① 经典电影《人工智能》插曲 For Always 中文歌词
For Always
Lara:
I close my eyes 我闭上眼
And there in the shadows I see your light 朦胧中我看到了你带来的光明
You come to me out of my dreams across
The night 你穿越黑夜从梦境中向我走来
Josh:
You take my hand 你抓住我的手
Though you may be so many stars away 虽然你远在天边
I know that our spirits and souls are one 我知道我们的精神和灵魂已合二为一
Lara:
We've circled the moon and we've touched the sun 我们绕着月亮来到了太阳身边
Both:
So here we'll stay 我们在此停留
For always 一直这样
Forever 直到永远
Beyond here and on to eternity 飞越这里直至永恒
For always 一直这样
Forever 直到永远
For us there's no time and no space 对我们而言 没有时间和空间的概念
Josh:
No barrier love won't erase 爱可以跨越一切障碍
Lara:
Wherever you go 不管你身在何方
I still know in my heart you'll be here 我依然知道你的心与我同在
Both:
With me 和我一起
Josh:
From this day on (day on) 从今天起
I'm certain that I'll never be alone 我确信我不再孤独
Lara:
I know what my heart must have always known 我知道我心所想
(known what my heart must have known)
Both:
That love has a power that's all its own 爱有种独特的力量
And for always 一直会有
Forever 直到永远
Now we can fly 现在我们可以飞翔
And for always 一直得飞啊
and always 飞啊
Lara:
We will go on (we will go on) 我们将继续
Both:
Beyond goodbye 告别孤单
Lara:
For Always 一直这样
Josh:
Forever 直到永远
Lara:
Beyond here and on to eternity 飞越这里直至永恒
Josh:
For Always 一直这样
Lara:
And ever 直到永远
Both:
You'll be a part (you'll be apart) of me 你是我的一部分
Both:
And for always 一直这样
Forever 直到永远
A thousand tomorrows may cross the sky 一千个明天跨越了天际
And for always 一直这样
And always 一直这样
We will go on (we will go on) beyond goodbye 我们将继续 不再孤单
② 求电影:我,机器人(英文)的十句经典的话
Detective Del Spooner: What if I'm right?
戴尔·史普纳警探：如果我说对了会怎样？
Lt. John Bergin: [sighs] Well, then I guess we're gonna miss the good old days.
约翰·伯金少尉：【叹息】那，我想我们会开始怀念过去那些好日子了。
Detective Del Spooner: What good old days?
戴尔·史普纳警探：什么好日子？
Lt. John Bergin: When people were killed by *other people*.
约翰·伯金少尉：那时候人还是被"其他人"杀死的。
________________________________________
Detective Del Spooner: Human beings have dreams. Even dogs have dreams, but not you, you are just a machine. An imitation of
life. Can a robot write a symphony? Can a robot turn a... canvas into a beautiful masterpiece?
戴尔·史普纳警探：人类有梦想，甚至狗都有梦想，但你没有，你只是个机器，一个冒充生命的赝品。一个机器人能写交响乐么？一个机器人
能把一个，嗯，帆布变成一幅美丽的杰作么？
Sonny: Can *you*?
桑尼："你"能么？
________________________________________
Detective Del Spooner: I think you murdered him because he was teaching you to simulate emotions and things got out of
control.
戴尔·史普纳警探：我认为是你杀了他，因为当时他正在训练你模拟感情，然后事情就失去了控制。
Sonny: I did not murder him.
桑尼：我真的没杀他。
Detective Del Spooner: But emotions don't seem like a very useful simulation for a robot.
戴尔·史普纳警探：但是对一个机器人来说，感情不像是个有用的模拟物品。
Sonny: [getting angry] I did not murder him.
桑尼：【开始生气了】我真的没杀他。
Detective Del Spooner: Hell, I don't want my toaster or my vacuum cleaner appearing emotional...
戴尔·史普纳警探：该死，我可不想让我的烤箱或者吸尘器显得充满感情……
Sonny: [Hitting table with his fists] I did not murder him!
桑尼：【用拳头敲桌子】我真的没杀他！
Detective Del Spooner: [as Sonny observes the inflicted damage to the interrogation table]
That one's called anger. Ever simulate anger before?
