寻找人工智能电影英文版

1. 求电影《人工智能》的英文简介

AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each indivial theme here, either. That would ruin the movie for you.

"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.

Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.

"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reced natural resources. Mechanical androids have become popular since they require no commodities. Reproction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.

We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.

I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.

Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.

2. 急需电影《人工智能》和《勇敢的心》的英文剧情介绍

勇敢的心 braveheart
资料一：
Unfortunately, I have yet to find a film of quite this caliber again. Braveheart contains elements of Romance (several heart- wrenching and warming instances), Epic/Action (spectacular scenes), Mystery (can take a few viewings to put it all together), History (albeit romanticised) and of course Drama (perfectly unravelled). This level of uncompromised multi-tasking allows the film to move you to laugh and cry, love and hate or even to think and be taught. I'm trying to avoid the clichés of glowing reviews (almost as bad as entirely negative ones) - but this is one of the few movies that I feel deserves one.

The witty banter between friends/foes/lovers/relatives is, in my opinion, flawless and aids the film's claim as a true classic. The soundtrack is similarly top-notch and encapsulates and refracts the patriotic theme ring several key moments. The political sub-plot and gorgeous scenery also serve as refreshers ring otherwise heavy areas of the story. Perhaps Braveheart's only flaw (but if you share my sentiments it's actually a bonus) is its length so you'll want to prepare a comfy seat and maybe even two pots of tea (complete with cosies!).

I suppose it's also relevant to touch on the historic inaccuracies as I expect this is what people might dislike most about this film. However, "History is written by those who have hanged heroes"; also, the overall sketchiness of such periods coupled with the right of artistic license are enough for me to personally dismiss such thoughts. On that note, I hope you also enjoy what, to me, is the greatest film created (so far).

资料二：
The movie begins in the small town of Elerslie, Scotland. William lives with his father, who is not named in the film, and his older brother Malcolm. William's father and older brother are called to a meeting a few miles from their home where they find the entire nobility of Scotland hanging. Malcolm and his father then go to a battle between the British and their clan, both die tragically. At the funeral William meets his uncle Argyle who fought in the battle with Malcolm and his father. He takes him away to live with him. The scene then cuts to an alt William on his horse. William later runs into a girl he knew before he went to live with Argyle, her name, Murron, we discover that Lords have the right to sleep with brides on their wedding night, so William marries Murron in secret. Murron is the assaulted by a British guard, the guard is killed by William, a fight ensues, and eventually Murron is killed by the lord. This enrages Wallace who then build himself a fine army entering city's and killing all Englishman within. Wallace prepares to move on to Sterling where he prepared for his greatest battle yet, in the forest he realises that he must find a way to beat the heavy cavalry from the ground, he decided to create spears twice as long as men. These were used in the battle to kill the entire heavy cavalry raised at the last minute to kill the on coming horses. Eventually Wallace reaches York, the most important military city he gains control. Williams final battle at Falkirk ends in his betrayal by two nobles, whom he later kills. William is betrayed by the leper father of Robert the Bruce, is captured and refuses to bow down as a loyal subject of the king Edward I, Longshanks. Therefore, instead of mere beheading William Wallace is subject to being Hung, hung within an inch of death. Drawn, being stretched by his ankles and wrists and then having his insides shown to him before he died. Then Quartered, he was beheaded and his head was put on the London Bridge his body was torn into for pieces one sent to each corner of Britain as a warning to the citizens. After Wallace's death we see Robert the Bruce led the battle of Bannockburn the last battle for Scotland's freedom.

资料三：
In 14th Century Scotland, William Wallace leads his people in a rebellion against the tyranny of the English King, who has given English nobility the 'Prima Nocta'.. a right to take all new brides for the first night. The Scots are none too pleased with the brutal English invaders, but they lack leadership to fight back. Wallace creates a legend of himself, with his courageous defence of his people and attacks on the English.

——————————————————————
人工智能 artificial intelligence A.I
资料一：
In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-procing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real".

资料二：
The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, instry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.

3. 跪求~~!关于机器人的电影的英文简介

Bicentennial Man

Rating:
Genre: Comedy
Movie Type: Domestic Comedy， Sci-Fi Comedy
Themes: Journey of Self-Discovery， Opposites Attract， Robots and Androids
Director: Chris Columbus
Main Cast: Robin Williams， Sam Neill， Wendy Crewson， Embeth Davidtz， Oliver Platt
Release Year: 1999
Country: US
Run Time: 131 minutes
MPAA Rating: PG
Plot
If a robot spends enough time around humans， can he learn to become one of them？ The Martin family purchases a domestic android as a servant and names him Andrew (Robin Williams). Andrew comes to know the man of the house as Sir (Sam Neill)， his wife as Ma'am Wendy Crewson， and their daughter as Portia (Embeth Davidtz)； before long， the Martins suspect that they do not have an ordinary robot on their hands. Andrew seems capable of expressing emotion and generating original thoughts， and the longer he stays with the Martins， the more strongly these human traits manifest themselves. Over the next 200 years， Andrew becomes less a machine and more a member of the family， until a mechanic (Oliver Platt) tells Andrew that he might be able to turn him into a human being. Based on a short story by renowned science fiction author Isaac Asimov (surprisingly， it's only the second Asimov story to be brought to the screen)， Bicentennial Man was directed by Chris Columbus， who previously worked with Robin Williams on Mrs. Doubtfire. ~ Mark Deming， All Movie Guide.

