傲慢与偏见电影评价英文版

❶ 名家对傲慢与偏见英文评价

给你重新找啦～两个～你挑挑看吧～

第一个：By Goldwin Smith ——From “Life of Jane Austen,” in “Great Writers,” 1890.

AS we should expect from such a life, Jane Austen’s view of the world is genial, kindly, and, we repeat, free from anything like cynicism. It is that of a clear-sighted and somewhat satirical onlooker, loving what deserves love, and amusing herself with the foibles, the self-deceptions, the affectations of humanity. Refined almost to fastidiousness, she is hard upon vulgarity; not, however, on good-natured vulgarity, such as that of Mrs. Jennings in “Sense and Sensibility,” but on vulgarity like that of Miss Steele, in the same novel, combined at once with effrontery and with meanness of soul….
To sentimentality Jane Austen was a foe. Antipathy to it runs through her works. She had encountered it in the romances of the day, such as the works of Mrs. Radcliffe and in people who had fed on them. What she would have said if she had encountered it in the form of Rousseauism we can only guess. The solid foundation of her own character was good sense, and her type of excellence as displayed in her heroines is a woman full of feeling, but with her feelings thoroughly under control. Genuine sensibility, however, even when too little under control, she can regard as lovable. Marianne in “Sense and Sensibility” is an object of sympathy, because her emotions, though they are ungoverned and lead her into folly, are genuine, and are matched in intensity by her sisterly affection. But affected sentiment gets no quarter….
Jane Austen had, as she was sure to have, a feeling for the beauties of nature. She paints in glowing language the scenery of Lyme. She speaks almost with rapture of a view which she calls thoroughly English, though never having been out of England she could hardly judge of its scenery by contrast. She was deeply impressed by the sea, on which, she says, “all must linger and gaze, on their first return to it, who ever deserves to look on it at all.” But admiration of the picturesque had “become a mere jargon,” from which Jane Austen recoiled. One of her characters is made to say that he likes a fine prospect, but not on picturesque principles; that he prefers tall and flourishing trees to those which are crooked and blasted; neat to ruined cottages, snug farmhouses to watchtowers, and a troop of tidy, happy villagers to the finest banditti in the world….
Jane Austen held the mirror up to her time, or at least to a certain class of the people of her time; and her time was two generations and more before ours. We are reminded of this as we read her works by a number of little touches of manners and customs belonging to the early part of the century, and anterior to the rush of discovery and development which the century has brought with it. There are no railroads, and no lucifer matches. It takes you two days and a half, even when you are flying on the wings of love or remorse, to get from Somersetshire to London. A young lady who has snuffed her candle out has to go to bed in the dark. The watchman calls the hours of the night. Magnates go about in chariots and four with outriders, their coachmen wearing wigs. People dine at five, and instead of spending the evening in brilliant conversation as we do they spend it in an unintellectual rubber of whist, or a round game. Life is unelectric, untelegraphic; it is spent more quietly and it is spent at home. If you are capable of enjoying tranquillity, at least by way of occasional contrast to the stir and stress of the present age, you will find in these tales the tranquillity of a rural neighborhood and a little country town in England a century ago….
That Jane Austen held up the mirror to her time must be remembered when she is charged with want of delicacy in dealing with the relations between the sexes, and especially in speaking of the views of women with regard to matrimony. Women in those days evidently did consider a happy marriage as the best thing that destiny could have in store for them. They desired it for themselves and they sought it for their daughters. Other views had not opened out to them; they had not thought of professions or public life, nor had it entered into the mind of any of them that maternity was not the highest ty and the crown of womanhood. Apparently they also confessed their aims to themselves and to each other with a frankness which would be deemed indelicate in our time. The more worldly and ambitious of them sought in marriage rank and money, and avowed that they did, whereas they would not avow it at the present day. Gossip and speculation on these subjects were common and more unrefined than they are now, and they naturally formed a large part of the amusement of the opulent and idle class from which Jane Austen’s characters were drawn. Often, too, she is ironical; the love of irony is a feature of her mind, and for this also allowance must be made. She does not approve or reward matchmaking or husband-hunting. Mrs. Jennings, the great matchmaker in “Sense and Sensibilty,” is also a paragon of vulgarity. Mrs. Norris’s matchmaking in “Mansfield Park” leads to the most calamitous results. Charlotte Lucas in “Pride and Prejudice,” who unblushingly avows that her object is a husband with a good income, gets what she sought, but you are made to see that she has bought it dear….
The life which Jane Austen painted retains its leading features, and is recognized by the reader at the present day with little effort of the imagination. It is a life of opulent quiet and rather ll enjoyment, physically and morally healthy compared with that of a French aristocracy, though without much of the salt of ty; a life uneventful, exempt from arous struggles and devoid of heroism, a life presenting no materials for tragedy and hardly an element of pathos, a life of which matrimony is the chief incident, and the most interesting objects are the hereditary estate and the heir.
Such a life could evidently furnish no material for romance. It could furnish materials only for that class of novel which corresponds to sentimental comedy. To that class all Jane Austen’s novels belong.

