情书电影影评英文_日本电影《情书》讲的是什么啊求详细讲解

㈠求电影《电子情书》英文观后感

Love conquers all between two bad-for-each-other indivials in the predictably saccharine but tolerably entertaining romantic comedy "You've Got Mail" that reunites writer & director Nora Ephron with her "Sleepless in Seattle" co-stars Tom Hanks and Meg Ryan as rival booksellers in the Big Apple who woo each other anonymously via the Internet when they aren't at war with each other in the real world. Sappy cinemaphiles who rhapsodized about "Sleepless in Seattle" inevitably will applaud Ephron's simple but charismatic recoupling of Ryan and Hanks. Discriminating audiences, on the other hand, may reject "Mail" for being manipulatively cute, slowly-paced, and thinly plotted fodder.

Ostensibly, Ephron's frivolous but disposable soaper updates director Ernest Lubitsch's "The Shop around the Corner." In that venerable but uneven 1940 comedy, James Stewart and Margaret Sullivan portrayed two clashing curio store clerks who exchange anonymous but endearing letters. Incidentally, not only did Miklos Laszlo's play "Parfumerie" serve as the basis for the Lubitsch comedy, but it also inspired director Robert Z. Leonard's 1949 musical "In the Good Old Summertime" that mated Judy Garland with Van Johnson.

Just for the record, "The Shop around the Corner" ranks as no great shakes itself. Maudlin and claustrophobic, with a subplot featuring infidelity and suicide, the Lubitsch comedy is still rather depressing for a film proced ring the Golden Age of Hollywood. "Michael" director Nora Ephron and sister Delia Ephron have adapted Samson Raphaelson's "Shop" screenplay, preserving its better parts and contriving a few twists of their own. In their warm and fuzzy remake, the Ephrons have changed the setting from pre-World War II Budapest to contemporary New York City. Not surprisingly, because Nora Ephron lives on the Upper West Side, "You've Got Mail" makes Manhattan look like the better side of the rainbow. The sisters Ephron have expanded the scope of the action, too, so that the principals no longer toil under the same roof with the same tyrannical boss.

As Joe Fox, Tom Hanks of "Forrest Gump" plays the son of a wealthy family that owns Fox Books, a conglomerate book store a la Barnes & Noble which swallows smaller stores. Although Joe epitomizes capitalism at its most ruthless extreme, the filmmakers go to great lengths to take the sting out of his villainy. Not only do they show him taking his father's children by a second wife out to play, but they also saddle Joe with a shaggy Irish setter. Can anybody say "Turner and Hooch?" Conversely, as Kathleen Kelly, Ryan runs a quaint little children's bookstore named The Shop Around the Corner that her mother left her. Perky as always with her hair fashionably disheveled, Ryan appears hopelessly adorable in whatever she dons, whether pajamas or pants suit. Essentially, Hanks and Ryan are the whole show, and their cinematic chemistry has not dimmed an iota since their initial coupling in the abysmal 1990 epic "Joe Versus the Volcano." "You've Got Mail" marks the third time that they have teamed up.

The conflict is pretty basic. Opening its newest superstore a block away, Fox Books poses a dire threat to Kathleen's livelihood as a longtime neighborhood staple. Unlike "Sleepless in Seattle," where the Ryan and Hanks' characters eventually met at the end of the movie, "You've Got Mail" has their paths criss-crossing from the outset. The premise is that Kathleen and Joe meet in an-over-30 chat room at America-On-Line and have kindled a cozy e-mail relationship under the aliases of 'Shopgirl' and 'NY152.' Agreeing not to divulge any personal details, they have maintained a strictly platonic relationship. Nevertheless, they're so infatuated that they cannot wait for their live-in lovers to leave (they're singles) for work each day so that they can check their e-mail. Actually, Joe and Kathleen live only a few blocks apart, and Ephron shows early on how easily it is for these New Yorkers to walk the same streets without colliding. Joe is shacking up with a neurotic, caffeine-addicted book editor, Patricia Eden (indie movie queen Parker Posey), while Kathleen shares the same bed with a pretentious, bespectacled newspaper columnist, Frank Navasky (Greg Kinnear of "As Good As It Gets." Eventually, Joe and Kathleen run afoul of each other at a publisher's party where she learns about Joe's notoriety. Dislike turns to hate when Fox Books lures Kathleen's customers away with its discounted books, cappuccino bar, and chairs to relax in and read. Faced with competition that will likely sink her small business, 'Shopgirl' seeks advice from 'NY152.' He suggests that she go to war. Rationalizing everything in terms of the movie "The Godfather," he refers to the mafia epic as "the sum of all wisdom" and charts his life by it. Meanwhile, she interprets life through the pages of Jane Austin's classic weepie "Pride and Prejudice." Despite the widespread protest that she generates in the media, Kathleen cannot compete with Fox, and she locks her doors after 42 years of business. Indeed, hostile takeovers of this kind raise few eyebrows in today's rabid business climate, but jarring realism of this sort seems distinctly out of place in an otherwise fluffy love story.

