飘电影英文介绍

⑴ 飘的英文赏析

AbstractThis present paper concentrates on an analysis of the characters of the heroine: Scarlett in the novel <Gone with the wind>.Her characters can be analyzed by two aspects: the positive characters such as strong will and courage, honesty and keeping promise ; and the demerits in her characters, such as selfishness and coldness, abjection etc. To support the thesis, the paper is divided into five parts. The first part gives a brief introction to both the author and the novel. The second part makes an analysis of the positive characters of Scarlett. The third part makes an analysis of the demerits in Scarlett’s characters. The fourth part gives the reasons for the formation of Scarlett’s characters. The fifth part is the conclusion, restating the thesis of the paper.Key Words: Scarlett; Weakness of characteristic; Strength of characteristic; Personality formation I. Introction1.1 A brief Introction to the authorMargaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949), popularly known as Margaret Mitchell was an American author. She was born in a prominent Atlanta lawyer’s family in Atlanta. The time Mitchell grew up was under the environment of Civil War, she heard a lot of burning of the city, the use of the family house as an army hospital, and the sufferings of the family and their friends ring the post-war reconstruction period. Margaret started writing Gone with the Wind in 1926, which is the next year she married John Marsh. The aim of her writing is to write a defensive, chauvinistic account of the South’s war. The whole process of writing lasted almost 10 years. The novel Gone with the Wind was published in 1936, and won the Pulitzer Prize in 1937. The novel is one of the most popular books of all time, selling more than 28 million copies. An American film based on this novel was released in 1939, which is one of the highest-grossing film in the history of Hollywood, and received a record-breaking number of Academy Awards.[Note1] Mitchell drew upon her encyclopedic knowledge of the Civil War and dramatic moments from her own life, and typed her epic novel on an old Remington typewriter. She originally named the heroine "Pansy O'Hara", and Tara was "Fontenoy Hall". She initially considered naming the novel Tote The Weary Load or Tomorrow Is Another Day .[Note 2] Mitchell wrote for her own enjoyment and with solid support from her husband. In 1949, crossing a street to go to a theater, Margaret Mitchell was killed by a drunken driver.1.2 A brief Introction to the novelThe story of Gone with the Wind revolves around Scarlett O’Hara, who is daughter of Irish landowner Gerald, and who has made the plantation Tara into one of Georgia’s finest. In this novel, Scarlett is in love with Ashley Wilkes, who marries his cousin Melanie. As the civil war begins, Scarlett bears the responsibility to protect her family and the pregnant Melanie. During the time she stays in Atlanta with relatives, she faces Sherman’s army and delivers Melanie’s baby as the city was in danger. During the after-war reconstruction period, Scarlett practically does business with the Yankees and so prospers and restores the fortunes of Tara. In this novel, she marries 3 times with purposes —firstly she married with Charles Hamilton to spite Ashley, a second time to pay off Tara’s postwar taxes, and the third time for fun. Her third husband, Rhett Butler, engages in lucrative deals with the Federal Army from the start of the conflict and right through Reconstruction. He was angry about his wife’s love for Ashley and selfish disengagement from him and their daughter, Bonnie Blue, who dies in a riding accident. The novel ends with Scarlett realizing how much she loves Rhett and resolving to get him back—by returning to her beloved hometown Tara to plan her strategy.II. An analysis of the positive characters of Scarlett2.1. Scarlett’s integrity to promise Scarlett’s integrity to promise is evidenced by what she does ring the war; she tries her best to look after Ashley’s wife and son, only because she loves Ashley and has promised him to take care of Melanie. Before Ashley leaves to fight for the South, he asked Scarlett to take care of his wife-Melanie. Scarlett agreed and carried her promise till the end of this story. Even though she is in love with Ashley, and jealous on Melanie, she always looks after her and her baby. After Ashley left, the Yankees finally begin their siege of Atlanta, the city evacuates. Melanie and Scarlett remain behind to leave the dangerous place as Melanie is pregnant and about to give birth. After attempts to get help, Scarlett delivers Melanie's baby herself. When they return back to Tara, Scarlett still constantly offers help to Melanie and her child. Even after Ashley returned back to Tara, Scarlett still offers help to his and her family. It is not only because she loves Ashley, but also because she wants to keep her promise, which she made long time ago. 2.2. Scarlett’s loyalty to loveScarlett’s loyalty to love is evidencedattractive to Scarlett, because he is a mystery to Scarlett; she is always trying to get to know Ashley’s real feelings. The things about Ashley, which she could not understand, make her love him more. They know each other since their childhood, Scarlett and Ashley always play together. She has seen him come and go and never gives him a thought, and Ashley has never seemed so very attractive to her at the early stage. Scarlett fell in love with Ashley since “that day two years ago when Ashley, newly home from his three years’ Grand Tour in Europe, hand called to pay his respects, she had loved him.” That year she is only 16, she is so attracted and falls in love with him until she is 28. She turns to see Ashley to be that authority figure, which she always respects and loves, but he is not able to be one for her. Her so-called love for Ashley is a kind of child’s love, because he is someone that denied her, so that makes her want it more. “Even now, she could recall each detail of his dress, how brightly his boots shone, the head of a Mesa in cameo on his cravat pin, the wide Panama hat that was instantly in his hand when he saw her.” However, Ashley does never show love to her, even though he knows clearly that she loves him, “And yet- and yet – she knew he loved her. She could not be mistaken about it. Instinct stronger than reason and knowledge born of experience told her that he loved her. Too often she had surprised him when his eyes were neither drowsy nor remote, when he looked at her with a yearning and a sadness, which puzzled her. She knew he loved her.” In fact, Ashley does not love her, but he chooses to keep a vague relationship with her. Although Scarlett knows Ashley does not love her, still wants Ashley to marry her at that time and wishful thinking to be his wife. She even encourages him to run away with her, which is always a nice dream to Scarlett. 