『壹』 有关血腥电影对青少年的影响的英语作文
暴力电影充斥着血腥和粗暴的画面,对人们产生不良的影响,尤其是对于生理和心理尚未完全成熟的青少年,不仅会毒害他们的心灵,也可能导致他们走向犯罪的深渊。有人认为,暴力电影是青少年犯罪的罪魁祸首,有人认为暴力电影并不直接关系到青少年犯罪。
『贰』 《启示》：梅尔·吉普森写实暴力电影 ，鲜血淋淋的玛雅文明史
梅尔·吉布森导演的电影，向来着重于描述人性的残忍与杀戮场面，主角则是以悲愤还击的方式展露出英雄风貌，《启示》也是这样的电影，不同的是这部片没什么英雄味；你不会觉得主角是大英雄，也不会看到大英雄出现。
电影的重心在叙述玛雅文化，诸如玛雅人使用的武器、装扮、饰品，以及他们的生人活祭和对俘虏的屠杀游戏都在片中可见一般。
虽然在归类上它算是剧情片，但是，不要希望你可以在电影中看到多少峰回路转或曲折离奇。剧情很简单，内容还是以展现动作为主。
整部电影是用玛雅语发音，不过那应该不是古玛雅语，因为真正的古玛雅语已经失传了，即使是玛雅人的后代子孙，跟他们祖先的文字和语言也已经无法产生链接。
说到语言，《启示》选择用玛雅语发音的原因在于，导演觉得用玛雅语够酷，可以吸引观众进影院观看他的电影。也许有很多网友要跳出来说：「你乱说什么？梅导是为了追求真实性才选择用玛雅语发音的。」
我一开始也是这样认为的。从我知道《启示》要用玛雅语发音时，就对这部片很期待，也觉得导演选择玛雅语发音是蛮了不起的挑战，后来看了《时代周刊》的一篇文章，我才了解到事情没想象中那么简单。
《时代周刊》说道：「Gibson seems certain that the film's "kinetic energy" will make Maya language and culture "cool" enough to attract a crowd.」(吉布森看来很确定这部电影的「活力」会让玛雅语和玛雅文化听起来够酷，酷到足以吸引观众入场)
我看到这句话时想了好一会儿。语言和背景的选择，当真可能只是吸引观众入场的一个原因？如果我是电影制作人，我一定也会想破了头问自己什么东西可能会吸引观众。
如果说挑战失落的文明和运用异国语言，能达到票房效果，那么这挑战是不是值得一试？拍片是为了成就一种梦想，但不管是谁，应该也希望梦想同时可以赚钱。
如果说导演是这么想的，那么他的梦想的确是实现了。因为这部失落的古文明电影，的确看起来像种梦想，也有足够的魅力让人想看。
电影里安排了许多笑点和惊险镜头，也不靠特效拖戏，所以不会无聊，即便你对玛雅文明一无所知，也能看得精神振奋。
一开场就是充满迅速和动作的打猎过程，再来到主角所住的小村庄，而后村庄被玛雅帝国派来的将军毁灭，男人与女人都成了俘虏，小孩被抛弃。他们全都被带到王城，女人被拿去市场贩卖，男人则沦为祭品。
主角幸运地碰上日蚀，逃过了活祭，之后又凭着意志力逃回了丛林，在丛林里与追杀者展开了一场生死存亡战。主角借着自身对丛林的了解和上天赐予他不死的运气消灭了追杀他的人，最终回到妻儿的身边。
片中台词不多，大部分时候还是以肢体语言和表情为主。梅尔·吉布森似乎很喜欢用慢动作强调力量的展现，慢动作镜头在里面随处可见。
在他的电影中还会看到一种现实——想活命就得靠自己。很多好莱坞电影总喜欢在主角的致命关头用一个核心人物来解救他，甚至有些角色观众从一开始就可以感觉出「他看起来不会死」，造成观众每次看到电影中主角陷入危机，都奢望着有人跳出来救他一命；要不然就是有死而复生的把戏，这点常常用在配角身上。
在吉布森的电影里不太有这种情形，至少在他的《勇敢的心》和这部《启示》中，人死了就是死了，电影中讲得很明白，这个人是被一刀刺死或一箭射死，没有再复活的可能，而且也没有「看起来不会死」的角色，你根本不知道谁会怎么死，甚至连主角都可能难逃死神的魔掌。