Although "You've Got Mail" is a tale perfectly suited for today's technology, several obvious consequences have been overlooked. Never mind that "Mail" depicts women as passive and inexorably overwhelmed, makes breaking up appear like a picnic, and condones Republican style capitalism where big company gobble up small stores without a moral hiccup. Presumably, the sisters Ephron figured that audiences will dismiss these uneasy questions without a thought as they purr over the on-screen chemistry between Ryan and Hanks. Formulaic, flighty, flirtatious, and feel-good-all-around, "You've Got Mail" emerges also as a shameless infomercial for AOL, Macintosh computers, and Starbucks Coffee. However, another rather unsettling question lurks in the background. What if that significant other who shares this cinematic experience with you is cavorting on-line with somebody else?

㈡怎么用英语介绍日本电影《情书》求助。。

Japan" image author" in Shunji Iwai's classic movie. The movie narrated a letter was sent to the kingdom of heaven out of grief and love letters, but big surprise received the namesake reply, and graally digging out a deep for many years but always silent pure unrequited love, after the case is entirely cleared. The past and present love winding out a beautiful love love love. " Love letter" is inspired by the Lingmuqingshun1959 self-titled video" Love Letter". Shunji Iwai thought that memories are pushing yourself a better man. Most people think that the past is the past, now is now, they are no relation. A time, remember the past, we will find some past and present involvement, in turn influence of their own now.
日本“映像作家”岩井俊二所导演的经典电影。电影叙述一封原本出于哀思而寄往天国的情书，却大出意料收到同名同姓的回信，并且逐渐挖掘出一段深埋多年却始终沉静的纯真单恋，真相大白之后前尘往事与今时爱恋缠绕出了一段痴情凄美的挚爱情深。《情书》的灵感来自铃木清顺1959年的同名短片《Love Letter》。岩井俊二认为回忆是推动自己的一大原动力。一般人以为过去是过去，现在是现在，两者互无关系。某个时机，回忆起过去的事情，自然会发现一些过去与现在的连带关系，反过来影响了现在的自己。

㈢电影《情书》的观后感英文版

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㈣日本电影《情书》讲的是什么啊，求详细讲解

《情书》剧情介绍：日本神户某个飘雪的冬日，渡边博子（中山美穗）在前未婚夫藤井树的三周年祭日上又一次悲痛到不能自已。正因为无法抑制住对已逝恋人的思念，渡边博子在其中学同学录里发现“藤井树” 在小樽市读书时的地址时，依循着寄发了一封本以为是发往天国的情书。

不想不久渡边博子竟然收到署名为“藤井树（中山美穗）”的回信，经过进一步了解，她知晓此藤井树是一个同她年纪相仿的女孩，且还是男友藤井树（柏原崇）少年时代的同班同学。

