英文电影review

⑴ movie review什么意思

movie review
电影评论
双语例句
1
Did you read our review in the paper?
你看报纸上我们的评论了没有？
2
Shouldn't we review safety guidelines?
我们不应该复习一下安全守则么？

⑵ 英语review和comment评论有什么区别适应于哪些场景

把它俩放在一起比较是比较有“评论”（名词）意思的review和comment吧？
review一般是发表在报刊或者杂志上的对书、音乐、戏剧、电影或展览等的评论，比如
I read the book reviews in the newspaper. 我读了报纸上的书评。
而comment相对比较随意，就是指人对事情发表的观点，说的和写的都行。比如视频网站上youtuber说“在下方留下评论”就是“leave your comments below”；除此之外当用在书、电影等，comment有指批评性的评论的意思。

⑶ 英文影评怎么写有人帮忙吗

在国外大学中，要想写好电影影评，首先要了解电影影评作业分裂有哪些，一般被分为下面四种：
电影报告（Screening Report）
为discussion或者exam而准备的一篇小essay，主要是在一般描述性的文章里集中分析与题目相关的几个论点。它的写作目的主要是在视觉和听觉两个方面尽可能的客观和详尽一些。
电影评论（Movie Review）
movie review是我们大部分留学生都比较熟悉、常见于报刊杂志的一种电影分析论文作业形式。它的主要写作目的是介绍或推荐大家要不要去看某部电影，在前面的文章我们也给大家具体分析过如何去写movie review。
理论文章（Theoretical Essay）
这类论文作业并不常见，如果你的老师足够奇葩的话可能你会遇到。它的写作目标受众常常是对具体的类型电影、电影历史和其他与电影有关的知识有足够了解的相关专业领域的人士，其写作目的是解释电影中更大和更复杂的结构，以及我们该怎么去理解它。看完是不是觉得有点难写？没事赶紧交给我们meeloun为您搞定吧！
评论文章（Critical Essay）
介于理论文章和影评之间，此类文章作者预设他的读者可能并没有认真思考过这部电影，但已经看过或者至少很熟悉将要讨论的电影。作者尽可能地揭示一些观众有可能在观看时忽略的细节或复杂点。
当你在评论电影时，你的个人意见和品位必定成为你的论述的一部分，评写电影的大部分文章都包含个人意见和评价。但是，没有一个读者会对一个以自己的个人意见来避免或者掩饰其批判立场的作者感到满意，作者必须找到个人经验和客观观察之间的平衡点。
想：理解观影经历
留学生们在写影评的过程中常见的一个问题就是怎样理解观影经历的多个层面。简单地说，就是你应该选择什么角度来分析和评写，在开始一部影评之前，你要思考更多并尽可能多地为写做准备。
看：与电影的交谈
开始时，需要注意电影中的哪些元素使你产生了陌生或困惑的感觉，注意哪些元素一直在重复强调某一个观点。每部电影都有其重复的模式，这些重复与电影中某些激动人心的非凡时刻形成了强烈对比。找出这些模式并且解释它们是分析电影意义的第一步。
写：记笔记
如果你想要写出一篇让自己也让老师满意的影评，首先要做的看电影，可能看一遍是不行的，同时还要做好笔记。
电影与传统艺术联系
这里，我们讨论三个电影研究与其他文学及视觉艺术相关的术语：叙事、角色和视点。
叙事（Narrative）：叙事电影可以被分为以下三个部分
故事（story）是所有呈现给我们的事件或我们可以推断出的事件。
情节（plot）是以某种形式或结构对一些列事件的安排或建构。
叙事（narration）是指根据某个特定情感的、身体的，或智力的观点来组织情节的视角。
角色（Character）：角色集中了人物的行为和电影的主题。记住，在分析影片角色的时候，如果你混淆了真实人物、演员和角色三者之间的区别，或者你认为他们仅仅是真实人物的反映，那么这样的分析一定会非常枯燥而且浅薄。但是如果你一直关注角色类型和建构的不同，你将会看到不用电影间的角色功能及其意味等细微复杂之处。
视点（Point of View）：广义地说，它指看的位置，及暗示视点决定你所见之事的方式。狭义地说，视点是有形的，更深入一层，视点可以是心理的和文化的。通常，电影使用客观的视点，它所呈现的事件并不局限于任何人的视角。视点是评写电影的一个核心词汇，基本上电影都是以某种特定的方式来看待世界的。
评写电影的六种方法
分析一部影片时，了解你所要使用的分析方法将会帮助你察觉该方法的局限性、观众的需要和文章的意义。
1.历史方法
是使用最广泛的方法之一。使用此种方法组织和研究电影时，会依据它们在电影史中的地位而从历史发展的角度出发。在使用历史方法来阐释一部电影时，要避免事先假定在任何一部电影里，甚至是纪录片里，关于一个社会或某个历史时期的画面是未经媒介处理的。历史是一件精致的工具，使用的时候要多加鉴别。
2.民族电影
从文化和民族性格的角度来讨论电影。这种方法背后的假设是，电影文化通过相当数量的个体性来演化和获得理解。根据这种方法，电影中看待世界和描绘世界的方式依国家和文化的不同而不同。
3.类型
类型（Genre）源于法语词，是“种类”的意思，根据其形式和内容的模式对电影进行分类。如：西部片、歌舞片、公路电影、科幻电影等。
4.作者论
“作者批评”是接受程度最广而且最容易在无意间被运用的电影批评的一种方法，它是通过将电影和导演或片中主人公联系起来，以此来定义和检视一部电影。
5.形式主义
形式主义是电影批评中的一个词汇，主要是关于一部电影的风格和结构、或是如叙事或场面调度等技巧是如何在电影中以某种方式组织起来的。探讨形式主义的文章其焦点是关于模式或镜头和片段相互之间的关系。但目前已经很少有纯粹的形式主义讨论文章了。
6.意识形态
在一篇诉诸意识形态的评论文章中，任何文化产物或创作，都会直接或间接地传达出：这是一个怎样世界，我们应该如何看待它……
意识形态批评家认为，电影从来不是一些无意义的人间影像，而且，电影中那些看起来自然的社会和个人价值观都应当加以分析。
写作风格与结构
对电影的宏观构想和执行那个计划的细节之间存在着不可避免的差别。评写电影也是相似的，我们最后表达出来的观点或许已经改变初衷，或许最终表现平平。当作者遵循一定的规则或参考关键词汇来反思一部电影时，一篇文章的实际写作过程可能会变得相对容易。
词
使用具体的语言，因为文章是通过语言来重塑电影或者观感的，因此，用词的敏锐和准确极为重要。“具体化”是一些有些电影评论的核心，最主要是因为读者相当依赖于对某一场景或片段的具象化。同样，作者准确地描述他的观影得以证明一个观点，常常是最具说服力的一种方式。
句
使用有力的句子，追求两个主要的风格目标：简洁、有趣。删除那些言之无物或没有风格的词语及句子。
段
段落要有条理，段落最重要的是有突出的主题句，且段与段之间的过渡要有转承。要特别注重抓住读者兴趣的首段和画龙点睛的结尾段落。