大部分的导演都不会把人物的生死讲得很明白，这样既可给观众遐想也能为后续的剧情铺路，以防将来他们想拍续集又想让这个角色出现时，该角色就能正大光明的复活。
梅导则是用镜头把生死表达得很明确，断了观众「角色不死」的期望。自从希区柯克开创暗喻死法的镜头后，很少导演会在电影里明明白白地把人怎么死的镜头秀出来，总是露个什么沾满血的部位带过。
梅导却是反其道而行，直接拍出人被杀的情景不说，镜头还会特写人物受死时的表情，这也难怪他的电影虽然沾染血腥，却总是有人能被感动。
电影一开始引用美国哲学家威尔·杜兰的话：「一个伟大的文明不是毁于外部的侵略，而是亡于自身的衰落。」(A Great civilization is not conquered from without, until it has destroyed itself from within.) 若依此理论解释，西班牙人不过是加速了原本就有问题的玛雅帝国的灭亡。
玛雅帝国到后期，的确因人口增加而出现粮食不足的现象，不过玛雅文明会毁灭得这么彻底，说来还是要拜那些西方殖民者所赐。
殖民者对玛雅人的屠戮不过是其中之一，最主要还是因为当时的殖民者信奉天主教，他们无法容忍异教徒，有关异教徒的东西也是邪恶之物，是违背上帝意念存在的，所以他们在烧杀掳掠之余，也顺便毁了那些「写满异教徒字句」的玛雅文件。
每个文明终有走到尽头的时候，但能把一个文明毁灭到几近毫无痕迹的地步，不会是文明自身的衰落，而是宗教与文化的强烈侵蚀，和不可抵御的自然灾害。如果这世界是由回教徒或基督徒统治，那可能没有多少文明或文化可以保存下来。
俗话说：「知识就是力量。」这点在地理大发现后的殖民者身上验证无疑；开启未知的钥匙创造了古文明的崩颓。或许玛雅文明本就气数已尽，但无疑地，西方殖民者要为玛雅文明的毁灭负最大责任。
片中并没解释任何跟玛雅文明倾颓有关的原因，只用少许镜头带过西班牙人登陆犹加敦半岛。我很高兴这回导演没让主角成为悲剧英雄，而是用他来作为衰亡的象征，因为说真的，电影演到后期时，我真的不想再看到有人死了。
『叁』 急急急！！！有谁看过电影《邦妮和克莱德》（Bonnie and Clyde）
与其说这是犯罪片，不如说是公路片。
当《纽约时报》的博斯利·克劳瑟等批评家怒斥这部影片的粗暴时，导演阿瑟·佩恩回敬他们说，这是“内心高尚而外表粗野”。“本片不是对邦尼和克莱德案情的研究：我们不再任何方面深入进去。他们是不法之徒，是变态者，他们被所处时代的时局抛弃在外，但他们仍为那个时代留下了什么。”
一个好玩的背景是，“在他们那个年代，全国统一的警察部队尚未建立：各州有各州的警察。后来福特公司生产出V-8型汽车，它足以使警车望尘莫及，这时匪帮也就应运而生了。”他们以汽车为家，这也是西部片向新型犯罪片的转向，或者说与公路片的融合，显然，汽车替代了骏马。
佩恩对此片人物和观众的心理互动也洞若烛火。由于经济萧条中，银行和警察狼狈为奸，扮演了凶神恶煞的角色，邦尼和克莱德的抢劫与暴力就变得正当，甚至是英雄。“我不觉得看见警察被杀很可笑，尽管这并不意味着在十分可怕的事情中一点可笑的东西也没有。我经历过一次旷日持久的战争，它很可怕和可笑。毫无疑问，暴力中所蕴藏的幽默是一个直接而恒定的关联物。它们相伴而生，并且几乎各占一半+这是我的亲身感受。我们企图在电影中再营造出这一点。凶杀越来越不可笑，而且越来越具体，因为只有凶杀开始变得像凶杀者。在这个意义上，我们才开始理解凶杀的动机。所以凶杀越具个人性，它就越不可笑。”“我认为暴力是美国性格的一部分。它起源于西部和拓荒时代。美国是一个用暴力的方式表示自己观点的民族，它缺少劝恶从善、教化和法律的有力传统。”
This is a crime film is not so much as it is road film.
When the "New York Times" Bosilike Lauther critics such as when he rebuked a brutal film, the director Arthur Penn retaliate, they said it was "mind a noble and looks rough." "Film is not a case of Bonnie and Clyde: We will not go any further. They are the criminals are perverts, they were abandoned outside the times of the current situation, but they are still the era what is left. "
The background is a fun, "that in their era, a unified national police force has not been established: the states have state police. Later, Ford proced V-8 model car, it is enough to make police cars far behind, when the gang also be shipped and birth. "They have cars as their home, which is Westerns turned to new types of crime films, or films with the integration of road, obviously, automobile replaced the horse.
Payne characters and the audience of this film is also the psychological interaction if the candle hole. Because of economic recession, the banks and the police working hand in glove to play the role of a vicious, Bonnie and Clyde of looting and violence becomes legitimate, even heroic. "I do not think that is very funny to see police officers were killed, although this does not mean that in a very terrible thing in a little ridiculous things have not. I experienced a protracted war, it is very frightening and laughable. There is no doubt, the humor of the hidden violence is a direct and constant correlative. They attendant, and almost equally divided between + This is my personal experience. we are seeking to re-create the movie of this. homicide less and less funny becoming more and more specific, because only those who murder became like a homicide. In this sense, we are beginning to understand the murder motive. So, the more a person's sexual homicide, the more it is not ridiculous. "" I think violence is the United States personality part of it. It originated in the Wild West and the era. The United States is a violent means of expressing their views of the nation, it lacks advised evil from good, strong tradition of enlightenment and the law. "
『肆』 求大神帮忙中英文各说明一下电影《暴力街区》的简介！谢谢！
Film "banlieue" is action film directed by Camille Delamare by David LaChapelle, West, Raffaelli, Tony Damaxiu starring. The film is the director Luc Besson directed action movie "banlieue 13" the upgrade version of strengthening tells the story of Chicago, a group of weapons of mass destruction was stealing a slum of drug traffickers, and played by Paul Walker and undercover detective (David LaChapelle) deep into the slums investigation and eventually uncovered a concealed for a blockbuster conspiracy.
Detroit, the United States, the crime ridden, in order to protect the public safety, the authorities will be the city
Isolation of the most dangerous criminals, they are placed in the box "red zone tremble with fear on hearing of sin" (Brick Mansions).
In the law of the jungle "red zone", cruel ruthless drug lord Tremayne (RZA ornaments) as the core of the evil, undercover member Damian (Paul Walker). Shebeginstofall always wanted to be him to justice. On the other hand, I hope to leave the area for a new life of lino (David Belque) because his girlfriend Lola were Tremaine abcted and worried. Have a common enemy, from different worlds, different backgrounds of Damian and lino decided to deal with tremaine. [1]
电影《暴力街区》是由卡米勒·德拉马雷执导的动作片，由大卫·贝尔，西里·拉法埃利，托尼·达玛修主演。该片是国际导演吕克·贝松所执导的动作电影《暴力街区13》的升级加强版，讲述了芝加哥一批大规模杀伤性武器被一名贫民窟的毒贩偷窃，于是由保罗·沃克饰演的警探与卧底（大卫·贝尔）深入贫民窟调查，最终揭露了一个被隐瞒多年的惊天大阴谋。
美国底特律罪恶横行，为了保障市民安全，当局将市内
最危险的罪犯隔离，安置他们在令人闻风丧胆的罪恶禁区“红砖特区”（Brick Mansions）。
在弱肉强食的“红砖特区”内，残暴冷酷的大毒枭特里梅因（RZA饰）为邪恶核心，卧底探员达米安（保罗·沃克饰）一直希望将他绳之于法。另一方面，希望离开禁区重过新生活的利诺（大卫·贝尔饰），因为女友罗拉被特里梅因掳走而心急如焚。拥有共同敌人，来自不同世界，背景各异的达米安与利诺决定联手对付特里梅因。[1]
『伍』 大家对性暴力吸毒电影的看法一篇英语作文
Violent Film Is Harmful to Children
It is necessary to prevent cfiildren from seeing violent films. In recent years teenage criminals have increased alarmingly and this has happened at a time when more and more hours are being devoted to TV prngranms and films which show violent behaviour and violent solutions to all kinds of problems. Children are weak in judging right from wrong, and tend to admire film characters who solve problems by force. Then they apply what they have learned in the film to real life, which causes harmful effects on society. Therefore, violent films are harmful to children.
When I was young, I had never heard of the crime of kidnapping. But now crime like this is heard mad read frequently. Only a few days ago, I learned from newspaper that a boy who had kidnapped a two-year-old child for money was arrested. The boy said he learned about kidnapping in the film. I am not saying all crimes or even mast crimes can be attributed to violent films, but observations have shown that it is a major factor.
『陆』 电影《暴力史》的内容是什么
《暴力史》(A History of Violence)
中文名称：暴力史
英文名称：A History of Violence
资源类型：HDTVRip
发行时间：2005年
电影导演：大卫·柯南伯格 David Cronenberg
电影演员：维果·莫特森 Viggo Mortenson
埃德·哈里斯 Ed Harris
地区：美国
语言：英语
制作团队：TLF
片名：暴力史
英文名：A History of Violence
导演：大卫·柯南伯格 David Cronenberg
编剧：乔什·奥尔森 Josh Olson
主演：维果·莫特森 Viggo Mortenson
埃德·哈里斯 Ed Harris
玛利亚·贝洛 Maria Bello
威廉·赫特 William Hurt
艾什顿·霍姆斯 Ashton Holmes
苏米拉·凯 Sumela Kay
类型：惊悚
级别：R（暴力、性与毒品）
片长：96分钟
发行：新线 New Line Cinema
上映日期：2005年9月30日
官方网站：http://www.historyofviolence.com/
◇ 故事：遗忘的暴力过去？
汤姆·斯托尔（维果·莫坦森）一家人在印第安纳的一个小镇上过着平静的生活，寡言少语的汤姆为人和善，还开了一家小餐店，和贤惠的妻子艾迪（玛利亚·贝洛）以及两个孩子在农场里快乐地生活。直到某天夜里，两个杀人不眨眼的歹徒闯入汤姆的小店抢劫，为了保护店里的顾客和员工，沉默的汤姆突然爆发，乾净利落地将歹徒杀死。
小镇沸腾了，汤姆被媒体捧成了新英雄，可一夜成名随之而来的确是无穷无尽的麻烦！大量的媒体曝光给汤姆的家庭带来了很多变化：懦弱的儿子突然变得残暴，而三个陌生男子对汤姆小餐店的造访则更让他惴惴不安。三个男子的头儿，神秘的黑社会老大弗加蒂（埃德·哈里斯）开始带着手下不断骚扰汤姆，他认定汤姆就是他的仇人，曾经的杀手乔伊！到底是温和的汤姆多年前曾扮演着完全不同的社会角色，一直尽力隐藏着自己身份的秘密，还是神秘弗加蒂搞错了对象认错了人？没人知道……
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◇ 看点：“阿拉贡”领衔“深度惊悚片第一导演”作品
《苍蝇》、《裸体午餐》、《童魇》、《冲撞》，加拿大导演大卫·柯南伯格一向被称为“深度惊悚片第一人”，而这次，柯南伯格更是坦言，他在影片中还首次尝试在片中“把人的腿拧断”的暴力题材。一个和善的无辜男人被外来力量推到了一个不可预料的处境，被他称作一种有意思的惊悚，就知道这个满脑子怪主意的导演又开始挑战敏感题材了。虽然总有人指责柯南伯格有严重的血腥嗜好，不过他自己倒是满不在乎：“我只是想让暴力显得更为真实、野蛮和紧张而已。”当然他的暴力不仅仅是停留在表面，暴力的根源和后果，甚至是暴力连锁反应，柯南伯格的思考从来没有单纯停留在表面的习惯。
在片中扮演汤姆的正是《指环王》中的“阿拉贡”维果·莫坦森，具有英雄气概的他天生有种特别的气质，这次没了大胡子和长头发，也不用在销毁魔戒的路上摸爬滚打、弄得一脸脏，莫坦森有了更多的机会展现自己的演技。柯南伯格还一本正经地认为《暴力史》中的角色简直就是为莫坦森量身订制，可见莫坦森演技精湛。“人类之王”将如何展现自己的“暴力史”，值得期待！
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◇看点：人气莫坦森加入影帝之争
《暴力史》改编自同名漫画，一个与人为善的小镇餐厅的老板，因为成功制服两个抢劫餐馆的抢劫犯而成为公众眼中的英雄。然而，媒体对他的关注引起了黑帮分子的注意，黑暗暴力的过去和无法宁静的现在交织，他的梦魇开始了。柯南伯格的《暴力史》刚上映，就有了一拥而来的媒体好评，的确颇为让人意外--这可不是说他的电影应该不好，实在是因为影评人对他的梦魇风格很少给予大力支持。
好莱坞报道杂志称它是一部“聪明的快速的惊悚片”，“充满了热辣的性与刺激的暴力”，由此看来，变聪明了的柯南伯格不再拘泥于怪异的表象，倒是加入了不少商业因素，也难怪连一些从来都不喜欢柯式风格的观众们也被影片的商业味道、悬疑惊悚的主题和一众知名演员所吸引。尽管该片不乏血腥场面，但不算过分的暴力和其中蕴含的更深沉的思考，反而提起了更多人的兴趣。鉴于柯南伯格的一向风格和《暴力史》的残忍、敏感的题材，奥斯卡关注它的可能性不大，但咱们的人气男星“阿拉贡”维果·莫坦森，绝对算是加入了奥斯卡影帝之争的行列，至于会不会和小金人沾边，就要看《暴力史》最终有多成功了！
演员表
维戈·莫特森 Viggo Mortensen .... Tom Stall
玛丽娅·贝罗 Maria Bello .... Edie Stall
埃德·哈里斯 Ed Harris ....
威廉·赫特 William Hurt ....
Ashton Holmes .... Jack Stall
Steve Arbuckle .... Jared
贾森·巴贝克 Jason Barbeck .... Thug 1
Greg Bryk .... William "Billy" Orser
Sumela Kay .... Judy
Morgan Kelly .... Bob's buddy
April Mullen .... Lisa
Connor Price .... Kid
Evan Rose .... 'Hulk' Boy
基尔·施密德 Kyle Schmid .... Bobby Jordan
『柒』 英语辩论 (题目:暴力电影,反方,不支持)急求!!!!200分
Although many people criticize violent movies, if there is a movie which does not contain sex and violence, who will go to see that movie? Most major movies, such as "Lethal Weapon", "Die Hard", and "Independence Day", were really popular in spite of the fact that the "good guy" killed more people than the "bad guy" did.
In my opinion, Hollywood tends to proce few kinds of movies--action, panic, love story, and comedy. Whenever I watch a movie or a video, there is at least one murder in each movie.
The biggest number of deaths are in the panic movies, in my opinion. Action movies with violence take heat from alts who blame them for real life violence because they are closer to reality than other movies. For example, in "Natural Born Killers" we can see around 50 deaths, whereas in "Independence Day" thousands of people die.
In both movies, tons of people are killed, though the ways to kill are different. The big difference between them is about reality.
Children might imitate behavior they see in the movies. I agree that movies, TV, and other media influence our lives, especially for kids; but not all children imitate violence. Most kids hate that and don't want to see it.
The question whether movie violence should be regulated or not is a difficult and complicated matter. Although this is just my experience, I have learned that it's best to keep away from violent movies and how it hurts if I get a punch.
Violence in movies might make some kids aggressive, but they can learn about the world from that. If there is no violence in the media, everyone would have to learn only from real experience. A really tough kid never understands how it hurts to get punched.
Many parents tend to blame media violence, but parents should teach their children that there are tons of good things and bad things, and they should help them to know what is wrong. I think government regulation is the last solution. Before that, parents can help their offspring to behave in a beautiful way.
http://www.topics-mag.com/edition12/media-movies.htm
『捌』 英文电影80字英文观后感
《The pursuit of happyness》当幸福来敲门
After watching it i learned that catch every chance what i meet and be activly to the life.And god will never miss us or give us upLike the actor, he can be such a life in the bottom of society commitment-phobe deced, at least, I was really touched. In order to pay the rent and looked at his son to send the kindergarten fees, looking at his envy ground to looking at a securities broker's figure, looked at him with a securities broker to win the opportunity to communicate with time, sit on the same car, looking at him and they are expecting to speak, he wants to become a securities broker. At last, he finally out of the crowd
『玖』 电影 暴力街区 英语简介 短一点
An undercover Detroit cop navigates a dangerous neighborhood that's surrounded by a containment wall with the help of an ex-con in order to bring down a crime lord and his plot to devastate the entire city.