机器管家/变人 Bicentennial Man (1999)

导 演:克里斯·哥伦布 Chris Columbus
主 演:罗宾·威廉斯 Robin Williams 山姆·内尔 Sam Neill 艾伯斯·戴维斯 Embeth Davidtz 奥利弗·普莱特 Oliver Platt 海丽·凯特·艾森伯格 Hallie Kate Eisenberg Kevin Tiny Ancell Joe Bellan Merridee Book
上 映:1999年12月13日 ( 美国 )更多地区
地 区:美国 德国 ( 拍摄地 )
对 白:英语
评 分:6.1/10( 7330票 ) 详细
颜 色:彩色
声 音:DTS Dolby Digital SDDS
时 长:132 分钟
类 型:剧情 科幻 爱情
分 级:瑞典:Btl 澳大利亚:PG 英国:PG 阿根廷:13 德国:0 美国:PG 新西兰:PG 法国:U

剧情简介:
这部影片追随一个机器人的“生活”进行。罗宾·威廉姆斯饰演的机器人安德鲁被马丁一家作为家务机器人购买，他的程序只设置为完成仆人的任务。但没过几天他们发现安德鲁并不是一个寻常的机器人，因为他开始体验情感和创造思维。在一个跨越了两百年的故事里，安德鲁在阻止那些制造他的人销毁自己的过程中领会了人性的错综复杂。
这个机器人，是好莱坞喜剧天王、罗宾威廉斯最新的尝试。 擅长以温馨喜感演出取胜的、好莱坞影星，罗宾威廉斯，在新片《机器人》中，饰演的机器人，在经历两百年后，终于透过先进科技，变成真正人类的故事。
片中虽然大量使用电脑科技，强化视觉效果，不过影片的卖点，还是集中在人性情感的探讨上。罗宾威廉斯在影片中，将再度以感性的内心戏打动观众。罗宾威廉斯表示科幻片向来是他喜欢的.

PS:中文介绍并非原英文介绍翻译。

4. 帮忙找一个影片 想要这个影片的名字

工智能(2001)

英文名：ArtificialIntelligence:AI

中文名：人工智能/AI人工智慧

导演：(斯蒂文·斯皮尔伯格/史蒂芬·史匹柏StevenSpielberg)

主演：(海利·乔·奥斯蒙特HaleyJoelOsment)(弗朗西斯·奥康纳FrancesO'Connor)(山姆·洛巴兹SamRobards)(杰克·托马斯JakeThomas)(裘德·洛JudeLaw)(威廉·赫特WilliamHurt)

上映：2001年06月26日美国详细上映地区

地区：美国更多详细拍摄地

对白：英语

评分：本站评分..6.7/10(117票)详细

IMDb评分6.9/10(75648票)详细

颜色：彩色

声音：DTS-ESDolbyDigitalEXSDDS

时长：146

类型：冒险剧情音乐科幻

分级：马来群岛:U阿根廷：13澳大利亚：M巴西：Livre加拿大：14A芬兰：K-15法国：U德国：12香港：IIA儿童不宜冰岛：12爱尔兰：12荷兰：12挪威：15菲律宾:PG-13葡萄牙：M/12新加坡：PG韩国：12西班牙：7瑞典：11瑞士：12瑞士：12英国：12美国：PG-13

加入站内收藏夹查看影评及点评对该电影评分立即高速下载我对本片的评分是:7分我已将该电影收藏到:已看

·外文别名：

A.I.(USA)(workingtitle(promotionaltitle))

A.I.ArtificialIntelligence(USA)(postertitle)

A.I.:ArtificialIntelligence(USA)(alternativespelling)

·剧情介绍

21世纪中期，由于气候变暖，南北两极冰盖的融化，地球上很多城市都被淹没在了一片汪洋之中。此时，人类的科学技术已经达到了相当高的水平，人工智能机器人就是人类发明出来的用以应对恶劣自然环境的科技手段之一。

先进的人工智能机器人不但拥有可以乱真的人类外表，而且还能像人类一样感知自己的存在。大卫（海利·乔·奥斯蒙特）就是这样一个有思想、有感情的小机器人，他被一对人类父母所收养，有一个哥哥和一个贴身的伙伴——机器泰德熊。但这些并不能让大卫满足，他一直渴望着自己终有一天不再仅仅是个机器人。抱着对这个愿望的执着，11岁的大卫踏上了漫长的心路历程，跟随在他身边的，还有另一个善良的机器人乔（裘德·洛）。谁也不知道他们能否完成自己的心愿，脱胎换骨成为真正的人，等待他们的只有凶吉难料的对复杂人性的追寻......