⑷ 要两篇英文电影的影评，要求是英文，带翻译。。

"Spider-Man 3" to the large American-style American justice line, Stars and Stripes provides some background under a continuation of this tradition. Director of the Song and Dance Drama introction of a number of elements to make the movie tough transition soft lines. But many of them still exposed the inadequacies, such as the introction of the three opponents make films delicate enough. Although the three opponents makes the selling point of the film rich enough to describe the convincing. May is a long-time director of the restrictions on expression, that is to be regretted. The feelings expressed in the drama, the drama pm, because shear. Make no feelings lines, "Spider-Man 2" high. Directors may wish to use Parker and Harry's friendship elements to complement this part, it is regrettable that these were part of human nature to hide. After all, more than two hours of film shear Association inevitable lot of directors was reluctant to cut off part. Oh, the film overall is very strong. It should be said that the main thrust of expression is very delicate, very chewing head. Rhythm is still continuation of a rapid tradition. The taste is worth careful film. 《蜘蛛侠3》继续了美式大片美国式的正义路线，星条旗下的背影延续了这个传统。导演引入了一些歌舞剧的的元素力求使得影片硬朗的线条变的柔和。但当中还是露出很多的不足，比如三个敌手的引入使得影片的细腻不够。虽然三个敌手使得电影的卖点丰富，可刻画的不够有说服力。可能是片长的时间限制了导演的表达，可不得不说是个遗憾。在感情戏的表达方面，戏分被剪切的所剩无几。使得感情线路没有《蜘蛛侠2》的饱满。可能导演希望用帕克和哈里的友谊元素来补充这部分，但是很遗憾这些被人性的部分给掩盖了。 review: Se jie (Lust, Caution) (Venice 2007) 影评《色戒》 因为字数限制，只贴网址给你： http://www.mtime.com/my/shengzi/blog/583312/

希望采纳

⑸ movie review英语作文

这篇作文可以写一下《星际穿越》的影评，星际穿越是很经典的一部电影，在这部电影里面向我们展示了很多不同的东西。

During the winter vacation, I watched the Star Trek directed by Nolan. After watching the film, it gives people a feeling of love, really selfless. The film shows a vast expanse of space.

