电影wonder英文影评

『壹』 求一篇英语电影的英文影评，600字~800字，答好给20

你是猪，不要以为贴上时髦的标签就以为你不是猪！

人的身上是有猪的本性的！

我想，这就是导演为什么会选择一头小猪作为电影的主角！

我一向不愿意看动画片的！至少我觉得真人的影像才能带来真实感！

这部动画影片却纠正了我的偏执，它让我笑着哭。

本以为它应当是给人以轻松搞笑的，可我确看到伤心！

不知道为什么，当影片进行到麦太与麦兜许愿不再吃鸡的那一段！麦兜：“...我希望我争气，妈妈不用挤眼泪，不用有更年期....如果妈妈开心......我愿意以后都不吃我最最喜欢的鸡！”麦太说：“......妈妈在外面，其实也不是一头成功的母猪.....我每天回到家，最开心最开心就是能做一顿好吃的，看着你吃的样子，这个使我能够给你的最简单最基本的幸福，所以，若果你以后不再吃妈妈做的鸡，妈妈再也看不到你吃鸡的样子，那妈妈的一切就没有了！”我眼泪止不住的往外溢，伴随着阵阵心酸！我想到了我和我的妈妈。从麦兜身上，我看到了自己的影子。如果我妈妈能开心，我愿意去做任何事！从麦太身上，我更感觉到的是妈妈。妈妈说过，她最大的心愿就是可以看着我健健康康的长大！如果说每个中国人都可以从阿Q身上找到自己的影子，我却从一头小猪的希望里看到自己！有泪不轻弹，未到伤心处！一部《麦兜》却如针尖一样扎进我的心脏。

“一丁点儿”这个词也是在影片中出现过很多回，刚看完影片时，我最不理解的是麦仲肥与麦兜故事有什么关系！感觉很牵强。后来，“不会差一丁点儿 ”让我有了感触，麦仲发明每样东西总是差那么一丁点，麦太经商总是差那么一丁点，麦兜的学习也总是差那么一丁点....做每一件事，总是差那么一丁点而没有做成！这是我除了笑之外的另一处尴尬！总是差那么一丁点！在我们的现实生活中，有多少心底善良，努力上进的人们，然而总是因为差那么一丁点而没做成！难道这不正是说道我们的痛处吗!生活，它是苦涩的！

感谢作者创作了麦兜，常看到一行字，本故事纯属虚构！然而，我却在麦兜的故事里体味到了，善良，心酸还有一个真实的世界！

『贰』 英语电影影评和英语文学名著读后感 各120字 谢谢，在线等

《飞屋环游记》英语影评
"Up" is a wonderful film, with characters who are as believable as any characters can be who spend much of their time floating above the rain forests of Venezuela. They have tempers, problems and obsessions. They are cute and goofy, but they aren't cute in the treacly way of little cartoon animals. They're cute in the human way of the animation master Hayao Miyazaki. Two of the three central characters are cranky old men, which is a wonder in this youth-obsessed era. "Up" doesn't think all heroes must be young or sweet, although the third important character is a nervy kid.
《呼啸山庄》读后感
The story is wonderful, and the structure is also extremely excellent.The author Emily Bronte use a series of flashbacks and time shifts draws a powerful picture of this story. Because of its wonderful story, excellent structure and graceful language, the book left a deep impression on me.
From this book, we understand the deeply love and enmity. We find that the enmity always touched by deeply love at the end of the story, true feelings and true love always moved everyone. So we must treat others with true feelings.
That’s all I want to say about Wuthering Heights. It’s really a good book. Readers will really gain much from this book.

『叁』 求四部电影的英文影评 其中要有纳尼亚传奇2 和肖申克的救赎 字数120-150

1.纳尼亚传奇2：

This movie makes you wish you could blow up a zoo and just let all the animals run wild and free, and it's going to make you want to walk up to large, wild animals and say, "We're friends," and you're going to want to be friends with EVERYONE and ANYTHING because this movie just puts you in such a great awesome super kick-ass mood. You're going to be blown away by the impressiveness of Aslan's super-sonic roar-boom. And the musical score when what's-her-face (Phyllis?) kissed that Italian wanna-be was just Wuhan... I'll have it stuck in my head for months. There should have been more cheetahs. I mean, just because they're basically extinct in real life doesn't mean they can't be overpopulating Narnia. I think the density of the cheetah population should have been extreme... Like you couldn't take four steps without stepping on a cheetah. I also really liked Reepacheep. Not as much as my friend, though. She's gonna marry him, even though she has a boyfriend. I don't know how her boyfriend would feel about that - being mped for a rodent. As for the ginger dwarf... That guy was seriously creeping me out. I would have gotten a restraining order against him for looking at me like that. It was so scary! I really liked the way he twirled his knife around like a baton in his hand as he ran toward the guards on horseback, though. It really showed how experienced he was in the art of war. Aslan makes real-life lions look bad. He puts more fur in the world.

