海上钢琴师电影英文赏析

1. 请问谁知道《海上钢琴师》的影片名翻译和内容的英文介绍

THE LENGEND OF 1900
Director Giuseppe Tornatore has had no luck with United States distributors. His original cut of Cinema Paradiso, one of the best films of the 1980s, was ruthlessly hacked to pieces by Miramax Films for its North American theatrical release. Now, a decade later, it's d閖?vu. The Legend of 1900, Tornatore's first English-language film, has seen its 160 minute Italian running length shrunk to 123 minutes at the insistence of Fine Line Features. To Tornatore's credit, he has managed to keep the story mostly intact; there are only a few occasions when it starts to ramble. Having not seen the full version, it's difficult for me to say whether the uneven nature of the episodic structure is the result of removing 25% of the film's sequences, or whether that hiccup plagues the original as well.

The entire tale of The Legend of 1900 takes place aboard a cruise ship ring the early decades of the 20th century, but this is no Titanic. Told in flashback by a down-on-his luck trumpet player named Max (Pruitt Taylor Vince), the movie is presented as half-fable, half-melodrama. The main character, Danny Boodman T.D. Lemon 1900, or 1900 for short (played by Tim Roth), is found abandoned on board the ocean liner The Virginian by an engine room worker (Bill Nunn), who keeps him and gives him his name (based on the year of his birth). 1900 grows up to be an agoraphobe who never knows life outside the ship. He is a genius at the piano, and his reputation spreads far and wide across the globe, but he never leaves The Virginian to claim the slice of fame that could be his. Even love cannot lure him from the open sea. On one occasion, he falls for a pretty passenger (Melanie Thierry), but lacks the courage to follow her into the city when the ship docks. The Virginian was where he was born and where he intends to die

Tornatore has a talent for developing stories that are pleasantly sentimental without turning mawkish. Does The Legend of 1900 manipulate its audience? Of course it does, but Tornatore is a master at this craft, and it doesn't feel as if our heartstrings are being plucked by someone with no talent. The director has blended one part fantasy, one part whimsy, one part comedy, and one part drama into a whole that stirs the spirit. The Legend of 1900 is an uplifting experience - the kind of movie that can make a hardened movie-goer laugh and cry at the same time. Tim Roth, who plays the lead, has called The Legend of 1900 "the antidote to my film [The War Zone]." In many ways, he's right. Where The War Zone, for all its brilliance, is dark and gritty, The Legend of 1900 is a light, airy confection.

As characters go, 1900 is a little underdeveloped, and no one else gets enough screen exposure to function as more than a secondary player. Tim Roth, as engaging as ever, brings 1900 to life, imbuing him with energy and charisma. Pruitt Taylor Vince plays an adequate second fiddle as 1900's best friend. Even though the movie is told from his point-of-view, however, Max is not fleshed out as anything more substantive than a narrator. Melanie Thierry offers viewers (and 1900) a pretty face to look at, but nothing more. The film's standout supporting role belongs to Clarence Williams III, who plays real-life jazz pianist Jelly Roll Morton. In The Legend of 1900's standout sequence, Jelly Roll boards the ship to challenge 1900 to a piano el. The smokin' results are pure magic.

Proction-wise, The Legend of 1900 is virtually flawless. Cinematographer Lajos Koltai fashions numerous gorgeous sequences that heighten the viewer's sense of watching something enchanting. Cruises, by their very nature, are divorced from the mundane routine of day-to-day life, but The Legend of 1900 has a truly un-real feel to it. This is a fantasy and a tall tale - the kind of thing that could never happen, but that we have no trouble accepting in a well-crafted motion picture. The movie's score, by veteran composer (and longtime Tornatore collaborator) Ennio Morricone, effectively compliments Koltai's keen visual sense.

Those attending The Legend of 1900 with hopes of re-capturing the glory of Cinema Paradiso may be disappointed. While Tornatore's latest succeeds in plumbing some of his masterpiece's emotional intensity, The Legend of 1900 is neither as deep nor as powerful as the 1990 Oscar-winner. And the dialogue is riddled with problems (likely the result of the Italian-to-English translation). In fact, this picture doesn't have much to offer audiences - except the opportunity to forget one's troubles and spend two hours taking pleasure from something uncomplicated and unpretentious.