5. 电影《人工智能》的台词。

人工智能精彩对白：
David: Is it a game?
Monica: Yes.
Monica: You won't understand the reasons but I have to leave you here.
David: Is it a game?
Monica: No.
David: When will you come back for me?
Monica: I'm not, David. You'll have to be here by yourself.
David: Alone?
Monica: With Teddy.
David: No. No, no, no! No, Mommy, please! No, no. Please, Mommy.
Monica: They would destroy you, David!
David: I'm sorry I broke myself. I'm so sorry I cut your hair off. I'm sorry I hurt Martin.
Monica: I have to go. I ahve to go! Stop it! I have to go now.
David: Mommy, don't! Mommy if Pinocchio became real and I become a real boy can I come home?
Monica: That's just a story.
David: But a story tells what happen.
Monica: Stories are not real! You're not real! Now, look. Take this, alright? Don't let anyone see how much it is. Look. Don't go that way. Go anywhere but that way or they'll catch you. Don't ever let them catch you! Listen, stay away from Flesh Fairs, away from where there are lots of people. Stay away from all people. Only others like you, only Mecha are safe!
David: Why do you want to leave me? Why? I'm sorry I'm not real. If you let me, I'll be so real for you!
Monica: Let go, David! Let go! I'm sorry I didn't tell you about the world.
Narrator: 289 Those were the years when the icecaps melted e to the greenhouse gases and the oceans had risen and drowned so many cities along all the shorelines of the world. Amsterdam, Venice, New York forever lost. Millions of people were displaced. Climate became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived when most governments in the developed world introced legal sanctions to license pregnancies. Which was why robots, who were never hungry and did not consume resources beyond those of their first manufacture were so essential an economic link in the chain mail society.
fe8 Female Colleague: It occurs to me with all this animus existing against Mechas today it isn't just a question of creating a robot that can love. Isn't the real conundrum, can you get a human to love them back?
Professor Hobby: Ours will be a perfect child caught in a freezeframe. Always loving, never ill, never changing. With all the childless couples yearning in vain for a license our Mecha will not only open up a new market but fill a great human need.
Female Colleague: But you haven't answered my question. If a robot could genuinely love a person what responsibility does that person hold toward that Mecha in return? It's a moral question, isn't it?
Professor Hobby: The oldest one of all. But in the beginning, didn't God create Adam to love him?
David: Mommy? Will you die?
Monica: Well, one day, David, yes, I will.
David: I'll be alone.
Monica: Don't worry yourself so.
David: How long will you live?
Monica: For ages. For 50 years.
David: I love you, Mommy. I hope you never die. Never.
Patricia in mirrored room: I'm afraid.
Gigolo Joe: Of me?
Patricia in mirrored room: Yes.
Gigolo Joe: That I will hurt you?
Patricia in mirrored room: Yes.
Gigolo Joe: I think... you're afraid of letting go. I think you're afraid of happiness. And this is starting to excite me. Are you afraid of seeing the stars... Patricia? I can show you how to reach them.
Patricia in mirrored room: I'm afraid of what you've got under there. May I see what it looks like first?
Gigolo Joe: Is this your first time... with something like me?
Patricia in mirrored room: I've never been with Mecha.
Gigolo Joe: That makes two of us.
Patricia in mirrored room: I'm afraid it will hurt.
Gigolo Joe: Patricia... once you've had a lover-robot you'll never want a real man again. Are these the wounds of passion?
Patricia in mirrored room: Do you hear that music?
Gigolo Joe: You... are a goddess, Patricia. You wind me up inside. But you deserve so much better in your life. You deserve... me.
Gigolo Joe: Miss Bevins, it's Joe, at your service. I've been counting the seconds since last we met. Have you been crying, Samantha? I found a tear.
The Murderer: Hey Joe, what do you know? How many seconds has it been since the last time you two were together?
Gigolo Joe: 255,133.
The Murderer: Goodbye, Sam, and never forget: you killed me first.
Gigolo Joe: I'm in bad trouble.
Gigolo Joe: Are you in trouble? Have you run away from someone?
David: 25 My mother told me to run away.
ef5 Gigolo Joe: Why did she say that?
David: I guess because Henry didn't like me.
Gigolo Joe: Why was that?
David: Martin came home.
David: Martin is Mommy and Henry's real son. After i find the Blue Fairy then I can go home. Mommy will love a real boy. The Blue Fairy will make me into one.
Gigolo Joe: Is Blue Fairy Mecha, Orga, man or woman?
David: Woman.
Gigolo Joe: Woman? I know women! They sometimes ask for me by name. I know all about women. About as much as there is to know. No two are ever alike, And after they've met me, no two are ever the same. And I know where most of them can be found.
David: Where?
Gigolo Joe: Rouge City. Across the Delaware. Too far for our feet. We'll need help to get there. And it's not without peril. We will have to journey towards the moon.
David: Are there many women in Rouge City?