第二个：By F. W. Cornish ——From “Jane Austen” in “English Men of Letters.”

JANE AUSTEN needs no testimonials; her position is at this moment established on a firmer basis than that of any of her contemporaries. She has completely distanced Miss Edgeworth, Miss Ferrier, Fanny Burney, and Hannah More, writers who eclipsed her modest reputation in her own day. The readers of “Evelina,” “Ormond,” “Marriage,” or “Caelebs” are few; but hundreds know intimately every character and every scene in “Pride and Prejudice.” She has survived Trollope and Mrs. Gaskell: one may almost say that she is less out of date than Currer Bell and George Eliot. It was not always so. In 1859 a writer in “Blackwood’s Magazine” spoke of her as “being still unfamiliar in men’s mouths” and “not even now a household word.”
The reason for this comparative obscurity in her own time, compared with her fame at the present day, may in some measure be that in writing, as in other arts, finish is now more highly prized than formerly. But conception as well as finish is in it. The miracle in Jane Austen’s writing is not only that her presentment of each character is complete and consistent, but also that every fact and particular situation is viewed in comprehensive proportion and relation to the rest. Some facts and expressions which pass almost unnoticed by the reader, and quite unnoticed by the other actors in the story, turn up later to take their proper place. She never drops a stitch. The reason is not so much that she took infinite trouble, though no doubt she did, as that everything was actual to her, as in his larger historical manner everything was actual to Macaulay.
It is easier to feel than to estimate a genius which has no parallel. Jane Austen’s faults are obvious. She has no remarkable distinction of style. Her plots, though worked out with microscopic delicacy, are neither original nor striking; incident is almost absent; she repeats situations, and to some extent even characters. She cared for story and situation only as they threw light on character. She has little idealism, little romance, tenderness. Poetry, or religion. All this may be conceded, and yet she stands by the side of Moliere, unsurpassed among writers of prose and poetry, within the limits which she imposed on herself, for clear and sympathetic vision of human character.
She sees everything in clear outline and perspective. She does not care to analyze by logic what she knows by intuition; she does not search out the grounds of motive like George Eliot, nor illumine them like Meredith by search-light flashes of insight, nor like Hardy display them by irony sardonic or pitying, nor like Henry James thread a labyrinth of indications and intimations, repulsions and attractions right and left, all pointing to the central temple, where sits the problem. She has no need to construct her characters, for there they are before her, like Mozart’s music, only waiting to be written down.

❷ 电影《傲慢与偏见》英文简介

电影《傲慢与偏见》英文简介：

Elizabeth Bennet (Keira Knightley) and her sister Jane Bennet (Rosamand Parker), sister Mary Bennet (Dalula Lely), Katie Bennet (Kerry Mulligan) and Lydia Bennet (Gina Malone) are all sisters from small landlord families. Mrs. Bennet's greatest goal in life is to find the right man for all five of her daughters. Unfortunately, the second daughter, Elizabeth, can always find out 100 reasons for refusing to marry her mother.

When Mrs. Bennet heard that the neighbouring manor was rented by a wealthy bachelor and would come to spend the summer with his distinguished friends, she excitedly decided that it was a blessing for her daughters. The suitor was on the verge of coming, and things were going as she had expected.

The monotonous and slightly quiet life of the five sisters was accompanied by the arrival of wealthy single Handacy (Matthew McFadden) and his friend Gray, two young men. A beautiful love story full of pride and Prejudice unfolded after the healthy and upward Gray and the wealthy Darcy met the five golden flowers of the Bennet family in the town.

