美国电影的影评英文版

『壹』 求一篇外国电影《外星人et》 的英文影评

Nearly twenty years since it was first released on the world, Steven Spielberg's 1982 sci-fi/fantasy masterpiece E.T.: THE EXTRA-TERRESTRIAL remains one of the greatest movies ever made. This is one of those films that makes us feel and think at the same time.

Its story of a very benign alien being accidentally left stranded on Earth and protected by a ten year-old boy (Henry Thomas) from government agents is so well known it doen't really have to be discussed. E.T. is, alternately, magical, fantastic, suspenseful, and sometimes even a bit terrifying. And sprinkled throughout the film are singular moments that really stand out as some of the most unforgettable scenes in cinematic history; by this time, I think we know what those are. For me, perhaps the most priceless scene is the introction between E.T. and Gertie (Drew Barrymore), where she screams her head off, It is one of the very few times where I've wanted to laugh and scream at the same time!

Spielberg's film, though scripted by Melissa Mathison, is almost painfully autobiographical, given what the director has said about his childhood. Like Spielberg, Thomas' character goes through life minus a father, even though his mother (Dee Wallace) does her best. He feels isolated and picked upon in school, as Spielberg frequently did. There is also plenty of religious symbolism that probably doesn't need any analysing and was probably unintentional. In any case, looking past the fact that it won four Oscars--for sound, sound effects editing, special effects, and John Williams' legendary music score--and has grossed over $1 billion, E.T. is a masterpiece of the cinema, pure and simple, and it will always be that way.

『贰』 给我2部英文的电影影评

《猩球崛起》的英文影评:
After the initial success of the original Planet of the Apes back in 1968 with Charlton Heston (which I saw only a couple of years ago and thoroughly enjoyed) they did three sequels preceding it which weren't bad through into the early 70s. Then in 2001 tragically Tim Burton tried a remake/reboot with Mark Walghberg at the helm. For me as it was seen generally by the public it was absolutely awful. Finally after another decade director Rupert Wyatt has made a second attempt at a reboot/remake and I am pleased to say he has carried it off with great aplomb.

This version first sees good-intentioned scientist Will Rodman (James Franco) doing experiments on genetically enhanced Apes to try and find a cure for Alzheimer's which his father Charles (John Lithgow) has. He ends up taking home a baby ape that he calls Caeser (Andy Serkis) when it's mother dies after being killed by security guards who thought she was going on the rampage while really she was protecting Caeser. Whilst taking care of Caeser Will discovers a drug within the Apes that will help cure his father as he also teaches Caeser how to socialise. He also develops intelligence (a side effect of the drug). Meanwhile Will ends up dating vet Caroline (Frieda Pinto) who loves Apes as much as Will.

As years go by Will's father starts to deteriorate again as the drug begins to wear off and an incident with Caeser defending Charles against an abusive next door neighbour gets the Ape catered off to a sanctuary with other Apes where Caeser is bullied by two guards, one being Dodge Landon (Tom Felton who played Malfoy in the Harry Potter franchise).

Due to the cruel treatment Caeser receives at the hands of these humans and feeling neglected by Will he establishes himself as the alpha-male and plans a daring and well co-ordinated escape for freedom with the other Apes to rule over the humans (what will eventually be the case in the sequel). First off the CGI of the Apes themselves is absolutely jaw-dropping. Forget men in monkey suits in the original and the sequels that proceeded. These apes look - are actual apes, you wouldn't think that they are just special effects. It's a testament to giving this film realism as they move like real apes. The second biggest strength is the central performance by Andy Serkis as Casear, it also reflects the many strengths of silent movie making as Casear stays virtually wordless. Serkis gives a sensational central performance that deserves at least an Oscar nomination. Through Caesar's movements and facial expressions and when he finally speaks we feel everything he feels tenderness and love at Will looking after him and pain and rage when being mistreated by humans. It is bravo piece of acting and the audience feels for Casear's plight the whole way.

