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电影海上钢琴师影评英文版

发布时间:2022-11-16 13:53:56

A. 海上钢琴师英文影评

这里有本片英文影评213篇:
http://207.171.166.140/title/tt0120731/usercomments
楼主可以借鉴,挑选几篇,把内容编辑整理一下,就可以了。

推荐其中一篇:
When 1900 was a baby, he was abandoned in the ship. Since then, he never left the ship. His talents on piano made him welcome. After defeating the black jazz musician, he became more popular. But he was so afraid of getting off the ship that he gave up his love for a girl. His friend Max wanted to persuade him to leave the ship because the ship would be exploded. It did not work. A tragedy could not be avoided. In the end 1900 sank to the sea along with the ship.

Although the storyline was weak, the great piano music was good enough to make it uncommon. I particularly like the following scene. When 1900 played the piano for Max, he created different music for different people with different action and expression. The amazing place was that the music was so appropriate. That was the most interesting part of the movie.

Tim Roth convincingly played a sympathizing talented pianist. I think that its original sound track is sure to be sold well.

If you like piano music, you should not miss it.

B. 急,帮我把《海上钢琴师》影评翻译成英文

1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship, and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.

Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.

at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.

C. 海上钢琴师影评英语

1900年1月1日,船工丹尼在弗吉尼亚号游轮舞厅的钢琴上捡到了一个弃婴,他将这个小孩起名叫1900。1900从小在丹尼细心的关怀和善意的谎言中自由健康地成长。丹尼因意外事故不幸去世后,1900一次无意间来到舞厅外,他第一次见到钢琴。于是1900的传奇正式开始!

人间如船上的乘客一般,上船,下船,再上船,下船。如此周而复始。对于1900来说,整个世界一览无余。所以他虽身在海上,但却早已看尽了陆上人世间的繁华与落寞,辉煌与凄凉。

最后这个天才要回到天堂去了,天堂里有钢琴吗?在轮船被炸毁的前一刻,1900的双手在凭空弹奏,那纤巧的手指随着背景音乐的节奏在上下起伏,仿佛在扣响天堂的大门。 翻译:1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship, and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.

Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.

at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.

D. 求《海上钢琴师》影评(英语)、要100~200词内、较为简单。

It's a really heart-warming story of 1900. The legend of 1900 tells a gifted pianist who has never leave a ship but created a legendary life.As far as I am concerned,it is 1900 who gives piano living characteristic,piano is 1900's whole life,and 1900 is piano's soul.I don't know why 1900 didn't want to leave the ship,perhaps,it's his fate to accompany the big big sea,the sea is also a part of his life.1900's first love just like candy but with a little bit bitterness,he is too shy to show his love.As for friendship,he is lucky enough to meet a bosom friend,which us everyone want forever.besides,I love the main music in the film,it contains something of hopeness,sweety,but desolation.When I heard it,my tears fell…

E. 《海上钢琴师》英文观后感

The legend of 1900
It's an incredible film about a taleny musician. His parents abandoned him on a steam ship which traveled to American from other places.The boy was brought up by a Negro who gave him the name 'Danny Boodmann T.D. Lemon Nineteen hundred .' His dad was killed in an accident and then he showed his talent in piano playing. He became a pianist on the steam boat in a group of 4 to 5 people.He never cooperated and always let his piano be aware of by the people in the dance floor so that other players would stop and look at those noblemen and noblewomen dancing crazily following the music .1900'skill was also well known among the people on the land . He hadn't got off the boat even for one time .He had seen uncountable people go to America to look for their dreams .He thought that the people on the land was too busy and didn't know what they were busy for.He wanted to do what he liked, what was easy ,what could make him happy. He could do anything but be ordinary.He was born on the boat and lived his all life on it .Just like a brief note passed through our ears and disappeared .
"The legend of 1990" Was directed by Giuseppe Tornatore .It was written by Alesscandro Baricco .Tim Roth played the role of 1900. The film was attractive because of its amazing plot ,wonderful actor ,meaningful opinion and the excellent music .The sound of the piano had its moods and feelings .When 1900 met a graceful girl ,the sound became lyric.When he was arround by the poor who were enthusiastic ,the sound became brisk .When he played alone ,the sound became sad .The changeable appeared any time in the film. 1900's last song was silence .Before a ll explosion ,his fingers moved in the air ,played his last note.
The film let me think a lot on life .I'll definitely recommend it to you .Let the music start ,telling you the legend of 1900.

F. 海上钢琴师 英文影评 谁能告诉我一下!~

这里有些经典台词,不知有用否?