Elizabeth (Keira Knightley) is the most diligent of the five sisters. She is also a talented college student. She never considered marriage before graation. But when she met the handsome, cynical Gray and the wise businessman Darcy (Matthew McFadden), her judgment began to be tested. Because the wealthy son Darcy soon fell deeply in love with the beautiful Elizabeth after a brief exchange.

Moreover, Darcy bravely proposed to her regardless of the family and wealth gap, but because of Elizabeth's misunderstanding and prejudice against him, he was relentlessly refused. The reason why Elizabeth misunderstood and prejudiced him was that Darcy, a wealthy man, often showed immortal arrogance, which made the honest and kind Elizabeth disgusted. Because Darcy's arrogance is actually a reflection of status differences, so long as there is such arrogance, there can be no common thoughts and feelings between him and Elizabeth, nor can there be an ideal marriage.

But after a period of time, graally, Elizabeth found and witnessed a qualitative change in Darcy's way of dealing with people and a series of actions. Especially his past proud and conceited manner disappeared completely, so Elizabeth's misunderstanding and prejudice towards him graally disappeared, and a happy marriage finally achieved. Her sisters also got the sweet life they wanted.

中文对照：

伊丽莎白·班纳特（凯拉·奈特莉饰）和姐姐珍·班纳特（罗莎曼德·派克饰）、妹妹玛丽·班纳特（妲露拉·莱莉饰）、凯蒂·班纳特（凯瑞·穆丽根饰）以及丽迪亚·班纳特（吉娜·马隆饰）这5个出身于小地主家庭的姐妹个个如花似玉。班纳特太太（布兰达·布莱斯饰）最大的人生目标就是给她的这5个女儿都找到如意的郎君。可惜天不从人愿，二女儿伊丽莎白总能找出100个不愿结婚的理由拒绝母亲。

当班纳特太太听说邻近的庄园被一个富有的单身汉租下，并且会带着他那些有身份的朋友们前来消夏时，她兴奋地认定这是女儿们的福分，求婚的人眼看着就要上门了，而事情也正如她预想的那样发展开来。

姐妹5人原本单调且略显平静的生活伴随着富有的单身汉达西（马修·麦克费登饰）和他的好友格莱两个年轻小伙子的到来而泛起了波澜。健康向上的格莱和富家子达西这对要好的朋友在结识了镇上班纳特家的这五朵金花之后，一段美丽而饱含傲慢与偏见的爱情故事就此展开。

伊丽莎白（凯拉·奈特莉饰）是5个姐妹中最勤勉的一个，她还是个有才智的大学生，在毕业之前她从没有考虑过谈婚论嫁。但是当她遇到英俊潇洒，玩世不恭的格莱和理智的商人达西（马修·麦克费登饰）后，她的判断力开始接受考验。因为富豪子弟达西在短暂的交往后很快便深深地爱上了美丽的伊丽莎白。

并且，达西不顾门第和财富的差距，勇敢地向她求婚，但却因为伊丽莎白对他存有的误会和偏见，而遭到了无情的拒绝。伊丽莎白对他存有误会和偏见的原因是，出身富贵的达西经常表现出不可一世的傲慢，这令正直善良的伊丽莎白讨厌不已。因为达西的这种傲慢实际上是地位差异的反映，只要存在这种傲慢，他与伊丽莎白之间就不可能有共同的思想和感情，也不可能有理想的婚姻。

但经过了一段时间之后，渐渐地，伊丽莎白发现并亲眼看到了同样善良的达西在为人处世和一系列所作所为上有了质的改变。特别是他过去那种骄傲自负的神态完全不见了踪影，于是伊丽莎白对他的误会和偏见也逐渐消失，一段美满的姻缘也就此最终成就。她的姐妹们也各自得到了想要的甜蜜生活。

(2)傲慢与偏见电影评价英文版扩展阅读：

1、《傲慢与偏见》是根据简·奥斯汀同名小说改编，由焦点电影公司发行的一部爱情片，由乔·怀特执导，凯拉·奈特利、马修·麦克费登、唐纳德·萨瑟兰等联合主演。该片于2005年9月16日在英国上映。

