❶ 哪位朋友能提供《野性的呼唤》这部电影的可用下载链接
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电影讲述了巴克是一只骨骼壮硕身材强壮的狗，本来在大法官家里过着养尊处优的生活的它，被园丁偷走，卖到了严寒的阿拉斯加，成为了雪橇犬。巴克坎坷的命运并没有就此终结，之后，它又辗转经历了好几个主人，他们残暴而又冷酷的对待巴克。不仅如此，巴克在狗群中也为了保住自己的地位而经历了巨大的挑战。
❷ 野性的呼唤是哪国电影
野性的呼唤 The Call of the Wild (2020)
导演: 克里斯·桑德斯
编剧: 迈克尔·格林 / 杰克·伦敦
主演: 哈里森·福特 / 丹·史蒂文斯 / 凯伦·吉兰 / 布莱德利·惠特福德 / 珍·路易莎·凯利 /..
类型: 剧情 / 冒险
制片国家/地区: 加拿大 / 美国 / 葡萄牙
语言: 葡萄牙语 / 英语 / 法语
上映日期: 2020-11-13(中国大陆) / 2020-02-21(美国)
片长: 100分钟
❸ 以野性的呼唤为题材的电影，两个人找到金矿，被少数民族杀了，那个狗找他的主人，他在冰下面死
The Call of the Wild: Dog of the Yukon (TV)
中文名: 野性的呼唤
导演: 彼得 斯维泰克 (Peter Svatek)
上映年度: 1997
制片国家/地区: 加拿大
巴克是一条圣伯纳犬和牧羊犬混种的大狗，野性、灵敏。这是只狼性很重的狗，拉雪橇时尽职卖力，战斗时机智勇猛。它本来在一个大法官家里过着优裕的生活，它和孩子们一同散步，在水中嬉戏，冬天的时候它就坐在主人的炉火边取暖。但是在1897年，人们在育空河发现了金矿， 在美国很快掀起了一股淘金热。许多美国青年来到阿拉斯加这个冰雪世界，希望能淘到属于自己的黄金。于是狗成了淘金旅途中不可缺少的伙伴和工具，他们需要像巴克这样的狗。强壮的巴克被法官的园丁偷走，辗转卖给邮局，又被送到阿拉斯加严寒地区去拉运送邮件的雪橇。
巴克最初被卖给两个法裔加拿大人。这些被买来的狗不仅受到了冷酷的人类的虐待，他在那里学会了拉雪撬，在冰天雪地中日复一日地跋涉，他学全了偷食以慰饥肠，破冰取水解渴。而且狗之间为了争夺狗群的领导权，也无时不在互相争斗、残杀。巴克还是天生的领导者，由于体力超群、机智勇敢，绝不愿久居人下。它觊觎领队狗的位置，一面拉拢犬党，充实自己的实力和政治资本，一面养精蓄锐，伺机而动。最后巴克终于击败领队狗史必兹，成为新的领队。它似乎很能发挥管理长才，恩威并使，把狗队冶理得井然有序，使得每天的行程因而大增。巴克的世界里再也没有怜悯和仁慈，它信奉的是很简单的原则：杀，或是被杀；吃，或是被吃。捕猎与杀戮是为了果腹和自卫，就像呼吸那么必要和自然，绝对没有错与对的考虑。
他先后换过几个主人，最后被约翰·索顿收留。那是在巴克被残暴的主人哈尔打得遍体鳞伤、奄奄一息时，索顿救了他，并悉心为他疗伤。在索顿的精心护理下，巴克恢复得很快，由此他们之间产生了真挚的感情。巴克对索顿非常忠诚，他两次不顾生命危险救了索顿的命，不幸的是，在淘金的过程中，索顿被印第安人杀死。狂怒之下，巴克咬死了几个印第安人，为主人报了仇。这时恩主已死，他觉得对这个人类社会已无所留恋。最终，他回应自身野性的呼唤，进入森林，从此与狼为伍，过着原始动物的生活。但他不忘旧谊，仍然定期到主人的葬身之处去凭吊。
❹ 《野性的呼唤》哪里可以找到这个电影
贴吧、微信公众号、网络网盘都可以找到的
上周来到美国著名作家杰克·伦敦的家乡，旧金山奥克兰杰克·伦敦广场，来欣赏根据他1903年的小说改编的电影《野性的呼唤》。
这个电影院附近，不仅有杰克·伦敦的雕像，而且还有一个可以瞭望旧金山海湾的海鲜酒家，这家海鲜馆是旧金山警局的大本营，因为老板过去是旧金山警官。
改革开放之初，很难找到英文原作小说，当时好像只有两本，一本是杰克·伦敦的《野性的呼唤》，另一本是《嘉丽妹妹》。
我能读懂的第一本英文小说，就是杰克·伦敦的这本《野性的呼唤》，The Call of the Wild.