2. 《海上钢琴师》英文观后感

The legend of 1900
It's an incredible film about a taleny musician. His parents abandoned him on a steam ship which traveled to American from other places.The boy was brought up by a Negro who gave him the name 'Danny Boodmann T.D. Lemon Nineteen hundred .' His dad was killed in an accident and then he showed his talent in piano playing. He became a pianist on the steam boat in a group of 4 to 5 people.He never cooperated and always let his piano be aware of by the people in the dance floor so that other players would stop and look at those noblemen and noblewomen dancing crazily following the music .1900'skill was also well known among the people on the land . He hadn't got off the boat even for one time .He had seen uncountable people go to America to look for their dreams .He thought that the people on the land was too busy and didn't know what they were busy for.He wanted to do what he liked, what was easy ,what could make him happy. He could do anything but be ordinary.He was born on the boat and lived his all life on it .Just like a brief note passed through our ears and disappeared .
"The legend of 1990" Was directed by Giuseppe Tornatore .It was written by Alesscandro Baricco .Tim Roth played the role of 1900. The film was attractive because of its amazing plot ,wonderful actor ,meaningful opinion and the excellent music .The sound of the piano had its moods and feelings .When 1900 met a graceful girl ,the sound became lyric.When he was arround by the poor who were enthusiastic ,the sound became brisk .When he played alone ,the sound became sad .The changeable appeared any time in the film. 1900's last song was silence .Before a ll explosion ,his fingers moved in the air ,played his last note.
The film let me think a lot on life .I'll definitely recommend it to you .Let the music start ,telling you the legend of 1900.

3. 求海上钢琴师的英文介绍，100词内！急用！

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship.The ship called Virginian bears his whole life.In 1900;s time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.
这是一篇关于精神自由和纯洁灵魂的故事。一个人叫1900出生在船上,然后他生长在船上,死在船上。这艘船叫维吉尼亚号，是他生命的全部。在1900年的一生中,只有一次,他决定离开这艘船,看看世界。最后,他回来了。因为他不能面对无限的城市生活。

4. 海上钢琴师英文简介 简单一点!

1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship， and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.
Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.
at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.
1900年1月1日起,船员丹尼拿起一abondonded婴儿钢琴大厅内的船,他称之为“1900号婴儿”。1900年快乐地长大的关怀下和白色谎言的丹尼。在意外死亡,丹尼,1900年来到大厅的机会,他看见了钢琴第一次。现在,1900年的开始的传说。
生活就像在船上的乘客,在国外,下车,船上又下车,在这个序列。到1900年,没有什么更多关于生活。尽管他住在海里,但是他已经检查了所有的荣誉,寂寞,增益和秋季的生活的男人在南部周围的土地。
最后,这个有才华的人走回天空,天堂的。有钢琴在天堂?爆炸发生时船舶的,1900年发挥他的手在空中,美丽的手指动作为背景音乐流,如果敲门门上天堂。

5. 海上钢琴师英语读后感50个字

写作思路：首先先表明海上钢琴师讲的是什么故事，再具体讲述海上钢琴师的内容。

范文：

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship. The ship called Virginian bears his whole life.

这是一个关于精神自由和纯净灵魂的故事。一个叫1900的人在船上出生，在船上长大，死在船上。这艘名为弗吉尼亚号的船承载着他的一生。

In 1900's time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.

在20世纪，只有一次他决定离开船去看世界。但最后他还是转过身来。因为他无法面对无限的城市生活。

6. 求海上钢琴师的英文介绍,100词内!急用!

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship.The ship called Virginian bears his whole life.In 1900;s time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.
这是一篇关于精神自由和纯洁灵魂的故事.一个人叫1900出生在船上,然后他生长在船上,死在船上.这艘船叫维吉尼亚号,是他生命的全部.在1900年的一生中,只有一次,他决定离开这艘船,看看世界.最后,他回来了.因为他不能面对无限的城市生活.

