1. 求外国电影的感人独白(比如到墓地祈祷,表白) 长约5-10分钟
推荐美剧《犯罪心理》，几乎每一集开头和结尾都是引用古代哲学家的一句经典语句概括本集中心思想的。同理还有《兄弟连》（但不是古语）。
强烈推荐《完美风暴》，我查了一下，从1小时55分钟开始一直到结束，全是你所要求的那种yy式独白了，包括临死前对恋人说的，死后追悼的，长达十几分钟！
《阿甘正传》中也有很多处，但是个人认为这部片子不论是学英语还是搞精神建设，都已经被引用的太滥了……
《肖申克的救赎》，不是很推荐，因为虽然从头到尾都穿插叙事性的旁白，但是每一段都不是很长。
建议多找找04年以前的片子，个人感觉从04年以后拍的片子中已经很难找到那种大段的抒情式独白了。再者，目前拍得感人的美国电影几乎已经摒弃了大段冗长的独白了（纪录片除外），但凡拍的深刻的全靠情节出彩，例如《撞车》、《七磅》、《我是传奇》等等
2. 英语电影经典独白
疯狂主妇
mary alice 的经典独白。
第三季第一集
Every storm brings with it hope.
每声风暴随之而来的是希望。
That’s somehow by morning, everything would be made clean again.
不论如何，到了早晨，一切都会变干净。]
And even the most troubling stains would have disappeared.
即使最顽固的污点也会消失。
Like the doubts over his innocence.
像对清白的疑惑。
Or the consequence of his mistake.
错误的结果。
Like the scars of his betrayal
背叛的创伤
Oh the memory of his kiss.
亲吻的记忆
So we wait for the storm to pass, hoping for the best.
我们等待着风暴退却，期待着雨过天睛。
Even though we know in our hearts some stains are so indelible.
即使我们清楚在心中, 有些污点是如此顽固。
Nothing can wash them away.
没有什么能将它们清除。
第三季第二季
Have you met the perfect couple, the two soul mates, whose love never dies?
你有没有遇到过完美的一对,两个精神伴侣, 他们的爱永恒依旧？
The two lovers, whose relationship is never threatened?
两个相爱的人，关系从没有遭到过威胁？
The husband and wife, who trust each other completely?
丈夫和妻子，完全信任对方？
If you haven’t met the perfect couple
如果你没有遇到过完美的一对
Let me introce you
让我来为你介绍。
They stand top layer of butter cream frosting
他们站到奶油淇淋上面。
The secret of their success?
他们的成功地秘密？
Well, for starters, they don’t have to look at each other.
对于新婚伴侣，那就是他们不需要正眼看对方。
第三季第三集
We all carry something with us.
我们都在负重前行。
Of course, it’s nice we travel with someone who can help lighten the load.
当然，能结伴而行会很幸福。有人帮助分担重负。
But usually it’s easier to just drop we’ve been carrying.
但通常抛掉负担会更简单。
So we can get home that much sooner.
这样我们就能早日归家。
assuming, of course,
设想着，当然
There will be someone there to greet us when we arrive
有人会在家迎接我们归来。
Why do we clutch this baggage even when we desperate to move on.
为什么有人仍然抓住行李不放，即使我们不顾一切的向前看。
Because we all know, there is a chance we might let go to soon.
因为我们都知道，有的机会也许我们放弃的太快。
第三季第四集
We all have our reasons for rewriting history.
我们都有要改写历史的原因。
Sometimes we need to provide ourselves alibis.
有时候我们需要给自己找一些托辞。
Sometimes we want to hurt someone who has hurt us.
有时我们想要伤害那些曾经伤害过我们的人。
And then there are time we just want to spare ourselves embarrassment.
有时我们只是不想自己困窘难堪。
Of course there are some who feel that to rewrite history is just another way to lie.
当然，有时改写历史只是另一种方式去说谎。
But what is history anyway?
但是，历史究竟是什么呢。。。。
But a set of lies agree depend?
难道只是一系列的谎言吗？
第三季第五集
Sabotage, everyone is capable of it. But some go about it more cruelness than the others.
阴谋破坏，每个人都能做，但有些人可以做得更加冷酷。
Like the ones who create vengeance…
像那些渴望复仇的人。。。
Or the ones who hunger for love.