Gigolo Joe: As there are stars at night.
David: How do we find just one?
Gigolo Joe: We will ask Dr. Know. There is nothing he doesn't. Exactly what name do you give this woman?
David: She is just Blue Fairy.
Gigolo Joe: Blue Fairy. In the world of Orga, blue is the color of melancholy. Yet the services I provide will put a blush back on anyone's cheek. I will change the color of your fairy for you. She will scream out: 'Oh yes! Oh God! Oh, yes! Oh, God! Oh, God!' She will make you a real boy for I will make her a real woman and all will be right with the world because you held my hand and saved my brain so that once again my customers my ask for me by name: 'Gigolo Joe, what do you know?'
Gigolo Joe: There are girls your age that are just like me. We are the guiltless pleasures of the lonely human being. You won't get us pregnant or have us to supper with mommy and daddy. We work under you, we work on you and we work for you. Man made us better at what we do than was ever humanly possible.
David: I like your floor.
David: Please make me a real boy?
David: My brain is falling out.
Gigolo Joe: When you become a real boy, remember me to the ladies when you grow up.
Gigolo Joe: I *am*.
[Being taken into custody]
Gigolo Joe: I was!
Professor Hobby: You are a real boy. At least as real as I've ever made one.
Monica: David, this is your new toy.
Teddy: I am *not* a toy!
Gigolo Joe: 27b She loves what you do for her, as my customers love what it is I do for them. But she does not love you David, she cannot love you. You are neither flesh, nor blood. You are not a dog, a cat, or a canary. You were designed and built specific, like the rest of us. And you are alone now only because they tired of you, or replaced you with a younger model, or were displeased with something you said, or broke. They made us too smart, too quick, and too many. We are suffering for the mistakes they made because when the end comes, all that will be left is us. That's why they hate us, and that is why you must stay here, with me.
fb5 Gigolo Joe: They ask for me by name. Gigolo Joe, What do you know?
Gigolo Jane: Hey Joe, what do you know?
Gigolo Joe: Hey Jane, how's the game?
Dr. Know: Come away O human child / To the waters and the wild / With a fairy hand in hand / For the world's more full of weeping / Than you can understand.
David: I never had a birthday.
Monica: Cirrus, Socrates, particle, decibel, hurricane, dolphin, tulip.
Gigolo Joe: You are a goddess, Patricia. You wind me up inside. But you deserve much better in your life. You deserve... me.
Gigolo Joe: I know women! They sometimes ask for me by name. I know all about women. About as much as there is to know. No two are ever alike, and after they've met me, no two are ever the same!
Lord Johnson-Johnson: He who is without "sim", cast the first stone.
David: What's for dinner tonight?
Monica: You know you don't eat.
David: Yes. But I like sitting at the table.
David: Mommy... I'm sorry I broke myself.
Monica: I can't accept this! There is no substitute for you own child!
Dr. Know: Starving minds, welcome to Dr. Know! Where fast food for thought is served up 24 hours a day, in 40, 000 locations nationwide. Ask. Dr. Know - there's nothing I don't.
[Finding a of himself in Hobby's office/library]
David: Is this the place they make you real?
David 2: This is the place they make you read.
Professor Hobby: My son was one of a kind. You're the first of a kind.
Gigolo Joe: I'm in bad trouble.
Gigolo Joe: All roads lead to Rouge.
David: Is 50 years a long time
Teddy: I don't think so
Gigolo Joe: In this day and age, David, nothing costs more than information.
Junky Mecha: Would you be so kind and shut down my pain receivers?
Gigolo Joe: Many a mecha has gone to the end of the world... never to come back! That is why they call the end of the world 'MAN-hattan'.
Gigolo Joe: They hate us, you know... The humans. They'll stop at nothing.
Gigolo Joe: e7 She will make you a real boy for I will make her a real woman and all will be right with the world, because you held my hand and saved my brain. So once again my customers may ask for me by name: 'Gigolo Joe, wha'd'ya know'!
f56 [Joe starts dancing]
David: Why do you do that?
Gigolo Joe: That's just what I do.
David: My mommy doesn't hate me! Because I'm special! And unique! Because there's never been anyone like me before, ever! Mommy loves Martin because he is real, and when I am real Mommy's going to read to me and tuck me in my bed and sing to me and listen to what I say and she will cuddle with me and tell me every day a hundred times a day that she loves me!
David: I can never go to sleep... but I can lay quietly and not make a peep.
Female Colleague: If a robot could genuinely love a person, what responsibility does that person hold toward that mecha in return? It's a moral question, isn't it?
Professor Hobby: The oldest one of all. But in the beginning, didn't God create Adam to love him?
Monica: I do love you, you know.
[whispers]
Monica: I have always loved you.
Professor Hobby: The greatest single human gift - the ability to chase down our dreams.
Gigolo Joe: I am... I was.