The film depicts the spectacular space outside the spacecraft, focusing on the exploration of human nature and a father's deep love for his daughter. It is a touching and thought-provoking film, which is worth watching.

寒假的时候，我看了诺兰导演的星际穿越。这部电影看完以后就给了人一种爱真的很无私的感觉。这部电影生动形象展示出一副浩瀚无际的太空。

这部电影描写了飞船外那壮观的太空，侧重点就是对于人性的探索以及一位父亲对女儿深沉的爱，这是一部感人和发人深省的电影，值得我们去观看。

⑹ 英国留学课堂观赏电影后，老师布置的Movie Review该怎么写

这里有一个关于影评写作的指导供您参考——包含了一些在实际写作中的技巧。我们不限制你的写作风格、字数、你必须写（或不能写）的内容，我们提供了如下的指导意见来帮助你写一篇影评。
影评标题
第一段
需要包括以下内容：影片名称，主演，场景（时间和地点），以及电影类型（喜剧，冒险，戏剧等）
第二段
需要介绍该电影的剧情梗概。不需要透露结局。讨论至少5件小事，并确保它们覆盖了整部电影，除了结局。
第三段
讨论电影的一个方面。您可以从演技，导演，剪辑，服装设计，布景设计，摄影，背景音乐，或其他任何你可能想到的方面来选择。要确保你的描写是具体详细，可以从电影中找例子。
第四段
讨论电影的另一个方面。您可以从演技，导演，剪辑，服装设计，布景设计，摄影，背景音乐，或其他任何你可能想到的方面来选择。当然很明显，这段选择的方面是不同于上一个段落的。也要确保你的描写是具体详细的，可以从电影中找例子。
第五段
写出这部电影给你的总体感受以及你对这部电影的评价。也包括你向观众推荐这部电影的理由。
记住，以上的指导意见仅仅是一般的格式。它只是一个广范的参考，如果你想套用这个格式写出自己的影评，就需要你跳出自己原来的模式。下面提供一个影评范文——“阿甘正传”（ Forrest Gump）。
Forrest Gump
“Life is like a box of chocolates. You never know what you’re gonna get.” However, when you watch Forrest Gump starring Tom Hanks as Forrest and Robin Wright as Jenny, you know you are going to get a lot of laughs and even a few tears. The screenplay for the 1994 movie was written by Eric Roth, based on the novel by Winston Groom. The story follows Forrest through 30 years of trials and tribulations, placing Forrest within historical moments of history, and in pursuit of his one dream–his “most special friend,” Jenny. According to the Washington Post, Forrest Gump won Oscar awards for Best Picture, Best Actor (Hanks), Best Director (Robert Zemeckis), Film Editing, Visual Effects and Adapted Screenplay. The movie was well deserving of these awards since the acting and the visual effects were extraordinary.
The films’ actors success in portraying their characters is a major factor in the film’s awards. Tom Hanks and Robin Wright worked well together, just like “peas and carrots.” The on-screen chemistry between the two was phenomenal. I felt a real connection between the two, finding myself mad at Jenny when she blew Forrest off and in tears when he told her that he was heading to Vietnam. Mokui’s Movie Review states “Tom Hanks IS Forrest Gump…He breathes life into the guy and you will feel what Forrest feels” (1994, par 1). James Berardinelli states, “Robin Wright gives the best performance of her career, surpassing what she accomplished in The Playboys” (1994, par2). Another performance that stands out is that of Gary Sinise. Sinise plays the part of Lieutenant Dan Taylor, whose life is saved by Forrest ring the Vietnam War. James Berardinelli writes, “In this movie, his Lieutenant Dan Taylor is riveting” (1994, par 3). I thought that Sinise was quite convincing with his emotions throughout the movie, as if he was really a disabled vet who had lost both legs in the war.