海上钢琴师 经典台词

All that city. You just couldn’t see the end to it. The end Please
You please just show me where it ends It was all very fine on that
gangway. And I was grand too, in my overcoat. I cut quite a figure.
And I was getting off. Guaranteed. There was no problem. It wasn’t
what I saw that stopped me, Max. It was what I didn’t see. You
understand that What I didn’t see. In all that sprawling city there
was everything except an end. There was no end. What I did not see
was where the whole thing came to an end. The end of the world...

Take a piano. The keys begin, the keys end. You know there are
eighty-eight of them, nobody can tell you any different. They are
not infinite. You are infinite. And on these keys the music that you
can make is infinite. I like that. That I can live by.

You get me up on that gangway and you’re rolling out in front of me
a keyboard of millions of keys, millions and billions of keys that
never end, and that’s the truth, Max. That they never end. That
keyboard is infinite. And if that keyboard is infinite, then on that
keyboard there is no music you can play. You’re sitting on the wrong
bench. That’s God’s piano.

Christ! Did, did you see the streets Just the streets… There were
thousands of them! And how do you do it down there How do you
choose just one One woman, one house, one piece of land to call
your own, one landscape to look at, one way to die...

All that world is weighing down on me, you don’t even know where it
comes to an end, and aren’t you ever just scared of breaking apart
at the thought of it The enormity of living it

I was born on this ship, and the world passed me by, but two
thousand people at a time. And there were wishes here, but never
more than fit between prow and stern. You played out your happiness,
but on a piano that was not infinite. I learned to live that way.

Land Land is a ship too big for me. It’s a woman too beautiful;
it’s a voyage too long, a perfume too strong. It’s a music I don’t
know how to make. I could never get off this ship. At best, I can
step off my life. After all, I don’t exist for anyone. You’re an
exception, Max, you’re the only one who knows I’m here. You’re a
minority, and you better get used to it. Forgive me, my friend, but
I’m not getting off.

This is the way the world ends
Not with a bang but a whimper
——T·S·Eliot

所有那些城市,你就是无法看见尽头。尽头?拜托!拜托你给我看它的尽头在哪?当时,站在舷梯向外看还好。我那时穿着大衣,感觉也很棒,觉得自己前途无量,然后我就要下船去。放心!完全没问题!可是,阻止了我的脚步的,并不是我所看见的东西,而是我所无法看见的那些东西。你明白么?我看不见的那些。在那个无限蔓延的城市里,什么东西都有,可惟独没有尽头。根本就没有尽头。我看不见的是这一切的尽头,世界的尽头。

一部钢琴来说,从琴键开始,又结束。你知道钢琴只有88个键,随便什么琴都没差。它们不是无限的。你才是无限的,在琴键上制作出的音乐是无限的。我喜欢这样,我活的惯。

你把我推到舷梯上然后扔给我一架有百万琴键的钢琴,百万千万的没有尽头的琴键,那是事实,max,它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的,那么在那架琴上就没有你能弹奏的音乐,你坐错了地方,那是上帝的钢琴。

天啊!你……你看过那些街道吗?仅仅是街道,就有上千条!你下去该怎么办?你怎么选择其中一条来走?怎么选择“属于你自己的”一个女人,一栋房子,一块地,或者选择一道风景欣赏,选择一种方法死去。

那个世界好重,压在我身上。你甚至不知道它在哪里结束,你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗?

我是在这艘船上出生的,整个世界跟我并肩而行,但是,行走一次只携带两千人。这里也有欲望,但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐,但音符不是无限的。我已经习惯这么生活。

陆地?陆地对我来说是一艘太大的船,一个太漂亮的女人,一段太长的旅行,一瓶太刺鼻的香水,一种我不会创作的音乐。我永远无法放弃这艘船,不过幸好,我可以放弃我的生命。反正没人记得我存在过,而你是例外,max,你是唯一一个知道我在这里的人。你是唯一一个,而且你最好习惯如此。原谅我,朋友,我不会下船的。

附:
1900 Moonlight city. You just couldn’t see an end to it.
It wasn’t what I saw that stopped me ,Max.
It was what I didn’t see.

Take the piano.
Keys begin. Keys end.
You know there are 88 of them.
They’re not infinite. You’re infinite.
And on those keys, the music that you can make is infinite.
I like that. That I can live by.
But you get me up on that gangway, and you roll them out
in front of me.
Keyboards have millions and billions of keys that never end.
That keyboard is infinite.
Then on that keyboard there’s no music you can play.
That’s God’s piano.