杰克·伦敦于1876年生于旧金山, 没读过大学，早年以打鱼为生，后来在奥克兰小图书馆自学成材。作家的奋斗史曾鼓舞了美国几代人，特别是黑人。旧金山奥克兰，美国许多明星球员，来自这个黑人之城。杰克·伦敦是混血，母亲是黑人，所以听说许多黑人球星，都随身携带杰克·伦敦的这部小说。至今有167部电影，改编自他的小说!
顺便说句，漫威电影里的黑豹，也是源于奥克兰，但这里却是全美犯罪率最高的城市!
2020版的《野性的呼唤》剧情简介：
在人们发现金矿之后，小狗巴克被偷运到北方，成为一条拉雪橇的苦役犬。在残酷的驯服过程中，恶劣的生存环境让巴克懂得了欺骗与狡诈，虽然与一位主人结下了难舍难分的情意，但最终还是与狼共舞，离开主人，自由地奔驰在山野之中。
第一感觉，2020版的电影《野性的呼唤》，比杰克·伦敦的原作要好！原著强调的是丛林法则和巴克逐渐摒弃文明恢复兽性的过程。而新版电影则更着重于它与老人哈里森·福特的情感故事，包括在剧情中增加它和老人互动的细节，两次相遇、一起乘船出去冒险，共吹口琴等，虽然没有原著深刻，但符合电影的流行趋势：大自然动植物与人类的生态学纽带。
从我个人的观点来看，杰克·伦敦的这部世界名著，是有病毒的，小说中不仅充满了种族歧视，而且他用人类与恶狼相比，最后男主（公狗主）放弃人类而选择白狼，试图论证人类多数是丑恶与无情的，这其实是反人类的，不健康的。在这种欧美主流文化的教化下，一个世纪以来，人类的交流多数是敌意的，冷战的，不信任的。
这种电影视觉论证方式，使我不自觉地想起陈凯歌的《霸王别姬》，日本人安静地听四爷唱戏，国民党兵却不听四爷唱戏，等共军来了，不仅不听四爷唱戏，还将四爷给杀了，谁最热爱戏剧？自古许多文学家都善于用这种隐晦的方式，传递一种个人化的隐喻与信息。
2020年的电影版《野性的呼唤》，纠正了杰克·伦敦的偏颇，而强调了人与自然、人与动物，万物生灵的协调与共融，非常难得。
❺ 请问《野性的呼唤》的概要（英文版）是什么能给人哪些启示有什么象征意
The Gold Rush in the Yukon and Alaska has prompted the need for big, strong dogs who will be able to pull sleds over icy trails. Buck, a large animal living in the home of Judge Miller in Santa Clara, California, is exactly what the explorers want. He is an animal with human-like tendencies, intelligence, strength and dignity. Thus far he has enjoyed his civilized life with the occasional nature stroll or hunting trip. Manuel, a gardener's helper with a penchant for gambling and a need for money, manages to kidnap Buck and sell him on the black market. He is given to a saloon-keeper and transported via train to the Northland. Throughout the ordeal, Buck is kept in a cage and becomes increasingly angry. He manages to badly bite one of his kidnappers. By the time he arrives at his destination, he has worked himself into a rage.
The meeting with the Red Sweater and the painful encounters with his club push Buck into submission. He is not broken, but he knows better than to keep resisting, which can only result in his death. Once he is behaving correctly, Buck, along with Dave and Curly, two other dogs, is sold to Francois and Perrault, two agents of the Canadian government. They must bring the mail between Skaquay and Dawson, Alaska. While in camp, Curly is killed for trying to make friendly advances to another husky. Buck understands that this is the law of club and fang which dominates this new world. He resolves never to go down in that manner.