It's unfortunate that the humans fair less well mostly. The only ones who really make any impact is Tom Felton as the nasty guard who makes the most of his menace in a cracking performance and Lithgow as Charles who gives an accurate and sensitive portrayal of one suffering from Alzheimer's. Even then they have little character development.

Unfortunately James Franco and Frieda Pinto are nothing more than cardboard cut outs as they have severely unwritten roles (though they give decent performances). Franco though has more to do for the first hour as the screenplay sets him up well but loses interest in him in the last hour where he does nothing except fall for the expendable vet who could have been cut from the film altogether as she was very forgettable as a character and run hopelessly after Casear. Also some of the plot is a little too sloppy with a few glaring plot holes. How come Will's neighbours delay complaining to the authorities about the chimp until it is fully grown, when it has behaved scarily for years? How come Will waits so long before telling his boss about the miraculous properties of his drug? Did they somehow slip his mind? And why does Will's boss – a poorly written corporate type profit obsessed - change abruptly from ultra-cautious about animal testing to ridiculously reckless?

However putting those faults aside there are other positives going for this film apart from Serkis's performance and the CGI. The action sequences namely the climax is well worth waiting for, which takes place on the Golden Gate Bridge is excellently choreographed and exciting to watch with beautiful cinematography from Andrew Lesnie who previous work included Lord of the Rings.

There are faults with Rise of the Planet of the Apes but not enough to stop me enjoying it all the way through. This is a worthy addition to the other versions and a terrific first film for a reboot that is certainly worthy of a sequel. These Apes are well worth seeing on the big screen. I'm really looking forward to seeing the continuation of the story and seeing how this promising new franchise will continue to develop.

《垂直极限》的英文影评:

When I saw this shortly after it came out on DVD, it got high marks just for the spectacular sound alone. It had some of the best rear-speaker sound I had ever heard. It was a showpiece for DVD players at the time.

The movie is interesting with it's main fault being a common one: overdone action at the end. Along the way, however, it has many almost jaw-dropping scenes and some spectacular mountain scenery which looks great on the sharp DVD transfer. The stunt work in here is also incredible. Martin Campbell, the same director who did The Mask Of Zorro and Goldeneye, is good at procing eye-popping action scenes.

The dialog at times is juvenile, but it could have been worse. The profanity was lower than expected, too. How accurate is it concerning mountain-climbing? Probably like most films: totally inaccurate, at least that's what a mountain- climbing expert told me, and I believe him.

All in all, however, a far better film than I expected.....strictly for the entertainment.

『叁』 美国电影《弱点》的英文影评和梗概

梗概：

The film tells of a homeless African American boy, Michael och, who was an orphan since childhood and met the kind Mrs. Taoxi. With the help of the latter, he finally became the first selected player of the American National Football League.

影片讲述了一个无家可归的非洲裔男孩迈克尔·奥赫从小就是一个孤儿，遇上了好心的陶西太太，而在后者的帮助下，他终于成为了美国国家橄榄球联盟的首批被选球员。

评价：

This is a typical American theme film. Although it has its hypocritical side, it really moves people's hearts. It uses an ordinary person's personalized road of success to interpret the level of social development and national feelings.

这是一部典型的美国主旋律电影，尽管有其伪善的一面，但真正做到了打动人心，是用一个平凡人的个性化成功之路来诠释社会发展水平和国民情怀。

人物

1、莉·安妮·陶西

一位和蔼、友善、极有责任心的白人养母。陶西的儿女与迈克尔在同一个学校就读，她看到迈克尔一人徘徊在街上便把他带回了家。陶西一家都非常喜欢迈克尔，最后他们决定领养他，让他成为家庭的一员。

2、迈克尔·奥赫

一个无家可归的非洲裔男孩迈克尔·奥赫从小就是一个孤儿，一再的从领养家庭中逃走后终于遇上了好心的陶西太太。

『肆』 英文电影影评100字

《阿凡达》影评：

Avatar is directed by James Cameron.The two main characters are Jake Sully,played by Sam Worthington,and Neytiri,played by Zoe Saldana.