6. 电影《人工智能》英文名

《人工智能》（英文名《A.I.: Artificial Intelligence》）
斯皮尔伯格继承大师库布里克遗志，拍摄了这部未来派的科幻史诗影片，裘迪劳和第六感小神童奥士文的机器人造型颇为神奇。
故事发生在二十一世纪，地球因温室效应而令冰山溶化，许多沿海城市被水淹没，人类只有依靠电脑的人工智能来维持生命，同时人类也应用具有人工智能的机器人作各种不同的用途。在其中的一个家庭，一对人类父母收养了小机器人大卫（凯利祖奥士文）作为他们的儿子，给他真人一样的生活。而大卫在人类中长大，开始了一段非比寻常的心路历程…
本片是导演监制于一身的斯皮尔伯格根据电影大师史丹利库布里克生前所留下的八十页剧本改编而成的。影片的故事有点儿象童话皮诺曹的现代科幻版，和2年前罗宾威廉斯的《两百年人》（Bicentennial Man）也有几分相似。而片名 A.I. 是 Artificial Intelligence 的缩写，就是人工智能的意思，影片的全名也应该是 A.I.: Artificial Intelligence。
斯皮尔伯格自98年的《拯救大兵瑞恩》后就一直在犹豫他的下一部作品，他手头的计划包括《艺妓回忆录》(Memoirs of a Geisha)、《印地安那琼斯第四集》(Indiana Jones 4)和《少数派报告》(Minority Report)等。但由于和他有20年交情的库布里克于1999年突然去世，《大开眼界》(Eyes Wide Shut)在无奈中带着一丝遗憾成了大师的绝响，而大师生前最后一个计划也就是本片《A.I.》暂时搁浅，这一突变使得斯皮尔伯格把本片列入了他的计划之中。
斯皮尔伯格于去年初决定继《侏罗纪公园》后再度挑战科幻题材的影片，其中包括向老友致敬的这部《A.I.》和汤姆克鲁斯期待多时的《少数派报告》，两部影片到底谁先胜出一度成了影迷茶余饭后的最佳话题。经过数度周折，斯皮尔伯格最终选择了这部他从未尝试过的未来派风格的科幻史诗影片《A.I.》。(以上均为网络转载）
对本部科幻经典的一切评价都显得苍白空洞，个中寓意万千，只可自己身受。