2.3. Scarlett’s courageScarlett’s courage can be seen from what she does to protect her family and her second marriage to Frank. When Scarlett return Tara, the Tara's former overseer, Yankee Jonas Wilkerson, newly a Scallywag, raises the taxes on Tara to force the O'Haras out so that he and his wife can live there. In order to save Tara, Scarlett goes to Atlanta and gets Rhett to give her the money to pay the taxes. She soon finds out Rhett is in jail and unable to help her. She then runs into Frank Kennedy, who is a successful storeowner. Frank, is unable to resist Scarlett's charms, marries her and gives her the tax money. In all, her courage makes her to marry her second husband, Frank, in order to protect Tara, where her family is. 2. 4. Scarlett’s strong willScarlett’s strong will is reflected when she return back to Tara. At that time, Scarlett finds the house in Tara in ruins, the crops burned, most of the slaves run off, her mother dead, her father demented, and her two sisters sick with typhoid. Some of her npillaging of the Yankees and they share with her all that is possible. Therefore, Scarlett forces her family and the slaves to tend fields and pick cotton. During that reconstruction period, a lone Yankee soldier arrives looking to loot and assault Scarlett, she shoots him. In all, the Scarlett’s strong will makes her to do anything to protect Tara and herself. Scarlett has a practical nature and willingness to step on anyone who doesn't have her family's best interests at heart, including her own sister. For example, in her mind, and the circumstances appear to support her thinking, there simply was no choice if they were to keep Tara. Encouraged by her strong willingness to protect Tara, she had to steal and marry Frank Kennedy herself. In fact, what people hate most about her literally enabled her to save the family.2. 5. Scarlett’s strong sense of responsibilityScarlett has a strong sense of responsibility. During the war, she volunteers to take care of the wounded in Atlanta. She has a strong sense of social responsibility, similar as many white women; she takes an active and ecated part in the movement to separate the South from the North. To Scarlett, protecting south means to protect her family and the plantation. Atlanta is completely lost from South after Sherman’s campaign. Many people in Atlanta desert their lands and families and escape to other places. Scarlett’s sense of responsibility could be seen from her loves to family and the whole of Tara. Tara is her land and her backbone; she stays and tries her best to preserve Tara no matter what it costs. Moreover, her responsibility can be seen from how she keeps with her promises. Although she agrees to take care of Melanie because she is in love with Ashley and she does not want to upset him, but she eventually does all her best to keep this promise. 2.6. Scarlett’s pursuit of independenceScarlett is an independent woman to some extent. It can be shown when she returns Tara. She starts her business and practice usury, run timber mill, and illegally employ Negroes. Even though she is abused by the southern royalty to be greedy, selfish, shameless, cruel and cold, she is an adventure, an upstart and a great heroine who has survived in the war. In fact, all the people in Tara including the Ashleys are living on Scarlett’s shoulders. Without her help, Melanie and her child would be dead in the war. Without Scarlett to be an evil, Melanie could not be respected as an angel. Therefore, Scarlett is the real respectable person because of her independence and strong characteristic. It might be arguable that Scarlett is not a fully independent woman at first, because she is a spoiled girl at first, and then she relied on men to get through the challenges in her life. However, eventually after she goes back to Tara, she becomes an independent woman, she owns her business and she looks after her family and other people in Tara with h III. An analysis of Scarlett’s demerits in her characters3.1. Scarlett’s selfishness and coldnessScarlett’s selfishness and coldness could be reflected from her attempts to get Ashley in any mean. Against the background of war, Scarlett stays in Atlanta and enjoys the company of Rhett; on the other hand, she continues to carry a torch for Ashley. She does not really care about how Melanie feels about her relationship with Ashley, and she is willing to destroy Melanie’s marriage. The day Ashley leaves, Scarlett once again reveals her feelings to him, hoping Ashley will also break down and allow he to tell Scarlett that he loves her too. Ashley makes Scarlett promise that she will look after Melanie and see his family through the upcoming crisis in his absence. Scarlett blindly agrees to his promise. As Ashley intends to leave, Scarlett clings to him desperately and they share a passionate, forbidden embrace. From an ethical point of view, it is not right to destroy anybody else’s family, particularly Melanie is her relative. However, she still does it because she is selfish, she does not care the consequence, she just want to get love from Ashley 希望小弟转载的能帮上忙