Clones named Avatars are sent to Pandora Planet to persuade people there to leave the planet so that human beings can exploit a rare mineral.Jake is sent there to control his Avatar.

However,he comes across Neytiri and they fall in love with each other.Jake begins to see that nature and the planet should be protected.At last he and the people there work together to defeat human beings and send them back to the earth.

3D technology and the beautiful natural scenery are the two highlights of the film.The message of the film is simple—human beings should protect nature and live in harmony with it.

译文

《阿凡达》由詹姆斯·卡梅隆执导，两个主要角色是山姆·沃辛顿饰演的杰克·萨利和佐伊·萨尔达纳饰演的奈提莉。

名为阿凡达的克隆人被送往潘多拉星球，劝说那里的人们离开这个星球，这样人类就可以开采一种稀有矿物。杰克被送往那里控制他的阿凡达。

然而，他遇到了奈提莉，他们相爱了。杰克开始意识到大自然和地球应该得到保护。最后，他和那里的人们一起努力打败人类，把他们送回地球。

3D技术和美丽的自然风光是这部电影的两大亮点。电影传达的信息很简单——人类应该保护自然，与自然和谐相处。

『伍』 求三部英文电影的影评【英文的】150词左右

三个片子以及影评如下：
电梯里的恶魔 Devil
2012
茜茜公主 Sissi
————————————————————————————————
电梯里的恶魔 Devil

Finally, when the police Bowden to send Tony home, I thought the devil attached to Bowden's body. But I really, really did not expect, he said, facing the mirror looked at Tony, I forgive you. Narrating said, every time my mother gave me finish those (demons) of the story, she would comfort us, the children, do not worry, if the devil is true, then God is also true. (Don't worry, she'd say, if the devil is real, then God must be real too.) And then the whole city was quiet and bright look.

I was a little shock this last sentence, I am not a Christian, but I believe the devil is really just refers to the devil, God is not merely referring to God. The devil is the darkness of evil, which is why each person killed in the elevator when they are in the darkness, and God is the light of justice, which is why after the disappearance of the old woman everything normal.

So do not be afraid, if the devil is true, then God must be true.

_________________________
2012

2012 is a 2009 disaster film directed by Roland Emmerich. The film stars John Cusack, Chiwetel Ejiofor, Amanda Peet, Oliver Platt, Danny Glover, Thandie Newton and Woody Harrelson. It was distributed by Columbia Pictures. Filming began in August 2008 in Vancouver.
The film briefly references Mayanism, the Mesoamerican Long Count calendar, and the 2012 phenomenon in its portrayal of cataclysmic events unfolding in the year 2012. Because of solar flare bombardment the Earth's core begins heating up at an unprecedented rate, eventually causing crustal displacement. This results in an onslaught of Doomsday event scenarios plunging the world into chaos, ranging from California falling into the Pacific Ocean, the eruption of the Yellowstone National Park caldera, massive earthquakes, and Megatsunami impacts along every coast line on the Earth. The film centers around an ensemble cast of characters as they narrowly escape multiple catastrophes in an effort to reach ships in the Himalayas, along with scientists and governments of the world who are attempting to save as many lives as they can before the disasters ensue.
I think,it will be, for its audiences, one of the most satisfactory films of the year and it really can be called the "mother of all disaster movies".

