『壹』 电影 澳洲乱世情 (澳大利亚)英文简介
Plot
In 1939, Lady Sarah Ashley (Nicole Kidman) travels from England to northern Australia to force her (in her opinion) philandering husband to sell his faltering Australian cattle station, Faraway Downs. Her husband sends an independent cattle drover (Hugh Jackman), called simply "Drover", to Darwin to transport her to Faraway Downs. Lady Sarah's husband, who has been working hard to sell 1500 head of cattle to the military, is murdered shortly before she arrives. Meanwhile, treacherous FD cattle station manager Neil Fletcher (David Wenham) is trying to gain control of Faraway Downs, so that neighboring Lesley 'King' Carney (Bryan Brown) can have a cattle monopoly in the Northern Territory, which will give him negotiating leverage with the Australian army. Fletcher also claims to Lady Sarah that the murderer of her husband is an Aboriginal elder with magical powers, "King George" (David Gulpilil).
The childless Lady Sarah is captivated by the young boy Nullah (Brandon Walters), who was born to an Aboriginal mother and an unknown white father. Nullah tells her that he has seen her cattle being driven onto Carney's land — in other words, stolen from her. Because of this, Fletcher mistreats Nullah and threatens him and his mother, after which Lady Sarah fires Fletcher and decides to try and run the cattle station herself. When Nullah and his mother hide from the white authorities by entering a water tower, his mother drowns. Lady Sarah comforts Nullah by singing the song "Over the Rainbow" from the film The Wizard of Oz. Nullah tells her that "King George" is his grandfather, and that like "King George" he too is a "magic man".
Lady Sarah persuades Drover to take the cattle to Darwin for sale. Drover, a white man, is friendly with the Aborigines, and therefore shunned by many of the other whites in the territory. It is revealed that he had married an Aboriginal woman, but she had died after being refused medical treatment in a local hospital because of her race. Drover leads a team of six other riders, including Lady Sarah, Drover's Aboriginal brother-in-law Magarri (David Ngoombujarra), Nullah, and the station's accountant Kipling Flynn (Jack Thompson), to drive the 1,500 cattle to Darwin. Carney's men set large fires to make the cattle stampede, and Flynn is killed. However, at the last minute, Nullah stops the cattle from stampeding over a cliff, by apparantly using magic learned from his grandfather. Lady Sarah and Drover develop a romance, and she gains a new appreciation for the Australian territory. But Carney's men poison all the water sources along the cattle-drive route, so the group risks driving the cattle through the dangerous Never Never desert, which they accomplish with the help of "King George". Then, when at last delivering the cattle in Darwin, the group has to race them onto the ship before Carney's cattle are loaded.
Two years pass and Lady Sarah, Nullah, and Drover live together happily at Faraway Downs. However, Fletcher kills Carney and frames it as a tragic accident, marries his daughter Cath Carney, takes over Carney's cattle empire, and then continues to menace Lady Sarah. It is determined that Fletcher was the actual murderer of Lady Sarah's husband, and that Fletcher is also almost certainly the father of Nullah. Nullah is drawn to perform a ceremonial coming-of-age walkabout with his grandfather "King George", but is instead captured by the authorities and sent to live on Mission Island with the rest of the half-Aboriginal children (bbed the "Stolen Generations"). Lady Sarah vows to find him again somehow, but first works as a radio operator in Darwin ring the escalation of World War II. When the Japanese attack the island and Darwin in 1942, Lady Sarah fears that Nullah was killed.
Drover, who had quarrelled with Lady Sarah and had gone droving apparently never to return, hears (mistakenly) that she has been killed in the bombing of Darwin. (It is later revealed that the dead woman thought to be Sarah is in fact Catherine Fletcher, who had volunteered to take Sarah's shift at army radio headquarters so Sarah could go to Nullah earlier.) Drover finds out about Nullah's abction to Mission Island, and sets out with Magarri and Ivan (the hotelier) to rescue Nullah and the other children from the island using a sailboat. Magarri sacrifices himself to buy the others more time ring the escape, and is shot by the Japanese. The others all make it safely back to Darwin. Meanwhile, Lady Sarah has sold Faraway Downs to Fletcher, and is leaving the Northern Territory that morning, since she believes there is nothing more to hold her there. But when Drover and the children sail back into port at Darwin, Nullah plays his harmonica with the tune of "Over the Rainbow". Lady Sarah hears the music, abandons her trip, and the three are reunited. Fletcher, who knows Nullah is the one link to his disreputable past that can ruin him, and rails that the boy must have cursed him, attempts to shoot Nullah, but is speared by King George and falls dead. Lady Sarah, Drover, and Nullah return to the safety of remote Faraway Downs. On the way back to Faraway Downs, King George calls for Nullah, his grandson, to go walkabout. Lady Sarah embraces Nullah and then lets him go to his grandfather, who explains now they will return to his land, and then looking at Lady Sarah, says "our land".
