⑴ 求电影《剪刀手爱德华》英语影评
Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.
The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world.
这个评的很全面完整，语言也很到位
⑵ 剪刀手爱德华英文版影评
一次心灵之旅——观《剪刀手爱德华》
看完这个故事，很震撼，还有一点心痛。
这应该是部很老很老的片子了，但对于我，却是第一次完整地看。它讲述了一个离奇而又感人的爱情故事，让我们一起走进这个故事。
影片在大雪纷飞中开始了，一位老奶奶给小孙女讲故事，由此引出了我们的主人公——爱德华。爱德华并没有直接登场，接下来出场的是派格—— 一位雅芳推销员，在她推销商品连续吃了四次闭门羹后，车子反光镜映出了古堡，于是她造访了古堡并发现了孤独生活在此的爱德华，出于对他的同情，派格把他带回了自己的家。
你一定会奇怪爱德华怎么会有一双剪刀手呢？影片逐步为我们揭开答案。实际上爱德华并不是真正意义上的人类，它是由独居在古堡的类似于科学怪人发明家制造而成的具备一切人类功能的模拟人，剪刀手只是没装手前的代替，但也正可悲在这一点，就在发明家要给爱德华安装手的那一刻，发明家却突然去世了，只留下了仍然带着剪刀手的爱德华……不禁想起鲁迅的那句名言：悲剧就是把美毁给别人看。
这个故事的大框架和《泰坦尼克号》很像，都是由年老后的女主角讲述她年轻时候的爱情，并且都是很感人但结局并不完美的爱情故事，也正由于这不完美，才使得爱情本身变得那么刻骨铭心。
让我们继续着爱德华在派格家的生活。不适应，那是肯定的。穿衣吃饭那些对我们再简单不过的事对爱德华而言却是那么困难，他总是会不小心剪破衣服或者怎么努力也不能把食物送入口中，还有水床，当他的“手”碰到床时一株水喷射而出时他惊慌的样子让人感到很好笑，同时也不免觉得辛酸。让我高兴的是，爱德华的剪刀手在修剪方面有着惊人的魔力，修剪树木、为狗狗剪毛甚至为人理发，它是如此的神奇。于是爱德华以灵巧异常的剪刀手和温和的性格博得了人们的欢迎。
在来说说爱德华的爱情。从来到派格家的第一天，爱德华就不由自主地爱上了照片中的漂亮女孩，也就是派格的女儿金。他们的见面是以惊吓作为开始，然后是爱德华心甘情愿的被所爱的人利用去偷东西从而引发了噩运并使爱德华最终不得不返回古堡与爱人分离。而金也在生活中逐渐爱上了善良的爱德华。但这本是一个不能成就的爱情。在偷盗事件之后，在爱德华被金的男友欺负边走边发泄之后，这里的居民终于了修女的话：他不是天使，而是个魔鬼，他们再也容不下他了。
爱德华在享受爱情的同时是无比痛苦的，他甚至不能拥抱自己所爱的人，他的剪刀手使他总是在救人时伤害人。影片的结尾，爱德华在冰雪纷飞中用一樽鞭打爱意的冰雕献给他深爱的女孩。
当女主角依然老去，我们仍然愿意相信爱德华还活着，因为漫天的雪就是最好的见证。
或许，没有结局的结尾是最好的。
该片由Johnny Depp和Winona Ryder主演，获第四十五届英国电影学院奖最佳制片导演奖。
我非常喜欢演爱德华的演员，他是个天才！我意外的是，他居然是那个“加勒比海盗”。
感谢该片让我经历了一场心灵之旅。
⑶ 鍓鍒鎵嬬埍寰峰崕锛氭嬁鐫鍒娌℃硶鎷ユ姳浣狅紝鏀句笅鍒娌℃硶淇濇姢浣犱辅鑱婅亰鑻辫
銆婂壀鍒鎵嬬埍寰峰崕銆嬫槸涓閮ㄧ敱钂傚•娉㈤】鎵у肩殑鍏呮弧濂囧够鑹插僵鐨勭數褰憋紝璁茶堪浜嗕竴涓鍚嶄负鐖卞痉鍗庣殑鍗婃垚鍝佷汉锛屼粬鐨勫弻鎵嬭鍓鍒鎵鍙栦唬銆備粬浣忓湪涓涓涓庝笘闅旂粷鐨勫彜鍫′腑锛屽綋琚甯﹀埌鏂囨槑绀句細鍚庯紝涓庝竴涓濂冲╁瓙鐩告亱锛屽嵈鏃犳硶鍦ㄤ竴璧枫
⑷ 有部电影叫剪刀手爱德华,翻译成英文怎么说