7. 《海上钢琴师》的英文版电影分析

该片的英文译名是THE LEGEND OF 1900

The Legend of 1900 is an interesting fable from legendary Italian filmmaker Guiseppe Tornatore, maker of Cinema Paradiso and The Star Maker. Based on a monologue by Alessandro Baricco, The Legend of 1900 tells the story of a unique man who never set foot upon dry land. On January 1, 1900, a small baby boy was found abandoned on the Virginian, a transatlantic ship. The crewman who found him names the boy Danny Boodman T.D. Lemon 1900; 1900 for short. 1900 is a true orphan. He knows nothing about his parents or his past. The Virginian is the only thing he knows.

The story unfolds as a series of flashbacks told by a man named Max (Pruitt Taylor Vance, Nobody's Fool, Mumford). In a series of events that seem awkward to the viewer, Max tells various people he meets about his experiences aboard the Virginian with 1900 (Tim Roth, No Way Home, Gridlock'd). The transitions are clunky, causing the story to frequently halt for further exposition before continuing. At a young age, 1900 became a piano prodigy. He entranced people with his ability to play the piano, and mbfounded people with his refusal to leave the ship. 1900 helped Max ease his transition onto the ocean, and the two became friends, playing together in the band. Max details 1900's experiences with love (in a very Titanic-like meeting), and his encounter with Jelly Roll Morton (Clarence Williams III, The General's Daughter, Reindeer Games). Morton is irrationally jealous of 1900 and challenges him to a piano el to determine the better player. Williams glowers through his role, which is interesting but one-dimensional.

Roth plays 1900 as an enigma. He shows emotion only when he is playing the piano. Vance's character is much more annoying. His only purpose is the narrator. Tornatore gives no reason as to why the two become friends, or remain friends for such a long time. 1900 is well liked by the crew, so why is Max the person 1900 confides in the most? The music of The Legend of 1900 was composed by another legend, Ennio Morricone. Morricone composed more than 400 scores over his career, garnering numerous nominations in the process. Morricone's music permeates the movie, rising and falling with the moods of the characters. The proction on The Legend of 1900 is gorgeous. The special effects are great, but here it is a good thing. Long shots of the Virginian do not look quite real, instead it looks almost magical. This is Tornatore's first English film, and although it isn't outstanding, it is a nice effort.

8. 海上钢琴师 英文影评 谁能告诉我一下！~

这里有些经典台词，不知有用否？

海上钢琴师 经典台词

All that city. You just couldn’t see the end to it. The end Please
You please just show me where it ends It was all very fine on that
gangway. And I was grand too, in my overcoat. I cut quite a figure.
And I was getting off. Guaranteed. There was no problem. It wasn’t
what I saw that stopped me, Max. It was what I didn’t see. You
understand that What I didn’t see. In all that sprawling city there
was everything except an end. There was no end. What I did not see
was where the whole thing came to an end. The end of the world...

Take a piano. The keys begin, the keys end. You know there are
eighty-eight of them, nobody can tell you any different. They are
not infinite. You are infinite. And on these keys the music that you
can make is infinite. I like that. That I can live by.

You get me up on that gangway and you’re rolling out in front of me
a keyboard of millions of keys, millions and billions of keys that
never end, and that’s the truth, Max. That they never end. That
keyboard is infinite. And if that keyboard is infinite, then on that
keyboard there is no music you can play. You’re sitting on the wrong
bench. That’s God’s piano.

Christ! Did, did you see the streets Just the streets… There were
thousands of them! And how do you do it down there How do you
choose just one One woman, one house, one piece of land to call
your own, one landscape to look at, one way to die...

All that world is weighing down on me, you don’t even know where it
comes to an end, and aren’t you ever just scared of breaking apart
at the thought of it The enormity of living it

I was born on this ship, and the world passed me by, but two
thousand people at a time. And there were wishes here, but never
more than fit between prow and stern. You played out your happiness,
but on a piano that was not infinite. I learned to live that way.

Land Land is a ship too big for me. It’s a woman too beautiful;
it’s a voyage too long, a perfume too strong. It’s a music I don’t
know how to make. I could never get off this ship. At best, I can
step off my life. After all, I don’t exist for anyone. You’re an
exception, Max, you’re the only one who knows I’m here. You’re a
minority, and you better get used to it. Forgive me, my friend, but
I’m not getting off.