为了多了解一些昔日恋人在中学时代的情况，渡边博子开始与女性藤井树书信往来。而藤井树在不断的回忆中，渐渐发现少年时代与她同名同姓的那个藤井树曾对自己藏了一腔柔情。

(4)情书电影影评英文扩展阅读

《情书》角色介绍：

1，秋叶茂

演员：丰川悦司

藤井树（男）的朋友，暗恋渡边博子，在藤井树死后，向博子表白并在一起。

2，藤井树（男）（少年时代）

演员：柏原崇

少年时期的藤井树，喜欢同班姓名相同的藤井树（女），后山难死亡，是渡边博子的未婚夫。

3，藤井树（女）（少女时代）

演员：酒井美纪

和藤井树（男）是同班同学，两人不是恋人，后收到渡边博子的信件发现了藤井树(男)的暗恋。

《情书》幕后制作：

1，原本是在神户的场景实际上是在小樽拍摄的。当时神户只下了一些小雪，位于更北边的小樽却下了非常可观的大雪。

2，大部分的影片都是在小樽地区的北海道岛上拍摄的。只有一处外景例外是在影片结尾处，渡边博子面对着2年前她的未婚夫藤井树因山难而去世的大山，影片中看到的是八岳山。

3，片尾在闪回段落中，藤井树回忆起她父亲葬礼的场景中，背景音乐是“一个冬天的故事《A Winter Story》”，开始于一段钢琴独奏，这段钢琴曲子是由年仅8岁的牧野由依弹奏的。

㈤求一篇日本电影<情书>的影评

这部电影是日本导演岩井俊二的作品，我还看过他的《关于莉莉周的一切》，相比之下，我还是喜欢这部《情书》。
那个叫藤井树的男孩两年前在一次登山中遇难，两年后的他已然被人慢慢忘却，只有对他一往情深的未婚妻博子还陷在失去他的悲痛中不能自拔，在翻阅他的遗物时，博子得到了藤井上国中时的家庭住址，为了排解无处安放的对他的思念，博子按照地址寄去了一封信；“阿树，你好吗？我很好。博子。”这封寄往天国的信居然寄到了同样也叫藤井树的女孩儿的手里，倍感奇怪的女藤井树给博子回了信，于是，两个女孩儿的通信，向我们慢慢呈现出一场阴差阳错的爱情故事。
女藤井树与逝去的男藤井树是中学时的同班同学，两个人经常因为名字相同而产生纠葛，有时还被同学取笑，女孩儿因此感到苦恼，一直苦恼了三年，而她不知道的是，那个因她而和别人打架的男孩儿；那个故意拿错卷子，让她等到天黑，然后一起和她在车后灯的灯光下慢慢看卷子的男孩儿；那个在图书馆里躲在飘动的窗帘后面，一边看书，一边偷偷看他的男孩儿；那个把纸袋扣在正在骑车的她的脸上的男孩儿；那个经常借一些莫名其妙的书却不看只为在借书卡上写下“藤井树”的男孩儿；那个腿受伤却执意去参加运动会的男孩儿；那个在《追忆似水年华》的借书卡背面画上她的画像的男孩儿.，其实一直在羞涩地爱着他，男孩儿不懂得表白，他用一些看似无理和怪异的行为来引起她的注意，而女孩儿就这么一直苦恼着，烦着他，疏离着他，直到男孩儿转学离开。
直到她与博子通信，在回忆中，女藤井树渐渐忆起了那些场景，那些含蓄到无痕的青涩的爱恋，像漫天雪花晶莹剔透，飘飘洒洒，当影片结尾，女孩儿看到那个画在借书卡背面的自己的画像时，微笑和泪水一起涌上脸颊，体会着“此情可待成追忆，只是当时已惘然”的遗憾和满足。
而博子也终于明白，因为和女藤井长得很像的缘故，她深爱的男藤井其实是把自己当成女藤井的替身来爱着的，对于一个女人，知道这样的真相无疑是痛苦的。男藤井已杳然于这个世界，他的朋友秋叶茂一直深爱着博子，雪野中，博子向着远山男藤井逝去的方向一遍遍的喊着：“你好吗？我很好。”祭奠并埋葬了自己那段刻骨铭心的爱情。
影片自始至终都是北海道的茫茫雪野，洁白而寒彻骨髓，舒缓的钢琴声时时响起。女藤井一家的故事：爸爸的离世，妈妈对爸爸离世的无法释怀，爷爷对家人的爱；还有邮差对女藤井的追求，女弟子对秋叶茂的暗恋，这些有些琐碎的情节看起来有些拖沓，但却使影片更加饱满和感人。
我们的世界其实就是这样充满了阴差阳错的爱和误解，男人与女人间的纠缠和错位，亲人与亲人间的牵绊和惦念，因为有了这些，我们才痛并快乐的活着。
这部《情书》已经是第二遍看了，前一次看得那个版本中文字幕翻译的不到位，看得有些意兴阑珊，这次是个终极收藏版，还不错，喜欢柏原崇那木讷而羞涩地神情和中山美穗那眼睛亮亮的清秀模样。