⑵ 对于飘的作者的英文介绍（附有中文解释）

Margaret Mitchell (1900-1949)
<br>
<br>Margaret Mitchell was born in Atlanta. Her mother was a suffragist and father a prominent lawyer and president of the Atlanta Historical Society. Mitchell grew up listening to stories about old Atlanta and the battles the Confederate Army had fought there ring the American Civil War. At the age of fifteen she wrote in her journal: "If I were a boy, I would try for West Point, if I could make it, or well I'd be a prize fighter - anything fpr the thrills." Mitchell graated from the local Washington Seminary and started in 1918 to study medicine at Smith College. In her youth Mitchell adopted her mother's feminist leanings which clashed with her father's conservatism - but she lived fully the Jazz age and wrote about it in nonfiction, like in her article 'Dancers Now Drown Out Even the Cowbell' in the Atlanta Journal Sunday Magazine. "In vain, the leader the jazz band may burst blood vessels in his efforts to make himself heard above the din of the "Double Shuffle" and the "Fandango Stamp," the newest dances introced to Atlanta's younger set. Formerly we had a vast respect for the amount of noise a jazz band could proce. Now we see it is utterly eclipsed."
<br>When Mitchell's mother died in 1919, she returned to home to keep house for her father and brother. In 1922 she married Berrien Kinnard Upshaw. The disastrous marriage was climaxed by spousal rape and was annulled 1924. Mitchell started her career as a journalist in 1922 under the name Peggy Mitchell, writing articles, interviews, sketches, and book reviews for the Atlanta Journal. Four years later she resigned after an ankle injury. Her second husband, John Robert Marsh, an advertising manager, encouraged Mitchell in her writing aspirations. From 1926 to 1929 she wrote Gone With the Wind. The outcome, a thousand page novel, which was later compared with Tolstoy's War and Peace, was published by the Macmillan Publishing Company in 1936. The retail price of the book was $3.00.
<br>Mitchell's book broke sales records, the New Yorker praised it, and the poet and critic John Crowe Ransom admired "the architectural persistence behind the big work" but criticized the book as overly Southern, particularly in its treatment of Reconstruction. Malcolm Cowley's disdain in his review originated partly from the book's popularity. John Peale Bishop dismissed the novel as merely "one more of those 1000 page novels. competent but neither very good nor very sound." In 1937 Gone with the Wind was awarded the Pulitzer Prize.
<br>Although Gone with the Wind brought Mitchell fame and a tremendous fortune, it seems to have brought little joy. Chased by the press and public, the author and her husband lived modestly and traveled rarely. Also questions about the book's literary status and racism, historical view and depiction of the Klu Klux Klan, which had much similarities with D.W. Griffith's film The Birth of a Nation (1915), led to critical neglect which continued well in the 1960s. Griffith's film was based on the Reverend Thomas Dixon's racist play; the author was a great admirer of Mitchell and wanted to write a study of her novel. In Atlanta the Klan kept a high profile and had it national headquarters in the 1920s on the same street, where Mitchell lived.
<br>
<br>During World War II Mitchell was a volunteer selling war bonds and volunteer for the American Red Cross. She was named honorary citizen of Vimoutiers, France, in 1949, for helping the city obtain American aid after WW II. Mitchell died in Atlanta on August 16, 1949 - she was accidentally struck by a speeding car while crossing Peachtree Street. Authorized sequel for Gone with the Wind, entitled Scarlett and written by Alexandra Ripley, appeared in 1992. In the story Scarlett journeys to Ireland with her children and meets again Rhett Butler. LOST LAYSEN, a lost novella by Mitchell, written when she was 16, and given to her close friend, was published in 1995. The romantic story was set on a South Pacific island.

中文在网络输入玛格丽特·米切尔,会查到很多.自己再整理一下就可以了.请注意下面的中文和上面的不完全一样,仅供参考.

1900年11月8日，玛格丽特·米切尔出生于美国佐治亚州亚特兰大市的一个律师家庭。她的父亲曾经是亚特兰大市的历史学会主席。在南北战争期间，亚特兰大曾于1864年落入北方军将领舒尔曼之手。后来，这便成了亚特兰大居民热衷的话题。自孩提时起，玛格丽特就时时听到她父亲与朋友们，甚至居民之间谈论南北战争。当26岁的玛格丽特决定创作一部有关南北战争的小说时，亚特兰大自然就成了小说的背景。

玛格丽特曾就读于马萨诸塞州的史密斯学院。后因母亲病逝，家中需要她来主持家务，于是不得不中途退学。从1922年起，她开始用自己的昵称“佩吉”为《亚特兰大日报》撰稿。在以后的四年中，就有129 篇署名的和大量未署名的稿件见诸报端。这些稿件中有一组便是玛格丽特为过去南方邦联将领写的专题报道。

在经历了一次失败的婚姻之后，玛格丽特于1925年与佐治亚热力公司的广告部主任约翰·马施结婚。1926年，由于腿部负伤，玛格丽特不得不辞去报社的工作。在丈夫的鼓励下，她开始致力于创作。