Edward Scissorhands
剧情介绍
蒂姆·伯顿导演的《剪刀手爱德华》是一部关于机器人的现代童话。它讲述一座古堡中住着一位发明家，制造出了各种东西，最后还造出了一个机器人，并给他起名叫爱德华。发明家对这件作品倾注了全部的心血，他甚至教授爱德华人类的礼仪和诗歌，何时微笑何时沉默。然而，没有等到机器人最后完成，发明家就去世了，留下已有人类心智却残留着一双剪刀手的爱德华独自在古堡生活。不知过了多少岁月，一位推销化妆品的中年女子佩格误闯城堡，发现了形象古怪的爱德华。好心的佩格没有被爱德华惨白的肤色和张牙舞爪的剪刀手吓倒，而是怜其孤独，把他带回了自己的家。
佩格住在一个色调明丽的小社区里，女邻居们都喜欢调情、窥探、以及搬弄是非。爱德华的出现，给她们百无聊赖的生活增添了新鲜的刺激，所以大家都对他表现出了极大的友好甚至亲昵。当他展露出用剪刀手修剪植物、设计发型的才华，全镇的人几乎都为他癫狂了，把他当成了明星一样的宠儿。但他也有自己的痛苦，那就是爱上了佩格的女儿、美丽绝俗的金。金早已有了男友，而且对这位家庭新成员一直有抵触情绪。为了金的一个请求，爱德华硬着头皮潜入金男友父亲的豪宅，不慎被警察逮捕后也没有吐露真相，唯恐连累心上人。虽然他不久由于“没有判断是非的能力”被释放，但周围的人都把他看成蓄意抢劫财物的危险分子，对他以及佩格全家敬而远之。在这一过程中，金逐渐看清了男友的丑恶嘴脸，与他决裂，并对爱德华产生了好感。
圣诞夜大雪纷飞，矛盾达到了最高潮，爱德华越想做好事就反而被误会得越深，全镇居民都要求驱逐爱德华，甚至连佩格也认为他应该回到古堡中去。在古堡的打斗中爱德华杀死了金恶毒的男友，金也接受了爱德华不求回报的爱。这是爱情最初的交融，也是最后一次的交融，从此爱德华永远隐藏进了不为人知的角落，在那里修剪他的植物、冰雪和爱情……
约翰尼·德普在这部影片里发挥出了他的最佳演技，作为一个机器人，爱德华的面部肌肉是僵化的，几乎没有表情，一双尖利的剪刀手也不利于表达感情，德普却通过他的眼睛传递给观众大量的情感信息，衬托在他惨白的脸上反而更加令人难忘。当看到他被误解时眼中惊恐痛苦的神情时，我觉得自己的心在那目光中慢慢粉碎。女主角《纯真年代》中的大美女薇诺娜·赖德，那冰雪中一袭白裙简直不食人间烟火，正适合这现代童话的梦幻色调。这里讲述的与其说是爱德华和金的爱情，不如说是爱德华对金的爱情，他为她献出一切，直至最后被所有人驱逐，她虽然感动甚而有所回应，但毕竟不能和他在凄凉的古堡里隐藏一生。金的感情再纯再真，也是世俗之爱，而爱德华的爱才是不朽的，因此也是不属于我们这个世界的。
佩格家居住的地方以前是从不下雪的，只有当爱德华出现后洁白的雪花才开始飞扬在那片土地上空。那冰雪，不正是如白纸般纯净的爱德华吗？他近乎丑怪的外表下呈现出来的才是影片中真正的至美，尽管是以悲伤地流泪（下雪）为代价的。
⑸ 要交假期作业急需六个英文电影，要每个电影的中英文名字，每个电影找出20个经典台词也要中英文的，
一、泰坦尼克号（Titanic）
一个人一生可以爱上很多的人，等你获得真正属于你的幸福之后，你就会明白一起的伤痛其实是一种财富，它让你学会更好地去把握和珍惜你爱的人。
One may fall in love with many people ring the lifetime. When youfinally get your own happiness, you will understand the previoussadness is kind of treasure, which makes you better to hold and cherish the people you love.