㈥情书的英文影评,谁对电影情书用英文影评

In 1995, he launched a movie theater film is certainly a "love letter" a fresh touching story of the beautiful and crisper images first in Japan caused an unprecedented sensation. and the impact quickly spread to the whole of Southeast Asia or even Europe and the United States. Now, this beautiful and touching "Love Letter," not only for many Asian fans love, also been many critics as the new Japanese film movement of the most important works in one. Read it a long time ago, "love letters" that time has not fully understand, but I can vaguely of one of the emotional, It is so delicate, like a woman's thinking, a psychological records small changes that with the increase of age, I can start with a lot of back reliving the memory of a rare kind. Film begins with a beautiful composition and quiet ambience of the screen, a young woman lying on the snow, there seems to Daily Life to Think, Within a few seconds the camera like lasted several centuries, as if deep into the memories of a "strong" stand up, look vault of heaven, it is difficult to remain in the immersion, it is a difficult to explain pathos. In the following description of the story which is the reason : Watanabe. Bo-boyfriend gone to heaven. He caught the grief and loss, only his true feelings buried hearts. Movie director from the nuanced expression of the circumstances that he-at home to see graation book, see her favorite tree wells were Teng name, she remembered to secretly record of the names down, writing in the arm. so delicate details are some think sth over, and then write her grow with the same people - Fuji tree (female), 2 without the acquaintance through contact with a letter, a sincere feelings of the beautiful poem on this spread! The beginning of the narrative for the first time to see this film I was talking about, but afterwards became increasingly clear that more and more intriguing. Although throughout the story are the correspondence between the two girls against another boy memories of a minor, But this is the Little memories, and has been hidden deep feelings were carefully analytic and stripping out. Memories of the years of bookmarks, the memories are imprinted growth, the emotional memories are cumulative, who no memories of youth? Obviously know that it is not sent out a letter, but it is still bent on taking sent out, As long possession of the hearts of not a release of emotion, and sent an unmanned receiving the letter, Let letter pinned portion of the Enron account of the release. He said the film when he shot right language is not much so that surprised me, is probably because of the circumstances of elegance is no need to use any special camera stunts However, the composition screen is still so smiling, so full of poetry I could not convinced photographer beautiful composition rules so that the delicate feelings of the film on a bit more brilliance remember friends said, it has very few will be able to see films like this show the kind of clean and comfortable. Forever love always has two possibilities, and be lost. The church when we treasure lost, we also know how often recalled. Some local time, sorry, sorrow, unable to turn, only memories can continue to teach us perk. A film, the snow drifting down, housing scattered, white mountains, white curved tracks, Dancing in the wind white curtains, white papers, so many white impression, it is perhaps the emotional tone bar, Junior Crystal like the sanctity of love, pure and pristine forever. A beginner youth threshold of the first love story, or rather, it should be Peach, Which one juvenile have not seen it is bitter sweet experience? Juvenile Fuji tree (male) and the girls seem to defy Fuji tree, the library never help. He always curious to borrow some of the forgotten books, the library can be the first to put down his name on the card. Boys Fuji tree is the tree such as Fuji girls turn a page and finally found that card again found his love for her? I think the young love is the beginning and the most beloved people engaged prank began to attract her attention. Thus leading to each other to establish contact it, as he washed down the slope Cycling will pocket sets in her head did. Innocently boys. Also, the English test curler wrong, girls in sheds Lane waiting for the boys appeared to exchange papers. However, only boys until the late grassy riverside park, the huge sheds there is only the two people. Girls bicycle pedal effort rocking the faint light, the boys easily and quickly the balance of the two papers, When he's's Language : "Originally, the break is the past tense broke ah!" He took pleasure in some of the deaf girls anxiously and reminders promote, because he was with her enjoyment of the time, this wonderful solitude ...! In this film show not only kind of a distant memory. In this film performance of the pure flavor of first love, we can say that the extreme, and hundreds of rotary thoughts in mind circulation can not tell the truth, but it certainly reflects the trail exhaustive, it is so beautiful. sweet, Even growing up. of 60 when looking back over the events of that period of time will also reverberate rapids, be difficult to calm down. There is a let me emotionally middle age Teng tree wells were seen wandering in the snow to see the funeral of a dragonfly in snow. feeling very depressed, it reminds me of Cao Xueqin described Lin Daiyu and flu flowers splash tears. woman's unique emotional performance of a sudden, and I think that they are only love can be shown love! Kind of hint of friendship expression, the end of the story, the end of the old man gently singing a dying tree wells Teng sang the last song, fallen into a deep memories. But people dead song also still exists. Finally, Mr. son and autumn market climb over hills, Mr. facing the snow-capped mountains exclaimed How are you? Hill responded to How are you, Mr. - I said well, in response to my very good hill ... I very well that such a good outcome ... In this film there are a lot of family inside. Teng tree wells to the hospital, memories of this period I remember Ah, I think of my father's departure, there is a panic-stricken family, Also let me deeply moved by the scene in which she and his father contracted pneumonia. Grandpa despite all carrying her run in the snow, the 76-year-old granddaughter to the safety effort. That family was the man of the moment realized. To the end of the story, back to reality, the younger ones who took her portrait painted with a library card to him, that moment, Teng Well tree touched the hearts were filled in full, with a moment of excitement, she could not tell a word, It's also on behalf of the shy of happiness. A boy hearts are so meticulous and detailed, there are actually many things that are unnecessary stress out of the one person alone to wait, life will be remembered.