望及时采纳！

7. 求一篇介绍关于机器人电影的英文简介

变形金刚 （英文简介，你去网上搜查）

8. 看AI的感想，英文

A
Ah bon? 真的吗？
A l'œil 免费。Dîner à l'œil .
Avoir la pêche 有了活力！有了干劲！ J'ai la pêche! 我有了干劲！
Avoir une bonne fourchette, être une bonne (une belle ) bourchette 都是来形容食量很大，胃口大
Avoir la tête dans le cul 形容 打不起精神来 由于睡眠不足。
Avoir la tête dans le pâté. 形容 感觉还没睡醒。
Arrete ton baratin! 别再花言巧语了!
A qui le dites-vous 你以为我不知道
à la tienne ！祝你健康！
Aussitot dit, aussitot fait 说干就干

B
Bonne journée; Bon courage; Bon week-end； Bonne chance , Bonne continuation; Bon travail etc. 在道别的时候，法国人总会加上一句祝福的话，根据对话人的不同，提出相应祝福，表示 关心和友好。
Bon ben...... 口语，看语气推测意思，呵呵
Bien sûr 当然
Bravo ! 好！ 妙！ 特别用在观看演出时，观众对节目的热烈赞成！
Bla-Bla 通常指高谈阔论，长篇大论的废话
Bordel 乱七八糟 Attends une seconde, je range un peu mon bordel. Bordel ！也用来表示 愤怒！ 生气！
BIBI － 我，鄙人。 C'est bibi qui a fait ça. 是我做的.
C
Chouette ！真漂亮啊！
Ciao！是意大利语的再见，但法国人经常说，用于朋友之间。
Con,Conne n.愚蠢,笨蛋 adj.愚蠢,让人遗憾 C'est con, ce qui t'arrive. n.(粗语)阴户。强调它不是conard,e(connard,e) 的缩写！（conard,e 指傻瓜，笨蛋，呆子）
Chiant,e 使人很烦恼，讨厌，令人不快，扫兴。
Chapeau ! : Bravo !
Chiche: 表达一种不在乎，蔑视的态度。Chiche que je bois tout ! 我都能喝！另外别人激你，怀疑你做某事能力时，你可以这样回答： Chiche ! Tu n'iras pas ! - Chiche !
Ça va? 熟人见面必说之语，ça va?Oui, et toi?ça va merci!
C'est comme ça! 孩子经常问："Pouquoi?"（为什么？）家长回答："C'est comme ca!"（就是这样，不为什么）对于不好解释的问题，法国人常常这样说，有时也是一种无奈。
Ça y est! Ça y a été! 都是指事情完成了，进展的顺利，只是时态不同。
ça m'étonne ! 和 ça ne m'étonnne pas ! 的区别。
au présent, 或者讲述过去的事时：Ça m'étonne! 有点像 je ne le pense pas! 我不觉得！我可不认为！ça ne m'étonne pas！和上面表示的意思相反，是表示你想得和对方一样，或者说对方说的你已经预料到了。翻的拗口点就是：我没有不这么觉得哦！如果是讲述即将发生的事情，则要用：Ça m'étonnerait ! ça ne m'etonnerait pas!
Ce n'est pas grave！不要紧
Ce n'est pas la peine 不需要，没用。
C'est vrai? 真的么？跟中文作用相同，表示惊奇或怀疑。
C' est nickel = Impeccable 不错！很好！
C'est normal 这很正常
C'est génial! Excellent ! C'est magique ! Superbe! Bravo! 一系列用与吹捧的词。
C'est terrible! 是说"确实不咋样" 直译"太可怕了!" 但是法国人更喜欢用这句表达相反的意思,就是"太棒了!" 加个否定词就是"不怎么样"。
C'est à se tordre 真笑死人。
C'est marrant... ,C'est rigolo... 滑稽的，好笑的。
C'est dans la poche ！指事情成功了，事情解决了！
C'est vraiment...... 这真是......
C'est parti ! ......开始！
C'est pareil au même. 这是一回事。
C'est chinois ！这很难理解！
C'est le jour et la nuit. 天壤之别。
C'est juste mon affaire. 这正是我想要的。
Ce ne sont pas tes oignons. ça ne te regarde pas.
Ca dépend! Voila! Quoi de neuf? 意思是，有什么新鲜事么？朋友之间（尤其是年轻人）见面经常这样说，相当于问，最近怎么样？
ça caille = il fait froid 这么冷！
ça gne (dans l'huile) = ça va, ça marche ,bien 问候语
ça craint 令人不快，让人烦恼
ça n'a pas loupé 事情就像预料中那样。
ça ne prend pas 我不相信。
Ça m'est égal. 对我来说无所谓
Comme ci comme ça 马马虎虎，还可以
Comme dit l'autre.
comme une lettre à la poste 轻松地，毫无障隘地
Cash 现金。这个单词是英文，但法国人也常用它 payer cash 付现金。
coincer la bulle 什么事也不做 ne rien faire
casser la tête, les oreilles 由于太大的噪声而烦躁
casser les pieds 使恼火，使厌烦
D
D'accord 表示同意，也经常说啊
Demain c'est un autre jour. 法语版"飘"。
Doucement! 法国人比较常用的口头禅，意思是慢点，小心，别毛手毛脚，温和一些。
D'un jour à l'autre. 随时随刻
Dégueulasse ! Dégoûtant. 让人恶心，令人厌恶，卑鄙下流。
Déconner 胡说八道。Tu déconne.
Dégage ! Dégage toi. 靠一边去。
E
Et voila. 你说对了，或者表达对了他想说的；他帮你作好了一件事情或者给你带来了什么东西。
Et alors？意思根据具体情况了，一半最多是用来叹气的或者过渡拉什么的， 没什么意思；当你讲述一个事情，他想知道下文的时候会这么问， 类似于 然后呢？或者有 SO WHAT 是那又怎么样呢？
En effet 实际上。
Enten! 一言为定
Enfin bref ! 好吧，总之。
en deux mots 三言两语 expliquer la chose en deux mots .简要的把事情解释清楚。
Et que ça saute ！快点！
Être aux cent coups 非常担心，焦急不安！
Être , mettre dans le coup！ 加把劲！加油干！
Entre quatre yeux 面对面。
F
Flic 警察
Fainéant,e qui ne veut rien faire. 懒人，无所事事的人！
Faire gaffe! 小心! 当心!! 意思与 faire attention 是一样的.口语常说Attention!! 或者Fais gaffe!
Faire sauter qqn 让某人丢掉饭碗，工作。