2. 肖申克的救赎：

Shawshank Redemption is without doubt one of the best films ever made, and definitely the best film of 1994. Yes, it is better than Lion King, and I really like that too. It is not only enthralling but powerful and moving too. I will confess that I didn't understand it when I first saw it as a lot happens in the film, and I have now seen it three times. I seriously hope, that those who ignored the film when it was first released now recognise it as a great film, as it really is. The dialogue was extremely well-written, with lines that really stick in your mind. The cinematography and music are both gorgeous, and the prison itself is like a character that dominates the film. In the script, there are some true elements of Stephen King Now I admit I am not a huge king fan, and usually don't like coarse language in books. But in his books like It, which is very good, I have accepted the language represents brutality and rebellion, shown perfectly in the film with the battle of acceptance I suppose between the inmates and the superiors(like the scene with the warden yelling coarse language at the new inmates lined up in a row at the beginning.)The acting was exceptional. I am not hugely familiar with Tim Robbins, but he did a great job in a very demanding role. The best performance however, comes from Morgan Freeman as Red, who was seriously robbed of that Oscar, that he lost to Tom Hanks for Forrest Gump. Freeman reminds me very strongly, or his style of acting does, remind me of that of Sean Connery, suave yet very charismatic. Acting isn't just about your vocal range, it's about depth, which was what Freeman certainly had. In short, Freeman was brilliant in what could be his best performance. The scene where the inmates are listening to the Mozart aria over the speakers was a beautiful profound moment, and I actually cried in Brook's death scene. Very rarely do King adaptations translate-to screen well, because of the large scale of the author's books, with the exception of this and the Shining. Some like It and Dreamcatcher are genuinely memorable but have a number of flaws that prevent them from being classed as outstanding. And some, like Thinner and Tommyknockers that border on unwatchable. In conclusion Shawshank is a brilliant film, that is worthy of the credit it has been denied for so-long.

3.碟中谍4：

Ghost Protocol-Whatever that means, has laid down the ghosts of MI-II and III. They were good but not this good. Brad Bird's directorial debut shows that he's equally comfortable in a live action movie as he is doing an animated feature. The script chosen is top notch and the audience really was kept guessing as to what happens next. The locales were exotic-Moscow,Du,& Mum.

This is a Tom Cruise vehicle through and through. He shows us why he is the biggest star in the world save perhaps a few. He still does his stunts (or so I am told-at this age)and stunts in an MI movie were aplenty. Humor is also thrown in a liberal doses, which makes it refreshing. Simon Pegg tickles your funny bones, Paula Patton brings in the oomph factor - never seen her before but she's hot. Renner as Brandt has some skeletons in the closet but he's the new member in team Hunt. Wonder why they did away with Ving Rhames - he was good. Micheal Nyquist - Those of you who know who he is (Dragon Tattoo anyone?) is good in his character. Wonder where he got his British accent from (He's Swedish)? Or did they do a voice-over? And Tom Cruise is immaculate. The best action movie of 2011 and I am glad they didn't go the Arab terrorist route. Its well worth the watch.

4. 阿甘正传

Forrest Gump is so unique because of the character Forrest Gump himself, who has a low IQ of only 75. I love that Forrest doesn't lose his innocence and purity throughout the movie, or maybe he just can't but either way, this shows you don't need to be evil or really intelligent to be recognised or successful. It is just a movie, so maybe it doesn't work like that in reality. What that simply means is that the acting and story of this film was incredibly touching on a real level. And in my definition that's what a good movie should be able to do.

『肆』 高分！帮忙写个电影的英语观后感

The Curious Case Of Benjamin Button review

"The Curious Case of Benjamin Button" is a splendidly made film based on a profoundly mistaken premise. It tells the story of a man who is old when he is born and an infant when he dies. All those around him, everyone he knows and loves, grow older in the usual way, and he passes them on the way down. As I watched the film, I became consumed by a conviction that this was simply wrong.