Did you see the streets
There’re thousands of them.
How do you choose just one
One woman, one house, one way to die…….
You don’t even know where it comes to an end.
Aren’t you ever just scared of breaking apart with the
thought of it

I was born on this ship.
And the world passed me by.
But 2000 people at a time and there’re old wishes here .
But nevermore that fit between prow and stern..
You played out your happiness bit on a piano that was not
infinite.
I learned to live that way.

Land
Land is a ship too big for me,
It’s a woman too beautiful, a bridge too long, perfume to
strong, music I don’t know how to play.
I can never get off this ship.
At best, I didn’t step off my life.
After all, I don’t exist for anyone.

译文:

偌大的城市,绵延无尽。
并非是我眼见的让我停住了脚步,
而是我所看不见的。你能明白吗?

拿钢琴来说。
键盘有始亦有终。
你确切地知道88个键就在那儿,错不了。
它们并不是无限的,而你,才是无限的。你能在键盘上表现的音乐是无限的。
我喜欢这样,我能轻松应付。
而你现在让我走过跳板,走到城市里,
等着我的是一个没有尽头的键盘。
我又怎能在这样的键盘上弹奏呢?
那是上帝的键盘啊!

你看到那数不清的街道吗?
如何只选择其中一条去走?
一个共渡一生的女人,一幢属于自己的屋子,一种生与死的方式

你甚至不知道什么时候才是尽头。
一想到这个,难道不会害怕、会崩溃吗?

我在这艘船上出生。
世事千变万化,然这艘船每次只载2000人。
这里有着希望,但仅在船头和船尾之间。
你可以在有限的钢琴上奏出你的欢欣快乐。
我习惯了这样的生活。

陆地?
陆地对我来说是一艘太大的船,
太漂亮的女人,太长的旅程,太浓烈的香水,无从着手的音乐。
我永远无法走下这艘船,
这样的话,我宁可舍弃我的生命。
毕竟,我从来没有为任何人存在过,不是么?

G. 海上钢琴师 英语影评

Legend Of Film CriticsPianist, I saw quite a few times, and each time playing hero superb way to attract.Pianist, I saw quite a few times, and each time playing hero superb way to attract.Until finally the piano on the tobacco burns, my emotions rise to the extreme, without reservation vent out.Fast approach, focused expression, quiet environment, everything always flashed in my mind again and again shocked to Heaven.Hero was born in the ship, grew up in the boat, and finally buried in the sea with the ship together. Lifetime, he had not been under the boat, even if only once, and he finally gave up. All the land so that he was afraid, I looked boundless land, can not see on the streets of tall buildings, he will cap off his head and thrown into the sea. The moment he gave up the idea because of love arise, to give up his love for the woman's.In the end, said it is regrettable. But this outcome is the best pianist and his all back to the sea, because he was born in the sea, grew up in the sea.He is the little man know Legend Of -1,992

H. 求 海上钢琴师影评

生命像极了一场茫无头绪的冒险,所以我们往往会敬佩那些流连于同一个地方,专注于同一件事情的人。被无常的命运折磨的时候,拒绝改变有时候能提供给人一种安全感。所以《海上钢琴师》从一开始便给了我们很多期待。一个被遗弃在巨型渡轮上的孤儿突然间成了天才的钢琴师,他一辈子都不曾下过这艘船。海、船、来来往往的两千名乘客和他的钢琴构成了他唯一的世界。这部根据意大利作家亚历山德罗-巴里柯的独白体小说改编的电影原本可以成为一个非常丰富有趣的寓言,无论它是用来表现世事沧桑间闪现出的纯真与灵感,还是那些勇敢自信、充满梦想的移民,还是音乐给人的力量,还是一点点过了时的英雄主义……只不过,影片想告诉我们的太多了,结果倒好像什么也没有说清楚。

基斯比-汤纳度,曾经导演了那部感人至深的《天堂影院》(Cinema Paradise)。和很多欧洲导演一样,他不愿意大量的美国观众是通过字幕来理解他的电影的,所以他拍了《海上钢琴师》这部英语片。影片中装点上了很多好莱坞风味的元素:泰坦尼克式豪华庞大的海上巨轮、泛着煤气灯光的鹅卵石街道、看到自由女神像时欢呼雀跃的移民,当然还有擦肩而过的爱情和爵士乐,只是这些看似聪明的小伎俩加上并不十分聪明的叙事,使《海上钢琴师》看上去不再像一部哀伤、浪漫的意大利电影,那种带着笨拙翻译感的做作和书生气糟糕地弥漫于影片的始终。