Fais comme chez toi !
G
Griller un feu rouge 闯红灯
Grand-chose s'emploie avec une négation:
Il n'y pas grand-chose de nouveau. C'est pas grand-chose.
Il n'a pas fait grand-chose aujourd'hui.
I
Il n'y a pas de feu au lac！ 湖里面不着火。实际上这句话来源于瑞士，在日内瓦有个著名的湖，，瑞士人不喜欢匆匆忙忙，所以他们经常这样说。没有火燎屁股的急事，慢慢来。还有一种说法：Prend ton temps. 表示不用着急。
Il bondit de joie 他高兴的跳了起来，可以不用 il est très content.
(Il n' ) y a pas photo ！通常指别的东西或事无法与之比较。令人惊奇！
Il s'en faut de beaucoup. 还差的远呢，还差的多呢
(Il) y en a marre: ça suffit
J
Je me sauve！ 不是说自己拯救自己，意思是我得赶快走了。
je m'en vais 我要走了 人家不知道我去哪 。 j y vais 我去那里了，人家知道我去哪。
je m'en fou 直译为"关我鸟事"
Je m'en souviens comme si c'etait hier. 我对此事记忆犹新
Je vais faire de mon mieux. 或 Je vais faire de mon pouvoir. 我将尽力而为
Je t'aime à mourir. 这可算毒誓了，爱你到死!
Je suis fou de ... 不要老说 j'aime...，太俗，用用这个对什么疯狂的句型吧!
Je ne peux trouver le sommeil. 我失眠了
J'en ai marre ＝j'en ai ras le bol 我厌倦这些了!
J'ai bien capté = J'ai compris
Je glande / J'ai glandé 我啥都没干无所事事来着.常用于不干活光坐着聊天偷懒的上班族
K
K.O 疲劳，很累。je suis K.O. 我累的不行了！
L
La vache 与vachement Vache 这个词法国人用的非常多。比如看到令人惊叹的人或物，人们会感叹一声：HOh la vache! ,C'est vachement bien!
Laissez tomber 意思是别管它，不要紧。生活中很多东西是要忽略而过的，法国人经常这样说，用于安慰 别人或者告诉自己：Laisser courir 随它去， 随其自然；La classe ！对那些优雅，高雅的东西的赞美词！La sauter 没吃饭，饿了。
Le gratin 上流社会，名流人士。
Louper 没有成功，做糟。
M
Machin 通常指些人或东西。当我们一时想不起或不知道其名的人或物时就用Machin来代替。Passe moi le machin ！把那个东西递给我。
Mon ange, ma puce, mon coeur, mon chat, ma pauvre, mon cheri... 对心爱人的称呼，总是变幻无穷，亲昵的叫法，表示感情的深厚。
Merde! 虽不雅观，但不管男女老少，哪个阶层的人都说，可以算法国国骂。
Ma poule ! 法国男人对自己的妻子或者对别的女人，特别是年轻的姑娘的昵称:"Ca va, ma poule ?"
mais oui 对啊
mouchard,e 通常指 告密者，打小报告的人。
Môme. 小孩，小家伙。T'es môme.
N
Nom de Dieu ！Nom d'un chien ！ 倒霉! 糟糕! 该死 ！
ne t'en fais pas : 别担心。
Noël au balcon, Pâques au tison 冬暖，春必寒.
N'importe quoi ! Il fait n'importe quoi.
O
Ouf 疯了！就是fou反过来
Oh la la la ...... 哎呀呀......
On (ne) sait jamais! 意思是什么事情都有可能发生，一切都会改变，人们不能预见未来。
On s'en va 我们走吧 强调我们离开这里 On y va 强调我们离开这里去那里
On fait la revance . 就是再玩一局。如果两个人玩, 然后一个人输了
就可以说:On fait la revance
Où avais-je l'esprit 我脑子哪里去了 (忘记或者没注意到时)
On mange chez toi(moi) ou on mange chinois。
P
Patate = Pomme de terre , 还有 Bête 的 意思。
Pauvret, te. Oh , le pauvret !
Pénible 难以打交道，令人难以忍受 Il est pénible !
Pas mal 不错 ！
Prend ton temps. 表示不用着急。
Pourquoi pas？为什么不？对于别人的建议和看法，法国人经常这样回答。他们常常把事情往好的方向想，也是对别人看法的尊重。
Pas de souci 不必操心，不用烦恼
Prendre la tête 发怒，恼火 ça me prend la tête。让我生气，恼火。
Perdre la boule 发疯，失去理智。
Pourquoi pas ？ 为什么不呢？
par contre 另一方面或者是类似的意思。
Prendre l'air 出去散步，呼吸新鲜空气。
Petit à petit 渐渐的，逐渐
prendre une cuite 喝醉了，喝多了
Prendre la mouche : se facher 生气， 发怒
Q
Qu'est ce qu'il barbouille 他在胡扯些什么？
R
Rira bien qui rira le dernier 笑到最后的笑得最好
S
Si tu veux/Si vous voulez. 字面意思：如果你（您）愿意。有的时候其实只是一种礼貌用语，并没有实在意义。法国人对他人的意见很尊重，即使提出自己的建议，也要加这么一句，表示并不强迫别人。有的时候表示委婉的拒绝，也会用到它，不过意思不强烈，说话人也在犹豫。这是一种把主 动让给别人的方法，日常生活经常用到和听到。
Se casser la tête 想方设法做...，为...绞尽脑汁
Savoir (ne pas savoir) par quel bout la prendre 找到解决问题的办法。
se fait mauvais sang = être très inquiet
T
Tchin tchin ！干杯
Tu va bien? = ça va? tu es bien passe? 你过得还好吧？
Tout à fait 完全正确，就是 pas tu tout 一点都不
Tant pis pour toi! 算你倒霉。没有太大的恶意，有的时候半开玩笑地说。场合不定，比如"Moi j'aime bien le vin.Si tu n'aime pas, bien, tant pis pour toi!" 此外，
Tant pis 糟糕！ Tant mieux 太好了！也是法国人的口头禅，表达个人感想。
Tu parles ! 你开什么玩笑 或者 你倒说得好 有点轻蔑、挖苦的意思
Tomber dans les pommes 昏倒，昏厥
Tu peux courir ！你是痴心妄想！你在做无用工！
Tu es un gros zéro. 你是一个大白吃
Tu iras dormir moins bête ce soir 转意：你又学了点东西。
Tant bien que mal 比差强，好歹
Ta gueule ! 住嘴！闭嘴！
Tête-bêche : 头对脚，脚对头；一顺一倒的