Let me paraphrase the oldest story I know: In the beginning, there was nothing, and then God said, "Let there be light." Everything comes after the beginning, and we all seem to share this awareness of the direction of time's arrow. There is a famous line by e.e. cummings that might seem to apply to Benjamin Button: and down he forgot as up he grew. But no, it involves the process of forgetting our youth as we grow older.

We begin a movie or novel and assume it will tell a story in chronological time. Flashbacks and flash-forwards, we understand. If it moves backward through a story (Harold Pinter's "Betrayal"), its scenes reflect a chronology seen out of order. If a day repeats itself (Harold Ramis' "Groundhog Day"), each new day begins with the hero awakening and moving forward. If time is fractured into branching paths ("Synecdoche, New York"), it is about how we attempt to control our lives. Even time-travel stories always depend on the inexorable direction of time.

Yes, you say, but Benjamin Button's story is a fantasy. I realize that. It can invent as much as it pleases. But the film's admirers speak of how deeply they were touched, what meditations it invoked. I felt instead: Life doesn't work this way. We are an observer of our passage, and so are others. It has been proposed that one reason people marry is because they desire a witness to their lives. How could we perform that act of love if we were aging in opposite directions?

The movie's premise devalues any relationship, makes futile any friendship or romance, and spits, not into the face of destiny, but backward into the maw of time. It even undermines the charm of compound interest. In the film, Benjamin (Brad Pitt) as an older man is enchanted by a younger girl (Cate Blanchett). Later in the film, when he is younger and she is older, they make love. This is presumably meant to be the emotional high point. I shuddered. No! No! What are they thinking ring sex? What fantasies apply? Does he remember her as a girl? Does she picture the old man she loved?

Pitt will of course be nominated for best actor and may deserve it because of his heroic struggle in the performance. Yes, he had to undergo much makeup, create body language and perform physically to be manipulated by computers. He portrays the Ages of Man with much skill. That goes with the territory. But how did he prepare emotionally? What exercises would the Method suggest? You can't go through life waving goodbye. He is born looking like a baby with all the infirmities old age. He grows younger, until he resembles Brad Pitt, and then a younger Brad Pitt, and then -- we do not follow him all the way as he recedes into the temporal distance.

The film was directed by David Fincher, no stranger to labyrinths ("Zodiac," "Fight Club"). The screenplay is by Eric Roth, who wrote "Forrest Gump" and reprises the same approach, by having his hero's condition determine his life experience. To say, however, that Roth "adapted" the original short story by F. Scott Fitzgerald would be putting it mildly. Fitzgerald wrote a comic farce, which Roth has made a forlorn elegy. Roth's approach makes Benjamin the size of a baby at birth. Fitzgerald sardonically but consistently goes the other way: The child is born as an old man, and grows smaller and shorter until he is finally a bottle-fed baby. Not much is said about Benjamin's mother, which is a pity, because he is 5-feet-8 at birth, and I wonder how much pushing that required.

I said the film is well-made, and so it is. The actors are the best: Taraji P. Henson, Julia Ormond, Elias Koteas, Tilda Swinton. Given the resources and talent here, quite a movie might have resulted. But it's so hard to care about this story. There is no lesson to be learned. No catharsis is possible. In Fitzgerald's version, even Benjamin himself fails to comprehend his fate. He's born as a man with a waist-length beard who can read the encyclopedia, but in childhood, plays with toys and throws temper tantrums, has to be spanked and then disappears into a wordless reverie. "Benjamin" rejects these logical consequences because, I suspect, an audience wouldn't sit still for them.

According to the oddsmakers at MovieCityNews, "The Curious Case of Benjamin Button" is third among the top five favorites for best picture. It may very well win. It expends Oscar-worthy talents on an off-putting gimmick. I can't imagine many people wanting to see the movie twice. There was another film this year that isn't in the "top five," or listed among the front-runners at all, and it's a profound consideration of the process of living and aging. That's Charlie Kaufman's "Synecdoche, New York." It will be viewed and valued decades from now. You mark my words.