㈦《情书》这部电影是说的什么故事

[编辑本段]日本电影《情书》原名：Love Letter
类型：爱情/剧情
导演：岩井俊二 Shunji Iwai
编剧：岩井俊二 Shunji Iwai
主要演员：
中山美穗 Miho Nakayama なかやまみほ
丰川悦司 Etsushi Toyokawa
范文雀 Bunjaku Han
筱原胜之 Katsuyuki Shinohara
酒井美纪 Miki Sakai
柏原崇 Takashi Kashiwabara
光石研 Ken Mitsuishi
上映日期： 1995-3-25 '95.3月ヘラルド系全国公开映画
国家地区：日本
住在神户的渡边博子，在遭山难事故死亡的未婚夫死后两年，结束三年祭拜之后，顺道至树的家中拜访，在树的遗物中发现一本纪念册，博子因无法忘怀对树的思念，于是按着地址寄了一封信，这封信竟然寄到一个与亡夫同姓同名的女子手上，而这女子还是同班同学，两人开始书信来往，另一方面怀疑信中的女子是他的初恋情人，于是便按地址去查个究竟，结果发现这个女子与自己长的一模一样，才知道这是树爱自己的真正原因。
制作背景
《情书》是岩井俊二指导的第一部在电影院公映的剧情长片，上映后立即在日本和东南亚各国引起轰动。这部清新感人的《情书》已经成为九十年代最为脍炙人口的日本爱情文艺片。
《情书》由一个同名同姓的误会开始，通过两个女子书信的交流，以含情脉脉的笔触舒缓地展现了两段可贵的爱情。女主角博子对藤井树的眷恋，两个藤井树之间朦胧的情感，都没有由于藤井树的意外死亡而枯萎，而通过细腻感人的影象深深地印在每一个观众的心里，永远不变。
在精心描绘爱情的同时，岩井俊二还着意表现了对逝去岁月的怀念和追忆。《情书》正象普鲁斯特那本小说的名字，追忆着似水的年华。过往的爱情和青春也正是在主人公的回忆中才逐渐清晰、复活。与现实相比，影片中的过去更为明快优美。在那一幅幅唯美的画面中，漫天飞舞的片片樱花，暗生情愫的少男少女，都唤起我们的无限遐想。而《情书》中所构筑的那个美好的中学时代，可能也正是岩井俊二和很多人最为温馨纯洁的回忆。
同很多日本电影一样，《情书》也反映了死亡。可以说《情书》的故事情节始终是围绕着生死而展开的，但与众不同的是，它并没有刻意去表现死亡的恐怖与残酷。男性藤井树的遇难，少女藤井树父亲的去逝都被淡化为一种哀思和怀念。而影片对女性藤井树的病危、抢救过程却着墨颇多，意在通过这种生死较量的情节衬托出生命的珍贵。
这部由日本新生代最受瞩目的导演岩井俊二所执导的爱情电影，由当红偶像中山美穗，丰川悦司主演。
内容讲述一位少女渡边博子（中山美穗饰）在男友攀山意外丧生后，无意中得知他中学时代在故乡的地址，于是寄了一封明知不会有回音的情书到那里，但意外地却收到回信，原来是一位与她已故男友同名同姓的女孩～藤井树（中山美穗分饰）收到，并回了信。
之后两人开始通信，博子因而进一步了解少年时代的男藤井树（柏原崇饰）及女藤井树（酒井美纪饰）的故事。
而后博子决定到北海道，与现任男友秋叶茂（丰川悦司饰）寻找此同名同姓的藤井树。两人错过了相遇的机会，但博子却偶然发现藤井树与自己的样貌原来十分相似。
回去后，博子渐了解她已故的男友对她一见钟情的原因是因为她和他的中学同学藤井树样子酷似，于是便放开怀抱，往已故男友遇难的山前大声舒发心中郁结，并接受了秋叶茂的一段新恋情。
另一方面，藤井树也渐回忆起以往与其同名同姓的同学一起的点点滴滴，最后因机缘巧合得到了一个埋藏多年的答案...
「情书」在日本上映时，极为轰动，中山美穗更凭此片荣获日本蓝丝带奖最佳女主角，而片中的小主角柏原崇及酒井美纪亦因此片而人气急升，为近年难得一见之风格清新的典雅小品，配乐更是细腻动人，实为 96 年最出色的爱情电影。