『贰』 有什么电影是澳洲本土的电影要讲澳洲口音英语的
占水师,澳洲拍摄的
『叁』 求电影《澳大利亚》的英语影评
Australia
Proction year: 2008
Country: Rest of the world
Cert (UK): 12A
Runtime: 165 mins
Directors: Baz Luhrmann
Cast: Ben Mendelsohn, Bill Hunter, Bryan Brown, David Gulpilil, David Wenham, Hugh Jackman, Nicole Kidman
The ambitious, not to say hubristic, title Australia brings to mind the blockbuster novels of James A Michener that took a place (Hawaii, Poland, Texas) and gave us its history from the Stone Age to the present, incorporating in the later stages a romantic tale of the struggles of three or four generations. Baz Luhrmann does something vaguely like this by having a 12-year-old Aboriginal boy steeped in the lore of his people narrate the story, though the setting is confined to the Northern Territory and the time frame a mere three years from the outbreak of war in 1939 to the Japanese air raids on Darwin in 1942. But a condensed TV mini-series is nearer the mark.
Australia is populated by faces made familiar by Australian films of the past 40-odd years - Ray Barrett, Jack Thompson, Bryan Brown, Bill Hunter, Tony Barry, David Gulpilil among them - and in a superficial way it revisits the heroic period of Australian cinema in the 1970s and 80s. That was when Peter Weir, Fred Schepisi, Bruce Beresford and others were exploring - in movies like Picnic at Hanging Rock, The Chant of Jimmie Blacksmith and Gallipoli - such pressing issues as the relationship of white Australians to this mysterious new land, guilt over the treatment of dispossessed natives, the burden of cultural inferiority and the shaping of a national identity. The next wave of film-makers turned away from these big subjects, focusing on comedies and small-scale dramas of suburban life.
Luhrmann's Strictly Ballroom was a major example of this new antiheroic cinema and his next two movies - a Romeo and Juliet set in Latin America and the musical extravaganza of fin-de-siècle Paris, Moulin Rouge - took him into worlds of artifice far removed from everyday life. But Australia isn't really taking up the themes that once made Australian cinema so vital. It's imposing Hollywood styles and forms on the Australian experience and it falls into two distinct parts, the first a western, the second a war movie.
Australian film historian Brian McFarlane coined the term "wallaby western" to describe Outback adventures inspired by the Hollywood horse operas that have been a regular feature of cinema Down Under since the silent days. In Luhrmann's film, Nicole Kidman plays Lady Sarah Ashley, a parodic British aristocrat who flies in September 1939 to Australia, where her errant husband runs a cattle station in the Northern Territory. Meeting her in Darwin to escort her to the farm is "the Drover" (Hugh Jackman), a tough, independent wrangler.
They correspond exactly to the haughty East Coast sophisticate arriving on the American frontier with her fancy city ways and the plainspoken cowboy at home on the range, so often played by Maureen O'Hara and John Wayne. Initially hostile to each other, the pair develop a mutual respect and romance inevitably follows. This occurs when Lady Ashley's husband is found dead (murdered by thugs employed by a rival cattle baron) and to save the station's fortunes, she and the Drover must take a herd hundreds of miles to be shipped out of Darwin.
Two major Wayne westerns are here brought together - Red River and The Cowboys - and in an exciting, melodramatic manner the cattle drive takes place over awesome terrain to music that echoes familiar scores by Dmitri Tiomkin and Elmer Bernstein. A subplot centres on Lady Ashley's protective relationship to the narrator Nullah (affectingly played by Brandon Walters), a half-Aboriginal boy. She attempts to save him from being sent by law to a mission school and raised as a déraciné white child. This parallels the half-Indians torn between conflicting cultures in the western.
