经典爱情电影英文介绍

㈠ 经典电影的英文介绍

当幸福来敲门 ; 剧情介绍 克里斯·加纳（威尔·史密斯）是一个聪明的推销员，他勤奋肯乾努力，却总没办法让家里过上好日子。妻子琳达终究因为不能忍受养家糊口的压力，离开了克里斯，只留下他和5岁的儿子克里斯托夫相依为命。事业失败穷途潦倒，还成为了单亲爸爸，克里斯的银行帐户里甚至只剩下了21块钱，因为没钱付房租，他和儿子不得不被撵出了公寓。

克里斯好不容易得到了在一家声名显赫的股票投资公司实习的机会，然而实习期间没有薪水，90%的人都没有最终成功。但克里斯明白，这是他最后的机会，是通往幸福生活的唯一路途。没有收入、无处容身，克里斯唯一拥有的，就是懂事的儿子无条件的的信任和爱。

他们夜晚无家可归，就睡在收容所、地铁站、公共浴室，一切可以暂且栖身的空地；白天没钱吃饭，就排队领救济，吃着勉强裹腹的食物。生活的穷困让人沮丧无比，但为了儿子的未来，为了自己的信仰，克里斯咬紧牙关，始终坚信：只要今天够努力，幸福明天就会来临！皇天不负苦心人，克里斯最终成为一名成功的投资专家。

阿甘正传 ;剧情介绍 阿甘是个智商只有75的低能儿。在学校里为了躲避别的孩子的欺侮，听从一个朋友珍妮的话而开始“跑”。他跑着躲避别人的捉弄。在中学时，他为了躲避别人而跑进了一所学校的橄榄球场，就这样跑进了大学。阿甘被破格录取，并成了橄榄球巨星，受到了肯尼迪总统的接见。

在大学毕业后，阿甘又应征入伍去了越南。在那里，他有了两个朋友：热衷捕虾的布巴和令人敬畏的长官邓·泰勒上尉。这时，珍妮已经堕落，过着放荡的生活。甘一直爱着珍妮，但珍妮却不爱他。在战争结束后，甘作为英雄受到了约翰逊总统的接见。在一次和平集会上，甘又遇见了珍妮，两人匆匆相遇又匆匆分手。在“说到就要做到”这一信条的指引下，甘最终闯出了一片属于自己的天空。在他的生活中，他结识了许多美国的名人。他告发了水门事件的窃听者，作为美国乒乓球队的一员到了中国，为中美建交立下了功劳。猫王和约翰·列侬这两位音乐巨星也是通过与他的交往而创作了许多风靡一时的歌曲。最后，甘通过捕虾成了一名企业家。为了纪念死去的布巴，他成立了布巴·甘公司，并把公司的一半股份给了布巴的母亲，自己去做一名园丁。甘经历了世界风云变幻的各个历史时期，但无论何时，无论何处，无论和谁在一起，他都依然如故，纯朴而善良。

在隐居生活中，他时常思念珍妮。而这时的珍妮早已误入歧途， 陷于绝望之中。 终于有一天，珍妮回来了。她和甘共同生活了一段日子。在一天夜晚，珍妮投入了阿甘的怀抱，之后又在黎明悄然离去。醒来的甘木然坐在门前的长椅上，然后突然开始奔跑。他跑步横越了美国，又一次成了名人。在奔跑了许久之后，甘停了下来，开始回自己的故乡。在途中， 他收到了珍妮的信。 他又一次见到了珍妮，还有一个小男孩，那是他的儿子。这时的珍妮已经得了一种不治之症。甘和珍妮三人一同回到了家乡，一起度过了一段幸福的时光。

珍妮过世了，他们的儿子也已到了上学的年龄。甘送儿子上了校车，坐在公共汽车站的长椅上，回忆起了他一生的遭遇。

辛德勒的名单 ;剧情介绍 1939年9月，德军在两周内攻占了波兰，纳粹下令波兰全境的犹太人必须集中到指定的城市进行登记，每天有一万多名犹太人从乡村来到克拉科夫。

在克拉科夫的犹太人推举了24名犹太人组成委员会帮助被集中到该城的犹太人解决住宿膳食，分配劳役和排解纷争等问题。

刚从家乡来到克拉科夫的德国企业家奥斯卡·辛德勒身材高大、相貌英俊、举止风流倜傥。他在酒店及各种社交场合慷慨地大量结交德国军官和党卫军。

辛德勒也来到登记处，找一个曾在利勃兹一家搪瓷厂当过会计，名叫伊扎克·斯泰恩的犹太人。辛德勒有意买下那个经营不善的搪瓷厂以生产食用器皿，供应军需，发战争财。他要斯泰恩当他的会计师和助手来管理工厂。可令斯泰恩疑惑的是：辛德勒做什么呢……
还有 《美丽人生》《光荣之路》《这个杀手不太冷》《海上钢琴师》《泰坦尼克号》《勇敢的心》这些全都是世界经典电影且全是英文版的！