玛格丽特后来对人说，《飘》的写作占去了她近10年的时间。其实，小说大部分章节的初稿早在1929年就完成了。她首先完成的是小说的最后一章，然后返回来写前面的章节，但她始终没有按事件发生的先后顺序写，而是想到哪里就写到哪里。在近10年的时间里，玛格丽特很少对她的朋友们提起她的书稿。虽然不少人都知道她在创作，但几乎无人知道她具体在写什幺。1935年春，麦克米伦出版公司的编辑哈罗德·拉瑟姆在全国各地组稿。当他来到亚特兰大时，偶尔听说了玛格丽特写书的情况。起初，玛格丽特否认她在写小说，因为她不相信南方人对南北战争的看法能让北方的出版商感兴趣。结果，就在拉瑟姆离开亚特兰大的前一天，玛格丽特才送去了她已经打好的近五英尺厚的手稿。同年 7月，麦克未伦公司决定出版这部小说，并暂定名为《明天是新的一天》。

此后，玛格丽特花了半年的时间来反复核实小说中所涉及的历史事件的具体时间和地点。她引用美国诗人欧内斯特·道森的一句诗，将小说的题目改为《随风而去》（汉译名为《飘》）。与此同时，麦克米伦公司也作了大量的宣传。因此，1936年 6月30日，这位无名作家的“巨著”一经面世，其销售情况立即打破了美国出版界的多项纪录：日销售量最高时为5万册；前六个月发行了100Q万册；第一年200万册。随后，小说获得了1937年普利策奖和美国出版商协会奖。就在小说问世的当年，好莱坞便以 5万美元的代价购得将《飘》改编成电影的权利。由大卫·塞尔兹尼克执导，克拉克·加布尔和维维安·利主演的电影《飘》于1939年问世。

⑶ 飘 还有啥名

英文名字是《Gone with the wind》,翻译过来是《飘》,也可译做《随风而逝》.
电影的名字叫做《乱世佳人》.

⑷ 《飘》中的主角到底叫什么翻译的都不一样，好多名字！！

女主角是斯佳丽·奥哈拉
（郝思嘉）
男主角是瑞德（白瑞德）
《飘》的英文原名是《gone
with
the
wind》
改编的电影叫《乱世佳人》/《随风而逝》由费雯·丽和克拉克·盖博主演

⑸ 《飘》的英文名字是什么

《飘》，英文原名为Gone with the wind。是美国女作家玛格丽特·米切尔（Margaret Mitchell 1900-1949）撰写的长篇小说。小说以亚特兰大以及附近的一个种植园为故事场景，是一部全景式的社会小说。

书名直译应为“随风飘逝”，它引自英国诗人思斯特·道生的诗句，又取义于小说第24章的一段概括性描写，出自书中女主人公斯嘉丽之口，大意是说那场战争像咫风一般卷走了她的“整个世界”，她家的农场也“随风飘逝”了。

斯嘉丽以这一短语抒发了南方农场主的思想感情，作者用来作为书名，也表明了她对南北战争的观点，这与本书的内容是完全一致的。书名蕴藏着两层含意：这呼啸的咫风，指的是南北战争；那被飘去的云朵，指的是农奴制的安逸生活。

(5)飘电影英文介绍扩展阅读：

创作背景

1、历史背景

美国南北战争摧毁了佐治亚乃至整个南方的经济，黑奴重新获得自由，昔日奴隶主养尊处优的好时光随风而逝，飘得远远的。为了生存，他们必须放下臭架子，努力奋斗，不然只有死路一条，连亚兰大上流社会的中坚分子也不得不降贵屈尊，卖糕饼的卖糕饼，赶马车的赶马车。

2、时代背景

女性主义文学是开始于19世纪，到了20世纪开始蓬勃发展。女性主义的飞速发展与当时的社会环境、时代背景有着密切的联系。随着法国大革命所倡导的自由、平等、博爱及天赋人权等思想在整个世界范围内迅速深入人心，从19世纪30年代开始，一场为了争取女性在政治、经济、教育等方而平等的女权运动开始了。1936年出版的玛格丽特·米切尔的《飘》就是在这种情况下问世的。

⑹ 求英文版飘中的人名，剧情介绍，人物简介

原著：《飘》（玛格丽特·米切尔著）
电影：《乱世佳人》（GONE WITH THE WIND）
导演：维克多·弗莱明
主演：费雯丽、克拉克·盖博、李斯利·霍华德、 奥莉薇·黛·哈佛兰
类型：剧情 爱情 战争
上映：1939年01月15日
地区：美国
时长：238 分钟
颜色：彩色
对白：英语
出品：米高梅公司