一封寄往天国的信竟然收到了逝者的回信；是不舍的亡魂 ,还是同名同姓的巧合？
渡边博子的未婚夫藤井树在一次山难中不幸亡故，在经过了三年之后，博子却依然无法释怀，就在亡夫的三年忌的典礼后，她顺道至藤井家拜访，一时兴起地抄下了同学录上的藤井家的旧址，不死心的博子回家后便写了一封信寄给在天国的藤井树（一些观众看到这裏，可能会认为剧中的博子小姐实在是傻得可以，但是对於那些曾经历过一段刻骨铭心之思念的观众群们当然能够充份地体会到博子小姐完全是因为不愿割舍这段感情，才有了这种傻念头！）
几天后博子居然在收到了回信，博子小姐的内心执著地想要相信这封信真的是未婚夫从天国寄来的回信，但另一方面，博子的追求者秋叶茂却认为这件事是荒诞不经的，坚持要证明给博子看清只是同名同姓的巧合罢了。
于是两人为了彻底发掘事情的真象，他们便出发到藤井的旧宅一探究竟，终於了解原来竟是博子的未婚夫在国中时代便有一位同名同姓的同班同学，这封信正是因为抄错了住址而误寄到女藤井树的手裏。
虽然真相已被揭露，可是因为博子渴望从女藤井树那儿获知一些故人的点滴，两人便开始了往后的鱼雁往返，博子虽然从中获得极大的抚慰，另一方面却也逐渐地怀疑女藤井树原来就是未婚夫的初恋情人；但同样的，原来这方面的女藤井树也是一直对男藤井树当初暗恋之事毫无所悉的；就这样随著追忆起当初的种种点滴，最后双方终于都了解了关于男藤井树当初埋藏在心底的一段未完成的心愿。
整个电影内容，谈的不是山盟海誓的约束，也不是惊天地,泣鬼神的琼瑶式苦恋，只是单纯的两段逝去的纯纯感情；一段是埋藏在男藤井树心底的旧爱-对於同班同学从未表白的暗恋；另一段是渡边博子对逝者表达的无尽的追念。最后博子终於知道未婚夫爱上她的原因只是因为女藤井树与自己长得神似之后，虽然悲伤依旧，却终於走出了这段感情的阴影，寻得自己心灵上最终的解脱。
导演以回忆的手法来带领观众逐渐进入男藤井树的内心世界，像片中安排柏原崇刻意到酒井美纪家还书的一段，原想表白的他，因为时机的不对，终归欲言又止，当悠悠的配乐响起时，柏原崇不舍地看了看美纪，随后将围巾甩到肩上，一语未发地骑上单车离去，清楚地描绘出树心中的那种暗恋，这时旁白说明了这是两人最后的见面之时，的确令人感触良多.....整篇故事之所以成功吸引人之处，就彷佛呼应了片中那本男藤井树借的书 "似水年华的回忆" ，诉说著大家心中都曾经可能有过的似水年华的回忆。
附:男藤井临死时唱松田圣子的歌
《青色珊瑚礁》中文歌词
演唱:松田圣子歌词:三浦德子作曲:小田裕一郎编曲:大村雅郎
啊我的爱已随那南风远去
啊都到了那熏风吹拂的珊瑚礁
每次和你不期而遇
总让我彻底忘记一切
就像个小女孩般玩闹嬉戏
你能听到我咚咚的心跳吧
珊瑚礁将我们的肌肤映照地斑斑驳驳
只有我们两个人一起也好
因为我喜欢你！
啊我的爱已随那南风远去
啊都到了那熏风吹拂的珊瑚礁
我的眼泪可在簌簌地流
才不想看你温柔的眼神
就像个小蔷薇般低垂脑袋
想触及那朵朵花瓣
岸边满是象征爱的苔绿色
我们两人的脸颊渐渐地靠在一起
因为我喜欢你！
啊我的爱已随那南风远去
啊都到了那熏风吹拂的珊瑚礁 [编辑本段]韩国电影《情书》导演: Lee Jeong-guk
演员: 崔真实朴信阳
编剧: Lee Jeong-gukJo Hwan-yu Kim Mu-ryeong
所属地域: 韩国
出品时间: 1997年
作品原创语言: 韩语
正艳每星期都搭乘火车往返于学校和家乡小镇之间，与焕有在小站的一次邂逅，改变了她的一生。从相识、相爱，相恋，到步入婚姻的殿堂，正艳都沉浸在被爱的幸福里。但正当两人享受着爱的喜悦时，病魔却降临到焕有身上，最终焕有带着爱的遗憾离开了人间。正艳陷入了无限的绝望与悲痛中，然而此时，焕有一封封神秘的信件却纷至沓来……

