room电影简介英文

Ⅰ 电影room的英文影评

Let me tell you a little something about your beloved dark father. He\\'s the one that killed your family. Not the Lycans. He never could follow his own rules. Said he couldn\\'t abide the taste of lifestock. So, every once in a while, he\\'d go out and gorge himself on human blood. I kept the secrets, and cleaned up the mess. But he\\'s the one who crept room to room that night, dispatching everyone close to your heart. But when he got to you, he just couldn\\'t bear the thought of draining you dry. You, who reminded him so much of his precious Sonja, the daughter he condemned to death.

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《 房间》网络网盘高清资源免费在线观看；

链接: https://pan..com/s/134nik_7UgAPt-LCnVQ0jeQ

又名:不存在的房间(台)/抖室(港)该片讲述了女孩乔伊（布丽·拉尔森BrieLarson饰）被一个叫“老尼克”的男人拐骗，之后被他囚禁在其房子后院的棚屋里长达七年之久。在此期间她遭到强奸，并生下儿子杰克（雅各布·特伦布莱JacobTremblay饰）。靠着老尼克时不时的物资补给，母子二人艰难度日。尽管如此，母亲还是竭尽所能，为儿子杰克创造了一个安全而开心的成长空间。这个狭小逼仄的房间，成了杰克生活成长的神奇小天地。在杰克度过了他的五岁生日后，母亲决定告诉他真相，在这个小小的房间外面，有着更广阔的世界。他们开始策划逃跑计划，决心要逃出这个囚禁他们的房间。

Ⅲ 电影房间room的简短英语介绍

ROOM tells the extraordinary story of Jack, a spirited 5-year-old who is
looked after by his loving and devoted mother. Like any good mother, Ma
dedicates herself to keeping Jack happy and safe, nurturing him with
warmth and love and doing typical things like playing games and telling
stories. Their life, however, is anything but typical--they are
trapped--confined to a 10-by-10-foot space that Ma has euphemistically
named Room. Ma has created a whole universe for Jack within Room, and
she will stop at nothing to ensure that, even in this treacherous
environment, Jack is able to live a complete and fulfilling life. But as
Jack's curiosity about their situation grows, and Ma's resilience
reaches its breaking point, they enact a risky plan to escape,
ultimately bringing them face-to-face with what may turn out to be the
scariest thing yet: the real world.

来源：IMDB

Ⅳ 如何评价电影《房间》(Room)

今年这部《房间》，受到伤害的主体总是妇女儿童。诚然，不管任何性别和年龄都不应经历如此噩梦，但在中国妇女儿童被虐待拐卖包括性侵家暴依然占据类似卷宗的大多数。 2014年全国公安机关共解救被拐卖儿童1.3万人，妇女3万余人；2015年2月27日，最高法发布惩治拐卖妇女儿童犯罪典型案例；2015年民进中央政协全会上提交了关于加重对拐卖儿童犯罪刑罚的议案。无数破碎的家庭和绝望的父母连同那些被拐卖和虐待的妇女儿童成为了法制建设道路上无声的殉道者。

Ⅳ 用英语介绍一部电影 内容包括电影简介以及个人感悟

Dear, you:
I very much like the movie a lot
Like most of the movie name is: "a beautiful mind"
I very love starring the male star of Australia, called Russo Klau
The main contents of a schizophrenia are taught through the difficulties
Struggling in the real and unreal, try every means to overcome mental obstacles
Finally in the appeal of the power of love, his love love stroked his beautiful soul
He continued to study at the same time to students in class when the teacher was appointed Professor, his research has been the practice and achievements in the real life, finally he got Nobel prize stories. It shook my soul so I love this movie, that one reason enough.
亲爱的,你好：
我非常喜欢的电影很多
最喜欢的电影名字叫：《美丽心灵》
主演是我非常喜欢的澳洲男明星,叫罗素克劳
主要内容是一个精神分裂症的教授通过重重困难
在现实和虚幻中挣扎,用尽一切办法克服精神上的阻碍
最后在爱情力量的感召下,他的爱人充满爱意抚摸着他美丽的心灵
他继续研究的同时还给学生上课当了老师后来上任教授,他的研究在现实生活中得到了实践和收获,最终他获得了诺贝尔奖的故事.它震撼了我的心灵所以我喜欢这部电影,这一个理由就够了.