像那些寻觅爱情的人。。。
Or the ones who were determined to burn bridges.
像那些决定一刀两断的人。。。
And then there are those who simply wants something…
也有些人的愿望简单而直接。
Something that belongs to someone else
有时候 那属于其他人。
第三季第六集
There is a place in St. Timothy church where sinners go to confess their sins.
St.Timothy 教堂有处罪人忏悔的地方
And once they are done, they expect absolution
当他们忏悔完，都期待能得到宽恕
But the truth is, not all confessions are worthy of such forgiveness.
但事实上，不是所有忏悔都值得被原谅。
Most who unveil his agendas deserve the condemnation they receive.
大多数人，秘密计划败露了得到应有的谴责。
Most who disclose revengeful motives marry the punishment that follows.
大多数人 报复动机暴露了得到随之而来的惩罚
Only the truly repentant at any right at all expect a second chance.?
只有真心悔过，才有权利获得第二次机会。
Were just why it’s best to think twice before you confess.
这就是为什么最好在你忏悔前先三思而后行…
Especially if you don’t know what it is you’re confessing to.
尤其是如果你不知道你在忏悔什么
第三季第七集
Lynette Scavo had a dream that night.
Lynette Scavo 那天晚上做了个梦
It was one she had many times before.
一个她曾经做过多次的梦。
“hey, Mary Alice. Are you ok?
Yes, thank you. I’m fine
Ok, I’ll see you later”
But this night, something changed
但是这个夜里，有一些变化
“no, you not, I can tell.
不，你不好，我看的出来。
Please…tell me what’s wrong
求你了， 告诉我哪里出问题了。
Let me save you.
You can’t.
Why not?
Sweetie, we can’t prevent what can’t predict.
亲爱的，我们不能预防我们所不能预知的
Isn’t there anything I could do?
有什么是我能做的么？
Yes, yes. You can enjoy this beautiful day.
你可以享受这美丽的一天。
We get so few of them.
我们很少有这样的一天
This was the last time Lynette would ever dream of me.
这是最后一次Lynette梦见我
And for her sake, I’m grateful.
对于她的悲伤，我很感激。
第三季第八集
There are so many things we wish we could tell the young
有太多的事情我们想要告诉孩子们
We’d like to persuade them not to grow up so fast
我们想说服他们，不要这么快就长大。
But they won’t listen.
但他们听不进去。
We want to tell them the beauty face but they refuse to believe it.
我们想告诉他们，花容总有凋谢的一天，但他们拒绝相信。
We worn them that their actions will have consequences, but still they defy us.
我们警告他们，他们的所作所为会有后果，但他们仍然不予理睬。
Suddenly the young can began to understand the world is a dangerous place.
终有一天，孩子们会意识到这个世界是危险的
So it’s up to us to do anything we can to protect them
所以我们要做的就是，尽一切可能来保护他们
Absolutely anything
当然，不惜一切代价。
第三季第九集
Dangerous men walk among us.
危险的人在我们之中潜伏。
And we can’t always be sure who they are or what secret they hide.
我们不是总能肯定他们是谁，或者他们隐藏着怎样的秘密。
But once our suspicious are confirmed
但是最可怕的疑虑得到证实。
We can take action.
我们就可以采取行动。
Once their agenda were revealed
一旦他们的行事议程被揭露。
We can take steps to protect ourselves and those we love.
我们就能采取措施保护自己和我们爱的人。
Yes, dangerous men can cause great harm
是的，危险的人会造成巨大的伤害。
But sometimes the greatest dangerous they pose is to themselves.
但是人有时候他们所做有最危险的事, 是对他们自己做的。
3. 求简单的英语电影独白片段
《海上钢琴师》
“陆上的人喜欢寻根问底，虚度了大好光阴。冬天忧虑夏天的姗姗来迟，夏天则担心冬天的将至。所以他们不停四处游走，追求一个遥不可及、四季如夏的地方—我并不羡慕。”
Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living dread of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me.
“我是在这艘船上出生的，整个世界跟我并肩而行，但是，行走一次只携带两千人。这里也有欲望，但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐，但音符不是无限的。我已经习惯这么生活。”
“I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.