________________________

茜茜公主 Sissi

Two hundred years have passed, or relish the Austrians who had their moment in the Queen's situation, her beauty, her worries, her bit by bit, everything is all her people food for thought. But I know after the end of her life, but an infinite loss, the original Romy. Schneider played sissi not really her, that does not belong to her own happiness, but the movie is the story of a beautiful dream has fallen. Once said, are taken out of context a beautiful fairy tale, this story was altered into fairy confused, when you see the true colors of the story when he realize that this world is no fairy tale, happy people are always so few, immortal There are so many stories are deeply investigated for the content unbearable. We too are keen to have the perfect fairy-tale, right then, so many continue to perfect the story, and finally opened the veil that layer of dough, the result is the dashed dreams.
You are such a woman, always in the history of a similar no shortage, your beauty is not unprecedented nor non-repeatable, but reflects that women have tragic life, can not control the fate of many of the total, let us no alternative but to sigh, the original spirit of freedom is very important, it is that some people can not pursue to a lifetime thing.

『陆』 求一篇英语电影的英文影评，600字~800字，答好给20

你是猪，不要以为贴上时髦的标签就以为你不是猪！

人的身上是有猪的本性的！

我想，这就是导演为什么会选择一头小猪作为电影的主角！

我一向不愿意看动画片的！至少我觉得真人的影像才能带来真实感！

这部动画影片却纠正了我的偏执，它让我笑着哭。

本以为它应当是给人以轻松搞笑的，可我确看到伤心！

不知道为什么，当影片进行到麦太与麦兜许愿不再吃鸡的那一段！麦兜：“...我希望我争气，妈妈不用挤眼泪，不用有更年期....如果妈妈开心......我愿意以后都不吃我最最喜欢的鸡！”麦太说：“......妈妈在外面，其实也不是一头成功的母猪.....我每天回到家，最开心最开心就是能做一顿好吃的，看着你吃的样子，这个使我能够给你的最简单最基本的幸福，所以，若果你以后不再吃妈妈做的鸡，妈妈再也看不到你吃鸡的样子，那妈妈的一切就没有了！”我眼泪止不住的往外溢，伴随着阵阵心酸！我想到了我和我的妈妈。从麦兜身上，我看到了自己的影子。如果我妈妈能开心，我愿意去做任何事！从麦太身上，我更感觉到的是妈妈。妈妈说过，她最大的心愿就是可以看着我健健康康的长大！如果说每个中国人都可以从阿Q身上找到自己的影子，我却从一头小猪的希望里看到自己！有泪不轻弹，未到伤心处！一部《麦兜》却如针尖一样扎进我的心脏。

“一丁点儿”这个词也是在影片中出现过很多回，刚看完影片时，我最不理解的是麦仲肥与麦兜故事有什么关系！感觉很牵强。后来，“不会差一丁点儿 ”让我有了感触，麦仲发明每样东西总是差那么一丁点，麦太经商总是差那么一丁点，麦兜的学习也总是差那么一丁点....做每一件事，总是差那么一丁点而没有做成！这是我除了笑之外的另一处尴尬！总是差那么一丁点！在我们的现实生活中，有多少心底善良，努力上进的人们，然而总是因为差那么一丁点而没做成！难道这不正是说道我们的痛处吗!生活，它是苦涩的！

感谢作者创作了麦兜，常看到一行字，本故事纯属虚构！然而，我却在麦兜的故事里体味到了，善良，心酸还有一个真实的世界！

『柒』 求以下电影的英文影评，每篇两百词左右

1.《Dead Poets Society》
Dead Poets Society was a movie that took some in depth realization. Robin Williams did a fantastic job depicting indivialism and how to walk on your own. He realized that these young men were going to be shaped in either a bad way or could shape themselves into the type of men they wanted to become.Sure, everyone around them were jerks and stiffs but that is the environment of the school. People just didn't go up against all odds, and everything was OK. That is exactly what Dead Poets Society was showing. Even though there were consequences to the boys being inspired and re-forming "Dead Poets Society" they still learned to march to their own drummer. They could be boys and go for their own dreams and ambitions. This movie showed Williams in a different light and i have so much respect for his character. He believed enough in these boys to loose his job. Standing on desks may not make everything better, but it shows the real meaning of the movie. These boys had been taught to conform and put their beliefs aside, but Williams opened up their hearts and made a lot of people, whether they liked it or not, realize that tradition is not always the way to push your children. If all you can look at is the expression on Neil Perrys fathers face, when he realized what his son had done, then you really didn't get the point. This was not Mr. Perrys life, and Williams knew that and was not about to cover up Neils dreams and tell him exactly the opposite of what he had been teaching him all along. Dead Poets Society was an unbelievable movie that showed how this teacher believed so much in his students, that it changed their lives.
2. 《The Joy Luck Club》
Joy Luck Club is a deeply moving film that will touch the heart and mind of anyone who opens themselves to it's messages about life.