戴尔·史普纳警探：【当桑尼在观察审问桌的破坏情况时】这就叫"愤怒"，以前模仿过"愤怒"没有？
________________________________________
Detective Del Spooner: [Entering Calvin's office room] In the lab, before Sonny jumped us...
戴尔·史普纳警探：【进入加尔文的办公室】在这个实验室，在桑尼从我们这儿跑开以前……
Susan Calvin: [Interrupts] Sonny?
苏珊.加尔文：【打断他】桑尼？
Detective Del Spooner: The robot.
戴尔·史普纳警探：那个机器人。
Susan Calvin: You're calling the robot Sonny?
苏珊.加尔文：你叫那个机器人桑尼？
Detective Del Spooner: No, it did. The robot did. I didn't care, the robot said it was Sonny. In the lab, there was a cott.
I'm asking you, did you see the cott?
戴尔·史普纳警探：不，它叫的。那个机器人叫的。我才不管呢，那个机器人说它是桑尼。这实验室原来有个床。我在问你那，你原来有没有
见过那个床？
Susan Calvin: I slept in my office.
苏珊.加尔文：我睡在自己的办公室。
________________________________________
Sonny: [Looking around at the robots while he is about to be "killed"] They all look like me. But none of them are me.
桑尼：【环视周围的机器人，他马上要被"处死"了】他们看起来都像我，但是没有一个是我。
Susan Calvin: That's right. You are unique.
苏珊.加尔文：是，你是独一无二的。
Sonny: [pause] Will it hurt?
桑尼：【停顿】会疼么？
③ 急需电影《人工智能》和《勇敢的心》的英文剧情介绍
勇敢的心 braveheart
资料一：
Unfortunately, I have yet to find a film of quite this caliber again. Braveheart contains elements of Romance (several heart- wrenching and warming instances), Epic/Action (spectacular scenes), Mystery (can take a few viewings to put it all together), History (albeit romanticised) and of course Drama (perfectly unravelled). This level of uncompromised multi-tasking allows the film to move you to laugh and cry, love and hate or even to think and be taught. I'm trying to avoid the clichés of glowing reviews (almost as bad as entirely negative ones) - but this is one of the few movies that I feel deserves one.
The witty banter between friends/foes/lovers/relatives is, in my opinion, flawless and aids the film's claim as a true classic. The soundtrack is similarly top-notch and encapsulates and refracts the patriotic theme ring several key moments. The political sub-plot and gorgeous scenery also serve as refreshers ring otherwise heavy areas of the story. Perhaps Braveheart's only flaw (but if you share my sentiments it's actually a bonus) is its length so you'll want to prepare a comfy seat and maybe even two pots of tea (complete with cosies!).
I suppose it's also relevant to touch on the historic inaccuracies as I expect this is what people might dislike most about this film. However, "History is written by those who have hanged heroes"; also, the overall sketchiness of such periods coupled with the right of artistic license are enough for me to personally dismiss such thoughts. On that note, I hope you also enjoy what, to me, is the greatest film created (so far).
资料二：
The movie begins in the small town of Elerslie, Scotland. William lives with his father, who is not named in the film, and his older brother Malcolm. William's father and older brother are called to a meeting a few miles from their home where they find the entire nobility of Scotland hanging. Malcolm and his father then go to a battle between the British and their clan, both die tragically. At the funeral William meets his uncle Argyle who fought in the battle with Malcolm and his father. He takes him away to live with him. The scene then cuts to an alt William on his horse. William later runs into a girl he knew before he went to live with Argyle, her name, Murron, we discover that Lords have the right to sleep with brides on their wedding night, so William marries Murron in secret. Murron is the assaulted by a British guard, the guard is killed by William, a fight ensues, and eventually Murron is killed by the lord. This enrages Wallace who then build himself a fine army entering city's and killing all Englishman within. Wallace prepares to move on to Sterling where he prepared for his greatest battle yet, in the forest he realises that he must find a way to beat the heavy cavalry from the ground, he decided to create spears twice as long as men. These were used in the battle to kill the entire heavy cavalry raised at the last minute to kill the on coming horses. Eventually Wallace reaches York, the most important military city he gains control. Williams final battle at Falkirk ends in his betrayal by two nobles, whom he later kills. William is betrayed by the leper father of Robert the Bruce, is captured and refuses to bow down as a loyal subject of the king Edward I, Longshanks. Therefore, instead of mere beheading William Wallace is subject to being Hung, hung within an inch of death. Drawn, being stretched by his ankles and wrists and then having his insides shown to him before he died. Then Quartered, he was beheaded and his head was put on the London Bridge his body was torn into for pieces one sent to each corner of Britain as a warning to the citizens. After Wallace's death we see Robert the Bruce led the battle of Bannockburn the last battle for Scotland's freedom.