“你把我推到舷梯上然后扔给我一架有百万琴键的钢琴，百万千万的没有尽头的琴键，那是事实，max，它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的，那么在那架琴上就没有你能弹奏的音乐，你坐错了地方，那是上帝的钢琴。”
“You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. ”
4. 求外国电影里 长一点的独白片段
长一点的独白只有去电影<哈姆雷特>里找了,有一段比较经典,中英文都给你,慢点读应该有5分钟吧
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them. To die: to sleep;
No more; and by a sleep to say we end
The heart-ache, and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: aye, there's the rub;
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveler returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
中文:
生存或中行毁灭, 这是个必答的问题
是否应默默的忍受坎苛命运之无情打击,
还是应与深如大海之无涯苦难奋然为敌,
并将其克服。
此二抉择, 就竟是哪个较茄毁崇高?
死即睡眠, 它不过如此!
倘若一眠能了结心灵之苦楚与肉体之百患,
那么, 此结局是可盼的!
死去, 睡去...
但在睡眠中可能有梦, 啊, 这就是个阻碍:
当我们摆脱了此垂死之皮囊,
在死之长眠中会有何梦来临?
它令我们踌躇,
使我们心甘情愿的承受长年之灾,
否则谁肯容忍人间之颤培备百般折磨,
如暴君之政、骄者之傲、失恋之痛、法章之慢、贪官之侮、或庸民之辱,
假如他能简单的一刃了之?
还有谁会肯去做牛做马, 终生疲於操劳,
默默的忍受其苦其难, 而不远走高飞, 飘於渺茫之境,
倘若他不是因恐惧身后之事而使他犹豫不前?
此境乃无人知晓之邦, 自古无返者。
所以,理智能使我们成为懦夫,
而顾虑能使我们本来辉煌之心志变得黯然无光, 像个病夫。
再之, 这些更能坏大事, 乱大谋, 使它们失去魄力。
5. 英文电影的经典电影独白
to be or not to be,这是《哈姆雷特》（莎士比亚）的经典台词． To be, or not to be- that is the question 汉文意思是：生存还是死去，这是一个问题． 此段的全文如下： Hamlet:To be, or not to be- that is the question: Whether it's nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die- to sleep- No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to. 'Tis a consummation Devoutly to be wish'd. To die- to sleep. To sleep- perchance to dream: ay, there's the rub! For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despis'd love, the law's delay, The insolence of office, and the spurns That patient merit of th' unworthy takes, When he himself might his quietus make With a bare bodkin? Who would these fardels bear, To grunt and sweat under a weary life, But that the dread of something after death- The undiscover'd country, from whose bourn No traveller returns- puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action. 哈: {自言自语} 生存或死去, 这是个问题: 是否应默默的忍受坎坷命运之无情打击, 还是应与深如大海之无涯苦难奋然为敌, 并将其克服。 此二抉择, 究竟是哪个较崇高? 死即睡眠, 它不过如此! 倘若一眠能了结心灵之苦楚与肉体之百患, 那么, 此结局是可盼的! 死去, 睡去... 但在睡眠中可能有梦, 啊, 这就是个阻碍: 当我们摆脱了此垂死之皮囊, 在死之长眠中会有何梦来临? 它令我们踌躇, 使我们心甘情愿的承受长年之灾, 否则谁肯容忍人间之百般折磨, 如暴君之政、骄者之傲、失恋之痛、法章之慢、贪官之侮、或庸民之辱, 假如他能简单的一刀了之? 还有谁会肯去做牛做马, 终生疲於操劳, 默默的忍受其苦其难, 而不远走高飞, 飘於渺茫之境, 倘若他不是因恐惧身后之事而使他犹豫不前? 此境乃无人知晓之邦, 自古无返者。---哈姆雷特经典台词(中英文）
6. 跪求...... 一部英语电影中经典独白（一定是一段，带中文翻译）
海上钢琴师里的台词都比较经典，列出一些作参考，楼主可以选择一段
“陆上的人喜欢寻根问底，虚度了大好光阴。冬天忧虑夏天的姗姗来迟，夏天则担心冬天的将至。所以他们不停四处游走，追求一个遥不可及、四季如夏的地方—我并不羡慕。” Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living dread of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me. “所有那些城市，你就是无法看见尽头。尽头？拜托！拜托你给我看它的尽头在哪？当时，站在舷梯向外看还好。我那时穿着大衣，感觉也很棒，觉得自己前途无量，然后我就要下船去。放心！完全没问题！可是，阻止了我的脚步的，并不是我所看见的东西，而是我所无法看见的那些东西。你明白么？我看不见的那些。在那个无限蔓延的城市里，什么东西都有，可惟独没有尽头。根本就没有尽头。我看不见的是这一切的尽头，世界的尽头。” “All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world... ” “键盘有始有终，你确切知道 88 个键就在那儿，错不了。它并不是无限的，而音乐，才是无限的。