If someone (such as darkfalz) feels this film speaks more of women's shallow choices, they miss out on humanity for the sake of superficial judgment.

This is a film about hard choices and sacrifice. It's a story of the generation gap that inevitably occurs between immigrant mother's and their daughters who were brought up surrounded by different values. Each mother strives to raise her children in a way that will bring them success and joy in life. Each hopes to free their offspring from the pains they themselves had to enre.

It is also about the Chinese way of pushing a child to be the best, and gives insight into a mother's need to see her own struggles amount to something great in her daughter. However, this is not just about Asians. It is about all parents hopes and all children's frustrations with fulfilling those dreams.

In America the story of the first generational gap is a very real and painful one. It happens for boys as much as girls, and I know a lot of men who relate to this film despite it's inherent chick flick nature. It celebrates the need to keep your roots and history alive, even if you let go of certain traditions that you were not born into.

The women in the film often make hard choices. Many of them folly and sin, but it is not a film about forgiving them so much as it is about the lasting effect of the choices we make.

Everyone should see this film. It's one of the most honest human dramas out there.

3.《The Devil Wears Prada》
I had been told that Merryl Streep is great in this movie but the movie isn't really very good, so I went in with very low expectations. Maybe that was good: I really liked "The Devil Wears Prada" a lot.

Maybe I liked it because of two things I had in common with Andy: first, I have had the experience of starting a new job with only the vaguest idea of what I was supposed to do (and how to do it) and finding that everyone expected me to perform competently, without any training or help, right away. Second, I have had a boss (female) who was so difficult to please and so willing to tell her underlings how stupid they were that several quit without even waiting until they could find other jobs. In other words, I could really relate to Andy's situation. Stuff like that actually does happen in the real world. Perhaps, that is the reason that I was possibly the only person in the theater who was hoping Andy would not make the choice she made.

One thing that Miranda Priestley (Merryl Streep) had going that my Boss From Hell did not was class. It would have been very easy to create Miranda as a monster, but, wisely and skillfully, Merryl Streep allowed her to have a dignity and intelligence that made her seem to be demanding but not sadistic.

Stanley Tucci is superb as Nigel, the ambitious, hard working man who dreams of having a position of power like Miranda's some day.

"The Devil Wears Prada" is a very funny movie that is not as far divorced from the real world as, I believe, the procers of this movie may have thought.
4. 《Philadelphia》
In 1993, not many films major films with top stars had taken on the AIDS as a topic, so Jonathan Demme really was taking a risk here. He made the smart move about keeping the movie true to the story and outlining how all of us are prejudice in one form or another. He also made a film about a man dying from AIDS, plain and simple.

Philadelphia does not stand on a high horse as a gay rights film, and if it did its mass appeal may well be ruined. I am very conservative by nature, but still this film makes me cry and reminds me that above all, people die a horrible death.

Hanks won a well deserved Oscar here, and I think he won mostly for the brief but pivotal scene where his lawyer (Denzel Washington) re-directs a line of questioning about skin lesions. I will not spoil for you, but if this scene fails to move you then nothing will.

I love courtroom dramas and this a great one. Denzel Washington is key - you see his character change over time from a greedy lawyer with prejudices to a compassionate friend. I do not think that the his character ever overcomes his prejudice, but grapples with it and learns what is right in spite of himself. Denzel gives a Oscar worthy performance as well.
5.《Beauty and the Beast》
This Disney classic is truly one of the most darkest but most loving films I have every seen. I don't want to say to much cause we all know that this film is very impressive no matter what level it's on.