二、飞屋环游记（Up）
幸福，不是长生不老，不是大鱼大肉，不是权倾朝野。幸福是每一个微小的生活愿望达成。当你想吃的时候有得吃，想被爱的时候有人来爱你。
Happiness is not about being immortal nor having food or rights in one’s hand. It’s about having each tiny wish come true, or having something to eat when you are hungry or having someone’s love when you need love.
三、剪刀手爱德华（The Story of Edward Scissorhands）
我爱你不是因为你是谁，而是我在你面前可以是谁。
I love you not for who you are, but for who I am with you.
四、蓝莓之夜（My Blueberry Nights）
一个人总要走陌生的路，看陌生的风景，听陌生的歌，然后在某个不经意的瞬间，你会发现，原本是费尽心机想要忘记的事情真的就那么忘记了。
One is always on a strange road, watching strange scenery and listening to strange music. Then one day, you will find that the things you try hard to forget are already gone.
五、初恋50次（50 First Dates）
年轻的时候会想要谈很多次恋爱，但是随着年龄的增长，终于领悟到爱一个人，就算用一辈子的时间，还是会嫌不够。慢慢地去了解这个人，体谅这个人，直到爱上为止，是需要有非常宽大的胸襟才行。
When you are young, you may want several love experiences. But as time goes on, you will realize that if you really love someone, the whole life will not be enough. You need time to know, to forgive and to love.All this needs a very big mind.
六、分手信（Dear John）
离开我就别安慰我，要知道每一次缝补也会遭遇穿刺的痛。
If you leave me, please don’t comfort me because each sewing has to meet stinging pain.
七、英国病人（The English Patient）
一段不被接受的爱情，需要的不是伤心，而是时间，一段可以用来遗忘的时间。一颗被深深伤了的心，需要的不是同情，而是明白。
An unacceptable love needs no sorrow but time- sometime for forgetting.A badly-hurt heart needs no sympathy but understanding.
八、天使爱美丽（Amelie from Montmartre）
有谁不曾为那暗恋而痛苦？我们总以为那份痴情很重，很重，是世上最重的重量。有一天，暮然回首，我们才发现，它一直都是很轻，很轻的。我们以为爱的很深，很深，来日岁月，会让你知道，它不过很浅，很浅。最深和最重的爱，必须和时日一起成长。
Is there anyone who hasn’t suffered for the secret love? We always think that love is very heavy, heavy and could be the heaviest thing in the world. But one day, when you look back, you suddenly realize that it’s always light, light. We all thought love was very deep, but in fact it’s very thin. The deepest and heaviest love must grow up with the time.
九、冷山（Cold Mountain）
在自己面前，应该一直留有一个地方，独自留在那里。然后去爱。不知道是什么，不知道是谁，不知道如何去爱，也不知道可以爱多久。只是等待一次爱情，也许永远都没有人。可是，这种等待，就是爱情本身。
We shall always save a place for ourselves, only for ourselves. And then begin to love. Have no idea of what it is, who he is, how to love or how long it will be. Just wait for one love. Maybe no one will come out, but this kind of waiting is the love itself.