你能在键盘上表现的音乐是无限的，我喜欢这样，我能轻松应对 ! ” “Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by. ” “你把我推到舷梯上然后扔给我一架有百万琴键的钢琴，百万千万的没有尽头的琴键，那是事实，max，它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的，那么在那架琴上就没有你能弹奏的音乐，你坐错了地方，那是上帝的钢琴。” “You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. ” “天啊！你……你看过那些街道吗？仅仅是街道，就有上千条！你下去该怎么办？你怎么选择其中一条来走？怎么选择“属于你自己的”一个女人，一栋房子，一块地，或者选择一道风景欣赏，选择一种方法死去。 ” “Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there？How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die... ” “那个世界好重，压在我身上。你甚至不知道它在哪里结束，你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗？” “All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? ” “我是在这艘船上出生的，整个世界跟我并肩而行，但是，行走一次只携带两千人。这里也有欲望，但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐，但音符不是无限的。我已经习惯这么生活。” “I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way. ”“陆地？陆地对我来说是一艘太大的船，一个太漂亮的女人，一段太长的旅行，一瓶太刺鼻的香水，一种我不会创作的音乐。我永远无法放弃这艘船，不过幸好，我可以放弃我的生命。反正没人记得我存在过，而你是例外，max，你是唯一一个知道我在这里的人。你是唯一一个，而且你最好习惯如此。原谅我，朋友，我不会下船的。” “Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off.”
7. 经典英语电影片段三到五分钟独白的配音台词
诺顿《第25小时》超爽的5分钟独白
Fuck you and this whole city and everyone in it
Fuck the panhandlers grubbing for money, smiling at me behind my back.
Fuck the squeegee men dirtying up the clean windshield of my car.
Get a fucking job.
Fuck the Sikhs and the Pakistanis bombing down the avenues in decrepit cabs,curry steaming out their pores,stinking up my day.
Terrorists in fucking training.Slow the fuck down!
getting one of those operations that elongate your penis.
Fuck the Chelsea Boys with their waxed chests and pumped-up biceps, going down on each other in my parks and on my piers,jiggling their dicks on my Channel 35!
Fuck the Korean grocers with their pyramids of overpriced fruit and their tulips and roses wrapped in plastic .
Ten yeras in the country,still no speakee English.
Fuck the Russians in Brighton Beach.
Mobster thugs sitting in cafes,sipping tea in little glasses,sugar cubes between their teeth,wheelin'
and dealin' and schemin'.
Go back where you fucking came from.
Fuck the black-hatted Hasidim strolling up and down 47th Street in their dirty gabardine with their dandruff,selling South African apartheid diamonds.
Come on.Your wife deserves this.
Fuck the Wall Street brokers.
Self-styled masters of the universe.
Michael Douglas-Gordon Gekko wannabe motherfuckers figuring out new ways to rob hardworking people blind.
Send those Enron assholes to jail for fucking life.
You think Bush and Cheney didn't know about that shit?
Give me a fucking break.
Fuck the Puerto Ricans.
Twenty to a car,swelling up the welfare rolls.
worst fucking parade in the city.
And don't even get me started on the Dominicans, 'cause they make the Puerto Ricans look good.
Who's this fuckin' guy?! Get the fuck outta here!
Fuck the Bensonhurst Italians with their pomaded hair,their nylon warm-up suits,their St.anthony medallions,swinging their Jason Giambi Louisville Slugger baseball bats trying to audition for "The Sopranos."
Fuckin' crack your fuckin' head open !