影片简介
《乱世佳人》（GONE WITH THE WIND）是好莱坞影史上最值得骄傲的一部旷世巨片，影片放映时间长达4小时，观者如潮。其魅力贯穿整个20世纪，因此有好莱坞“第一巨片”之称。影片当年耗资400多万美元，历时三年半完成，其间数换导演，银幕上出现了60多位主要演员和9000多名配角演员。在1939年的第12届奥斯卡奖中一举夺得八项金像奖，轰动美国影坛。这部耗资巨大，场景豪华，战争场面宏大逼真的历史巨片，以它令人称道的艺术成就成为美国电影史上一部经典作品，令人百看不厌。
1861年南北战争爆发的前夕，塔拉庄园的千金小姐斯佳丽爱上了另一庄园主的儿子阿希礼，但阿希礼却选择了查尔斯的表妹——温柔善良的玫兰妮为终身伴侣。斯佳丽出于妒恨，抢先嫁给了玫兰妮的哥哥查尔斯。不久，美国南北战争爆发了。阿希礼和查尔斯作为征兵上了前线。查尔斯很快就在战争中死去了。斯佳丽成了寡妇， 但她内心却一直热恋着阿希礼。
一天，在一次举行义卖的舞会上，斯佳丽和风度翩翩的商人瑞特相识。瑞特开始追求斯佳丽，但遭到她的拒绝。斯佳丽一心只想着去追求阿希礼，结果也遭到拒绝。
在战争中，美国南方军遭到失败，亚特兰大城里挤满了伤兵。斯佳丽和妹妹玫兰妮自愿加入护士行列照顾伤兵。目睹战乱带来的惨状，任性的斯佳丽成熟了不少。这时，从前线传来消息，北方军快打过来了，不少人家惊惶地开始逃离家园，而斯佳丽的母亲和两个妹妹也患病了，斯佳丽十分想要回去塔拉庄园，回到敬爱的母亲身边。不巧玫兰妮要生孩子了，斯佳丽只好留下来照顾她。
在北方军大军压境之日，斯佳丽哀求瑞特帮忙护送她和刚生下孩子的玫兰妮回塔拉庄园。瑞特告诉斯佳丽他不能目睹南方军溃败而不去助一臂之力，他要参加南方军作战，他留下一把手枪并和斯佳丽拥吻告别。斯佳丽只好独自勇敢地驾驶马车回到塔拉庄园，这时家里已被北方军士兵抢先洗动一空，母亲已在她回到家的前一天病逝，而父亲因为受到太大打击而精神错乱。
不久，战争结束了。生活依然困苦。北方来的统治者要庄园主缴纳重税，斯佳丽在绝望中去亚特兰大城找瑞特借钱，但得知他已被关进监狱。归来的途中，斯佳丽遇上了本来要迎娶她妹妹的暴发户弗兰克，为了要重振破产的家业，她骗取弗兰克和自己结了婚。
斯佳丽在弗兰克经营的木材厂非法雇用囚犯，并和北方来的商人大做生意。此时，瑞特因用钱贿赂而恢复了自由。两人偶然碰面，再次展开爱恨交织的关系。
弗兰克和阿希礼因加入了反政府的秘密组织，在一次集会时遭北方军包围，弗兰克中弹死亡，阿希礼负伤逃亡，在瑞特的帮助下回到玫兰妮身边。斯佳丽再次成为寡妇。此时，瑞特前来向她求婚，她终于与一直爱她的搞私运军火和粮食致富的瑞特结了婚。婚后，夫妻二人住在亚特兰大的豪华大宅。一年后，女儿邦妮出生，瑞特把全部感情投注到邦妮身上。斯佳丽偶然翻阅阿希礼的照片被瑞特发现，终于导致了二人感情的破裂。其后，在阿希礼的生日会前夕，斯佳丽与阿希礼相见时热情的拥抱引起旁人非议，但玫兰妮不相信他们之间有暧昧关系。瑞特可不这样想。
当斯佳丽告诉瑞特她已经再次怀孕时，瑞特怀疑地问那是谁的孩子？斯佳丽在羞怒之下欲打瑞特，却不慎滚下楼梯引起流产。瑞特感到内疚，决心同斯佳丽言归于好，不料就在他俩谈话时，小女儿邦妮意外坠马摔死了。与此同时不幸的事也在另一个家庭里发生，玫兰妮终因操劳过度卧病不起。临终前，她把自己的丈夫阿希礼和儿子托付给斯佳丽，但要求她保守这个秘密，斯佳丽不顾一切扑向艾希利的怀中，紧紧拥抱住他，站在一旁的瑞特无法再忍受下去，而转身离去。面对伤心欲绝毫无反应的阿希礼，斯佳丽终于明白，她爱的阿希礼其实是不存在的，她真正需要的是瑞特。
当斯佳丽赶回家里告诉瑞特，她是真正爱他的时候，瑞特已不再相信她。他决心离开斯佳丽，返回老家去寻找美好的事物，被遗弃的斯佳丽站在浓雾迷漫的院中，想起了父亲曾经对她说过的一句话：“世界上唯有土地与明天同在。”她决定守在她的土地上重新创造新的生活，她期盼着美好的明天的到来。
本片在第十二届奥斯卡金像奖中荣获八项大奖：最佳影片奖、最佳艺术指导奖、最佳编剧奖、最佳导演奖、最佳摄影奖、最佳女主角奖、最佳女配角奖和最佳剪辑奖。