The war movie genre forms the second half of Australia. The escalation of hostilities following Pearl Harbor coincides with the deep-dyed villain conspiring to have Nullah taken into custody. As European children are sent south from Darwin for safety, Nullah and other half-Aboriginal orphans are dispatched to a mission island near Darwin that puts them directly in harm's way.
Fortunately, Lady Ashley, having separated, à la Scarlett and Rhett, from the Drover, has left her equivalent of Tara to do her bit for the war effort in Darwin. While they rush around trying to save Nullah, one mini-climax follows another as the Japanese air force attacks the city and their army lands on the orphans' island. At this point, Luhrmann evokes From Here to Eternity, Pearl Harbor, Gone With the Wind (the burning of Atlanta and its aftermath) and wartime anti-Japanese action movies.
It is all absurd, and yet absurdly entertaining, the stylised special effects adding to the weirdly unreal feeling. But you don't go to Baz Luhrmann expecting to find Patrick White, any more than you buy a ticket for South Pacific expecting to experience The Naked and the Dead. Meanwhile, the numinous presence of the Aboriginal shaman, Nullah's grandfather King George (David Gulpilil), and the movie of The Wizard of Oz hover over the picture. Lady Ashley cheers up Nullah on the cattle drive by telling him the story of Dorothy's quest and singing a half-remembered version of Over the Rainbow; later, Nullah sees the movie at an open-air cinema. As Baum's Oz meets Baz's Oz, "dream time" merges into the Hollywood cliche of "living your dream".
The movie ends with Nimrod from Elgar's Enigma Variations accompanying Nullah on walkabout with King George. The world is at war, but Europe and Australia, city and country, past and future are at peace as the Drover and Lady Ashley embrace in their outback paradise. When they marry, will she be called Lady Drover?
『肆』 澳大利亚的电影
最新的 澳洲乱世情
《舞出爱火花》(1992),《无法无天》(1992),《穆丽尔的婚礼》(1994),《钢琴别恋》 (1993)《沙漠妖姬》(1994)和《闪亮的风采》。
『伍』 请教一个译制片的名字
荒野有情天,澳大利亚老电影。
英文名: The Earthling
中文名: 天涯一孤雏 | 荒野有情天
导 演: ( Peter Collinson )
主 演: (威廉·霍尔登 William Holden) ( Rick Schroder) (杰克·汤普森 Jack Thompson) ( Olivia Hamnett) ( Alwyn Kurts) ( Pat Evison)
上 映: 1980年07月24日
一个四处漂泊的男人,希望在最后的时光中,找寻生命的意义。在荒野中碰到一个父母意外丧失小孩,由于所剩生命无多,他所能做的就是尽量教导这孤苦无依的孩子,在大自然中的求生之道……
第一次这个不轻易流露感情的男人,亲身体验到爱的关怀,这个娇生惯养的小孩也因此学习到一生永难忘怀的独立精神。
『陆』 有什么好看的澳大利亚电影吗拜托各位了 3Q
[钢琴课]The Piano 澳大利亚 1993 钢琴,哑女,一段异乎寻常、却震撼人心 [绿卡]Green Card 澳大利亚 1990 浪漫,轻快,迷人,一部具有欧洲风味的美 艾米 舞出爱火花 1992 深夜中的呼唤 糖果 穆丽尔的婚礼 加里波底战役
『柒』 帮忙找一下电影《Australia》的英文简介,而且要用中文翻译过来。不要太长,300词以内就够了
"Australia" is Baz Luhrmann's first feature film since the 2001 musical success Moulin Rouge! The highly anticipated film centres on an English aristocrat in the 1930s, played by Nicole Kidman, who comes to northern Australia to sell a cattle property the size of Belgium. After an epic journey across the country with a rough-hewn drover, Hugh Jackman, they are caught in the bombing of Darwin ring World War II. Filming began late April 2007 & concluded December 19th 2007. The film was released November 26 2008.