㈡ 关于英文经典爱情电影

老友记

㈢ 大家介绍一点浪漫的英语爱情电影

Love
Actually真爱至上
英国
Brandy
Jones'
Diary
BJ单身日记I&II
英国
Notting
Hill诺丁山
英国
香草的天空
美国
都是很浪漫很经典的影片哦，而且台词都很棒很地道，适合学英语哈！
Hope
it
helps!

㈣ 欧美经典爱情电影如泰坦尼克号等等的英文名字怎么写

《泰坦尼克号》 《Titanic》 / 人鬼情未了 Ghost / 罗密欧与朱丽叶 Romeo and Juliet / 廊桥遗梦 The Bridges of Madison County/莎翁情史 Shakespeare in Love/教父 The Godfather/罗马假日 Roman Holiday/天使之城 City of Angels /布拉格之恋 The Unbearable Lightness of Being /简爱 Jane eyre/乱世佳人 Gone With The Wind/钢琴别恋 The Piano/英国病人 The English Patient/漂亮女人 Pretty Woman/美国丽人 American Beauty/与狼共舞 Dances with Wolves 都是很经典的爱情电影

㈤ 经典爱情英文电影

西雅图未眠夜
傲慢与偏见
爱在落日余晖时
泰坦尼克号
人鬼情未了
诺丁山
真爱至上
乱世佳人

㈥ 外国经典爱情电影

罗马假日
西雅图不眠夜

㈦ 急需英语经典电影的英文介绍!!!(详细的好!)

这是1933年版《金刚》电影的介绍，希望对你交作业有帮助

The greatest and most famous classic adventure-fantasy (and part-horror) film of all time is King Kong (1933). Co-procers and directors Merian C. Cooper and Ernest B. Schoedsack (both real-life adventurers and film documentarians) conceived of the low-budget story of a beautiful, plucky blonde woman (Fay Wray) and a frightening, gigantic, 50 foot ape-monster as a metaphoric re-telling of the archetypal Beauty and the Beast fable. [Fay Wray mistakenly believed that her RKO film co-star, 'the tallest, darkest leading man in Hollywood,' would be Cary Grant rather than the beast. Later in her life, she titled her autobiography "On the Other Hand" in memory of her squirming in Kong's grip.]

The major themes of the film include the struggle for survival on the primitive, fog-enshrouded, tropical Skull Island between the ardent and energetic filmmakers (led by Robert Armstrong), the hero (Bruce Cabot in a part originally offered to Joel McCrea), the voodoo natives, and the forces of nature (the unique Beast creature); unrequited love and the frustration and repression of violent sexual desires. However, the primitive, giant ape must also struggle against the forces of urban civilization and technology when it is exploited for profit and returned for display in New York City ring a time of economic oppression.

From the start of the picture, its clever screenplay by James Ashmore Creelman and Ruth Rose (based on a story by Merian C. Cooper and Edgar Wallace) suggested the coming terror. The film was shot ring the spring and summer of 1932 in the confines of the studio. Due to their limited budget for sets, Cooper and Schoedsack used the jungle locale from the latter's previous film The Most Dangerous Game (1932) - an adventure film that also starred Fay Wray. When released, it broke all previous box-office records. Its massive, money-making success helped to save RKO Studios from bankruptcy.

The following scenes for the 1938 re-release, that were excised by censors after the Proction Code took effect in 1934, were restored in recent editions of the film:

the Brontosaurus' killing of three victims (instead of five in the original)
the giant spider scene
Kong's stripping/peeling of Fay Wray's clothing while holding her unconscious in his palm
Kong's chewing of a New York victim and his drop of a woman from the Empire State Building
This remarkable film received no Academy Awards nominations - it would have won in the Special Effects category if there had been such a category. The film contained many revolutionary technical innovations for its time (rear projection, miniature models about 18 inches in height, and trick photography, etc.), and some of the most phenomenal stop-motion animation sequences and special effects ever filmed (by chief technician Willis O'Brien, famed for his first feature film The Lost World (1925)). A wildly dramatic musical score by Max Steiner enhanced the action of the story.