乱世佳人的人物性格
斯佳丽
一个猫一样的女人。有着猫一样的目光，猫一样的微笑，猫一样的步伐和猫一样的敏捷。那么，这个猫一样的女人提供给我们是怎样的一些对待生活、对待爱情、对待困难和挫折的态度和经验呢？
第一她在困难的时候敢于承担责任，虽然也有动摇，但最后仍然承担责任,比如她救了玫兰妮，她重振塔拉庄园,后来长期扶助阿希礼一家等等。
第二她敢于去爱、无怨无悔，她的整个青春都在爱着阿希礼，没有回报但她仍没有放弃努力，直到能力的极限为止。
第三知错能改，当她最后明白她之前所为是错误时，她马上向瑞特道歉，请求原谅。
总的来说，斯佳丽堪称巾帼不让须眉的奇女子，人中龙凤，难怪瑞特这样的牛人也拜倒在她的石榴裙下。每次看《乱世佳人》，每次都有不同的收获。年轻时看，讨厌虚荣爱出风头的斯佳丽，喜欢纯洁善良的玫兰妮，不喜欢油腔滑调的瑞特巴特勒，喜欢温文尔雅的阿希礼，喜欢南方如画的景致和田园牧歌式的生活，不喜欢北方的浮华和放荡。后来看了多次之后，不由得对斯佳丽敬佩起来，原本是一个弱女子，任性而年青，第一次结婚是一时的冲动报复，嫁给了不爱的男孩，让自己成为了年轻的寡妇。第二次结婚是为了一家人的生存，抢走了妹妹的心上人，肯尼迪。肯尼迪虽然是一个半老头子，却不是斯佳丽的对手，面对她的冷酷和无情，他束手无策。最终为了斯佳丽差点遭受的侮辱去报复穷白人而被人击毙，不幸枉死，却从未享受过斯佳丽的一点爱。于是斯佳丽再次成为寡妇，而且还是个有钱的寡妇。在那个战火纷飞的年代，为了答应过阿希礼照顾玫兰妮的一句承诺，在北军就要攻占亚特兰大的时候，斯佳丽又果断地替玫兰妮接生，并找到瑞特冲破重重阻碍和关卡，回到了乡下老家－－塔拉庄园。在又饥又饿之时，她又遭受了母亲病亡、父亲痴呆、家里被劫，一穷二白的多重打击，她不屈不挠，带头种田干活，喝令妹妹下床摘棉花，并照顾玫兰妮和小波，支撑一家人的生计，那时她顶多也不过是个二十来岁的小姑娘，本应是个在母亲怀里撒娇的小姑娘。可是面对如此巨大的困难，她没有选择逃避，而是勇敢挑起家里的重担，以常人难以企及的毅力抗争命运，每每看到斯佳丽举着萝卜向天盟誓，决不愿让家人再受苦挨饿时，我总是觉得拍片导演对光线和背景的运用是那么巧妙和艺术， 它那么生动地刻划了思嘉渴望安定、渴望生存、渴望富裕的强烈而真实的内心情感。我觉得那时的她，已完成了最艰难的嬗变，由一只丑陋的毛毛虫破茧而出变成了美丽的蝶，自由而高贵，那时的思嘉就像一个女神－－－渴望富有、并为此能不择手段的欲望女神。
刚强、坚韧
无论是面对战争的废墟和硝烟、母亲和父亲的去世、生活的贫穷艰难还是女儿的夭折，在和她承受同样的痛苦和艰难的人们当中，她都是最刚强、最坚韧的一个和最先从痛苦和艰难中走出来的一个。当斯佳丽面对着已是满目伤痕泰勒庄园时，她的坚韧和刚强令她这个家中的长女担起家长的重担。在影片的末尾，她还坚定地告诉我们：Tomorrow is another day。
虚荣
这应该是一个贬义词了，可是，斯佳丽的虚荣心似乎格外的可爱，在她的身上，虚荣似乎也变成了褒义词。有位名模曾说：“女孩子总是要有一点虚荣心的，无论这虚荣心表现在什么方面。”当斯佳丽扯下母亲唯一的遗物——窗帘，无论如何也要用它做一件漂亮的衣服，还将它披在身上憧憬着新衣服的样子时，她的虚荣心使她成了一个看起来不孝的女儿，但她的这种做法（也就是她的虚荣心）是当时拯救全家的唯一出路。由虚荣心而使全家人都有了生存下去的希望，这样的虚荣心也不应该算是值得摒弃的。
贪婪
这总应该是个贬义词了。但是，斯佳丽的贪婪不仅是有情可原的，在某种程度上来讲还是难能可贵的。战后的泰勒庄园在北方军的控制之下，母亲的去世和父亲的崩溃使斯佳丽——家中的长女担起了“家长”的重担。斯佳丽一家人过着艰辛的生活。战争使她贫穷，贫穷继之以饥饿。然而最可怕的是无钱交税险些失去生活来源的土地，为了借钱交税，斯佳丽勾引了妹妹的情人，继而当起了一家小店的老板娘。在经历这一切后，她明白了她所处的是一个什么样的社会以及在这个社会中钱的重要性。所以，当她拥有了当前她所需要的钱之后，她自然会想拥有更多的钱。在她追求“更多的钱”的过程中，她表现出了一个早期资本主义的资本家所必须具有的优秀品质——贪婪。
残忍与自私
这两个词无论用在什么人身上似乎都应该是表贬义的词语，特别是以温和、善良为美德的女性。但是，斯佳丽的残忍与自私在某种适度上却是值得褒扬的。首先，在社会转型的时期，人的观念需要从传统的观念转变成为新型的、与社会发展相适应的观念。不能在第一时间内转变观念的人就失去了领导时代的主动权。斯佳丽就是一个在第一时间内转变观念，接受了新的社会和社会制度、新的价值观念、新的生活方式，并且成为了一个小资本家的女人，在这一点，她是非常了不起的。而且，在刚刚建立了资本主义制度时，自私和残忍对于一个资本家来说是生存和发展的关键。在资本主义社会，对世界的博爱已经是阻碍资本的自身生存和发展的一个因素，此时，自私与残忍就成了强者的优点。
美丽
斯佳丽为我们提供了一种对待爱情的态度。她美丽，但她只是适当地运用她的美丽来得到她所喜爱的东西，从来不用自己的美貌来玩弄爱情，无论是自己的还是他人的爱情。斯佳丽是美丽的，但美丽不是拥有爱情的必备条件——你可以没有斯佳丽那样美丽动人，但你也有权利去追求属于自己的爱情。
综上所述，我们得出了这样的一个结论：
斯佳丽，猫一样的女人，刚强的、坚韧的、虚荣的、贪婪的、残忍的、自私的女人，女人的典范。