A young prince is rude to an old lady who's trying to get out of the cold. He rejects her again and she turns into a beautiful princess (Godest) and then she transforms him into a Beast and he must have love in his heart and he must learn to love another. The other person (who is the gorgeous Belle) must love the Beast. The Beast looses all faith and keeps himself in his black, darken castle for many years.

Maurice then goes to the fair and gets lost in the woods and then Belle (who is the daughter of Maurice) goes out to look for him and ends up being a prisoner instead of her father. As the film progresses on, the Beast & Belle end up falling in love and we do have a magical ending.

i can't on how much I love this film. I think there where two sequels and they both sucked a lot of ass. The 1991 classic has a deep, emotional, loving story, characters are great, the settings are awesome and the music score of coarse is done well with both the themes of passion and darkness.

After the Lion King, this would be my second favorite.

6. 《The Queen》
An exceptionally well written, directed, and acted film. I am torn about the best picture category, but would not be disappointed if this film won. I would, however, feel that the Academy would be making a tremendous mistake if they did not honor Helen Mirren with a statue, in spite of the other fine actresses in the category. Ms. Mirren put a face on the most recognized yet most isolated monarch in the world. Kudos! I am far from a royalist sympathizer, but I do appreciate the human element this or any story provides. I was equally moved by the symbology employed by way of "stalking the stag." Princes Philip, Charles, William, and Harry, while at Balmoral would go out daily to stalk a 14-point stag for a hunting expedition in order to distract the younger princes from the horror of their mother's untimely and brutal death. Queen Elizabeth encounters the stag in one of the films most beautiful and emotional moments. The Queen's Range Rover breaks down as she tries to ford a river. While waiting for help, the stag appears. Standing before the Queen, the noble animal represents the British Monarchy; its ability to survive despite attempts on its life parallels the longevity of the Crown. The stag's tenuous hold on life mirrors the Queen's trouble at maintaining the monarchy e to rising unpopularity. Her attempt to honor the Spencer family's right to private mourning is seen as inaction and a lack of compassion by her subjects who mourn en masse. When the Queen acquiesces to Prime Minister Blair's recommendations to return to London and acknowledge the mourners she learns of the stag's death. Significant is the fact that the stag was not killed by a "royal" but by a "common" investment banker from London. An act portending the fate of the monarchy at the hands of the British subjects if the Windsors fail to modernize. It is not so much that the British, as portrayed in the film, were shouting down with the Queen, but were looking to their Sovereign for consolation ring their collective mourning. Mirren and the entire cast succeed at putting this small slice of British history into perspective, and for that this film succeeds.

7. 《Troy》
Troy is without a doubt one of the greatest movies of all time. Those who think differently should be ashamed of themselves. This movie as most people know is based on Homer's the Illiad. The movie is way off from the book but who cares. This movie excels in every aspect.

I thought this movie excelled in the acting aspect. Every actor drew me into there character. I found myself cheering for Hector when he fights Achilles and was sad when he died. Many reviews did not like Brad Pitt's performance because he didn't let you get into his character. However if you know anything about the book you will realize that Achilles is just a tough, egotistical man and Brad Pitt portrayed that very well. Eric Bana was outstanding as Hector and I liked his character the best, and I liked how the director showed the struggle with him debating whether to fight Achilles or not. I'm not a huge Orlando Bloom fan but he portrayed a very good coward in the character of Paris. They picked the perfect woman to play Helen because hey, isn't Helen supposed to be extremely hot. Last but not least Brian Cox does a phenomenal job as Agamemnon. Brian Cox plays every bad guy in his movies to perfection.