『捌』 澳大利亚电影的介绍
Aodɑliyɑ diɑnying 澳大利亚电影 Australia, cinema in 1896年 8月在墨尔本的歌剧院首次放映了英国人R.W.保罗摄制的关于伦敦威斯敏斯特桥的纪录短片。同时,法国卢米埃尔兄弟派出的摄影师在墨尔本拍摄了一部纪录片,反映盛大的墨尔本杯赛马活动。这部影片在墨尔本和悉尼上映达 3个月之久,是外国人在澳大利亚拍摄的最早的一部影片
『玖』 求一部澳大利亚电影
中文名:潜龙轰天2-暴走潜龙
英文名:Under Siege 2: Dark Territory
主演: 斯蒂芬·西格尔 Steven Seagal
埃里克·勃格森 Eric Bogosian
埃弗里特·麦吉尔 Everett McGill
凯瑟琳·海格尔 Katherine Heigl
莫里斯·切斯耐特 Morris Chestnut
彼德·格雷尼 Peter Greene
类型: 动作片 剧情片 惊悚片
地区: 美国
导演: 杰夫·墨菲 Geoff Murphy
编剧: 1.J.F·劳顿 J.F. Lawton
2.理查德·哈特姆 Richard Hatem
年份: 1995年7月14日
语言: 英语/中文字幕
格式:DVD-RMVB
链接:http://www.imdb.com/title/tt0114781/
剧情介绍:
前海军特种部队教官赖基斯约定与侄女一起度假,希望借此缓解他们之间的矛盾。却不料他们乘坐的火车被疯狂的科学家邓查维伙同特种部队潘上校劫持。他们将乘客扣作人质,并将火车改装成具备反侦察装置的电脑控制中心,通过它掠夺了国防部布置在外太空的一枚超极粒子束武器的同步卫星“游牧者一号”。邓查维利用束子激光武器对空中和地面目标实行疯狂打击,并向政府勒索10亿美元。 赖基斯躲过了劫匪的搜查,巧妙利用电脑将信号发送出去。
同时,他自制炸弹,在车厢和车顶与劫匪展开了游击战。国防部决定用反卫星导弹摧毁已无法控制的“游牧者一号”,但只不过击中了假目标。邓查维在太空共设有50个假目标,根本无从确定真正的目标位置。而这时,邓查维已将下一个攻击目标锁定了华盛顿首府,并开始了40分倒数。国防部终于收到了赖基斯的讯息,并从中确定了列车的方位,在无计可施的情况下,只好决定将火车与人质一同摧毁。不料派去执行任务的两架最先进的F-117隐形战机在粒子武器下不堪一击。国防部彻底一筹莫展,只能寄希望于赖基斯能制止邓查维。华府高层领导人物开始向外疏散,准备承受致命打击。赖基斯机智灵活地与劫匪周旋,进行逐步歼灭,最终在侍者的帮助下使载有人质的车厢脱离,而他还必须前去摧毁控制系统并解救侄女。邓查维改变了行进轨道,让这列火车与另一列油罐车相撞,赖基斯必须在短时间内完成任务。他最终杀死了劫匪头领潘上校和邓查维,在最后几秒种内击毁了电脑自控系统。国防部立即对恢复控制的“游牧者一号”执行了自爆程序,华府总算保住了,而赖基斯与侄女也在危急时刻逃离了列车,登上了直升机。
在哥哥公墓前,赖基斯终于和侄女和解了,一家人欢欣地拥抱在一起 。
制作背景:
史蒂文·西格饰演的厨师凯西雷贝克曾成功地解救了恐怖分子劫持军舰的危机,这一次他换了个场地发挥,改在一列行驶于“黑暗疆域”的高速火车上对付暴徒。虽然本片故事公式化,但导演安德鲁·戴维斯处理动作场面出色,使整个解救危机的过程显得紧凑惊险,娱乐性颇高。惊险紧张的追逐、出奇不意地突袭、 激烈危险的枪战,以及飞机爆炸,火车相撞等一系列宏 大壮观,令人目瞪口呆的惊险场面,为影片增色不少。
《暴走潜龙》评析:
《暴走潜龙》是《潜龙轰天》的第二集,它承接了主人公赖基斯的冒险解救故事,又是一部惊险刺激的动作大片。
影片设置了新的场景,科学家通过电脑来控制外太空的一颗毁灭性武器卫星,以此实现自己的野心,并索取巨额金钱。这种不可思议的疯狂行动,为影片提供了新奇的立意。此外,惊险紧张的追逐、出奇不意地突袭、激烈危险的枪战,以及飞机爆炸,火车相撞等一系列宏大壮观,令人目瞪口呆的惊险场面,为影片增色不少。同时,观众不难体验到一种对科技进步相伴而来的极度恐慌。一个远在外太空的卫星,凭借先进的科技,居然可以把地面上一个人的身体部分观察得如此详细,清晰的就好象是在他身前一米的地方牡恼掌�U庵指呖萍?到底是人类的幸抑或不幸?一个疯狂的科学家只利用一台电脑,就可以闯入国防网络,从而控制这个超级武器肆意妄为,制造战争恐怖。人类的命运到底会走向什么方向,什么地步?