资料三：
In 14th Century Scotland, William Wallace leads his people in a rebellion against the tyranny of the English King, who has given English nobility the 'Prima Nocta'.. a right to take all new brides for the first night. The Scots are none too pleased with the brutal English invaders, but they lack leadership to fight back. Wallace creates a legend of himself, with his courageous defence of his people and attacks on the English.
——————————————————————
人工智能 artificial intelligence A.I
资料一：
In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-procing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real".
资料二：
The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, instry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.
④ 跪求~~!关于机器人的电影的英文简介
Bicentennial Man
Rating:
Genre: Comedy
Movie Type: Domestic Comedy， Sci-Fi Comedy
Themes: Journey of Self-Discovery， Opposites Attract， Robots and Androids
Director: Chris Columbus
Main Cast: Robin Williams， Sam Neill， Wendy Crewson， Embeth Davidtz， Oliver Platt
Release Year: 1999
Country: US
Run Time: 131 minutes
MPAA Rating: PG
Plot
If a robot spends enough time around humans， can he learn to become one of them？ The Martin family purchases a domestic android as a servant and names him Andrew (Robin Williams). Andrew comes to know the man of the house as Sir (Sam Neill)， his wife as Ma'am Wendy Crewson， and their daughter as Portia (Embeth Davidtz)； before long， the Martins suspect that they do not have an ordinary robot on their hands. Andrew seems capable of expressing emotion and generating original thoughts， and the longer he stays with the Martins， the more strongly these human traits manifest themselves. Over the next 200 years， Andrew becomes less a machine and more a member of the family， until a mechanic (Oliver Platt) tells Andrew that he might be able to turn him into a human being. Based on a short story by renowned science fiction author Isaac Asimov (surprisingly， it's only the second Asimov story to be brought to the screen)， Bicentennial Man was directed by Chris Columbus， who previously worked with Robin Williams on Mrs. Doubtfire. ~ Mark Deming， All Movie Guide.
机器管家/变人 Bicentennial Man (1999)
导 演:克里斯·哥伦布 Chris Columbus
主 演:罗宾·威廉斯 Robin Williams 山姆·内尔 Sam Neill 艾伯斯·戴维斯 Embeth Davidtz 奥利弗·普莱特 Oliver Platt 海丽·凯特·艾森伯格 Hallie Kate Eisenberg Kevin Tiny Ancell Joe Bellan Merridee Book
上 映:1999年12月13日 ( 美国 )更多地区
地 区:美国 德国 ( 拍摄地 )
对 白:英语
评 分:6.1/10( 7330票 ) 详细
颜 色:彩色
声 音:DTS Dolby Digital SDDS
时 长:132 分钟
类 型:剧情 科幻 爱情
分 级:瑞典:Btl 澳大利亚:PG 英国:PG 阿根廷:13 德国:0 美国:PG 新西兰:PG 法国:U
剧情简介:
这部影片追随一个机器人的“生活”进行。罗宾·威廉姆斯饰演的机器人安德鲁被马丁一家作为家务机器人购买，他的程序只设置为完成仆人的任务。但没过几天他们发现安德鲁并不是一个寻常的机器人，因为他开始体验情感和创造思维。在一个跨越了两百年的故事里，安德鲁在阻止那些制造他的人销毁自己的过程中领会了人性的错综复杂。
这个机器人，是好莱坞喜剧天王、罗宾威廉斯最新的尝试。 擅长以温馨喜感演出取胜的、好莱坞影星，罗宾威廉斯，在新片《机器人》中，饰演的机器人，在经历两百年后，终于透过先进科技，变成真正人类的故事。
片中虽然大量使用电脑科技，强化视觉效果，不过影片的卖点，还是集中在人性情感的探讨上。罗宾威廉斯在影片中，将再度以感性的内心戏打动观众。罗宾威廉斯表示科幻片向来是他喜欢的.
PS:中文介绍并非原英文介绍翻译。