『捌』 求3篇英文电影的影评（100字左右）

又要主要内容，又要角色演员介绍，还要评价，100字怎么够啊...中文100字也不够呀....500字以上可以的话，可以试试....
阿甘正传:
Forrest Gump is a 1994 American comedy-drama film based on the 1986 novel of the same name by Winston Groom. The film was directed by Robert Zemeckis, starring Tom Hanks, Robin Wright, and Gary Sinise. The story depicts several decades in the life of Forrest Gump, a simple Alabama man who travels across the world, sometimes meeting historical figures, influencing popular culture, and experiencing firsthand historic events of the late 20th century.
People think there was something wrong with Forrest’s brain, but not serious. That was the case. Due to his blunt brain, Forrest couldn’t think too much, just did the same thing constantly, such as run, such as playing Ping-Pong, such as catching shrimp. Due to his clumsy mind, he even didn’t know many usual boring things of life and then he lived a quite happy life.

We are clever, we know a lot, and we care about too much. But many of us even can’t do one thing very well and can’t become successful like Forrest Gump. I used to think I was quite clever and I could do a lot of things. But I have achieved nothing until now. I must learn from Forrest Gump——just run, not consider why I run——just do one thing, not many!

叫我第一名:
Joe Somebody is a 2001 American comedy-drama film written by John Scott Shepherd and directed by John Pasquin. The film stars Tim Allen as a man stirred into action by a workplace bully. The film also stars Julie Bowen, Kelly Lynch, Greg Germann, Hayden Panettiere, Patrick Warburton and Jim Belushi.

“Joe Somebody” is the story of Joe Scheffer (Allen), an everyday business man who is constantly looked over in life. His wife (Kelly Lynch) has recently divorced him, the job promotion he was promised months ago has never happened and even though he’s worked for the same company for ten years, no one can remember his name. Rather than lashing out at the world, Joe continues to bottle up his anger inside of him. When he gets punched by a co-worker in front of his daughter over a parking spot though, it’s the final straw. Joe decides that this nobody is going to finally become a somebody and begins taking self-defense lessons in an attempt to finally beat the bully that set him off.
While the story behind “Joe Somebody” has a moral that’s good for young kids to learn, there have been 100 movies just like this geared towards a family audience. “Joe Somebody” was intended to finally break the mold of this family-friendly story by being rated PG-13, but when Fox discovered they didn’t have a film that was kiddie-friendly for the holidays, they axed “Joe Somebody” for a PG-rating. Now, “Joe Somebody” is a cliched-filled family film with lines and situations so predictable, audiences will be left groaning rather than laughing. Sure the film has a couple funny moments– the scene where Allen and a bunch of 40-something co-workers do Karaoke to the Backstreet Boys’ “Larger Than Life” should receive a few laughs from the 20 and under crowd– but it’s ending is so corny that nothing could prevent audiences from wishing they saw Harry Potter or Monsters, Inc. for the umpteenth time rather than sitting through “Joe.”

『玖』 英文电影影评

Julie & Julia is a 2009 American comedy-drama film written and directed by Nora Ephron starring Meryl Streep, Stanley Tucci, Amy Adams, and Chris Messina. The film contrasts the life of chef Julia Child in the early years of her culinary career with the life of young New Yorker Julie Powell, who aspires to cook all 524 recipes in Child's cookbook in 365 days, a challenge she described on her popular blog that would make her a published author.

Ephron's screenplay is adapted from two books: My Life in France, Child's autobiography written with Alex Prud'homme, and a memoir by Julie Powell documenting online her daily experiences cooking each of the 524 recipes in Child's Mastering the Art of French Cooking, and she later began reworking that blog, The Julie/Julia Project。 Both of these books were written and published in the same time frame (2004–06). The film is the first major motion picture based on a blog。这是我最喜欢的一部电影之一，我在维基网络上找的资料，你根据那里的资料改一改，至于观点，你可以写坚持自己的兴趣和爱好这一方面，写兴趣是最好的老师什么的，给你个链接