This is the way the world ends
Not with a bang but a whimper
——T·S·Eliot

所有那些城市，你就是无法看见尽头。尽头？拜托！拜托你给我看它的尽头在哪？当时，站在舷梯向外看还好。我那时穿着大衣，感觉也很棒，觉得自己前途无量，然后我就要下船去。放心！完全没问题！可是，阻止了我的脚步的，并不是我所看见的东西，而是我所无法看见的那些东西。你明白么？我看不见的那些。在那个无限蔓延的城市里，什么东西都有，可惟独没有尽头。根本就没有尽头。我看不见的是这一切的尽头，世界的尽头。

拿一部钢琴来说，从琴键开始，又结束。你知道钢琴只有88个键，随便什么琴都没差。它们不是无限的。你才是无限的，在琴键上制作出的音乐是无限的。我喜欢这样，我活的惯。

你把我推到舷梯上然后扔给我一架有百万琴键的钢琴，百万千万的没有尽头的琴键，那是事实，max，它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的，那么在那架琴上就没有你能弹奏的音乐，你坐错了地方，那是上帝的钢琴。

天啊！你……你看过那些街道吗？仅仅是街道，就有上千条！你下去该怎么办？你怎么选择其中一条来走？怎么选择“属于你自己的”一个女人，一栋房子，一块地，或者选择一道风景欣赏，选择一种方法死去。

那个世界好重，压在我身上。你甚至不知道它在哪里结束，你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗？

我是在这艘船上出生的，整个世界跟我并肩而行，但是，行走一次只携带两千人。这里也有欲望，但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐，但音符不是无限的。我已经习惯这么生活。

陆地？陆地对我来说是一艘太大的船，一个太漂亮的女人，一段太长的旅行，一瓶太刺鼻的香水，一种我不会创作的音乐。我永远无法放弃这艘船，不过幸好，我可以放弃我的生命。反正没人记得我存在过，而你是例外，max，你是唯一一个知道我在这里的人。你是唯一一个，而且你最好习惯如此。原谅我，朋友，我不会下船的。

附：
1900 Moonlight city. You just couldn’t see an end to it.
It wasn’t what I saw that stopped me ,Max.
It was what I didn’t see.

Take the piano.
Keys begin. Keys end.
You know there are 88 of them.
They’re not infinite. You’re infinite.
And on those keys, the music that you can make is infinite.
I like that. That I can live by.
But you get me up on that gangway, and you roll them out
in front of me.
Keyboards have millions and billions of keys that never end.
That keyboard is infinite.
Then on that keyboard there’s no music you can play.
That’s God’s piano.

Did you see the streets
There’re thousands of them.
How do you choose just one
One woman, one house, one way to die…….
You don’t even know where it comes to an end.
Aren’t you ever just scared of breaking apart with the
thought of it

I was born on this ship.
And the world passed me by.
But 2000 people at a time and there’re old wishes here .
But nevermore that fit between prow and stern..
You played out your happiness bit on a piano that was not
infinite.
I learned to live that way.

Land
Land is a ship too big for me,
It’s a woman too beautiful, a bridge too long, perfume to
strong, music I don’t know how to play.
I can never get off this ship.
At best, I didn’t step off my life.
After all, I don’t exist for anyone.

译文：

偌大的城市，绵延无尽。
并非是我眼见的让我停住了脚步，
而是我所看不见的。你能明白吗？

拿钢琴来说。
键盘有始亦有终。
你确切地知道88个键就在那儿，错不了。
它们并不是无限的，而你，才是无限的。你能在键盘上表现的音乐是无限的。
我喜欢这样，我能轻松应付。
而你现在让我走过跳板，走到城市里，
等着我的是一个没有尽头的键盘。
我又怎能在这样的键盘上弹奏呢？
那是上帝的键盘啊！

你看到那数不清的街道吗？
如何只选择其中一条去走？
一个共渡一生的女人，一幢属于自己的屋子，一种生与死的方式

你甚至不知道什么时候才是尽头。
一想到这个，难道不会害怕、会崩溃吗？

我在这艘船上出生。
世事千变万化，然这艘船每次只载2000人。
这里有着希望，但仅在船头和船尾之间。
你可以在有限的钢琴上奏出你的欢欣快乐。
我习惯了这样的生活。