希望能帮到你，望采纳，谢谢~

Ⅵ 给我经典欧美影片的英文简介附中文的

电影
《飘》
【简介】
这部电影的经典地位已经无可动摇。无数奖项，无数排行榜的第一名，半个世纪以来它的观众达到3亿，这个看似俗套的爱情故事究竟有何魅力？百闻不如一见。
本片根据美国女作家玛格丽特·米契尔的长篇畅销小说《飘》改编而成，在1939年第十二届奥斯卡奖中一举夺得八项金像奖，轰动美国影坛，这部耗资巨大、场影豪华、战争场面宏大逼真的历史巨片，以它令人称道的艺术成就为美国电影史上一部经典作品，令人百看不厌。

剧情简介：
影片以美国南北战争为背景，描写了南方两个庄园的兴衰历程以及几个人物之间的爱情波折。美丽任性的庄园主之女郝思嘉小姐，高傲自信、青春夺人。在一次酒会上赢得了青年浪子白瑞德的青睐。而郝思嘉的心却为另一位庄园公子卫希礼所占据，卫与表妹媚兰情意相投，已结连理。战争的爆发使郝思嘉二度成为寡妇并最终与白瑞德结合，但对卫希礼的爱之梦却依然没有破灭，直至唯一爱女骑马身亡，白瑞德在绝望中离她而去，这位美国南方姑娘在历经战争和生活磨难后，才终于明白了自己的真正所爱……
英文简短剧情：
Scarlett
is
a
woman
who
can
deal
with
a
nation
at
war,
Atlanta
burning,
the
Union
Army
carrying
off
everything
from
her
beloved
Tara,
the
carpetbaggers
who
arrive
after
the
war.
Scarlett
is
beautiful.
She
has
vitality.
But
Ashley,
the
man
she
has
wanted
for
so
long,
is
going
to
marry
his
placid
cousin,
Melanie.
Mammy
warns
Scarlett
to
behave
herself
at
the
party
at
Twelve
Oaks.
There
is
a
new
man
there
that
day,
the
day
the
Civil
War
begins.
Rhett
Butler.
Scarlett
does
not
know
he
is
in
the
room
when
she
pleads
with
Ashley
to
choose
her
instead
of
Melanie.
影片花絮：
1,400
actresses
were
interviewed
for
the
part
of
Scarlett
O'Hara.
400
were
asked
to
do
readings.
Bette
Davis
turned
down
the
role
of
Scarlett
O'Hara,
thinking
that
her
co-star
would
be
'Flynn,
Errol'
,
with
whom
she
refused
to
work.
When
filming
began,
the
part
of
Scarlett
O'Hara
had
not
yet
been
cast.
Vivien
Leigh
was
introced
to
procer
David
O.
Selznick
by
his
brother
Myron
Selznick
ring
filming.
(The
actor
in
the
long
shots
ring
the
fire
scenes
is
a
double.)
Leigh
wanted
the
role
so
much
that
she
read
the
novel
and
several
volumes
on
the
Civil
War.

Ⅶ 英文影片的英文简介

1、《英国病人》

Directed by Anthony mingra, the English patient is adapted from the novel of the same name by Michael ondaj.

The film is co starred by Ralph Fiennes, Christine Scott Thomas and Juliet Binoche. The film was released in the United States on November 6, 1996.

The movie takes the war and desert as the background, decing a love tragedy across time and space.

During World War II, a British plane was shot down by the German army while flying over the Sahara desert.

The pilot on the plane was completely burned on the face. The local people rescued him and sent him to the Allied field hospital.

Because of the injury, the pilot lost his memory and could not remember who he was, so he could only be called "English Patient".

《英国病人》由安东尼·明格拉执导，是根据作家迈克尔·翁达杰的同名小说改编而成。

该片由拉尔夫·费因斯、克里斯汀·斯科特·托马斯、朱丽叶·比诺什等联袂主演。影片于1996年11月6日在美国上映 。

电影以战争和沙漠为背景，演绎一场跨越时空的爱情悲剧。

二战期间，一架英国飞机在飞越撒哈拉沙漠时被德军击落，飞机上的机师面部被全部烧伤，当地人将他救活后送往了盟军战地医院。

由于受伤这个机师丧失了记忆，不能想起自己是谁，因此只能被叫做“英国病人”。

影片讲述由莱昂纳多·迪卡普里奥扮演的造梦师，带领约瑟夫·高登-莱维特、艾伦·佩吉扮演的特工团队，进入他人梦境，从他人的潜意识中盗取机密，并重塑他人梦境的故事。

Ⅷ 我需要这些电影的英文简介!

1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文评论
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

2 a clockwork orange

Director:Stanley Kubrick

Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)

Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more

Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie

Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文评论
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

3 annie hall

Director:Woody Allen

Writers:Woody Allen (written by) and
Marshall Brickman (written by)

Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more

Woody Allen ... Alvy Singer

Diane Keaton ... Annie Hall
Tony Roberts ... Rob

Carol Kane ... Allison
Paul Simon ... Tony Lacey

Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall

Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall

Mordecai Lawner ... Mr. Singer

评论
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

4 bonnie and clyde
Arthur Penn

Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more

Warren Beatty ... Clyde Barrow

Faye Dunaway ... Bonnie Parker

Michael J. Pollard ... C.W. Moss

Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis

Gene Wilder ... Eugene Grizzard

评论
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

5 brief encounger

Director:David Lean

Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more

Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room

评论
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

6 chariotes of fire

Hugh Hudson

Writer:Colin Welland (original screenplay)

Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell

Ben Cross ... Harold Abrahams

Daniel Gerroll ... Henry Stallard

Ian Holm ... Sam Mussabini

John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
评论
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

Do watch it - it's very fine, very moving, very exciting.

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