电影苔丝推荐英文版

Ⅰ 苔丝的英文简介

Hardy (1840-1928) is an outstanding English realistic novelist and poet. Born in a small village adjacent to the Waste Land of Dorset. As an apprentice in his youth, he taught himself Latin, Greek and theological works.

He studied French at London University and began to write literature at the same time.

Tess is the representative work of Thomas Hardy, an outstanding British critical realist writer at the end of the 19th century. This novel establishes his position as the most outstanding British critical realist writer at the end of the 19th century.

Hardy wrote 14 novels in his lifetime, including Return of the Native, Mayor of Casterbridge, Tess of the D'Urbervilles and Jude the Obscure. He also wrote four short stories, eight lyrics and the epic The Kings.

Hardy's novels mostly reflect the changes of social economy, politics, morality, customs and the tragic fate of the people caused by the invasion of capitalist forces into English rural towns, expose the hypocrisy of the suffocating bourgeois moral and legal concepts, and eulogize the instrious, simple, honest and kind of the working people.

Tess, a beautiful and kind-hearted rural girl, was ravaged by the bourgeois young master, Ariel D'Urberville. From then on, she began to fall into the abyss of pain. Later she met Claire and they really loved each other.

On her wedding night, Tess told Claire about her tragic past in order to be loyal to her husband. In return, she left relentlessly. Forced by a difficult life, Tess fell into the hands of Are again. At this time, the return of Claire made Tess feel extremely desperate.

In order to live with her loved ones, she killed Ale, who brought endless pain to herself. A few days later, Tess was arrested and sentenced to death for murder. Clare followed Tess's instructions and started a new life with her sister.

In fact, Tess's tragedy is the result of many factors. First of all, Tess herself was a kind, innocent and rambling girl who had the courage to take responsibility.

When the family was in a bad state and had to turn to the so-called "Debo" family for help, Tess went to Tranland alone to take care of her family's livelihood.

After being insulted, she decided to leave again; she loved her family and children.

Tess was willing to continue to wronged herself for her parents, brothers and sisters, and to baptize her children after being insulted. Although she occasionally felt painful for herself as a "mother of a nameless child", she still "treated everything with peace of mind".

At the same time, Tess is also a brave pursuit of self-love. Although she was born in the countryside, she was different from those who lived in the countryside. In this land, most women think of marrying a rich family or clinging to a prestigious aristocrat.

Tess was different. She did not like Ariel and refused to be his mistress. Even though she was insulted and her reputation was damaged, she still firmly believed in herself.

Her love for Claire was unflinching. Although she had repeated her experience as a milkman in the dairy farm, when Claire found her again, she decided to leave with him.

However, from another point of view, Tess has her own hesitation and procrastination. Her deferral is different from the collapse of Hamlet's humanistic beliefs, but comes from the restraint of patriarchal ideas.

Tess's pursuit of love often wavered between the female independence under the humanistic belief and the fetters of patriarchal women.

The hardship of her family requires her to shoulder the responsibility of raising her family, which prevents her further pursuit of self-happiness. Humanistic beliefs also tell her that self-happiness is equally important.

Her love for Claire was influenced by her social attitudes, and her humanistic beliefs made her realize that she did not need to worry about the concept of family status.

Social morality is that she once considered herself a "sinner" and couldn't get the love she deserved. Then she cowered in Claire's repeated pursuits and consciously betrayed him.

(1)电影苔丝推荐英文版扩展阅读

中文苔丝简介：

哈代(1840-1928)是英国杰出的现实主义小说家和诗人。生于紧邻多塞特郡大荒原的一个小村庄。少年时代当过学徒，自学了拉丁文、希腊文和神学著作。曾在伦敦大学进修法语，同时开始文学创作。

