电影海上钢琴师的英文

⑴ 《海上钢琴师》的英文版电影分析

该片的英文译名是THE LEGEND OF 1900

The Legend of 1900 is an interesting fable from legendary Italian filmmaker Guiseppe Tornatore, maker of Cinema Paradiso and The Star Maker. Based on a monologue by Alessandro Baricco, The Legend of 1900 tells the story of a unique man who never set foot upon dry land. On January 1, 1900, a small baby boy was found abandoned on the Virginian, a transatlantic ship. The crewman who found him names the boy Danny Boodman T.D. Lemon 1900; 1900 for short. 1900 is a true orphan. He knows nothing about his parents or his past. The Virginian is the only thing he knows.

The story unfolds as a series of flashbacks told by a man named Max (Pruitt Taylor Vance, Nobody's Fool, Mumford). In a series of events that seem awkward to the viewer, Max tells various people he meets about his experiences aboard the Virginian with 1900 (Tim Roth, No Way Home, Gridlock'd). The transitions are clunky, causing the story to frequently halt for further exposition before continuing. At a young age, 1900 became a piano prodigy. He entranced people with his ability to play the piano, and mbfounded people with his refusal to leave the ship. 1900 helped Max ease his transition onto the ocean, and the two became friends, playing together in the band. Max details 1900's experiences with love (in a very Titanic-like meeting), and his encounter with Jelly Roll Morton (Clarence Williams III, The General's Daughter, Reindeer Games). Morton is irrationally jealous of 1900 and challenges him to a piano el to determine the better player. Williams glowers through his role, which is interesting but one-dimensional.

Roth plays 1900 as an enigma. He shows emotion only when he is playing the piano. Vance's character is much more annoying. His only purpose is the narrator. Tornatore gives no reason as to why the two become friends, or remain friends for such a long time. 1900 is well liked by the crew, so why is Max the person 1900 confides in the most? The music of The Legend of 1900 was composed by another legend, Ennio Morricone. Morricone composed more than 400 scores over his career, garnering numerous nominations in the process. Morricone's music permeates the movie, rising and falling with the moods of the characters. The proction on The Legend of 1900 is gorgeous. The special effects are great, but here it is a good thing. Long shots of the Virginian do not look quite real, instead it looks almost magical. This is Tornatore's first English film, and although it isn't outstanding, it is a nice effort.

⑵ 海上钢琴师的主演是谁 英文片名 导演 还有 主演演过什么电影 电视剧

主演tim roth 片名为 the legend of 1900 他还出演 低俗小说 绿巨人还有lie to me

⑶ 急需电影《海上钢琴师》的100字英文简介

英文影评

He's a man so brave, that he can play the imaginary piano when exploded with the ship he was born, lived and died in. Yet he's a man so scared, that he cannot face the infinite city life we are living everyday. He's a man so intelligent, that he can play the piano as if he has four arms (or I'd rather say, he has God's arms). Yet he's a man so stupid, that he chose to gone with the wind while he's other choice could be marrying a beautiful woman and having a child. He's a man so perceptive, that he could use his music language to describe exactly others' feelings. Yet he's a man so insensitive that he'd rather disappear after a gentle kiss on his beloved while she's asleep than unburden himself and tell her "ILU".

But one thing is for sure: this man is a real artist--pianist. Only a man like him can dance with the piano in a terrifying storm. Only a man like him can give up the first two bouts of a el, and beat the competitor entirely, convincingly, potently in the last bout. Only a man like him... can have such a beautiful story to tell...

This man is Danny Boodmann T.D. Lemon Nineteen Hundred, who is also known as simply "1900". A man never existed. He has never set foot on land in his entire life. No ID. No passport. No Visa. No parents. No birthday. Nothing in the world belongs to him except his music.

So he played. For the first class guests. For the third class members. For the girl at the window. For the darkness of the night. For the heartbeat of his own. For the sea-- his eternal home.

He had once wanted to get off the ship. To meet his girl and to hear the voice of the sea, as he always wanted to. He hugged friends goodbye and waved and went down. But his pace became slower and slower, and finally stopped. As he described at the end of the movie:

"Nineteen Hundred: All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world... Take a piano. The keys begin, the keys end. You know there are eighty-eight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by. You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. Christ! Did, did you see the streets? Just the streets?There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die... All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way. Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off."

He didn't get off. That's what he said and he did. As I mentioned above, he died with the ship, in the explosion. I believe at this point of the movie, no body can hold their tears back.

By the way, this movie is Directed by Giuseppe Tornatore, who is also the director of Nuovo cinema Paradiso and Malèna. Some people say the legend of 1900 is the director's compromise to Hollywood-style-commercial movie. Well, I know nothing about this kind... It's a excellent movie. Much I could say.

⑷ 海上钢琴师的英文名称是什么

海上钢琴师》英语：The Legend of 1900；意大利语：La Leggenda del Pianista sull'Oceano。是意大利著名导演朱塞佩•托纳托雷的“三部曲”之一。
电影是由亚历山卓•巴利科1994年的剧场文本《1900：独白》所改编而成。由蒂姆•罗斯主演，电影主要是讲述了一个被命名为“1900”的弃婴在一艘远洋客轮上的传奇一生。于1998年10月28日在意大利上映。

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2019-11-26

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《海上钢琴师》英语：The Legend of 1900；意大利语：La Leggenda del Pianista sull'Oceano。是意大利著名导演朱塞佩•托纳托雷的“三部曲”之一。
电影是由亚历山卓•巴利科1994年的剧场文本《1900：独白》所改编而成。由蒂姆•罗斯主演，电影主要是讲述了一个被命名为“1900”的弃婴在一艘远洋客轮上的传奇一生。于1998年10月28日在意大利上映

⑸ 电影《海上钢琴师》的英文名字是什么

参考资料点击 http://ke..com/view/21055.htm
The Legend of 1900

⑹ 查 海上钢琴师 中主人公全名

就是1900，他是1900年第一天被锅炉工人丹尼博德曼在写有Thanks Danny的盒子里发现的，后来丹尼抚养他，为了纪念这一天，起名就是1900。

⑺ 电影肖申克的救赎和海上钢琴师电影的英文名

《肖申克的救赎》英文名：The Shawshank Redemption
《海上钢琴师》英文名：The Legend of 1900