瑞特
我必须承认，对我来说，《乱世佳人》的吸引力之所以这么大，和克拉克盖博主演的瑞特巴特勒绝对有关系。
当然，斯佳丽眯着那双像猫那样的绿眼，迷人而妖媚，同样也让人倾倒。她是个让女人都能为之神魂颠倒的女人，她自私、冷酷、无情、聪明、不择手段、坚强，却不乏善良、美丽、脆弱；她是一个高不可攀的女神，让许多女人都梦想着能像她那样，集财富、美貌、能干、坚强于一身，让瑞特那样的男人能够为她而倾倒。至少我曾经就那样想过。但我认为，瑞特给我们这些女性观众带来的却更多是对爱情和婚姻的甜美幻想，他是那么潇洒倜傥，那么玩世不恭，那么自信过人，富有并充满了成熟男人的魅力，该是多少女性心目中的偶像啊。
在这里，简单回闪思嘉和瑞特相遇、相识、相爱的几个片段，就能让人对瑞特爱我所爱，坚持自儿，富有个性的男性魅力印象深刻：
片段一：瑞特第一次见到斯佳丽是在十二像树园的烧烤会上。斯佳丽向所有的男士卖弄风情，却发现瑞特正注意她，斯佳丽向身边的女伴抱怨说：“他看我的样子，就像我没穿衣服”可见瑞特给人的感觉不是温文尔雅，富有绅士风度，对世事的有种别人所不具备的强大洞察力和影响力，表明了他与一般的南方男人不同点：现实、大胆而富有进攻性，当他躲在书房里偷听斯佳丽大胆地向阿希礼表露爱慕，但因遭到婉拒，她气急败坏地搧了阿希礼一个耳光，并砸碎了一个小花瓶时，他吹了一个口哨，于是他被斯佳丽指责为不是一个绅士，而他同时也反唇相讥斯佳丽不是一个真正的淑女，让斯佳丽气极。俩人第一次相见就是一次爱情的交锋。
片段二：斯佳丽因查尔斯病亡到亚特兰大散心，正在服丧的她，十分渴望能再度飞旋于舞池中，表现了她在内心里对无拘无束、自由生活的向往和憧憬。是瑞特看出了她的心思，并出重金替她撬开了那个压抑而沉闷的社会道德囚笼，使她走上了和别的南方女人最不相同的命运之路。这正是斯佳丽反叛旧的社会道德标准迈出的关键性一步，而这一步，如果没有瑞特暗中巧妙的支持和安排，斯佳丽是决不会踏出的。如果没了这关键一步，那么日后那个能干、要强、并独当一面的乱世佳人---斯佳丽就决不会存在了！
片段三：瑞特为了帮助斯佳丽重返故里，拼死弄了一匹身负重伤的老马，并帮助她把玫兰妮抱到马车上，同时一路历经辛苦，并在即将要到达的时候，瑞特看到许多南方兵前仆后继，视死如归，深感震撼，并决定上战场，为保卫家园尽一份力。这时可以看出，为了心爱的女人，他能出生入死； 同样，面临家园被毁之境，他也是一个热血之人，导演在这里才向我们描绘了一个深藏在平日玩世不恭外表下，也具有一颗为荣誉甘洒热血之心的典型南方男性的形象。在这里我们看到，虽然瑞特平日里非常精明、现实，但他骨子里其实还是一个南方人。
片段四：瑞特在经历了丧女之痛和斯佳丽在精神上的背叛后，面对玫兰妮的之死，对一切都灰心失望至极，回家收拾行李，返回自己的故乡，查尔斯顿。当愚蠢的斯佳丽最后发现自己已深爱瑞特时，才发现已最终失去了自己最心爱的人。瑞特最后走得十分干脆，让斯佳丽深感懊悔。直到这里，我们才听到那颗曾经为爱而柔软的心破碎的声音，同时也因为破碎而对斯佳丽变得“冷酷无情”，这里的瑞特才让我们感觉到，这个男人敢爱敢恨，处理事情十分干脆利落，极富男性魅力。
再说说阿希礼和美兰妮，他们是相似的，具备南方的一切美德，有知识，有文化，有思想，有修养。
美兰妮基本上是完美的，她善良，仁慈又不乏勇气，斯佳丽摘棉花时，她想帮忙，斯佳丽杀人时她也帮忙，除了瑞特，她是斯佳丽的另一个支持者。我想电影编剧一定喜欢美兰妮，他把她更神化了，连捐出结婚戒指这件事都把带头者从斯佳丽改成了美兰妮。我做过小范围的调查，先看书的基本都喜欢斯佳丽，而先看电影的则喜欢美兰妮。我觉得美兰妮太好了，好得不真实，而斯佳丽是有血有肉的，是真实的，有缺点也有优点。
阿希礼是真实的，他是个活在过去的人，时世变迁，他不想面对，他是缺乏勇气的。他不爱斯佳丽，又不说不爱她。斯佳丽走投无路找他时他只给了她庄园的红土，后来知道斯佳丽卖了自己，他说他该去抢劫，他也只是说说吧，估计不会去的，这一点，他确实不如拖这军刀想帮斯佳丽对付逃兵的美兰妮。
乱世佳人里的人物都是完美的，如果没有美兰妮的淑女风范，怎能体现出斯佳丽的桀骜不逊。没有阿希礼的懦弱，怎能体现出瑞德的风范呢。
斯佳丽的奶妈.玛格丽特
温暖，可靠，安全。象母亲一样时刻保护她的孩子斯佳丽。
理智，聪明，现实而且冷静，带一些黑人的狡猾。她懂斯斯佳丽，支持她，爱她，虽然没有多说什么，但是她一直是斯佳丽的靠山，坚强有力。
忠诚，固执，可爱。对自己的宝贝，那是不顾一切的去保护；虽然只是一个家奴，但她有自己所要维护的处事原则。
黑人奶妈的形象刻画的非常成功。 由此扮演黑妈的演员哈蒂·麦克丹尼尔(Hattie McDaniel）战胜了奥丽维亚(美兰妮)获得了第十二届奥斯卡最佳女配角奖，据说是历史上第一个获得奥斯卡奖的黑人。哈蒂将其特有的幽默感注入奶妈玛格丽特一形象中，台词念得完美无缺，与斯佳丽的扮演者费雯丽配合默契，犹如绿叶扶红花，结果两人双双获奖。由于奶妈一角的成功，哈蒂后来几乎垄断了银幕上所有的黑人保姆角色，在许多影片里可以看到她那肥胖、温顺、饶舌的形象。