陆地？
陆地对我来说是一艘太大的船，
太漂亮的女人，太长的旅程，太浓烈的香水，无从着手的音乐。
我永远无法走下这艘船，
这样的话，我宁可舍弃我的生命。
毕竟，我从来没有为任何人存在过，不是么？

9. 【海上钢琴师】的观后感谁有 英文的 60词

《海上钢琴师》不愧为一部经典影片。它给我们展示了一个生在船上，长在船上，死在船上，只为钢琴而生的人的一生。他将一生所有的光芒撒在个这艘船上，短暂而凄美。

主人翁（名叫1900）对于这艘船的爱恋不舍，可能类似于我们对于故土的一种眷恋。生于斯，长于斯，故土赋予我们生命以及生命里的一切，这艘船同样赋予他人生的全部价值和情感。现实生活中，有些人可能一辈子都不愿离开他的故土，纵然那土地贫瘠，荒凉，甚至充满危险，纵然外面的世界纷繁多彩，金银遍地，他们从不离开故土一步。对于1900，一个孤儿，他的全部世界就是这艘船，这里就是他的的家，他的全部快乐悲伤梦幻激情。可以说他对于这艘船的感情比任何一个人来的都更深沉，更灼热。所以即便是最后一刻，他仍然不会选择离开。

片中最后一段，有主人翁的一段独白，他说他不走，不是因为他站在船板上看到的那些建筑让他感到畏惧，而是因为他看不到世界的尽头。是啊，钢琴的键有始有终，船的甲板有始有终，他可以用有限的键盘奏出无限的乐曲，他可以驾驭这种“有限”，在这里，他就是他。而这个世界呢，没有开始，没有结束，错综复杂的街道，星罗棋布的高楼大厦，有太多的路可以选择，他没有办法去驾驭。驾驭他的人生，他的情感，他的音乐。他只能选择他可以选择，可以驾驭的方式生活，这种方式与世无争，平静自如，不受功名利禄的纷扰。如果一种生活方式，他无法驾驭，他宁可不要！我想这也许是他不选择离开的第二个理由。

他内心的孤独，音乐可知，就如同他的语言，他用它来述说生命，表达情感。其中有这样的一幕，夜晚，在船的酒会大厅，他演奏着，钢琴随着在飓风大浪中左右摇摆船艘，在光洁的地板上，合着音乐的节拍，乎左乎右，时而转圈，时而滑行。让你感受到仿佛他整个人的身心和这音乐，这艘船，这大海早就融合在了一起。他说过，他的音乐和他的人不分开，所以拒绝发布他的音乐胶片。我想，他的内心里，也一定这样笃信，他的这艘船和他的人，不能分开。生命仿佛自他被抛弃的那一刻起，就和这船联系在了一起。音乐，船，他，是“一”，永远无法分开。船的生命结束了，相信他的生命结束，也似乎成为了必然。这也许是他不离开的第三个理由。

对家的深深眷恋，对生存方式的抉择要求，以及早就融为一体的共同的生命，促成了他的悲剧。

然而这真的是悲剧吗？就像戏曲在最高潮处嘎然而止，人生在颠峰时刻隐退，情人们相拥着步入婚姻，我们看到了最完美的一幕，之后呢？看戏曲渐渐索然无味，人生逐渐走向低谷，爱情继婚姻之后埋葬在数不清的家庭琐事里，这就是最真实的世界。他的死，至少震撼了我们每个人的心灵，我们谁也无法想象这样的一位旷世奇才，走下船舶，是怎样开始他平凡的人生，开始变得庸俗乏味，追名逐利。我们不忍心看到这里，导演自然也不会忍心拍到这里。所以从某种意义上讲，这也许算不得是一幕悲剧。

现实生活中，对于别人的选择，我们会感到匪夷所思，就像这部影片一样，可能很多人也不解他的这种选择，但是，我想说，无论是谁，作出怎样的选择，无论在我们看来是多么的荒谬，多么的不明智，多么的让人不解，这都是他的选择。这个选择一定有他的理由，他的思考，你不是他，你没有经历他所经历的，你没有了解他所想的，那么我们唯一可以作的事情，不是述说我们的不解，而是握住他的手，微笑着说一句，Good luck!

喜欢这部电影，喜欢1900，喜欢音乐，喜欢这一片湛蓝的大海。