The film has numerous memorable moments, including Kong's battle with a giant snake in a misty cavern, his struggle against a flying pterodactyl, the screaming beauty (Fay Wray, known as the "Queen of Scream") held captive in Kong's giant clenched palm, and the finale with the defiant Kong atop the Empire State Building while circling aircraft shoot him down. In director John Guillermin's inferior remake King Kong (1976), starring Jessica Lange, the great ape takes his last stand atop one of the towers of the World Trade Center.

King Kong launched the "giant beast" subgenre of science-fiction, inspiring the 1950's atomic mutant creature features and the Japanese giant movie monsters like Godzilla, Gamera, Rodan, etc. Godzilla and King Kong actually faced off in the Japanese film King Kong Vs. Godzilla (1962, Jp.) (aka Godzilla vs. King Kong in Japan). Various other Kong-related films are summarized in the following list:

Son of Kong (1933)
Mighty Joe Young (1949)
Konga (1961)
King Kong Vs. Godzilla (1962, Jp.)
King Kong Escapes (1967, Jp.)
King of Kong Island (1968)
King Kong (1976)
A*P*E (1976, Kor.)
Queen Kong (1976, UK)
King Kong Lives (1986)
The Mighty Kong (1998, animated)
Mighty Joe Young (1998)
[Oscar-winning The Lord of the Rings trilogy director Peter Jackson shot a remake of the classic 1933 film as King Kong (2005), with Jack Black (as Carl Denham), Adrien Brody (as Jack Driscoll), Naomi Watts (as Fay Wray), and Andy Serkis (and CGI) employed for the 25-foot tall monstrous ape.]

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The film begins with the title card from an Old Arabian Proverb:

And the Prophet said, 'And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead.'
The scene is 1932 at the Hoboken docks in New Jersey ring a Depression-era winter. A dock night watchman is approached and asked about the nearby moored steamer: "Say, is this the moving picture ship?" The watchman confirms that the ship is going on a "crazy" voyage, and knows of the brash reputation of Carl Denham (Robert Armstrong), a fearless and arrogant adventure filmmaker and movie procer, who is preparing for a film expedition: "...that crazy fella that's a runnin' it....They say he ain't scared of nothing. If he wants a picture of a lion, he just goes up to him and tells him to look pleasant." Everybody around the dock is talking about the unusually large cargo and number of crew members - "three times more than the ship needs." The well-dressed man, Charles Weston (Sam Hardy), a theatrical agent, is invited on board the vessel by First Mate Jack (John) Driscoll (Bruce Cabot) and is told: "Come on board. Denham's gettin' wild. I hope you got some good news for him."

In the captain's cabin, trusted skipper-Captain Englehorn (Frank Reicher) confers with Denham and suggests that he sail immediately by the next day's light, before the fire marshal can discover his illegal cargo of ammunition, explosives and gas bombs, one of which is strong enough "to knock out an elephant." They must also get to their destination to finish filming before the monsoon season starts. Weston and Driscoll enter and Denham demands to know if the agent has located an actress to star in his top-secret film: "Somebody's interfered with every girl I've tried to hire. And now all the agents in town have shut down on me. All but you, you know I'm square." Weston believes Denham has a "reputation for recklessness that can't be glossed over." Weston also objects to Denham's secretiveness - not even the skipper and first mate know where they are going. The agent hasn't found a girl because his conscience won't let him ask a young girl to take on such an unknown project:

I can't send a young pretty girl such as you ask on a job like this without telling her what to expect...To go off on a trip for no one knows how long, to some spot you don't even hint at, the only woman on the ship with the toughest mugs I ever looked at.
No ingenue actress will commit to a long sea voyage to an unknown destination, with an all-male crew. Denham argues that there's more danger in New York for most women: "Listen, there are dozens of girls in this town tonight that are in more danger than they'll ever see with me." "Yeah, but they know that kind of danger," thick-headed Jack pipes up. Denham complains that he needs to have a heroine in his picture to provide romance and a love interest:

Holy Mackerel. Do you think I want to haul a woman around?...Because the Public, bless 'em, must have a pretty face to look at...Well, isn't there any romance or adventure in the world without having a flapper in it?...Makes me sore. I go out and sweat blood to make a swell picture and then the critics and the exhibitors all say, 'If this picture had love interest it would gross twice as much.' All right. The Public Wants a Girl, and this time, I'm gonna give 'em what they want.
Undaunted but frustrated, the entrepreneurial, jungle filmmaker promises them he will make the "greatest picture in the world, something that nobody's ever seen or heard of. They'll have to think up a lot of new adjectives when I come back." He leaves to find a girl for his picture by himself, vowing: "even if I have to marry one." A cab drops him off outside the Woman's Home Mission where women are in a breadline, but he doesn't see any potential prospects. Nearby, he notices a hungry, out-of-work, and broke girl reaching for an apple from a fruit market on the streets of New York. The street vendor catches the girl and threatens to call the police. After paying off the irate proprietor with a buck to rescue her, she swoons into his arms. When he takes a good look at her, he impulsively decides that she has the kind of beauty that he is looking for - perfect for the starring role in his documentary movie.

Denham takes the starving young girl by taxi to a Bowery restaurant, buys her a meal, and over a cup of coffee asks her about herself. She is orphaned with no family, although she says: "I'm supposed to have an uncle someplace." She also worked as a film extra at a studio on Long Island before it closed. She identifies herself as Ann Darrow (Fay Wray) and he enthusiastically offers the down-and-out, destitute woman a job: "I've got a job for you. Costumes on the ship won't fit you. Broadway shops are still open. I can get some clothes for you there." To encourage the beautiful girl to go along, he entices her with a promise of lifting her out of obscurity:

It's money and adventure and fame. It's the thrill of a lifetime and a long sea voyage that starts at six o'clock tomorrow morning.
Ann hesitates with fear in her voice, fearing that she will be made Denham's mistress: "No wait. I - I don't understand. You must tell me. I do want the job so, but I can't..." Denham chivalrously reassures her by explaining his position: "Oh, I see. No, you've got me wrong. This is strictly business....Listen, I'm Carl Denham. Ever hear of me?" His fearless, courageous, daredevil reputation is even known by Ann: "Yes. Yes! You make moving pictures in jungles and places." Ann is told that she has been picked to be the leading lady in his new film, and their voyage leaves at 6 am to a place "a long way off." Ann agrees to the voyage, after Denham offers final assurances that sex isn't involved: "I'm on the level. No funny business...Just trust me and keep your chin up." They shake on it.

The next day, the all-male crew sets sail on a long six-week journey on the S. S. Venture bound for the South Pacific. The good-looking and brawny, but disgruntled First Mate Driscoll meets Ann on deck and unpleasantly marks her as "that girl Denham picked up last night." The males on board are angry and distrustful at the prospect of having such a tempting, attractive, and charming woman along on such a dangerous voyage: "I've never been on one with a woman before." Women are a "nuisance" on board ships, according to him.

During the voyage, Ann prepares to practice and rehearse a scene for the film director on the deck, "to see which side of my face looks best and all that." Driscoll really believes her life is in jeopardy and is feeling protective of her safety: "This is no place for a girl," he tells her. The First Mate is chauvinistic, but apologetic: "You're all right, but, but, but women, women just can't help being a bother. Made that way, I guess."

Denham strolls into their company, and sees Ann fondly petting the ship's pet monkey - a miniature foreshadowing of the regal Beast in the film. He comments, sardonically: "Beauty and the Beast, eh?" Ann excuses herself to put on one of her costumes for the film test to be directed by Denham. While waiting for Ann to reappear, Driscoll confronts Denham and asks what lies ahead: "When do we find out where we're going?...And you going to tell us what happens when we get there?"

Possibly feeling threatened by Driscoll's growing crush on his actress-heroine, Denham suspects that the crew member has been emasculated and gone "soft" and "sappy" over Ann's Beauty. Denham equates the first mate to the Beast in his Hollywood script - already robbed of his virile masculinity e to his concern for Ann's vulnerable presence:

Denham: Oh, you have gone soft on her, eh? I've got enough troubles without a love affair to complicate things. Better cut it out, Jack.
Driscoll: Love affair! You think I'm gonna fall for any dame?
Denham: I've never known it to fail: some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy.
Driscoll: Now who's goin' sappy? Listen, I haven't run out on ya, have I?
Denham: No, you're a pretty tough guy, but if Beauty gets you, ya...(He breaks his train of thought and turns away with a self-deprecating smile.) Huh, I'm going right into a theme song here.
Driscoll: Say, what are you talkin' about?
Denham: It's the idea of my picture. The Beast was a tough guy too. He could lick the world. But when he saw Beauty, she got him. He went soft. He forgot his wisdom and the little fellas licked him. Think it over, Jack.

㈧ 求欧美经典爱情电影的台词，注明中英文

1、《爱情故事》 Love means never having to say you are sorry. 爱意味着永不说后悔。

2、《手札情缘》---Maybe I was a bird in another life.---If you're a bird,I am a bird.－－我在前世也许是一只鸟。－－如果你是一只鸟，那我也是一只鸟。

3、《甜心先生》---You complete me......---Shut up! You had me at hello,you had me at hello.－－你使我完美起来...－－别这么说，第一次见面时你就拥有了我，拥有了我。

4、《当哈里遇到莎莉时》 I love that you are the last person I want to talk to before I go to sleep at night.我爱你是我晚上就寝前最想聊天的人。

5、《幽灵》 ---I love you Molly. I always have.---Ditto.我爱你，莫莉，我永远爱。－－我也一样。

6、《我最好朋友的婚礼》Choose me.Marry me.Let me make you happy.选我吧，娶我吧，让我给你幸福。

7、《初恋五十次》Being with you is the only way I could hold the happy life. You are the girl of my dream and apparently I'm the one of yours.只有跟你在一起，我才会有幸福的生活。你是我梦中的女孩。当然我也是你梦中的男孩。

8、《全民情圣》There's only one person that makes me feel like I can fly. That's you.世上只有一个人让我觉得我自己能够飞起来，她就是你。

9.《泰坦尼克号》You jump, I jump. 你跳,我就跳.
All life is a game of luck. 生活本来就全靠运气。
I love waking up in the morning and not knowing what’s going to happen, or who I’m going to meet, where I’m going to wind up. 我喜欢早上起来时一切都是未知的,不知会遇见什么人,会有什么样的结局。
I figure life is a gift and I don’t intend on wasting it. You never know what hand you’re going to get dealt next. You learn to take life as it comes at you. 我觉得生命是一份礼物,我不想浪费它,你不会知道下一手牌会是什么,要学会接受生活。

10.《初恋的回忆》It's like the wind. You can't see it, but you can feel it.

㈨ 30部必看经典英文电影，看完口语、听力大幅提升！你到底看过哪些

一、经典电影（人生篇）

1、《肖申克的救赎》

《肖申克的救赎》（The Shawshank Redemption）取自斯蒂芬·金《不同的季节》中收录的《丽塔·海华丝及萧山克监狱的救赎》而改编成的《肖申克的救赎》剧本，并由弗兰克·达拉邦特执导，蒂姆·罗宾斯、摩根·弗里曼等主演。

2、《百万金婴》又名《百万宝贝》

《百万宝贝》（Million Dollar Baby）是一部励志剧情电影。影片由克林特·伊斯特伍德执导，克林特·伊斯特伍德、希拉里·斯万克、摩根·弗里曼等主演。

影片讲述了一位有名的拳击教练法兰基因为太过于投身与拳击事业而陷入了长期的自我封闭和压抑，一位学徒麦琪坚毅的决心软化了法兰基并成出色的女拳击手。

3、《悲惨世界》1958年版

《悲惨世界》是法国作家维克多·雨果于1862年所发表的一部长篇小说。是十九世纪最著名的小说之一。

小说涵盖了拿破仑战争和之后的十几年的时间。故事的主线围绕主人公获释罪犯冉阿让(Jean Valjean)试图赎罪的历程，融进了法国的历史、建筑、政治、道德哲学、法律、正义、宗教信仰。1958年法国导演让.保罗·李塞诺拍摄过同名电影，2006年日本出品了根据原著改编的动画片《悲惨世界少女珂塞特》。