该片讲述了19世纪初期英国的乡绅之女伊丽莎白·班内特五姐妹的爱情与择偶的故事。

2、影片评价：

《傲慢与偏见》温暖人心、令人愉悦、浪漫，美国影评界对这部名著改编作品丝毫不吝惜溢美之辞。凯拉·奈特利的表演光芒四射（《亚特兰大宪报》 评论）。

该片最大限度地保留了原著的精华，在传承经典的同时又巧妙地融合了许多现代元素，好看且耐人回味，是一部难得的改编力作。（台海网 评论）。

该片画面精致，从镜头的转换到原声音乐表现，清新，养眼的俊男美女与悦目的英国乡村风光更符合一部新世纪电影的感觉。（新浪网评论）。

❸ 《傲慢与偏见》的英文读后感1000字

傲慢与偏见是英国著名女作家简·奥斯丁的代表作，作品描写傲慢的单身青年达西与偏见的二小姐伊丽莎白、富裕的单身贵族`彬格莱与贤淑的大小姐吉英之间的感情纠葛。下面是关于《傲慢与偏见》的英文读后感1000字的.内容，欢迎阅读！

关于《傲慢与偏见》的英文读后感1000字一

"Pride and prejudice" is the famous British writer Jane Austen masterpiece, the works in daily life for material, the romantic and reality love story.

Works of vivid reflects the late eighteenth to well into the nineteenth century in the conservative and block state of the British town life and ways of the world. Its social graffiti novel at that time if not only attracts the general reader, real to this day, still give the reader a unique art enjoyment.

First of all, from story to see, Elizabeth resourcefulness, have courage, these have vision, have very strong self-respect, and be good at thinking. Just then a an unmarried ladies the lady of speaking, this is valuable. And also it is this quality, just make her in love have independent initiative，and led to her and happy family of darcy. In my opinion, Elizabeth is worthy of praise.

In the way of the pursuit of love, be sure to a firm belief, not for money, fame, wealth, or any other cause carelessly decided to, want to hold to find true love. If the other party to some of the defect is himself can't stand, but also what can't change it, you should give up the resolute choice; Of course should also to cherish each other, not because of some of the others words, they change their decision, happiness to yourself to the business. This is the book want to communicate to the world is very precious words, is also to the heart of the pursuit of love chicken soup.

Reading this book, I be a lifetime earnings, enjoy the spiritual baptism.

关于《傲慢与偏见》的英文读后感1000字二

Pride and Prejudice is my favorite novel, which impresses me for a long time. It describes a love story mainly between Elisabeth, who I like the best, and a rich and proud man, Darcy.

The story began with the arrival of a crowd of rich men who rent a house near the Bennet. In a ball, Elisabeth gave such a bad impression on Darcy’s first pride that she refused Darcy’s first proposal. Darcy was so surprised by Elisabeth’s refusal that he loved Elisabeth more deeply. And Elisabeth’s antipathy made Darcy realize his shortcomings. He was not angry about Elisabeth’s censure, but also he changed his previous proud attitude. During Elisabeth’s travel in Darcy’s manor. Darcy was very nice to her uncle and aunt, different from previous proud attitude. When one of Elisabeth’s sisters ran away with Wickham, Darcy helped Elisabeth find her sister and prevent her sister from the loss of reputation, with nobody knowing that it was he who helped the Bennet. So many changes in Darcy eliminated Elisabeth’s prejudice. At last it end with their marriage.

Taking the daily life as its material, this story reflected the life and love in a conservative你 and blocking England town. It reflected the author’s view about marriage that it is fault to marry for property, money and status and it is also foolish to take these elements into account. In fact Darcy’s pride manifested the gap between their statuses. Since his pride existed, there is no ideal marriage between Elisabeth and Darcy. From the different attitudes from Darcy’s two proposals, it reflected the feminine pursuit of personality independence and right equality, which is a progressive character from the image of Elisabeth.

关于《傲慢与偏见》的英文读后感1000字三

The man treat GRE at event in one's life with punishing, Demonstrate different attitudes to the love question of the marriage of young girl of the family origin of middle class of villages and towns, Thus reflected authors oneself;s marriage view: It is wrong to get married for the property, money and position; Get married and does not consider that above-mentioned factors are unwise too . So, she objects to getting married for money , objecting to regarding the marriage as a trifling matter . She emphasizes the importance of the ideal marriage , and regard men and women;s emotion as the foundation stone which concludes the ideal marriage .