Bensonhurst!bensonhurst!
Fuck the Upper EAst Side wives wth their Hermes scarves and their $50 Balcci artichoke.
Taxi!
Overfed faces getting pulled and lifted and stretched all taut and shiny.
You're not fooling anybody,sweetheart.
Taxi!
Fuck the Uptown brothers.
They never pass the ball,they don't want to play defense,they take five steps on every layup to the hoop,and then they want to turn around and blame evrything on the white man.
We not giving it up!
We not giving it up!
slavery ended 137 years ago.
Move the fuck on.
Fuck the corrupt cops with their anus-violating plungers
and their 41 shots,standing behind a blue wall of silence.
You betray our trust!
Fuck the priests who put their hands sown some innocent child's pants.
Fuck the church that protects them,delivering us into evil.And while you're at it,fuck J.C.
He got off easy-- a day on the cross ,a weekend in hell, and all the hallelujahs of the legioned angels for eternity.Try seven years in fucking Otisville,J.
FUck Osama bin Laden ,AI Qaeda,and backward-ass cave-dwelling fundamentalist assholes everywhere.
On the names of innoceant thousands murdered,I pray you spend the rest of eternity with your 72 whores roasting in a jet-fuel fire in hell.You towel-headed camel jockeys can kiss my royal Irish ass.
"I notice how many of what Ionce thought
"were evidences of repression ,sexual or otherwis.."
fuck Jacob Elinsky.
Whinin malcontent.
Fuck Francis Xavier Slaughtery, my best friend,judging me while he stares at my girlfriend's ass.
Fuck Naturelle Riviera.I gave her my trust, and she stabbed me in the back.Sold me up the river.Fucking bitch.
Fuck my father with his endless grief,standing behind that bar,sipping on club soda,selling whiskey to firemen and cheering the Bronx Bombers.
ALL:Let's go ,Yankees!
Fuck this whole city and everyone in it,from the row houses of Astoria to the penthouses on Park Avevue,from the projects in the Bronx to the lofts in soho,from the tenements in Alphabet city to the brownstones in Park Slope to the split-levels in Staten Island, let an earthquake crumble it, let the fires rage ,let it burn to fucking ash,and then let the waters rise and submerge this whole art-infested place.
No,Fuck you,Montgomery Brogan.You had it all,and you threw it away,you mb fuck
8. 一段经典的英文电影独白
电影返老还童又名本杰明巴顿奇事
Benjamin Button: Sometimes we're on a collision course, and we just don't know it. Whether it's by accident or by design, there's not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she'd stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who'd stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn't been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater.
本杰明·巴顿：有些时候我们就活在即将发生冲撞的轨道上，浑然不知。无论它是意外发生的还是蓄谋已久的，对此我们都无能为力。一个住在巴黎的女人正在去购物的路上，但是她忘记拿她的大衣，便回去取了。当她去拿衣服时，电话铃响了，所以她停下来去接电话，并聊了几分钟。就在那个女人打电话的时候，黛西就在为巴黎大剧院的演出而排练。就在她排练时，那个女人打完了电话，离开了屋子去叫一辆出租车（但错过了一班）。现在一个出租车司机由于这班工作完的比较早，便停下来去喝杯咖啡，与此同时黛西还在排练。这个提前完成了这趟工作喝了杯咖啡的出租车司机，接了那个错过一班出租车的去购物的女人。出租车被迫因为一个横穿道路的人急停了一下，因为一个男人比原来上班的时间晚起了五分钟，由于他忘记了上好闹钟。而就在那个晚起的，忘记上闹钟的男人过马路时，黛西也完成了排练，正在冲澡。而就在黛西洗澡的时候，那个出租车司机在精品店外，等那个女人去拿她的商品。那个商品还没有被服务员提前包装好，因为昨天晚上那个服务员刚刚和男朋友分手，把这件事情忘的一干二净。当商品被包好后，那个女人回到车上，车租车又被一辆运货车挡了一下，此时此刻黛西也梳妆完毕。在运货车离开后，出租车终于可以行驶了。当黛西最后一个打扮完后，便等待她其中一个鞋带断了的朋友。就在出租车停着等候红绿灯时，黛西和她朋友从剧院出来了。
Benjamin Button: And if only one thing had happened differently: if that shoelace hadn't broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn't broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn't stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would've crossed the street, and the taxi would've driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone's control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