有些长,你可以删减一下吧,希望能为你所用

『伍』 电影奇迹男孩英文观后感100字

电影奇迹男孩英文观后感是：

1、英文观后感：

Films occasionally fall into the stereotype of children's films, which are too cute and create inappropriate humor for young groups.

However, the film's ultimate success not only tells a complex story, but also conveys the experience of confusion, loneliness and fear to the audience.

2、中文翻译：

影片偶尔也落入儿童电影的窠臼，显得过于可爱和为低龄群体制造不恰当的幽默。不过，影片最终成功不只是讲述一个复杂的故事，而且给观众传达了少年经历困惑、孤独和害怕的体验。

剧情简介：

天生面部缺陷的小男孩奥吉，从小由母亲在家里教导，五年级时，他终于有机会进入普通的学校学习。初进学校的奥吉因为自己的长相受到同学们的嘲笑和欺负，但是在父亲、母亲、姐姐、老师以及好友的帮助下，他最终找到了自信，并用自己的行动改变了其他人的看法。

『陆』 电影奇迹男孩英语简介

英语简介：

August "Auggie" Pullman (Jacob Tremblay) is a 10-year-old boy living in North River Heights in upper Manhattan, New York. He has a rare medical facial deformity, which he refers to as "mandibulofacial dysostosis". Due to 27 surgeries, Auggie has been home-schooled by his mother, Isabel (Julia Roberts), but as Auggie is approaching fifth grade, Isabel and Auggie's father, Nate (Owen Wilson),decide to enroll him in Beecher Prep, a mainstream private school.

At first, Auggie is ostracized by nearly the entire student body, but he soon becomes best friends with a boy named Jack (Noah Jupe), who was his welcome buddy along with Julian Albans (Bryce Gheisar) and Charlotte Cody (Elle McKinnon).

During Halloween, Auggie wears an old Ghost Face mask and costume because his dog, Daisy (Gidget), threw up on his "Boba Fett"costume. Unrecognized, he walks around school knowing he would not get tormented while incognito.

As he walks through the door to his homeroom he overhears Jack telling Julian and his friends, Amos Conti (Ty Consiglio), Miles Noury (Kyle Harrison Breitkopf), and Henry Joplin (James A. Hughes), that he was "only pretending to be friends with Auggie". Feeling betrayed, Auggie wants to stay home ring trick-or-treating,but his older sister, Olivia "Via" (Izabella Vidovic), talks him out ofit.

The next day at lunch, Auggie confides the incident to another friend, a girl named Summer (Millie Davis),but swears her to secrecy and starts to avoid Jack. Jack, noticing what's going on, asks Summer why, but she only says "Ghost Face" to givehim one clue. In science class, Jack is shocked when it dawns on him that it was Auggie wearing the Ghost Face costume, and thus had overheard everything he said to Julian, Amos, Miles, and Henry.

When Julian calls Auggie a "freak," Jack angrily punches him in the face and a fight ensues between the two, which is soon broken up by their homeroom teacher, Mr. Browne (Daveed Diggs) and another teacher. Jack is suspended for two days for his actions, and apologizes to Auggie, and the two friends reconcile.

During the rest of the school year, Julian, Amos, Miles, and Henry repeatedly bully Auggie; they leave hurtful and threatening notes on his desk, and tape their class picture to his locker with Auggie photoshopped out. Mr. Tushman (Mandy Patinkin), Beecher Prep's principal, confronts Julian and his parents (Crystal Lowe) and (Steve Bacic)using all the evidence;Julian's mother proclaims that she had had Auggie edited out of the photo so her friends could ask about Julian instead of Auggie and his family.

She then says that the other students should not be exposed to Auggie. Despite her threats to pull both Julian and their funding from the school, Tushman suspends Julian for two days, along with making him miss an upcoming nature retreat. A remorseful Julian, who stands to lose all his friends, apologizes to Tushman for his humiliating actions towards Auggie, which Tushman accepts, as his parents drag him out the door.

Meanwhile, Via signs up for Drama Club at her high school after her best friend, Miranda Navas (Danielle Rose Russel), ignores her after her parents got a divorce; in the process, she meets Justin (Nadji Jeter),with whom she develops a close friendship which later turns into a
relationship. Later, Via is selected to be an understudy for the lead role in the school's proction of "Our Town",but when Miranda, who is the lead actress, pretends to fall ill after
learning that Via's family is at the play, Via takes her place and gives a performance that earns her a standing ovation.