Just as good as the actors were those working behind the scenes with the special effects. Throughout Forrest Gump the special effects were incredible. During Lieutenant Taylor’s scenes, I was convinced that he really didn’t have legs. I was studying the scenes, looking for any signs of legs, trying to figure out how it was done. It turns out that each and every frame was painted over to give it the true to life values that it holds. Also bringing the movie more credibility was the ability to place Forrest in history making events. These events ranged from Forrest teaching Elvis how to swing his hips to meeting Presidents for various accomplishments. These television clips of Forrest were done with such finesse that they look real. Critic Brian Webster (2003) states, “This is handled virtually flawlessly; if you didn’t know better, you’d believe that a fellow named Gump really did tell President Lyndon Johnson that he had been shot in the rump while acting heroically in Vietnam” (par 2). Rolling Stone (2003) states, “The effects dazzle, though never at the expense of the story” (Travers, par 2).
This story, complete with the Oscar winning performances in both acting and special effects is perfect for those in need of a dose of goodness. My family enjoys watching Forrest Gump together for rejuvenation, to view someone with true values of honesty, friendship and family. Forrest, with his heart of gold and his low IQ, never gives up. He always looks for the best in every scenario. The movie opens with a feather floating down over the city, landing at Forrest’s feet. Near the end of the story, Forrest questions, “Do we each have a destiny – or do we just float around accidental, like on a breeze?” As you are contemplating this question, the feather reappears and floats through the countryside right up into the ending credits.
现在，让我们看看你在写影评之前需要做些什么：
步骤
看一部电影。在看电影时思考你喜欢哪里不喜欢哪里，并努力记住这些，因为你需要在写影评时用到。
回家，写下你在看电影时收集到的所有的信息。先将这些信息放在那里，因为你现在需要时间去回顾思考这部电影。但不要将这些信息放在那里超过一整天，因为如果时间太长的话，你可能会对电影失去兴趣也会忘掉一些你认为很重要的信息。
以一种方便读者阅读的形式写下你从这部电影中获得的所有信息。记住，要给没看过这部电影的人们一个简单的总结，但要记住的是，不能给出电影的最终结局，也不能写出任何他们不想得到的部分，因为这些部分可能会破坏掉人们对电影的印象。
记住整个影评到约600-700字就足够了。
向其他人展示出你的影评，以至于他们有机会看到你的观点，之后，你可能会开始让人们想要看到你的更多的影评。
小贴士
记得回顾你看过的每一部电影，因为当你养成这个习惯时，你会发现写影评会变得很容易。
一旦你从影评中得到自信，你需要试图将电影的风格与评论的语气相匹配。比如，幽默的写作风格更适合喜剧，而严肃的语气更适合写戏剧评论。
同样，正如上面提到的，我们提供的不是一个十分严格的影评格式以及影评字数的限制。我们主要是鼓励你要有自己的写作风格，从而使你写作更顺利而不是写作更死板。你将会得到更多的读者，更多的人欣赏你的风格并同意你的观点。
ESSAYSHIFU 拥有五年的留学生学术论文定制写作与指导经验，为上万留学生朋友（及本土华人）提供了优质的定制写作、作文润色、文书写作等服务，广受好评。Movie Review 是每位同学在学习过程中均会遇到的一种写作形式，任何课程中都可能出现，当你没有时间去看一部film，去写作一篇Review时，我们可以为您提供帮助，R&D旗下写手会根据您的要求去观看电影（纪录片或视频片段），按照Guide完成一篇原创、独特符合您要求的Movie Review。
Movie Review的写作在英国留学期间是接触非常多的，因为这是在英国留学期间老师给你布置的经常会写作的作业论文，所以同学们一定要好好的掌握Movie Review的写作，以上为大家所讲述的Movie Review写作辅导和Movie Review的写作范文参考，希望能够帮助到同学们的Movie Review写作，当然大家也可以试试咨询专业的教育组织，像是51e、留学府，上面有挺多相关的资讯信息可以了解。

⑺ movie review是什么意思

电影评论
电影评论，简称影评，是对一部电影的导演、演员、镜头语言、拍摄技术、剧情、线索、环境、色彩、光线等进行分析和批评，又称电影批评。

⑻ 求经典外国电影影评---要英文版本的

珍珠港的影评

pearl harbour film review

Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.

Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?

If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.

Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions