它是一部爱国电影英文

⑴ 几个关于爱国的电影用英语怎么说

正确翻译为：several films about patriotism
如果用several patriotic films，则容易被误解成“电影本身是爱国的”，不妥。

⑵ 爱国电影观后感 700字

爱国电影《南京！南京！》观后感
1937年12月的南京，应该是绝大部分国人心口永远的痛。而记录这段痛的电影虽然不少却乏善可陈。38岁的陆川，用他的方式诠释了这段注定历百年也难忘的痛。
出于对《可可西里》的欣赏，也出于对《新周刊》相关介绍篇幅的好奇，我没有选择购买DVD版的《南京！南京！》而是走进了久违的电影院。
一开始出现的那座城墙轻轻的雷了我一下。做为中国四大古都之一的南京的城墙，即便在太平天国时代，也没那么潦倒吧。
紧接下来的镜头则很有些主旋律的味道，大批身着国军标准制服的残兵欲从城门出逃，部分决意死守的身着类似八路军灰布军服的士兵执意不愿放行，想离开者一脸无奈，要阻拦者满腹心酸。
当高举民族大义旗帜，力主死守声称要与首都共存亡的最高军事长官弃城而去。我无法责怪那些不知所措的呐喊着“当官的都跑了，放我们出去！”的军官和士兵。那一刹，国家和民族对他们而言或许已经只是一个抽象的概念。当由想离开的军人组成的方阵和由执意不愿放行的军人组成的方阵开始互相用血肉之躯进行碰撞的时候，我想起了康洪雷作品《我的团长我的团》中虞啸卿的那句台词：“仗打到这份上，中国军人再无无辜之人！”
耳边传来阵阵密集的枪声，已经绝望的战俘知道那是日军正在有计划有组织的屠杀自己的同袍同胞，不愿再迈步走向死亡的刑场，枪声响起，一个个麻木的被捆住双手的躯体倒下。愤怒、失望和羞耻让陆剑雄这个战士无话可说，他不愿坐着死去，为了保留作为一名军人面对死亡时的最后一点尊严，他选择了沉默着迈步走向刑场。身后，小豆子跟上去了，还活着的人们也跟上去了，当绝望的军人们高喊着“中国不会亡”的口号纷纷倒下，陆剑雄一语不发，死不瞑目。
刘烨用很少的台词和极精练的肢体语言把这个纯爷们的角色演得很到位。个人觉得基本没什么可挑剔的。
日军一个小队推开教堂的大门，恐惧情绪在人数上百倍于日军的人群中蔓延开来，不分男女不论老少都对着仅只一个小队的日军士兵高高举起了屈辱的双手。这一刻，什么国家，什么民族，什么尊严，在人群的心中荡然无存。有的只是对死亡的恐惧。而日军士兵内心的恐惧也不亚于他们所面对的人群，高度紧张下的角川正雄满怀恐惧的对着忏悔室的门连开数枪后破门而出的却是几具女性尸体。透过屏幕，可以感受到那一刻作为一个人的角川内心的震撼、忏悔、挣扎。
作为一个日籍演员的中泉英雄能顶着日本右翼势力的压力和唾骂以一种正视历史、揭露日军罪行的心态来演绎角川正雄这样一个角色，个人觉得真的很不容易。至少我本人很佩服。
当难民营中要求所有女性都要把头发剪掉，换上男人的衣服时。妓女小江却不愿意剪掉自己的头发，还说“仗打完后还要靠它吃饭”呢。此时妓女小江给人的感觉完全就是一副商女不知亡国恨的样子。而当日军向难民营要100名女性去充当慰安妇，姜老师泣不成声的解释说如果这样做了可以为难民营换回需要的粮食、菜蔬和过冬的煤，不这样做日军将摧毁难民营时，还是这个风尘女子小江在长时间的沉寂后第一个举起了手。在被带走的时候，小江转过头来看姜老师，眼中满含着泪水但同时也充满了骄傲。她用一种我不入地狱谁入地狱的方式证明了自己的尊严，尽其所能的保护了那些曾经用充满鄙夷的眼光打量她的同胞。
江一燕，这个年轻的八零后，把妓女小江这个中国版的“羊脂球”演绎得可谓淋漓尽致。赞一个先。
唐先生，那个胆小怕事、性格懦弱的唐先生，他一心想保全他的家人，甚至不惜为此去充当告密者。但当他失去了他愿意为之付出一切努力去保护的家人后，面对那座已经沦为地狱的城市，在有机会可以走出南京的时候，他选择了留下面对死亡，让一个假扮成拉贝助手的军官把自己怀孕的老婆带出了城。他选择了坦然的面对死亡来为自己之前做错的事赎罪，临刑前夕，他不无骄傲的告诉那个日军大佐：“我的妻子怀孕了，我的妻子怀孕了”。枪声响起的瞬间，他以死亡为代价找回了自己的尊严。
在走进影院之前我一直在怀疑范伟是否适合这样一个角色。而当我走出影院的时候我已经完全相信范伟不仅仅只是个喜剧明星。
姜淑云，这个难民营的一直的守护天使，当拉贝不得不奉召回国后，她用柔弱的肩膀担起拉贝留下的担子。当她冒着巨大的危险一次次的去以妻子的名义认领那些不是自己丈夫的丈夫而被日军识破并抓住她准备带走的那一刻。她向只有数面之缘的懂英语的角川说了一句：“Killme！”（杀了我）。那一刻，我原谅了她曾经的懦弱，原谅了她在日军向难民营索要100名女性去做慰安妇时她不曾举手的退缩。
姜淑云知道她被抓去所面临的命运：被强奸。为了能够死得稍微有点尊严，所以她向只见过数面的懂英语日本军人角川求助。最后，角川帮助她实现了这个愿望，她终于可以有尊严的死去。这是个很好但也很有破绽的桥段，当时押解他的两个日本士兵分别是一左一右的扭住她的胳膊在同一水平线上向前走的，而角川在听到姜老师的那句话后经过短暂的思索，掏出手枪就是一枪爆头。须知角川并非神枪手或者狙击手啊，他就不怕打到他的战友吗？并且他的上级在他开枪后并未做出任何异议。这实在是有些说不过去的。
有人说高圆圆的表演痕迹过于明显了，但我没这种感觉。我只觉得陆川的确很会挑演员，仔细想来，气质比高圆圆更纯净的角儿在当今的演艺圈也实在是为数不多。
小豆子在这部黑白影片中几乎经历了所有事件。影片结束，屏幕上打出“小豆子，还活着”。影片中的小豆子和现实中的小豆子们对那段历史的回忆必将永远的将日本军国主义钉在耻辱柱上。
与被网络热炒的奥运童星林妙可相比较，我更喜欢这部电影中的那个见证和承载了那段历史的小豆子！
这部电影还有个英文名字：《City of Life and Death》，“生死之城”的意思。相比之下，我更喜欢这个名字。毕竟，这是一部商业电影，而不是一部记录片。我也希望看完这个帖子后有可能对我破口大骂的同学们先抱着一种看电影的心态再看一遍这部影片再来骂。
陆川38岁了，不算年轻了，但毕竟比斯皮尔伯格还是年轻了点。所以不指望《南京！南京！》能达到《辛德勒的名单》的高度。
一千多万美元的投资对于国产电影来说不算少了，但相比《辛德勒的名单》的投资，还是少了点。也正因为如此，我理解了《南京！南京！》中雷人的城墙和那反复重复出现的背景。

⑶ 电影爱国者英文简介

The movie takes place in South Carolina in 1776. Benjamin Martin, a French-Indian war hero who is haunted by his past, is a patriot who wants no part in a war with Britian. Meanwhile, his two eldest sons, Gabriel and Thomas, can't wait to go out and kill some Redcoats. When South Carolina decides to go to war with Britain, Gabriel immediatly signs up to fight...without his father's permission. But soon, Colonel Tavington, British solder infamous for his brutal tactiks, captures Gabriel and sentences him to be hanged. As Gabriel is taken away, Thomas tries to free him, only to be killed by Tavington, in front of Benjamin. Now, seeking revenge for his son's death, Benjamin leaves behind his 5 other children to bring independence to the 13 colonies.


Benjamin Martin is a South Carolina planter who is still haunted by his notoriously brutal past as a soldier in the French and Indian War. When the American Revolution comes, he chooses not to fight for the Continental Army because he wants to protect his family. But when the British Colonel Tavington threatens their welfare and kills one of his sons, he chooses to enlist. Martin becomes the leader of a makeshift militia, which consists of peasants, slaves, a minister, and assorted other irregulars. During the war Martin and his men discover that they will pay a steep personal price for their rebellion. But thanks to their courage and bravery, they are also destined to pay a pivotal role in turning the tide against the Redcoats.

两种都是,请挑选.

⑷ 它就像是看一部电影。 英文翻译

It just see a film. just是仅仅的意思，It just see a film则翻译为只是看电影。。

⑸ 电影爱国者的英文观后感

THE PATRIOT Roland Emmerich, USA, 2000

Mel Gibson is a movie star. A really big one, even. He's got charisma and presence and lights up the screen and is pleasingly handsome in a rugged, non-pretty-boy kind of way. He's funny and charming on talkshows and makes lots of money for all of the above. This much we know. What remains a bit of a mystery is how he maintains such status. His star-power is firmly rooted in the seemingly ancient Lethal Weapon series and the quip-throwing, fast drawing, scene-chewing character he plays in it seems to have overtaken his public persona as well. Does anyone actually know anyone who even saw Lethal Weapon 4? The more appropriate question perhaps being: does anybody remember it? Does anybody care?

Since Mel Gibson is a movie star by trade, he is also tangentially an actor. And in his new film, The Patriot, he has a listless taciturnity that one could diplomatically describe as "understated" or, if so inclined, "Gary Cooper-ish." Ultimately, though, Gibson's performance just seems false -- hollow in an utterly competent, completely professional way. In the age of Jim Carrey and Fight Club, Being John Malkovich and Ben Stiller, Gibson's style of acting doesn't seem so much old school as plain inadequate. This is not to run roughshod over classical notions of subtlety or interiority, but merely to say that if he was once emblematic of his time, Gibson's moment has passed. Perhaps he is simply inching towards some exclusive hideaway of insignificance, where he can commiserate over the rising price of jet fuel with Kevin Costner and Harrison Ford.

It's not all his fault, either, The Patriot. And it's not even that it's a bad movie, it's just not good either; it just is. Created by the director/procer team of Roland Emmerich and Dean Devlin, The Patriot is caught in the double bind of wanting to be two semi-incompatible things at once. On the one hand, the project has the air of an important, high-style heritage picture about a simple farmer trying to escape his past sins and keep his family together ring trying times. But set against the backdrop of the Revolutionary War, the movie continually feels an alternate pull towards being a blood-and-guts actioner. Over the course of its 2 1/2 hours, the film often seems at war with itself -- every time it starts to move with a steady flow, building momentum, it suddenly finds itself in a little narrative eddy, taking time out for a funeral, or a wedding, or to reiterate how bad the bad guys are (as in not good) and how the good guys are simple folk just trying to get along and colonially do their thing.

http://www.findarticles.com/p/articles/mi_m1069/is_4_36/ai_63973804

这里还有
http://www.popmatters.com/film/reviews/p/patriot.shtml

http://www.splicedonline.com/00reviews/patriot.html

http://movie-reviews.colossus.net/movies/p/patriot.html

这个是别人的答案，拿过来借花献佛了……

⑹ 问题:跪求几部具有教育意义的英语电影，特别是爱国、搞笑的！！急！

《辛德勒的名单》《当幸福来敲门》《八月迷情》 《忠犬八公》
《返老还童》又名：本杰明·巴顿奇事 《遗愿清单》
《阿甘正传》《绿里奇迹》《海上钢琴师》《重返十七岁》
这些都是非常有教育意义的
希望楼主喜欢
望采纳~~~~~~

⑺ 《长津湖》是爱国电影吗

是。

《长津湖》是一部在壮烈牺牲层面上、演绎了爱国主义激情的影片作品。志愿军的牺牲，是我们不愿意看到的，同时又是让我们崇敬与称赞的行为。因为，他们换来了我们今天的和平岁月与山河无恙。

抗战电影《长津湖》是一部富含爱国主义激情的影视作品。它犹如一首洋溢着爱国主义激情的颂歌那般，走进观众的内心深处、久久回响。整部电影以信念坚定、壮烈牺牲以及扭转局面等场景，为观众送去了浓烈的爱国主义情愫。它，是一部传递了爱国主义精神的佳作影片。

人物介绍：

1、伍千里

七连连长，编号162，哥哥伍百里的阵亡，是他内心最大的伤痛。伍千里经历过无数战斗以及生死考验。他是一个连长，更像一个兄长，要照顾整个连里的157名战士。

2、伍万里

七连新兵，编号677。他叛逆倔强，嫉恶如仇。从一开始完全不会打枪，甚至有几分混不吝的农村孩子，到成长为一个时刻紧握着钢枪的战斗英雄。

⑻ 写一篇介绍电影的英语作文

写作思路：从文章的写作目的、中心主旨入手，以使文章中心思想鲜明、深刻地表现出来。

正文：

Going to the movie is an affair of recreation， I like in the movie theater to go to the movie， because movie theater in of that kind of the atmosphere is what home can＇t own

看电影是一件消遣的事情，我喜欢在电影院里去看电影，因为电影院里的那种氛围是家里不能拥有的。

but the condition of now， we usually will go to the movie in the home， few go to movie theater

但是现在的情况，我们通常会在家里看电影，很少有人去电影院。

usually see foreign movie at ordinary times， the really local movie still has a certain margin， the movie of now comes close the modern living method more， the thinking of now

平时通常看外国电影，真正的本土电影还有一定的差距，现在的电影更接近现代生活方式，现在的思考。

classic movie many meeting bodies now traditional pleasant impression， however as long as is a good movie， I will like

经典电影很多会体现现在传统的美感，不过只要是好电影，我都会喜欢。

If is a book change of movie， I feel this have no intentional viewpoint， if the movie draws on a person enough， I think the original book that may see the bottom movie， if is a good book

如果是一本书换电影，我觉得这是没有目的的观点，如果电影足够吸引人，我想可以看底层电影的原著，如果是一本好书．

I certainly think it can clap movie， see the oneself like of the person image move a screen up， can the better comprehension appreciate

我当然认为它可以拍电影，看到自己喜欢的人形象搬上屏幕，能更好的理解欣赏吗?

⑼ 关于电影《THE PATRIOT》爱国者的理解 帮忙回答下啊 感激不尽 答案请发到邮箱[email protected]

SUMMARY

In this dramatization of the American Revolution, an ex-war hero (Gibson) is forced to fight and kill again when his family and home are threatened by the British.

THE SUDDEN RUNDOWN

The Patriot lacks originality and is mired by movie conventions, but still manages to be a well crafted film that is thoroughly entertaining.

WHAT'S GOOD

Going into this movie, I knew I was in for a long, historical epic--and I generally hate long, drawn out dramas. I have also seen Mel Gibson fight for freedom in Braveheart and Chicken Run, so the prospect of him battling for independence yet again didn't seem all that interesting. But despite these early strikes against it, I have to admit that The Patriot was a solid movie that will easily be amongst the top films of the year.

The Patriot is a historical drama focused on the American Revolution. Mel Gibson plays legendary war veteran Benjamin Martin, a single father with a large family. He is tormented daily by the memories of what he did to the French ring the war, praying for forgiveness and trying to avoid conflict. But his intentions to lay down the sword are dashed when the British march through his hometown and kill members of the local militia who are fighting for freedom. In the process, the redcoats, led by the cruel and merciless Colonel Tavington (played with perfect villainy by Jason Isaacs), destroy his house and kill one of his sons.

At this point, some 30 minutes into the story, the single greatest action moment of the whole movie occurs. Mel Gibson, enraged by the death of his son, goes completely Mad Max. He salvages all the weapons from his house, takes two of his surviving sons, and tracks down the British squad responsible for the carnage. While he has his two kids lay down cover fire for him, he sneaks up on the soldiers and slaughters them all one by one. Watching Gibson's character take out twenty men is truly a sight to behold: he shoots them, he smashes them with the barrel of his gun, and he hacks them to bits with a tomahawk. It's absolutely grizzly, and may very well be the most graphically violent scene in mainstream movies this year.

For the action enthusiast, The Patriot has an abundance of fighting scenes that have an unnerving sense of realism attached, thanks to the primitive depiction of war. Guns of this era are short range weapons that must be reloaded after every shot, allowing for God-knows-what to happen before you can squeeze off a second blast. Cannonballs smash into people with brutal consequences, breaking off heads and limbs in the most gruesome manner.

The story, while hardly original, is engaging from beginning to end. Benjamin Martin is a man who doesn't want to go back to killing. He is an idealist who wants to resolve America's grievances with England through politics. He refuses to fight, and because of this, some of his sons believe him to be cowardly. His oldest son, Gabriel (Heath Ledger), enlists in the local militia, gung-ho at the prospect of shedding blood for his country. Benjamin knows the harsh realities of war, and doesn't want his son to follow in his footsteps, but despite all his pleas, Gabriel goes off to war. Eventually, the battle comes to their home and affects them firsthand, and it's at that point that Benjamin realizes he must take action. He joins the militia and fights alongside his oldest son.

Jason Isaacs turns in an excellent performance as the central villain: the ruthless English Colonel Tavington. To the dismay of his military superior, he violates the rules of warfare in favor of getting the job done. He shoots children without remorse, he has a church burned to the ground, and he revels in extreme cruelty. He is therefore an excellent on-screen villain--twisted, intimidating, and perfectly evil.

The "buxom wench" look (see also Sleepy Hollow) appears to be in fashion ring this era, as evidenced by Joely Richardson's cumbersome, never changing wardrobe.

By bringing the battles onto American soil in the midst of simple townfolk, The Patriot casts the birth of our nation into a harsh perspective, driving home the fact that America was not always the pristine sanctuary we sometimes think it to be. But in spite of its mission to recreate the American Revolution, history is not the movie's strong point. Instead, its strengths are the well-paced action sequences, the father-son relationships found throughout, the ghosts in Benjamin's past, and the examination of vengeance as a virtue. For these elements, this is a movie not to be missed. And even though it clocks in at two and a half hours, it never gives you the chance to get bored.

WHAT'S BAD

The Patriot shamelessly embraces every movie trick in the book to elicit emotions. For example, Mel Gibson has a little girl who refuses to speak throughout most of the movie. But when he is about to leave for war again and the story requires a tearjerker, the little girl starts crying, "Daddy, daddy, don't go, I'll say anything you want." Damn, if that isn't the cheapest shot! It felt like they were only one step away from drowning puppy dogs or shooting crippled orphans. Still, the scene was well done, so instead of appearing cliche and cheesy, it was only transparent and unoriginal.

Other attempts to milk sympathy didn't fly so well. Soon after the oldest son Gabriel gets married, Tavington has the wife and all her fellow townspeople killed. I understand that it's supposed to give Gabriel an additional reason to want to kill Tavington, but it struck me as unnecessary. After all, Tavington had killed Gabriel's younger brother in the beginning of the movie, and so had already given him a reason for vengeance early on. Another reason it didn't really work was because the wife--despite being "the prettiest girl in all of town"--wasn't a very interesting character. In fact, the scene in which she lays peer pressure and guilt on the town in order to get the men to sign up for the militia struck me as the most shallow moment of the entire story.

Still other subplots are just outright bad: there's the stereotypical black guy who has to prove himself worthy in the eyes of his stereotypically racist white colleagues (and of course, he does). In fact, when it comes to race relations, The Patriot is painfully self-aware that it's a year 2000 movie in how it apologizes for slavery--it depicts the Martins as having a whole plantation full of black servants, but forces the caveat that "they're not really slaves, because that would be wrong." Mel Gibson and his family are made out to be "good masters" for the sole purpose of avoiding a confrontation with the audience. Just because we don't agree with slavery today doesn't mean it didn't happen, and I think the writers would have done well to spare us the convoluted fairy tale cleanliness.

For the most part, though, The Patriot succeeds even when it's being formulaic. And that, perhaps, is the reason why so many people enjoy it--it is a movie that is easily liked, with a solid story and a good cast.

⑽ 看英语电影爱国者2000的观后感

看了《爱国者》，很受感动。影片讲述的是一段美国独立战争的历史。主人公是一位议员和一群孩子的父亲。一家人过得还算和-谐。作为父亲，他在家里有着相当的威严，而一群孩子也不是吃素的，他们的顽皮让这位父亲吃尽苦头却又无可奈何。但因其反对对英国作战而被孩子们误解，他们都有着自己的参军梦，甚至远远听到枪炮声，他们也会熟练搬出枪以备不时之需。然而英军的的到来改变了一切。在家园被毁又即将失去第二个儿子时父亲终于爆发了，和两个小儿子一起歼灭了一股二十一人的英军，这让人联想到他当年的英姿，也让他找回了自己潜藏的勇气。在复仇和追求自由这两条主线的引导下，主人公带领着国民军逐步走向胜利。
影片花了很大的手笔来阐述美国对自由的向往和因此付出的沉重代价，从激烈的议会讨论，人们参军的热情，到家园的被毁，战场上的惨烈牺牲。相信看过该片的决不会忘记那些古老而又独特的战争场面，两军(正规军)对垒都是以人员和武器作为筹码，而这往往是英军占优，美军是即输场面又输战争，这看上去有点幽默的味道，完全是对现代战争的颠覆，看不到现代战争中的谋军布局。而国民军却也会玩游击战，有一段时间竟被英军称之为“幽灵”，很有点中国特色的味道。但这确实是一支杂牌军，就连教堂里的牧师也披装上阵，只是不知道他在杀人之前会不会念上一句“上帝保佑”，其最后的牺牲却也充满了悲剧色彩。
虽然这是一部战争片，但是导演在战争之外的细节上有很好的把握，除了宏大的战争场面外，也不失暖暖的温情，真实而感人。其中身为国民军上校的父亲与刚刚会说话的女儿的告别一段，导演处理得别具匠心，将主角在军队与家庭角色的矛盾和女儿对父亲的理解尽融于女儿的呼唤和转身的深情一抱之中，可谓感人至深。导演对种族矛盾的解构也是该片的亮点之一，最初白人对黑奴的歧视，通过战争的隐含功能最终达成了和解，“与你并肩作战是我的荣幸。”将这对不大不小的矛盾融于对自由不懈追求的主题之中，也是对黑人在美国独立战争中所做的贡献的一种认同，他们也是美国历史的创造者。
不能不说这是一部成功的影片，无论你对美国有如何的偏见，看了该片你却不由的对那些为自由而战的勇士们产生由衷的敬意，这确实是一个非凡的国度，这样的民族没有理由不屹立于世界强者之林。
然而相比之下，小时侯很喜欢的国产战争片，现在看来实在很少有深层次的东西，导演的思维极其狭隘，创作的影片只是对历史的一种简单重复。比如电影艺术大师斯皮尔伯格就将几条命救一条命的价值问题带入到影片〈〈拯救大兵瑞恩〉〉中，充满了对人性的深入思考，从而使影片脱离了战争本身而得以实现主题的升华，像这样的东西在中国的战争片里很难找到，不得不引起我们的反思。在根本上还得在思维的形式内涵上下一番工夫。