本杰明·巴顿：如果只有那么一件事情，并没有按原来发生的话，如果那个鞋带没有断掉；或者如果那辆货车提前几分钟开走；如果那个商品早早就被包装好，因为她没有和他的男朋友分手；如果那个男人的闹钟提前上了五分钟；如果那个司机没有停下来去喝杯咖啡；如果那个女人没有忘记她的大衣，而坐上了早一班的出租车，黛西和她的朋友就将穿过马路，出租车也只会擦肩而过。但是生活就是这么不可预测，在一系列的交错层叠的人与事中，没有谁能掌控它们，而出租车没有碰巧开过去，那个司机也有些精力不集中，那个出租车还是撞到了黛西，她的腿被撞伤了。
希望能帮到你哦~~
9. 英文电影两人对白,要长的，越长越好。至少5分钟。英语期末考试用的。
以下是《乱世佳人/飘》的电影中瑞特和斯嘉丽 (也有白瑞德和郝思嘉这种翻译法）的最后一段对话。
R指Rhett, 即瑞特
S指Scarlett, 即斯嘉丽
R:
Come in.
S:
Rhett...
R:
Melanie, she's...
Well, God rest her.
She was the only completely kind person I ever knew.
A great lady.
A very great lady.
So she's dead. That makes it nice for you, doesn't it?
S:
Oh, how can you say such a thing? You know how I loved her, really!
R:
No, I don't know that I do.
But at least it's to your credit that you could appreciate her at the end.
S:
Of course I appreciated her. She thought of everybody except herself.
Why, her last words were about you.
R:
What did she say?
S:
She said:
"Be kind to Capt. Butler. He loves you so."
R:
Did she say anything else?
S:
She said...
She asked me to look after Ashley, too.
R:
It's convenient to have the first wife's permission, isn't it?
S:
What do you mean?
What are you doing?
R:
I'm leaving you, my dear.
All you need now is a divorce, and your dreams of Ashley can come true.
S:
Oh, no!
No, you're wrong! Terribly wrong!
I don't want a divorce. Oh, Rhett, when I knew tonight...
when I knew I loved you, I ran home to tell you.
Oh, darling, darling...
R:
Please don't go on with this.
Leave us some dignity to remember out of our marriage. Spare us this last.
S:
This last?
Oh, Rhett, do listen to me.
I must have loved you for years, only I was such a stupid fool I didn't know it.
Please believe me. You must care.
Melly said you did.
R:
I believe you. What about Ashley Wilkes?
S:
I never really loved Ashley.
R:
You certainly gave a good imitation of it, up till this morning.
No, Scarlett. I tried everything.
If you'd only met me halfway, even when I came back from London.
S:
I was so glad to see you. I was, Rhett, but you were so nasty.
R:
And then, when you were sick and it was all my fault...
I hoped against hope that you'd call for me, but you didn't.
S:
I wanted you. I wanted you desperately, but I didn't think you wanted me.
R:
It seems we've been at cross-purposes, doesn't it? But it's no use now.
As long as there was Bonnie, there was a chance we might be happy.
I liked to think that Bonnie was you.
A little girl again, before the war and poverty had done things to you.
She was so like you, and I could pet her and spoil her as I wanted to spoil you.
But when she went, she took everything.
S:
Oh, Rhett!
Rhett, please don't say that.
I'm so sorry, I'm so sorry for everything.
R:
My darling, you're such a child.
You think that by saying, "I'm sorry," all the past can be corrected.
Here, take my handkerchief.
Never at any crisis of your life have I known you to have a handkerchief.
S:
Rhett, where are you going?
R:
I'm going to Charleston. Back where I belong.
Please. Please take me with you.
No. I'm through with everything here.
I want peace.
I want to see if somewhere there isn't something left in life of charm and grace.
Do you know what I'm talking about?
S:
No. I only know that I love you.
R:
That's your misfortune.
S:
Oh, Rhett.
Rhett!
Rhett!
If you go, where shall I go? What shall I do?
R:
Frankly, my dear, I don't give a damn.