赖基斯的扮演者史蒂文·西格是影坛的幸运儿,他所拍的影片很受美国军方支持,慨然出借大量先进装备进行实拍。他本人在影片的表现极为出色,因为他用的 是真功夫,这也是他成为动作明星的一个资本吧。
『拾』 以澳大利亚为背景题材的电影
《澳大利亚》
导演:巴兹·鲁赫曼
主演: 妮可·基德曼
休·杰克曼
大卫·温汉姆
类型: 冒险/西部/战争/剧情
国家/地区:美国/澳大利亚
片长:165分钟
上映日期:2008年12月25日 香港美国
对白语言:英语
发行公司:20世纪福克斯
官方网站:http://www.australiamovie.com/
《澳大利亚》中所讲述的那个满是传奇和浪漫情愫的动作历史故事,发生在濒临于二战边缘的澳大利亚,那里有一座被袭击了珍珠港的日军炸掉的城市--达尔文。影片的编剧兼导演巴兹·鲁尔曼(Baz Luhrmann)借机描绘了一幅宏大的史诗画面,就像澳大利亚这个国家一样,散发出永久的传奇气息。一直以来,鲁尔曼都将澳洲大陆当成这个世界拥有着最伟大的边境线的地界,他说:“对于其他地方来说,澳大利亚是一个非常遥远、非常遥远的国度,这是一种与生俱来的认知问题……比如说在《走出非洲》(Out of Africa)中,影片一开始的时候就出现了一句非常有针对性的对白,当卡琳·布里克森发现她的丈夫有婚外情了,她说,‘我要逃走,我可能会去任何地方,非洲、澳大利亚……好吧,我应该不会去澳大利亚。’”
《肮脏的交易》
这是1969的悉尼。巴里在城里经营着赌博、嫖娼和其它强取豪夺的不正当买卖。美国大兵在越战间隙纷纷涌入此地休假,巴里的收入也因此而源源不断。巴里红火的生意引起了美国黑帮的注意。托尼和萨尔这两个美国无赖受指派来到澳大利亚, 从巴里那里诈取钱财。与此同时,巴里的侄子达西也结束了在越南的服役,回到悉尼开始新的生活。巴里很快发现自己在与这些嗜杀成性的美国佬周旋的同时,还要应付自己凶悍的老婆,麻烦的情人和不地道的警察雷。镜头的巧妙运用,黑色喜剧的形式,以匪徒作为主人公,作家兼导演戴维·凯撒在沿用昆汀·塔伦蒂诺和盖·里奇警匪片套路的同时,还为其影片赋予了浓厚的澳大利亚色彩。
《天线》
1969年7月, 全世界通过电视目睹了阿波罗11号的登月过程。但是,若没有澳大利亚工作者在澳大利亚东南部的帕克斯接收站对世界上最大的天线之一进行调控,人们根本无法通过电视看到这一切。《天线》是一部振奋人心,令人愉快的影片。它获得成功的原因除了演员对角色的精彩塑造外,还有为了共同目标而奋斗其实就是生活的最高追求这一温暖人心的主旋律。
上帝也被告》
史迪夫在澳大利亚沿海一个具有田园风光的小镇上生活,靠打渔勉强维持生活。在一个风雨交加的下午,史迪夫的小船被雷电击中而遭到严重损坏,根本无法修复。史迪夫认为保险公司一定能够对他的损失给予赔偿,一切都会不成问题。然而他却大错特错了!保险公司拒绝了史迪夫的索赔要求,告诉他这次意外是“上帝的行为”。史迪夫因此作出决定:如果这次意外真的是“上帝的行为”,那么上帝必须对他的损失负责。就这样展开了这场小人物和强大的教会特权以及小人物和为教会服务的庞大的法律机构、保险公司之间的斗争。在女记者安娜的帮助下,史迪夫试图证明世间并没有什么“上帝的行为”。 这不过是保险公司为了拒绝赔付老百姓的索赔要求而获取高额利润的借口。由政治作家当·华森编剧《起诉上帝的人》是一部温暖人心的反应人民与社会制度之间矛盾的喜剧。