十、两小无猜（Love Me If You Dare）
好的爱情是你通过一个人看到整个世界，坏的爱情是你为了一个人舍弃世界。
Good love makes you see the whole world from one person while bad love makes you abandon the whole world for one person.
⑹ 剪刀手爱德华影评英文 600字 最好有中英文对照，原创，谢谢啦，很急，下礼拜就要交了
这是一个悲伤的电影，从一开始就注定是一个悲剧。我并不常常喜欢用注定这个词，或者是be destined
to.但是你看，自从Edward走出古堡，一切就只能以悲剧收场。一切都充满隐喻，直到我看到最后Edward用剪子剪碎身上的衣服，这多像一个完满的隐喻。
我不知道导演想要表达的是什么，但是我在里面看到的是满眼的苍凉，好像一整片荒漠一样的世界。容不下一个简单的纯粹的Edward。
Edward有一个热闹的到来，众人的目光，热切而灼人。Edward为别人修整庄园，为别人剪出可种不可思议的发型，他不收钱，他也从来都不为了什么，他只是单纯的喜欢，只是单纯的想要这样做而已，用他的剪刀手，好像这就应该是他生来的使命。
热闹的聚会，排队等候的人群，他以为自己就这样让所有的人开心，所有的人满意，让所有的人接受自己了。当他听着各种各样的恭维或讽刺，当他的剪刀手上穿着各种各样的蔬菜站在烧烤架旁边，当他在人群里勉强的装出很灿烂的微笑。阳光很灿烂，天空很蓝。他以为一切都很美好。
可是大家是不能理解的，在这个世界上生活得太久的我们只会以我们的自以为是去看他，把他当作一个天才或者一个怪胎，可是不是的，他什么名号也当不起，他只是一个最最纯净的灵魂而已。
他不懂得人世间的利害关系，也不懂得人世间的亲情友情爱情，他不知道该怎样爱该怎样关怀，当他举着自己明晃晃的剪刀手的时候，他的无助和慌乱，我也只能在屏幕前心疼得不知所措而已。
这就是他的爱，被划伤的Kevin，被划伤的Kim，伤痕累累的自己。
他不知道什么是爱。他只是知道Peggy如果有一个专柜的话一定会很开心，他只是知道轻轻地对Kim说Because you asked me
to.眼神清澈。
这就是一切了，他还能怎样呢？他没有资本爱，没有未来，他能说的不是I love you, too.而只是，I
can’t.只能是一句goodbye.
It’s reality.
现实就是这样了，有些东西是注定不能在这样的社会里生存下去的。Edward能怎样呢？他还不是只能怯畏的举起自己的剪刀手。他能见剪出漂亮的发型，剪出精美的园艺，剪掉自己身上的衣服，可是他却始终剪不掉，剪不掉别人对他的误解，剪不掉和这整个世界的格格不入，剪不出梦想的形状。
Edward在电视里接受采访的时候，有观众问if you had regular hands, you
would be like anyone else. Peggy帮他回答说，No matter what, Edward will always be
special.
但是我想也许不是的，Edward is
special只是因为他有一双丢不掉的剪刀手，而我们在成长的过程中往往这样轻易的放弃，放弃自己曾经傻傻地执着的坚持的东西，放弃童年的梦想，丢掉自己的不被世人接受的剪刀手，然后再也剪不出那些神奇的形状。
所以没有剪刀手的Edward就不再是Edward 了。
我想Edward自己也是知道的，不然在听到这样的问题的时候，if you had
regular hands, you would be like anyone else.这样被认定为尖锐的问题的时候，他不会只是淡淡地说一句Yes, I
know.