⑺ 电影《飘》片名 Gone with the Wind 有什么来历和含义

Gone是"Go"的过去分词形式.Wind是"风"的意思."Gone with the wind"是跟着风一起走,也就是随风飘去.

“Gone with the wind”题目代表着美国内战前曾经在美国南方根深蒂固的一种生活方式的结束。就像电影开头所说的那样：There was a land of Cavaliers and Cotton Fields called the Old South...
Here was the last ever to be seen of knights and their Ladies Fair, of Master and of Slave...
Look for it only in books, for it is no more than a dream remembered.
A Civilization gone with the wind.
“a civilization has gone with the wind”，意思是一种文明已经随风而去。随着战争的临近，南方人原本的生活方式已经远去。

一个文明是随风而飘的，最终是要飘散的；一个人的命运是随风而飘的，最终也会飘散。其实又岂只是一个文明的飘散，随着文明飘散的是，无数个生命个体，一代人，一代人的梦想，一代人的生活方式。就像是面对一个终极的目标——死亡——一样，你是选择清醒而悲观空虚地活下去，还是抛开这终极的目标盲目地积极活下去；在一个文明消逝之后，你是选择在缅怀中活下去，还是抛弃过去，从新开始。

⑻ 米切尔的《飘》为什么叫《飘》

《飘》，英文名叫gone
with
the
wind
直译过来叫做随风而逝，逝去的是一个年代，和那种优越的生活方式。所以电影名叫《乱世佳人》，就是在那个特定的战争年代，一个顽强的女子的生活。

⑼ 影评电影《飘》，英语的怎么写

注意看了:gone with the wind

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.

Gone With the Wind, an all-time best-seller by Margaret
Mitchell, is a legendary recollection of the last brilliance of the Old South. The writer's debut novel was an instant success. And the story has been bestowed an even further reaching popularity since Vivian Leigh presented a vivid translation to the screen of Katie Scarlett O'Hara, a southern belle raised in her father's white-pillared plantation Tara. A climax of Hollywood, from Director Victor Fleming for MGM, Gone with the Wind is more than a vicissitude, it is also an old, lost culture revisited.

It is Old South, which today is no more than a dream remembered. People were once there, living with the high strong slaves' songs in the quarters, in security, peace and eternity. Here, Scarlett spends her young maiden years. She is well disciplined by her mother, but her blazing green eyes always betray her covert capricious self; the one who enjoys parties and the surrounding ofbeaus. She dreams to marry the noble Ashley Wilkes. The impending war shatters the golden peace of the South, and leaves many lives permanently changed. Plantations, treasures, and honor are ruined. Scarlett is made a most peculiar widow by the war, and then compelled into a second marriage in continuation of her struggle for the salvation of Tara. And her third marriage to Rhett Butler is also jeopardized because of her secret, stubborn ardency for Ashley.