Buck and Dave join a preexisting dog team led by Spitz, a bullying husky dog. The trail work begins immediately. Buck learns fast from the other dogs. In time he starts to become more wild, losing the domesticity imposed upon him in the Judge's home. Tensions develop between him and Spitz. Buck is ready to be a leader, and looks to usurp Spitz's power. While hunting a rabbit one night, the two end up in a fight to the death. Buck achieves mastery. When Francois attempts to place Sol-lek at the head of the team, Buck refuses to allow it. Even the appearance of a club does not faze him, for he has learned how to avoid it. When Francois allows him to take the position, he is amazed by Buck's abilities. Buck begins to dream of an ancient world in which man and dog fought side by side to survive.
After two round trips between towns, the dogs are exhausted and overworked. Francois and Perrault are very proud of their team, having just set a record for their run. But they receive new orders and must bid the dogs goodby. Several Scottish "half-breeds" take charge of Buck and his other dogs. He does not have strong feelings for them, but they are good men and they care for the dogs. Buck's dreams of the ancient world grow more vivid. The path is very difficult and men and dogs alike are growing weak. One day Dave shows so much pain that one of the men tries to get him to run behind the sled. He refuses so adamantly that the men give in and allow him to run himself out. The next morning they drive the sled away, then one man returns and shoots Dave.
After this last trip, the Scottish men are told to sell the dogs and buy fresher ones. The team is sold to a group of tenderfoots -- Hal, Charles, and Mercedes -- looking to strike it rich. They have no idea how to work with a dog team. In Hal's eagerness to complete the trail, he terribly mistreats the dogs. His quiet brother-in-law Charles and weepy sister Mercedes only increase the difficulty. Hal's incompetent handling of the rations leads them to run out of food for the dogs half-way through the trip. Starving and overworked, one by one the dogs start to die. The remnants pull into the camp of John Thornton. Buck refuses to rise when Hal wants to leave. After watching the cruel young man beat Buck repeatedly, John steps in and saves him by cutting him out of the harness. The rest of the team continues. Only a quarter-away, the sled falls through the ice, thinned by the sun, and dogs and humans perish together.
Buck falls wildly in love with John Thornton, who immediately recognizes that Buck is one of a kind. Under John's influence, comforted by his two other dogs Skeet and Nig, Buck begins to heal. He accomplishes a number of miraculous things for John, saving his life twice and winning a bet that allows him to pay off all his debts. He does not forget his visions of the primitive world, but he is happy at John's side. Along with Hans and Pete, John's partners, the dogs go on an expedition for a lost mine. The work on the trail, the daily hunting, are absolutely delightful for Buck. Though they don't find the mind, they do find gold, and so there is no more work for the dogs to do. Buck ruminates once more on the call that he hears nightly in the forest.
Eventually he starts to sleep away from the camp. He embraces his instincts and wild tendencies, killing his own food and watching out for himself. Buck meets a wolf who befriends him and is quite sad when he returns to the camp. This pattern continues, until one day Buck returns to the camp to find everyone killed by the Yeehats, a Native American tribe. He flies into a rage at the death of beloved John, and kills all the men who do not run away from him. There is no more tie to mankind, so Buck returns to the forest and remains with a pack of wolves. Each year he visits to the valley where John Thornton died, mourning his lost, dearest friend.
Analysis of Major Characters
Buck
Although The Call of the Wild is told from the perspective of an anonymous third-person narrator, the events that are recounted are those that the dog Buck experiences directly. As such, it is not unreasonable to call him the only fully developed character in the story. He is the only character whose past we know anything about, and London is careful to emphasize the human qualities of his protagonist, enabling us to empathize with the animal. Filtered through the third-person omniscience of the narrator, Buck comes across as far more than a creature of instinct, since he has a sense of wonder, shame, and justice. He also possesses a capacity for mystical experiences and for great, unselfish love, as his relationship to Thornton amply demonstrates. He may be a dog, but he is more human than many of the people around him.