我们每一个人，都曾经是一个小小的Edward，有一双大大的剪刀手，它不常常受我们的控制，它笨拙得不能握手，它有时会伤害别人，可是它也是一双神奇的剪刀手，它剪得出这世界上最美的形状，剪得出大雪纷飞。
后来呢？
后来我们在流言蜚语里成长，穿上衬衫，穿上裤子，穿上别人的期望。我们装模作样的成长，丢掉自己的剪刀手，为了生存，和大家变得一样。
我们有了一双真的手，我们用这双手和自己不喜欢的人握手拥抱，玩弄各种各样我们新学会的花样。不用顾忌，不用谦恭的小心翼翼，不用温顺的微笑。
成长真是一个疼痛的社会化过程。
可是你还记得自己曾经的那个Edward吗？他小小的脆弱的身子，他不小心划在自己身上的伤痕，他安静的眉眼，他的简单倔强，横冲直撞，他率性而为，他有时不小心伤害别人，他常常懵懂又无助。
你还记得吗？你心里还有一点点他的影子吗？
结局只能是这样，要不然就像我们一样，丢掉自己的剪刀手，丢掉那一部分不能被人接受的自我，要不然，就像Edward，用自己的剪刀手剪碎身上的衣服，扔掉所有的光环和伤害，剪掉这个世界强加给你的与自己格格不入的一切外壳，然后逃走。
你还记得自己心中的那个小小的Edward吗？阳光的背后，你的脚下Edward小小的怯懦的影子就这样一点一点被吞没了。
⑺ 关于《剪刀手爱德华》的英语影评，
Once upon a time, an inventor lived in an old castle isolated on top of a hill. He created many ingenious devices and one day, he decided to create a man whom he call Edward. The good-natured scientist took care of him like if he was his own son, but he was old and died before he could complete him. Left all alone with scissors instead of human hands, Edward remains in the castle until he is befriended by Peg, a woman from the neighbouring town who feels pity for his loneliness and decides to bring him to her home. His difference quickly becomes an obstacle which prevent him from being fully accepted as a member of society. Soon, the unsuspecting Edward, becomes the focus of much gossip and awakes either curiosity, hilarity, anger or fear amongst the whole neighbourhood. Also, his innocence and good nature make him an easy victim for the unscrupulous. His artistic talent are exploited by all. And as he falls in love with Peg's daughter, she abuses his kindness and tricks him into helping her and her boyfriend burglar a house. His initial naivety leaves place to feelings of frustration, reject and revolt at people's ways. Edward also comes to realise, that he can be dangerous to others, that he is unable to even touch others without inadvertently harming them because of the sharpness of the blades he has instead of hands. Soon false rumours start spreading. People begin to fear him and wish him away. This is a wonderful tale about love and kindness, but also about rejection and estrangement. It shows the limits of people's tolerance for what is different from them and how strangers, those who stray from the norm, commonly named 'misfits', awake mockery or fear from a society which will use them and ultimately reject them, thus breaking their innocence and goodness. Though a harsh satire of people's vices, such as deceit, gossip, jealousy, hypocrisy, as well as a tragic witness to the pain and frustration linked to being unable to be accepted as one is by others, the tone is still infused with an ever constant sweetness, gentleness and innocence. The acting is impeccable. Depp's performance as Edward is truly touching and Keaton and Price's characters are full of gentleness. Their good-nature shows humanity at its best while some other characters efficiently show its least pleasant aspects. The photography is quite beautiful and is thematically based on a strong contrast between Edward's universe, the dark noiseless castle, strongly influenced by the gothic visual style, with the town, filled with bright colours and voices. The apparently gloomy castle is in fact a shelter from the seemingly happy outside world, which is in fact, much darker and sinister underneath its bright colours. The music is simply great, Danny Elfman being one of the most talented contemporary composer. His style is at times moving, soft, wild, silly, weird and crazy. He has worked on many musical soundtracks since, but this one is probably the most beautiful he ever created.
⑻ 能否介绍一部关于机器人的英文电影
机械公敌
机器人管家
人工智能