U
une nuit blanche 一夜没睡
un coeur d'artichaut 花心
Un tout petit peu 一点点儿，一丁点儿。
Y
Y êtes-vous? - J'y suis : 你懂了吗，（或者说找什么东西）找到了吗--明白了，懂了，找到了。comme "j'ai bien capté".

Z
Zut 见鬼， 该死，倒霉

9. 对写英语作文有帮助的英文电影

101 Dalmatians 101 斑点狗
2001: A Space Odyssay·1968 2001太空漫游
A Clockwork Orange·1971 发条橘子
A Place in the sun·1951 郎心如铁
A Streetcar Named Desire·1951 欲望街车；欲望号街车
A Walk in the Clouds 云中漫步
A.T. 人工智能
Ace Ventura 神探飞机头
Air Force One 空军一号
Alien 异形
All About Eve·1950 彗星美人
All Quiet on the Westernfront·1930 西线无战事
Amadeus·1984 阿玛迪斯; 莫扎特
American Beauty 美国丽人
American Graffiti·1973 美国风情画(美国往事)
An American in Paris·1951 花都舞影(一个美国人在巴黎)
Anna and the King 安娜与国王
Annie Hall·1977 安尼·霍尔；安尼荷尔
Apocalypse Now·1979 现代启示录
Basic Instinct 本能
Beauty and the Beast 美女与野兽
Ben-Hur·1959 宾汉(宾虚)
Black and White 黑与白
Bonne and Clyde·1967 我俩没有明天；雌雄大盗
Brave Heart 勇敢的心
Bringing up Baby·1938 育婴奇谭
Broken Arrow 断箭
Butch Cassidy and the Sundance Kid·1969
Casanblanca·1943 北非谍影；喀桑布兰卡
Charlie's Angels 霹雳娇娃
Chicken Run 小鸡快跑
China Strike Force 雷霆战警察
Chinatown·1974 唐人街; 中国城
Citizen Kane·1941 大国民；公民凯恩
City Lights·1931 城市之光
City of Angels 天使之城
Close Encounters of the Third Kind·1977 第三类接触
Crouching Tiger, Hidden Dragon 卧虎藏龙
Dances With Wolves 与狼共舞
Dances with wolves·1990 与狼共舞
Deep Impact 慧星撞地球
Die AkTE 塘鹅暗杀令
Dinosaur 恐龙
Doctor Zhivago·1965 日瓦格医生
Double Indemnity·1944 双重保险
Dr. Strangelove·1964 奇爱博士；密码114
Duck soup·1933 鸭羹
E.T. The Extra-Terrestrial·1982 外星人
Easy Rider·1969 逍遥骑士；迷幻车手
Enemys at the Gates 兵临城下
Entrapment 偷天陷阱
Faceoff 变脸
Fantasia·1940 幻想曲
Fargo·1996 冰血暴风；雪花高城
Final Fantasy 最终幻想
First Blood 第一滴血
Forrest Gump·1994 阿甘正传
Frankenstein·1931 科学怪人
From Here to Eternity·1953 红粉忠魂未了情
Giant·1956 巨人
Gladiator 角斗士
Gone with the Wind·1939 乱世佳人；飘
good fellas·1990 四海好家伙
Guess Who's Coming to Dinner·1967 谁来晚餐；谁来付宴君且猜
Hard Target 终极标靶
High Noon·1952 日正当中；龙城歼霸战
Hollow Man 空心人
Independent Day 独立日
It happened One Night·1934 一夜风流
It's a wonderful life·1946 风云人物
Jaws 大白鲨
Jaws·1975 大白鲨
Jeepers Creepers 惊心食人族
Jurassic Park 侏罗纪公元
King Kong·1933 大金刚
Lawrence of Arabia·1962 阿拉伯的劳伦斯；沙漠枭雄
Lion King 狮子王
Lost World 失落帝国
Lotus Lantern 宝莲灯
M*A*S*H·1970 外科医生；风流医生（军医？）俏护士
Matrix 黑客帝国
Meet Parents 拜见岳父大人
Midnight Cowboy·1969 午夜牛郎
Modern Times·1936 摩登时代
Moulin Rough 红磨坊
Mr. Smith Goes to Washington·1939 史密斯先生上美京
Mutiny on the Bounty·1935 叛舰喋血记
My Fair Lady·1964 窈窕淑女
Network·1976 荧光屏后
North by Northwest·1959 北西北
Notting Hill 诺丁山
On the waterfront·1954 岸上风云；码头风云
One Flew Over the Cuckoo's Nest·1975 飞跃杜鹃窝；飞越疯人院
Patton·1970 巴顿将军
Pearl Harber 珍珠港
Perfect Storm 完美风暴
Planet of the Apes 人猿星球
Platoon·1986 前进高棉；野战排
Pretty Woman 风月俏佳人
Psycho·1960 惊魂记
Pulp Fiction·994 黑色追缉令(庸俗小说)
Raging Bull·1980 蛮牛
Raiders of the Lost Ark·1981 法柜奇兵
Ransom 赎金风暴
Rear Window·1954 后窗
Rebel Without a Cause·1955 善子不教谁之过；阿飞正传
Rocky·1976 洛基第一集
Romeo Must Die 致命罗密欧
Runaway Bride 落跑新娘
Rush Hour 尖峰时刻
Saving Private Ryan 拯救大兵瑞安
Scent of A Woman 女人香
Schindler's List 辛德勒的名单
Schindler's List·1993 辛德勒的名单；辛德勒名单
Shakespeare in Love 莎翁情史
Shane·1953 原野奇侠
Shanghai Noon 上海正午
Singing in the Rain·1952 万花嬉春；雨中曲
Six Days and Seven Nights 六天七夜
Snow White and the Seven Dwarfs·1937 白雪公主
Some Like It Hot·1959 热情如火
Space Jam 空中大灌篮
Spy Kid 超级小特务
Stagecoach·1939 驿马车
Star Wars 星球大战
Star Wars·1977 星际大战；星球大战
Stuart Little 精灵鼠小弟
Sunset Bouevard·1950 日落大道
Swordfish 剑鱼行动
Taxi Driver·1976 计程车司机；的士司机
The 6th Day 第六日
The African Queen·1951 非洲皇后
the Apartment·1960 公寓春光；桃色公寓
The Best Years of Our Lives·1946 黄金时代
the Birth of a Nation·1915 国家的诞生
The Bone Collector 神秘拼图
The Bridge of Madison Country 廊桥遗梦
The Bridge on the river Kwai·1957 桂河大桥；桂河桥
The Deer Hunter·1978 越战猎鹿人
The English Patient 英国病人
The French Connection·1971 霹雳神探(法国贩毒网)
The Fugitive 亡命天涯
The Godfather Part II·1974 教父第二集
The Godfather·1972 教父第一集
the gold rush·1925 淘金记
The Graate 毕业生
The Grapes of Wrath·1940 怒火之花
The Green Mile 绿色奇迹
The Jazz singer·1927 爵士歌手
The Long Kiss Goodnight 特工狂花
The Maltese Falcon·1941 枭巢喋血战
The Manchurian Candidate·1962 谍网迷魂
The Mask 变相怪杰
The Mummy Returns 木乃伊
The Patriot 爱国者
The Philadelphia Story·1940 费城故事
the Searchers·1956 搜索者
The Silence of the Lambs·1991 沉默的羔羊
The Sound of Music·1965 真善美; 音乐之声; 仙乐飘飘处处闻
The Terminator 魔鬼终结者
The Third Man·1949 黑狱亡魂；第三者
The Treasure of the Sierra Madre·1948 碧血金沙
The wild Bunch·1969 日落黄沙
The wizard of Oz·1939 绿野仙踪
To Kill a Mockingbird·1962 梅岗城故事
Tomb Raider 古墓丽影
Tomorow Never Dies 明日帝国
Tootsie·1982 窈窕淑男(宝贝)
Top Gun 壮志凌云
Toy Story 玩具总动员
Traffic 毒品网络
True Lies 真实的谎言
Twister 龙卷风
Unforgiven·1992 杀无赦
Vertical Limit 垂直极限
Vertigo·1958 迷魂记
Waterloo Bridge魂断蓝桥
Waterworld 未来水世界
West Side Story·1961 西城故事；西区故事；梦断城西
Witness 目击者
Wuthering Heights·1939 咆哮山庄；呼啸山庄
X-Files X 档案
X-Men X 战警
Yankee doodle Dandy·1942 胜利之歌