二、经典电影（爱情篇）

1、《罗马假日》

《罗马假日》是1953年美国推出的一部经典浪漫爱情片，由道尔顿·庄柏编剧，威廉·惠勒导演。格利高里·派克和奥黛丽·赫本联袂主演。

故事讲述了一位欧洲某公国的皇室公主与一个美国平凡记者之间在意大利首都罗马一天之内发生的浪漫故事。

2、《泰坦尼克号》

《泰坦尼克号》是美国20世纪福克斯公司和派拉蒙影业公司共同出资，于1994年拍摄的一部浪漫的爱情灾难电影，由詹姆斯·卡梅隆创作、编辑、制作、导演及监制，莱昂纳多·迪卡普里奥、凯特·温斯莱特主演。

影片以1912年泰坦尼克号邮轮在其处女启航时触礁冰山而沉没的事件为背景，描述了处于不同阶层的两个人——穷画家杰克和贵族女露丝抛弃世俗的偏见坠入爱河，最终杰克把生命的机会让给了露丝的感人故事。

3、《卡萨布兰卡》

《卡萨布兰卡》是由华纳兄弟影片公司出品的爱情电影，由迈克尔·柯蒂斯执导，亨弗莱·鲍嘉、英格丽·褒曼、克劳德·雷恩斯、保罗·亨雷德等主演。

影片讲述了二战时期，商人里克手持宝贵的通行证，反纳粹人士维克多和妻子伊尔莎的到来使得里克与伊尔莎的旧情复燃，两人面对感情和政治的矛盾难以抉择的故事。

三、经典电影（战争篇）

1、《巴顿将军》

《巴顿将军》是由弗兰克林·斯凡那导演，1970年2月4日在美国首映，影片主要介绍了一九四三年在北非，英美盟军遭到绰号叫“沙漠之狐”隆美尔元帅率领的德军反击，展开了一场大规模的战斗，结果美军遭到惨败。陷入了困境。

2、《拯救大兵瑞恩》

影片《拯救大兵瑞恩》是梦工厂1998年出品的一部战争电影，由史蒂文·斯皮尔伯格执导，汤姆·汉克斯、汤姆·塞兹摩尔和马特·达蒙等联袂出演。影片于1998年7月24日在美国上映。

电影描述诺曼底登陆后，瑞恩家4名于前线参战的儿子中，除了隶属101空降师的小儿子二等兵詹姆斯·瑞恩仍下落不明外，其他3个儿子皆已于两周内陆续在各地战死。美国陆军参谋长马歇尔上将得知此事后出于人道考量，特令前线组织一支8人小队，在人海茫茫、枪林弹雨中找出生死未卜的二等兵詹姆斯·瑞恩，并将其平安送回后方。

3、《现代启示录》

《现代启示录》是由弗朗西斯·福特·科波拉执导，马丁·辛、马龙·白兰度、罗伯特·杜瓦主演的战争片。

影片讲述了越战期间，美军情报官员威尔德上尉奉命除掉库尔兹上校。接到命令后，威尔德率领小分队，冒险乘小艇深入柬埔寨。

4、《战争与和平》

《战争与和平》是由金·维多执导的剧情片，亨利·方达、奥黛丽·赫本参加演出。

该片讲述了在拿破仑指挥军队进攻俄国时，发生在大动荡年代中的一段经典爱情故事。

(9)经典爱情电影英文介绍扩展阅读

《经典英文电影赏析》是2009年5月1日国防工业出版社出版的图书。本书主要收录了10部精选优秀经典英文电影作品。

《经典英文电影赏析》由10个章节组成。每一章节包括电影背景、故事简介、主要演员阵容及导演介绍、精彩部分节选、对影片的评论及注释五大部分。相信许多读者会在观赏优美电影或阅读《经典英文电影赏析》的过程中重温自己过去的电影体验，获得新的感悟和理解。

英汉对照是《经典英文电影赏析》的一大特点。《经典英文电影赏析》既有英文原文，也提供了中文翻译，有助于英语爱好者能更好地理解书中的内容。同时，《经典英文电影赏析》还提供了注释，为读者的自学提供了参考。

㈩ 介绍点经典的欧美爱情电影

欧美经典爱情影片：（有的别嫌老）《触不到的恋人》，美国版本。《初恋50次》《我的盛大希腊婚礼》《人鬼情未了》《泰坦尼克号》《保镖》《纯真年代》《走出非洲》《英国病人》《最后的莫西干人》《卡萨布兰卡》《魂断蓝桥》《罗马假日》《乱世佳人》