在影片里,你时常可以看到这样的场面:一个个穿着体面的角色,站在甲板上凭栏眺海,发表着关于自由生活和人生真谛的冠冕堂皇的演说,看起来就像在演莎士比亚戏剧的“泰坦尼克”版。影片拥有两位十分优秀的演员:有着忧郁气质、连笑起来都像在忏悔的添-罗夫和那个很会作眼球运动的胖子普里特-泰勒-文斯,只是这两个本来都灵气十足的演员在本片里却显得像两个牵线木偶一样。这完全是导演的错误,他灾难性地让主角每时每刻都用那些廉价的对白说出他们内心本可以更微妙的感情。毫无疑问,添-罗夫是个好演员,但不幸的是他碰到了一个执意要破坏那些含蓄微妙感觉的导演。

Ennio Morricone的配乐成了全片唯一值得关注的亮点,但可惜连这个唯一的亮点都被基斯比-汤纳度处理成是超能力制造出的赝品。1900和那个傲慢的爵士钢琴手Jelly Roll Morton(由Clarence Williams III饰演)在船上“飚琴”的那段戏应该是全片的高潮之一,只是好像两人比的与其说是音乐的表现力,倒毋宁说是比谁弹得快、弹得响,添-罗夫的手部动作经过数码剪辑看上去就好像有六只手在琴键上翻飞。一场琴技与内心的较量成了神乎其神的“武功大对决”,不禁让人觉得有点滑稽。

看片的时候我们也许隐约感觉到了点什么:1900的音乐是和他心底始终保有的那些价值分不开的,他弹琴很大程度上是为了不离开他内心那个与世隔绝的世界。但影片没有印证我们内心的期待,我们不知道这个男人在想什么?他是个英雄还是个疯子?影片最后那段小号演奏仿佛是在追忆些什么。是的,也许的确是在追忆些什么,但,凭什么追忆呢?(张帆)

I. 《海上钢琴师》的英文版电影分析

该片的英文译名是THE LEGEND OF 1900

The Legend of 1900 is an interesting fable from legendary Italian filmmaker Guiseppe Tornatore, maker of Cinema Paradiso and The Star Maker. Based on a monologue by Alessandro Baricco, The Legend of 1900 tells the story of a unique man who never set foot upon dry land. On January 1, 1900, a small baby boy was found abandoned on the Virginian, a transatlantic ship. The crewman who found him names the boy Danny Boodman T.D. Lemon 1900; 1900 for short. 1900 is a true orphan. He knows nothing about his parents or his past. The Virginian is the only thing he knows.

The story unfolds as a series of flashbacks told by a man named Max (Pruitt Taylor Vance, Nobody's Fool, Mumford). In a series of events that seem awkward to the viewer, Max tells various people he meets about his experiences aboard the Virginian with 1900 (Tim Roth, No Way Home, Gridlock'd). The transitions are clunky, causing the story to frequently halt for further exposition before continuing. At a young age, 1900 became a piano prodigy. He entranced people with his ability to play the piano, and mbfounded people with his refusal to leave the ship. 1900 helped Max ease his transition onto the ocean, and the two became friends, playing together in the band. Max details 1900's experiences with love (in a very Titanic-like meeting), and his encounter with Jelly Roll Morton (Clarence Williams III, The General's Daughter, Reindeer Games). Morton is irrationally jealous of 1900 and challenges him to a piano el to determine the better player. Williams glowers through his role, which is interesting but one-dimensional.

Roth plays 1900 as an enigma. He shows emotion only when he is playing the piano. Vance's character is much more annoying. His only purpose is the narrator. Tornatore gives no reason as to why the two become friends, or remain friends for such a long time. 1900 is well liked by the crew, so why is Max the person 1900 confides in the most? The music of The Legend of 1900 was composed by another legend, Ennio Morricone. Morricone composed more than 400 scores over his career, garnering numerous nominations in the process. Morricone's music permeates the movie, rising and falling with the moods of the characters. The proction on The Legend of 1900 is gorgeous. The special effects are great, but here it is a good thing. Long shots of the Virginian do not look quite real, instead it looks almost magical. This is Tornatore's first English film, and although it isn't outstanding, it is a nice effort.

J. 海上钢琴师英语读后感50个字

写作思路:首先先表明海上钢琴师讲的是什么故事,再具体讲述海上钢琴师的内容。

范文:

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship. The ship called Virginian bears his whole life.

这是一个关于精神自由和纯净灵魂的故事。一个叫1900的人在船上出生,在船上长大,死在船上。这艘名为弗吉尼亚号的船承载着他的一生。

In 1900's time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.

在20世纪,只有一次他决定离开船去看世界。但最后他还是转过身来。因为他无法面对无限的城市生活。

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