Buck’s story is cyclical: he is introced as a pampered prince, and the story concludes with Buck as a veritable king of beasts. In between, Buck undergoes experiences that provide him with greater insight about the world. Buck begins as a spoiled regent, strutting proudly over his soft, sun-kissed domain, but he abruptly sees everything taken away from him. He is reced to nothing, beaten and kicked and forced to pull sleds through the Canadian wilderness. This experience, though, far from destroying him, makes him stronger, and he wins back his kingdom—or rather, he wins a new kingdom, a wild one that better suits his true destiny as a wild animal. The Call of the Wild is, as its title suggests, a celebration of wildness, of primitive life, and even of savagery. Buck’s rise to greatness is not an easy path; it is a struggle, a course strewn with obstacles, from the long el with his rival Spitz to the folly of Hal, Mercedes, and Charles. But these obstacles, London indicates, are to be rejoiced in rather than avoided: life is ultimately a long struggle for mastery, and the greatest dogs (or men), the Bucks of the world, will always seek out struggles in order to prove their greatness. Thus, when Buck goes from being a moral, civilized pet to a fierce, bloodthirsty, violent wolf-dog, we are glad rather than shocked, because we know that he is fulfilling his highest -possible destiny.
John Thornton
The Call of the Wild is, first and foremost, the story of Buck’s graal transformation from a tame beast into a wild animal. But even as the novel celebrates the life of a wild creature, it presents us with the character of John Thornton, whose connection to Buck suggests that there may be something good and natural in the human-dog relationship, despite its flaws. Thornton, a seasoned gold prospector, saves Buck from being beaten to death by the odious Hal and then becomes Buck’s master. From then on, a deep and abiding love blossoms between man and dog. Their relationship is a reciprocal one—Thornton saves Buck, and Buck later saves Thornton from drowning in a river. It is clear that Buck is more of a partner than a servant to the prospector. This mutual respect, we are assured, is characteristic of all Thornton’s relationships to dogs—every one of his animals bears an abiding love for him, which is returned in kind. Even as Buck is increasingly drawn to a life away from humanity, a life in the wild, his affection for Thornton keeps him from making the final break. Indeed, so strong is their bond that it is broken only when Thornton dies, and even then Buck makes an annual pilgrimage to his last master’s final resting place.
Buck is prone to visions of more primitive worlds, and sometimes he sees the humans around him as ancient men, wearing animal skins and living in caves or trees. In some of these visions, he is -running alongside these men, protecting them from the terrors of the night. His relationship to Thornton, the novel implies, is like these ancient man-dog connections; it is primitive rather than civilized, and so it remains strong even as Buck leaves the civilized world behind.
Hal, Charles, and Mercedes
These three can be analyzed in a group, because London never develops them beyond our initial impressions of them, which are strikingly similar: Hal and Charles are foolish and callow; Mercedes is spoiled and sentimental. Taken together, the trio serves as a vehicle through which London attacks the debilitating effects of human civilization and warns of how little use such civilization is in the wild. From their first appearance, Hal, Charles, and Mercedes are woefully out of place in the untamed North. Both Hal and Charles display “a callowness sheer and unutterable,” while Mercedes is spoiled and unreasonable—“it was her custom to be helpless,” London notes. As a group, the three have no experience in the wild, and, thus, they make mistake after mistake, overpacking the sled, allowing Mercedes to ride instead of walking, and miscalculating how much food they need for the journey to Dawson. When their mistakes become apparent, instead of taking action, they begin bickering and feuding, fighting over old grudges and trifles rather than dealing with the problems at hand.
The civilized world tolerates and even smiles on such absurdity, London suggests, but the wild has no such mercy. In the cold of the Klondike, incompetence is deadly, not only for the three foolish Americans but also for the team of dogs, for the humans’ poor planning has brought them to the brink of starvation. Hal, Charles, and Mercedes are weak and foolish figures, and their folly has its own reward—death in the icy waters of a northern river.
❻ 《野性的呼唤》中英对照版
http://www.52en.com/sw/html/20050404_001.asp 这是英语的 http://www.sjtxt.com/soft/softdown.asp?softid=2110 这是中文的，已经试过，可以下，没有毒
❼ 野性的呼呼是什么电影
野性的呼唤吧，一个狗子从家养变成野生的过程