㈧想要日本电影《情书》的英语简介及获奖记录，英语课要用，不要用翻译器翻译，谢谢，尽量长一点，优美一点

Love Letter is a 1995 Japanese film directed by Shunji Iwai, and starring Miho Nakayama. The main male roles were played by Etsushi Toyokawa as Akiba Shigeru and Takashi Kashiwabara as the male Itsuki Fujii.
Love Letter became a box-office hit in Japan and later in other east Asian countries, most notably South Korea where it was one of the first Japanese films to be shown in cinemas since World War II.
The story is about a love letter sent to her fiance in heaven out of sad memory.Surprisingly, she received a reply from someone with the same name. The correspondence continued. Graally a quietly buried pure unrequited love was uncovered. Then, remeniscence of the past and the love at present intertwined into a poignantly beautiful and passinately deep love.

The film had won:
1996 Japanese Academy Awards - Newcomer of the Year (Miki Sakai)
1996 Japanese Academy Awards - Newcomer of the Year (Takashi Kashiwabara)
1996 Japanese Academy Awards - Most Popular Performer (Etsushi Toyokawa)
1996 Blue Ribbon Awards - Best Actress (Miho Nakayama)
1996 Kinema Junpo Awards – Best Film (Shunji Iwai)
1995 Hochi Film Awards - Best Actress (Miho Nakayama)
1995 Hochi Film Awards - Best Supporting Actor (Etsushi Toyokawa)
1995 Toronto Film Festival - Audience Award

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