解决问题的办法，并将母亲的旧裙子改成了自己的裙子。在我们的学习生活中，也会遇到这样那样的问题。无论遇到什么困难，我们都要勇敢面对，不轻言放弃，要相信自己，只要努力，肯定能够成功。
我很喜欢《灰姑娘》这部电影，它教会我一个道理：做人一定要坚强而勇敢、仁慈而善良。无论遇到任何困难，我们都要像灰姑娘那样，勇敢地面对问题，并积极想办法解决问题。
指导教师点评：看了《灰姑娘》这部电影，小作者懂得了一个道理：做人一定要坚强而勇敢、仁慈而善良。作者能联系生活实际谈感想，写出了自己的感受。习作用词准确，语句通顺，内容具体。