《苔丝》是19世纪末英国杰出的批判现实主义作家托马斯·哈代的代表作，这部小说确立了他19世纪末英国最杰出的批判现实主义文学家的地位。

哈代一生著有《还乡》、《卡斯特桥市长》、《德伯家的苔丝》和《无名的裘德》等14部长篇小说，还写有4部短篇小说集，8部抒情集和史诗剧《列王》。

哈代的小说大多以远离城市文明、保留着传统习俗的英国西南各郡农村为背景，反映了资本主义势力侵入英国农村城镇后所引起的社会经济、政治、道德、风俗等变化和人民的悲惨命运，揭露了使人窒息的资产阶级道德、法律观念的虚伪性，并讴歌了劳动人民的勤劳朴实、正直善良。

美丽、善良的农村姑娘苔丝遭到资产阶级少爷亚雷·德伯的蹂躏，从此开始陷入痛苦的深渊。后来她遇上克莱尔，两人真心相爱。

在新婚之夜，苔丝为了忠于丈夫，将自己过去的悲惨遭遇告诉了克莱尔，没想到换来的却是克莱尔的无情离去。为困顿的生活所迫，苔丝再次落入亚雷手中。此时，克莱尔的归来让苔丝感到无比绝望。

为了与心爱的人生活在一起，她杀死了给自己带来无尽痛苦的亚雷。几天后，苔丝被捕，以杀人罪判处死罪。克莱尔则遵照苔丝的嘱咐，带着她的妹妹开始了新的生活。

事实上苔丝的悲剧是多方面因素的共同结果。首先就苔丝本人来看，她是一个善良，勇于承担责任的天真且烂漫的少女。在家道落魄，不得不向所谓的“德伯”姓氏的人家求助之时，苔丝为照顾家中生计，独自一人赴特兰岭寻求帮助。

而在遭受侮辱之后，她又毅然决然地选择离开；她爱自己的家人和孩子。苔丝愿意为自己的父母和弟弟妹妹们不断地委屈自己，愿意为自己遭受侮辱之后生下的孩子施以洗礼。她虽偶尔为自己作为一个“没有名字的孩子的母亲”而感到痛苦，却依旧“心神恬然地对待一切”。

同时，苔丝也是一个勇于追求自我爱情的人。她虽出身乡土，但却又不同于乡土中那些得过且过的人们。在这片土地上，大多数的女人心中所想的是嫁给一个有钱的人家，或者攀附上一个有名望的贵族。

苔丝却不同，她不喜欢亚雷，拒绝成为他的情妇，即使在遭受侮辱，名声受损之后，仍坚定自己的信念。而她对克莱尔的爱是义无反顾的，虽然在奶牛场做挤奶工时，她曾有过反复，但最终当克莱尔再度找到她的时候，她毅然决然地选择和他离开。

可是，从另一个角度看，苔丝有着自身的犹豫不定和延宕的。她的延宕不同于哈姆雷特人文信念的倒塌，而是出自宗法观念束缚。苔丝对爱情的追求时常摇摆于人文信念下的女性独立和宗法制女性束缚之间。

门当户对的社会观念影响着她对克莱尔的爱，而人文信念又使她深知无需顾虑于门第观念。社会的道德是她一度认为自己是个“罪人”，无法得到应有的爱情，进而在克莱尔一次又一次的追求中畏缩不前，自觉辜负与他。

Ⅱ 急求欧美电影《新娘靠边站》的英文观后感

Going against the grain of all those stereotypical sex object or saintly roles that actresses usually get stuck with in movies, Katherine Heigl is definitely into trying out what's new and different, and we're not just talking dresses. And whether or not those characters signify any improvement, Heigl doesn't mind at all doing unattractive, so the heck with vanity. Moving on from her cranky nag in Knocked Up (one of two first-date Fertile Myrtles on the screen last year, along with Ellen Page in Juno), Heigl conversely gets immersed in the role of your typical self-effacing female doormat for Anne Fletcher's 27 Dresses.

Heigl is oddly, far-from-it plain Jane, a lonelyhearts Manhattan office drudge who's got a heavy ty longtime secret crush on her handsome boss George (Edward Burns). She goes so far to prove it with devoted rituals like fetching his favorite burrito every morning, but the only emotion she sparks in the clueless honcho is appreciation. Jane deals with her frustrated romantic longings by living vicariously through other women's lives. Specifically, by sorting out all the wedding details of twenty-seven girlfriends so far, and signing up for bridesmaid ty at each ceremony. And she's got a closetful of over two dozen of among the most outlandish of those bridesmaid gowns to prove it. Fashion police be forewarned.

Jane is so entirely self-effacing and focused on the needs of others in the extreme, that she'll even lift up the gown of an intended bride so she can pee properly into the toilet before taking those vows, you can't find a better pal than that. But Jane's mostly dreary, quick-fixed fantasy wedding revelry rounds are rudely shaken up when her globe-trotting man magnet sister Tess (Malin Akerman) arrives in town, and makes moves on George.

Quicker than you can say 27 Dresses, Tess has got the boss prepped for walking down the aisle with her, though the covert swinger has got to do a quickie personality makeover to convince him that she's marriage material. And Jane, who's been doing the supremely servile underling routine for so long, finds herself suddenly pushed out of the picture like a starter wife who's just been tossed aside for a more sective model.

There's also an annoying newspaper wedding column writer Kevin (James Marsden) who starts snooping around, after getting wind of Jane's unhealthy wedding obsessions, and he's sensing a big breakout story there for his career. But much like her character in Knocked Up, Heigl just can't seem to keep her distance from guy trouble or her libido in check, every time she hits the booze at a convenient bar in the vicinity. Akerman too drags a bit of her persona from her last movie into yet another messy triangle touching on wedding blues, with her repugnant hottie in The Heartbreak Kid.

27 Dresses lacks the kind of bracing satire we'd expect from the screenwriter, The Devil Wears Prada's Aline Brosh McKenna. Here, the devil wears taffeta and the script is more frothy than cutting edge. A couple of well-aimed jabs at the ostentatious consumerism of the wedding instry might have made a big difference. On the plus side, are the bizarre array of those 27 dresses in question that, who knows, could add some festive spark as recycled ornate rags for a future Mardi Gras or other down the line.
面对粮食所有这些定型性对象或圣洁的角色，女演员通常会停留在电影，凯瑟琳海格尔肯定是到尝试什么新的不同的，我们不只是谈论衣服。而不论这些特点意味着任何改善，琳海格并不介意在所有做吸引力，因此，赫克与虚荣心。谈到她的怪僻的唠叨在拆装最多（其中两个第一日期肥沃Myrtles在屏幕上，去年海伦一起在朱诺页） ，海格尔反过来沉浸在获得中的作用典型的自我谦逊的女性门垫安妮弗莱彻的27服饰。

海格尔是奇怪的是，远离它素雅，一个lonelyhearts曼哈顿的办公室做苦工谁是获得重型长期秘密爱恋她漂亮的老板乔治（爱德华伯恩斯） 。她竟然以证明它用于宗教仪式想取他最喜欢的burrito每天早上，但她只有情感的火花在本町是一无所知的赞赏。简涉及她沮丧的浪漫憧憬的生活间接通过其他妇女的生活。具体来说，通过清理所有婚礼的细节07年的女友，到目前为止，并签署了伴娘工作地点在每个仪式。而她的closetful了超过24个的最古怪的伴娘礼服证明这一点。时装警察警告。

简完全是谦虚，侧重于他人的需要在极端的情况下，她甚至会抬起的礼服的新娘打算让她可以撒尿正确进入厕所之前，那些誓言，你不能找到一个更好的朋友了。不过，简氏大多沉闷，快速固定幻想婚礼狂欢轮粗暴地动摇了她的父亲男子磁铁的妹妹苔丝（马林坦艾克曼）抵达城镇，使移动乔治。

速度比你可以说27服饰，苔丝得到老板准备向走在走道她，但暗中赶时髦得到做quickie人格改变说服他，她的婚姻材料。和Jane ，谁做的超级奴役下属例行这么长时间，突然发现自己挤出图片像一个入门的妻子谁是刚刚被抛弃一个更诱人的模式。

还有一个恼人的报纸的婚礼专栏作者凯文（詹姆斯马斯登）开始探听谁在后，获得风简氏不健康的婚礼执着，他的遥感一个大的突破的故事有自己的职业生涯。但是，就像她的性格在拆装上，海格尔就似乎无法让她远离家伙麻烦或她的性欲在检查，每次她的酒安打在方便的酒吧附近。坦艾克曼也有点拖累她的人从她的电影到最后又乱的三角抚触对婚礼的蓝调，她深恶痛绝的棘手在心碎小子。

27服装缺乏一种讽刺支撑我们期待从编剧，穿着Prada的恶魔的阿利娜Brosh麦肯纳。在这里，魔鬼穿着塔夫绸和脚本更比泡沫时代的尖端。一对夫妇的福祉之中，旨在在炫耀消费的婚礼行业可能有很大差异。另一方面，奇怪的是一系列的这27个服装的问题，谁知道，可能会增加一些节日的火花作为回收华丽的衣衫褴褛的未来狂欢节或其他下降线。

Ⅲ 英文赏析《简爱》《苔丝》主要情节和评论。

plot：Jane's parents sojourn in uncle's early death, aunt, uncle fell-ill and take her to the orphanage and came to SangEn reinfeldt's hero, when Mr Rochester, McMaster home tutor, and Mr Rochester temper outlandish, after several contact, Jane fell in love with him. In their wedding, mason the intruder pointed out the castle hovels of attic mad woman is Mr Rochester, McMaster wife, Jane reluctant as mistress, left SangEn reinfeldt's. Came to a remote place in the minister's help find a village teacher occupation. The priest put forward to Jane when he got married, she thought Mr Rochester, McMaster. When SangEn reinfeldt's back when the castle is in ruins. Jane to Mr Rochester, McMaster live Finn, cubed Mr Rochester, McMaster rush toward the arms of...
comment：
Young country girl Tess Durbyfield goes to work for her aristocratic relatives, the D'Urbervilles, in an attempt at helping her family to raise some money. Her cousin Alec falls in love with her and seces/rapes her. Written by Anonymous
This made-for-T.V. movie is based very closely on Thomas Hardy's novel. The film stars Teresa "Tess" Derbeyfield, the sinister Alec D'Urbervilles, and the handsome Angel Clair, with the bleak background of rural Victorian England. Follow Tess through her life, starting as a young and naive sixteen-year-old who knows nothing of the world outside her own home. Follow her as she meets people in her search for job that will change her life forever. When she goes to work for a distant relative, Alec, he falls in love with her and seces her. When she flees to work as a farmhand, she thought she would escape her troubles and have a chance at happiness. There she falls in love with Angel, and he with her. Watch as a dark love story unfolds between an unlikely couple and how poor Tess deals with the tragic events of her life, trying desperately to deal with fragility of her happiness.

Ⅳ 德伯家的苔丝英文

德伯家的苔丝英文是Blowing in the Wind

上周读完《苔丝》，一直想说点儿什么，后来竟失语了。《苔丝》这样的书，以前从来没有卒读，现在想来是那时看不懂。现在也没有读懂多少，但是也足以让人失语。若说现在有什么渴望，就是渴望自己的笔，能像哈代一样一点不差地勾勒出苦难，就用哈代那样单纯的笔触。 最大的苦难不是当事人觉知的苦难，是当事人根本不能觉知的苦难。

即便写这样一个故事，哈代也还是写了那个悲剧女孩苔丝的快乐，她好好侍弄鸡，甚至还和自己讨厌的富家子弟Alec学会了吹口哨，还和同伴们去参加舞会。这要是换个人来写，不知道会把这时的苔丝写得怎样苦大仇深。

可是哈代绝不，似乎他也怜惜笔下的人，长夜未央，先让这个苦难的精灵快乐一会儿吧。苔丝和Alec 的交集埋下了她一生苦难的种子。这一段落结束的部分最精彩，就是苔丝决定回自己家，她告诉Alec，有两句话实在太精彩，一是说，如果我曾经爱你，那么我现在就不会如此痛恨自己。

还有一句是，我知道说我爱你这对我会有怎样的好处，可是我不爱你。估计现代很多人都不可能有这样的坚决立场了，这个立场背后，是全然的真。苔丝的纯洁是冰里的水，人只可看见，不可触摸。这里的描写是特别耐人寻味的。通篇看下来，有人说Alec很坏，我倒真的没看出来，他就是那个样子，但是却是真实地喜欢苔丝。

甚至，在下半部，他遇到苔丝以后，还真诚地向苔丝求婚。悲剧就是这个样子吧，你仔细看每一个人，都看不出坏，可是偏偏就是这个人，能够做出后果极其恶劣的事情来。

苔丝回到自己家，是特别灰暗的一段日子。未婚生子，是一生悲剧的第一幕。可是，哈代还是写到她年轻的生机怎样让她在这样的打击中重新站起来。她似乎不用经任何心理斗争，就接受了自己的孩子，做工，养孩子，没有抱怨，没有犹疑。

难怪哈代认为苔丝是最纯净的女性形象。可是，孩子又很快夭折了。她自己给孩子受洗并埋葬后问牧师的话，是苔丝第一次去质问自己生活中发生的事，因为她害怕孩子的灵魂在地狱之火中焚烧。这是苔丝在书中唯一一次作为母亲的角色出现，失去的也是她短暂一生中唯一一个孩子。任何一个母亲，如果在苔丝的境遇中做到了苔丝做到的，就是当之无愧的母亲。

可即便在这样的打击之下，苔丝在奶牛场找到了新的工作，还是开始了另一段新生活。《苔丝》像一幅画卷，浓淡得宜，奶牛场的一段，无疑是书中最亮色的部分。这部分越欢快，越诚恳，越充满希望，后面的悲剧越悲伤，越有穿透人心的力量。她重遇安吉尔。际遇真的是魔鬼。她遇到安吉尔在先，可是在她有了作为女子最不幸的经历之后，他们，重逢了。

命运的吊诡，让人不能呼吸。一个悲剧在人们眼里落幕了，带着一个鲜明的结论，可是，有谁知道，悲剧的主角，在以后的人生中遇到了什么，他（她）是怎样背负着这个包袱走完人生余下的路呢？一个不人道的社会制度，经不起这样的叩问，因为会发现这个制度碾压下淋漓的鲜血。

苔丝和安吉尔恋爱了，似乎这才是开篇他们相逢的本意。安吉尔在确保父母不会反对自己和苔丝的婚事后，才郑重向苔丝表明心迹。这是怎样的看重和珍爱。那个算不上坏人的Alec，和安吉尔的分野一下子就彰显出来。

苔丝知道这才是真爱，可是她伸出双手，却怎样也捧不住这份爱了。命运的这种颠倒安排，也许才是小说永恒的主题，不是生命中不能承受之轻，而是不能承受之重。

经过漫长的求婚过程，经过苔丝的反复挣扎，他们还是结婚了。这个结婚，从开始就充满了不协和音，苔丝坦白的信，安吉尔错过了。婚礼那天的每一个细节都让人心惊肉跳，尤其是，安吉尔特意安排在德伯家的旧宅开始他们的新婚生活。

风雨交加，老宅，苔丝的那些阴魂不散又不能给她任何庇佑的祖先们，这一切仿佛一个悲剧音乐中渐强的部分，不看下去，也知道完了，只是，以何种方式完结呢？这个情节也很俗套，苔丝原谅了安吉尔，天真地以为自己也会被原谅，结论是：NO。

安吉尔抛下苔丝远走巴西，实质是什么？苔丝被实实在在地遗弃了，被自己的丈夫，被自己愿意用生命挚爱的人。可能有人可以指责Alec 是个坏人，可是很难指责阿吉尔也是坏人。安吉尔是那样的驯良又自然，完全是神仙眷属中的男主角。可是，就苔丝的一生来讲，最悲剧的部分甚至不是遇到Alec，而是遇到安吉尔。到此，已经有些伤心得写不下去了。

从此，苔丝才正式开始自己的苦难生活。就像她最后一次写给安吉尔的信中说的：我并没有做错什么，可是你是怎样待我的呢？这种遗弃在某种程度上比死还可怕，那个人还在，还承认她是名义上的妻子，可是在苔丝的任何境遇中，他均不在场。

他不保护，不承担，不提供任何支持。可是，苔丝还是爱安吉尔，用生命去等待，去忍耐，等待他回心转意。最高潮的部分是苔丝在和Alec 重逢，被Alec纠缠不休后第一次给安吉尔写信，这是在孩子夭折后苔丝这样一个逆来顺受的弱者的第二次呼喊：你快回来吧，来保护我。这也是她最后一次的呼求。

这本书最精彩的在于，似乎作者从来不在意情节的展开和铺排，笔触愿意在哪儿停留就在哪儿停留。到这里，故事的高潮似乎还没有到来，但是文章的篇幅已经几乎用尽了。接下来的情节是苔丝因为家里情况所迫，父死，全家被赶出原有的房子，在不得已的情况下接受了一直追求她的Alec 的资助，和自己最不喜欢的Alec 在一起。

然后，这时候，收到了信的安吉尔回来找她了。两个人的会面是在苔丝和Alec 的住所，对于苔丝来讲，最不可能发生的事情发生了。她是在对安吉尔彻底绝望之后才在新的现实中找到了自己的位置，可安吉尔是她此生的理想。

一个因循的人会接受命运的安排，中国人常讲的认命，可是苔丝没有。这是全书中苔丝唯一一次反抗。她的怒正应了那句“若士必怒，伏尸二人，流血五步”，她不再求助于牧师，不再寄望于安吉尔，只依靠自己，而她所有的，不过是一条命罢了。当一个人在所有际遇上都走入死局，不仅不能有幸福，亦不能有对幸福的企盼，流血五步就成为必然甚至也是唯一的结局。

苔丝在死前和安吉尔在一起五天，这五天是她此生全部的生活。他们其实并没想有将来，苔丝其实到死，也并不能相信安吉尔对她的爱始终不渝。她认为死去很好，这样就不会活着看到安吉尔瞧不起她。这个包袱与其说是社会让她背上的，不如说是安吉尔让她背上的。

也许在社会制度的碾压之外，人尚且有可以重生的机会，就是得到无私的爱。可是苔丝和大多数人一样，没有这样的幸运。她曾经在逆境中一次次努力，期待好的，等待安吉尔回心转意。最后，她终于放弃了。玉石俱焚，是她最终的选择。

这个故事看似平常，却是在一片美好中开始，在惊心动魄中落幕。一个始终纯洁良善的人，最终不仅杀了人，自己也身首异处。人们看到了开始，看到了结局，可是在苔丝身边的每个人，是否曾经问过自己，在苔丝的命运里，他们扮演了怎样的角色？如果社会制度不是那样，如果她的家庭不是那样。

如果不遇到Alec 和安吉尔，她的命运是否有被改写的机会？可是什么都没有发生。胡适说：“善恶皆不朽。”这句话我引用过很多次。因为它可以时刻提醒自己对社会和他人可能产生的影响。

如果社会制度可以有人格，希望它回望身后，不要看到被自己碾压而过的尸体；希望每个人在自己的行为可能对他人命运产生影响的时候，有悲悯之心。每一个被践踏、被撕毁的生命，可能都是苔丝。

Ⅳ 苔丝英文剧情简介

Young country girl Tess Durbyfield goes to work for her aristocratic relatives, the D'Urbervilles, in an attempt at helping her family to raise some money. Her cousin Alec falls in love with her and seces/rapes her. Written by Anonymous
This made-for-T.V. movie is based very closely on Thomas Hardy's novel. The film stars Teresa "Tess" Derbeyfield, the sinister Alec D'Urbervilles, and the handsome Angel Clair, with the bleak background of rural Victorian England. Follow Tess through her life, starting as a young and naive sixteen-year-old who knows nothing of the world outside her own home. Follow her as she meets people in her search for job that will change her life forever. When she goes to work for a distant relative, Alec, he falls in love with her and seces her. When she flees to work as a farmhand, she thought she would escape her troubles and have a chance at happiness. There she falls in love with Angel, and he with her. Watch as a dark love story unfolds between an unlikely couple and how poor Tess deals with the tragic events of her life, trying desperately to deal with fragility of her happiness. Written by Jess
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