During the nature retreat, when Auggie and Jack are accosted and threatened by a group of seventh graders from another school, lead by Eddie (William Dickinson),several of Julian's friends come to their defense. By the end of (and prior to) the retreat, Auggie is generally accepted by more of his classmates, including Amos, Miles, and Henry. At the year's end ring the graation ceremony, Auggie is given the Henry Ward Beecher Medal for stand-ing out; Auggie receives a standing ovation, and the movie ends with everyone applauding Auggie, and Isabel commenting on him being a "wonder".

拓展资料

《奇迹男孩》改编自全球畅销小说《奇迹》，讲述了一个温暖千万家庭的成长故事。10岁的奥吉天生脸部畸形，此前一直在家中和妈妈自学。当他小学五年级时，奥吉进入父母为他精心挑选的学校上学。在这里，奥吉将与校长、老师以及性格迥异的同学相处，他不寻常的外表让他成为同学们讨论的焦点，也给他的校园生活带来了不少难题。幸运的是，在成长过程中，奥吉的父母、姐姐一直是他最坚强的后盾，在他们的支持与关爱下，奥吉凭借自身的勇气、善良、聪敏影响激励了许多身边的人，并收获了友谊、尊重与爱，最终成长为大家心目中的不可思议的“奇迹”。

《奇迹男孩》用平凡的镜头组成不平凡的故事，以润物无声的方式带来最真实的温暖，不仅触动了父母的心，也让孩子们学会怎样去面对社会面对成长，无疑是今年冬天最适合全家观看的影片。

『柒』 急求三篇英文的电影观后感大神们帮帮忙

英文影评:千与千寻(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂总动员 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

『捌』 帮我写一篇看电影的英语观后感

关于电影阿凡达的英语观后感

Yesterday I went to watch 3D IMAX 'Avatar' with my mother and the teachers in her school. I have to admit that the film is such a wonder that I thought it is well worth watching in one's whole life. 'Avatar' is not just a film. Yes the view in it is really beautiful, charming, amazing, wonderful...I can use hundreds of words to discribe what I saw. The film is not just about the love story between a 'human' and a Na'vi princess, but also a ecational file.

『玖』 电影奇迹男孩五十字英文观后感

"Wonder" is a great film for all ages, especially for kids as it teaches them important lessons on life and about people who look "different". All the acting is great especially Jacob Tremblay who I loved in Room and is just as good here. I love this movie very much and I would recommend it to everyone.
(highmaster16, February 16,2018, IMDB)

『拾』 如何评价电影《神奇女侠》（Wonder Woman）

《神奇女侠》不仅收获了近乎炸裂的赞誉和口碑，还创造了数项纪录，刷新了电影史。

这是有史以来由女性执导的预算最高的真人电影（1.49亿美金），是DC组建电影宇宙以来第一部获得影评人好评的电影，而且很可能成为女性执导的票房收入最高的真人电影。

导演派蒂·杰金斯为影片创造了一种介乎梦幻和现实之间的浪漫基调。亚马逊人隐居的天堂岛风景如画、一片祥和，相比之下，人类世界的昏暗杂乱以及前线的残酷艰辛让人忍不住慨叹，是战争把人间变成了“人间地狱”。

△ 神奇女侠有自己的节日啦~

票房分析网站BoxOffice.com的首席分析师肖恩·罗宾斯说：“这部电影把DC带入了正确轨道”。

投资公司Needham & Co.的媒体分析师劳拉·马丁说：“如果《神奇女侠》可以取得《钢铁侠》那样的成功，那么它将有助于减少好莱坞男女薪酬差异。”

在派蒂·杰金斯之后，其他女导演也将陆续贡献自己的大制作电影，安娜·波顿将联手瑞安·弗雷克执导漫威的《惊奇队长》、吉娜·普林斯-拜斯伍德将执导《蜘蛛侠》的衍生电影《银貂与黑猫》、艾娃·德约列将执导迪士尼的《时间的皱折》。

神奇女侠在正义召唤下跃入夜空，还有越来越多的女性已经准备好拯救世界。

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图片来源：豆瓣

参考引用：

IMDb.com

'Wonder Woman' may flip the superhero script, By Ryan Faughnder, miamiherald.com

“Wonder Woman” director Patty Jenkins’ cinematic influences might surprise you, By C. Molly Smith, hellogiggles.com