The woman protagonist in the book Elizabeth es from the little landlord;s family, reaches the west to have deep love for for the rich and powerful people sons and younger brothers. Reach the disparity of ignoring family status and wealth of the west, propose to her, but is refused. Elizabeth;s misunderstanding and prejudice to him are a reason, but a main one is the arrogance that she dislikes him. Reach the thes of the west in fact status; the reflections of difference, exist this kind arrogant, Not having mon thoughts and feelings between he and Elizabeth, the marriage that can not have lofty ideals .

Elizabeth watches concting oneself in society and a series of behavior of reaching the west personally afterwards, See he change the proud conceited expressions of passing by, dispel misunderstanding and prejudice to him, Thus concluded the happy marriage with him.

❹ 求傲慢与偏见100-150字英文影评。。急。。

Pride and Prejudice is a film that is stunning on several levels: the performances are excellent, the soundtrack is amazing, and the cinematography is beyond comparison.

The performances were stellar. The entire cast was great, and it's interesting to note that, among the "stars" that made up the cast, there are several lesser known actors; this was the first movie credit for both Carey Mulligan (Kitty) and Tamzin Merchant (Georgiana).

It's not a word-for-word adaptation of the book, and cannot be considered a replacement for it. Speaking as someone who loved both the book and the movie, I can honestly say that it's a very satisfying and charming film.

❺ 《傲慢与偏见》英文读后感怎么写

Many people simply regard Pride and Prejudice as a love story, but in my opinion, this book is an illustration of the society at that time. She perfectly reflected the relation between money and marriage at her time and gave the people in her works vivid characters.

The characters have their own personalities. Mrs. Bennet is a woman who makes great efforts to marry off her daughters. Mr. Bingley is a friendly young man, but his friend, Mr. Darcy, is a very proud man who seems to always feel superior. Even the five daughters in Bennet family are very different.

Jane is simple, innocent and never speaks evil of others. Elizabeth is a clever girl who always has her own opinion. Mary likes reading classic books. (Actually she is a pedant.) Kitty doesn’t have her own opinion but likes to follow her sister, Lydia. Lydia is a girl who follows exotic things, handsome man, and is somehow a little profligate. When I read the book, I can always find the same personalities in the society now.

That is why I think this book is indeed the representative of the society in Britain in the 18th century.

The family of gentleman in the countryside is Jane Austen’s favourite topic. But this little topic can reflect big problems. It concludes the stratum situation and economic relationships in Britain in her century. You can find these from the very beginning of this book.

Austen left this problem for us to think. The genius of Jane Austen lies in this perfect simplicity, the simplicity that reflects big problems.

Although Austen was only 21 when she wrote “Pride and Prejudice”, her sharp observation of social lives makes the style of this book surprisingly mature and lively. The plots in her works are always very natural. The development of the plot is as inevitable as a problem in mathematics.

I think the depth of Pride and Prejudice is the reason that makes this book prominent and classic. Today, her book still can be the guide telling us the economic relationships both at her time and in modern time.

❻ 能不能给我一篇《傲慢与偏见》的英文影评

The feeling of 《Pride And Prejudice》

Then man treat great event in one's life with punishing, Demonstrate different attitudes to the love question of the marriage of young girl of the family origin of middle class of villages and towns, Thus reflected authors oneself's marriage view: It is wrong to get married for the property, money and position; Get married and does not consider that above-mentioned factors are unwise too . So, she objects to getting married for money , objecting to regarding the marriage as a trifling matter . She emphasizes the importance of the ideal marriage , and regard men and women's emotion as the foundation stone which concludes the ideal marriage .
The woman protagonist in the book Elizabeth comes from the little landlord's family, reaches the west to have deep love for for the rich and powerful people sons and younger brothers. Reach the disparity of ignoring family status and wealth of the west, propose to her, but is refused. Elizabeth's misunderstanding and prejudice to him are a reason, but a main one is the arrogance that she dislikes him. Reach the thes of the west in fact status' the reflections of difference, exist this kind arrogant, Not having common thoughts and feelings between he and Elizabeth, the marriage that can not have lofty ideals . Elizabeth watches concting oneself in society and a series of behavior of reaching the west personally afterwards, See he change the proud conceited expressions of passing by, dispel misunderstanding and prejudice to him, Thus concluded the happy marriage with him.