无事生非电影剧本英文

Ⅰ 需莎士比亚喜剧无事生非的英文情节简介和人物性格介绍

人物性格： Beatrice is the niece of Leonato, a wealthy governor of Messina. Though she is close friends with her cousin Hero, Leonato’s daughter, the two could not be less alike. Whereas Hero is polite, quiet, respectful, and gentle, Beatrice is feisty, cynical, witty, and sharp. Beatrice keeps up a “merry war” of wits with Benedick, a lord and soldier from Paa. The play suggests that she was once in love with Benedick but that he led her on and their relationship ended. Now when they meet, the two constantly compete to outdo one another with clever insults. Although she appears hardened and sharp, Beatrice is really vulnerable. Once she overhears Hero describing that Benedick is in love with her (Beatrice), she opens herself to the sensitivities and weaknesses of love. Beatrice is a prime example of one of Shakespeare’s strong female characters. She refuses to marry because she has not discovered the perfect, equal partner and because she is unwilling to eschew her liberty and submit to the will of a controlling husband. When Hero has been humiliated and accused of violating her chastity, Beatrice explodes with fury at Claudio for mistreating her cousin. In her frustration and rage about Hero’s mistreatment, Beatrice rebels against the unequal status of women in Renaissance society. “O that I were a man for his sake! Or that I had any friend would be a man for my sake!” she passionately exclaims. “I cannot be a man with wishing, therefore I will die a woman with grieving” (IV.i.312–318). Benedick Benedick is the willful lord, recently returned from fighting in the wars, who vows that he will never marry. He engages with Beatrice in a competition to outwit, outsmart, and out-insult the other, but to his observant friends, he seems to feel some deeper emotion below the surface. Upon hearing Claudio and Don Pedro discussing Beatrice’s desire for him, Benedick vows to be “horribly in love with her,” in effect continuing the competition by outdoing her in love and courtship (II.iii.207). Benedick is one of the most histrionic characters in the play, as he constantly performs for the benefit of others. He is the entertainer, inlging in witty hyperbole to express his feelings. He delivers a perfect example of his inflated rhetoric when Beatrice enters ring the masked ball. Turning to his companions, Benedick grossly exaggerates how Beatrice has misused him, bidding his friends to send him to the farthest corners of the earth rather than let him spend one more minute with his nemesis: “Will your grace command me any service to the world’s end? I will go on the slightest errand now to the Antipodes that you can devise to send me on. I will fetch you a toothpicker from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference with this harpy” (II.i.229–235). Of course, since Benedick is so invested in performing for the others, it is not easy for us to tell whether he has been in love with Beatrice all along or falls in love with her suddenly ring the play. Benedick’s adamant refusal to marry does appear to change over the course of the play, once he decides to fall in love with Beatrice. He attempts to conceal this transformation from his friends but really might enjoy shocking them by shaving off his beard and professing undying love to Beatrice. This change in attitude seems most evident when Benedick challenges Claudio, previously his closest friend in the world, to el to the death over Claudio’s accusation as to Hero’s unchaste behavior. There can be no doubt at this point that Benedick has switched his allegiances entirely over to Beatrice. Don Pedro, Prince of Aragon Of all the main characters in Much Ado About Nothing, Don Pedro seems the most elusive. He is the noblest character in the social hierarchy of the play, and his friends Benedick and Claudio, though equals in wit, must always defer to him because their positions depend upon his favor. Don Pedro has power, and he is well aware of it; whether or not he abuses this power is open to question. Unlike his bastard brother, the villain Don John, Don Pedro most often uses his power and authority toward positive ends. But like his half-brother, Don Pedro manipulates other characters as much as he likes. For instance, he insists on wooing Hero for Claudio himself, while masked, rather than allowing Claudio to profess his love to Hero first. Of course, everything turns out for the best—Don Pedro’s motives are purely in the interest of his friend. But we are left wondering why Don Pedro feels the need for such an elaborate dissimulation merely to inform Hero of Claudio’s romantic interest. It seems simply that it is Don Pedro’s royal prerogative to do exactly as he wishes, and no one can question it. Despite his cloudy motives, Don Pedro does work to bring about happiness. It is his idea, for instance, to convince Beatrice and Benedick that each is in love with the other and by doing so bring the two competitors together. He orchestrates the whole plot and plays the role of director in this comedy of wit and manners. Don Pedro is the only one of the three gallants not to end up with a wife at the end. Benedick laughingly jokes in the final scene that the melancholy prince must “get thee a wife” in order to enjoy true happiness (V.iv.117). The question necessarily arises as to why Don Pedro is sad at the end of a joyous comedy. Perhaps his exchange with Beatrice at the masked ball—in which he proposes marriage to her and she jokingly refuses him, taking his proposal as mere sport—pains him; perhaps he is truly in love with Beatrice. The text does not give us a conclusive explanation for his melancholy, nor for his fascination with dissembling. This uncertainly about his character helps to make him one of the most thought-provoking characters in the play.(回答有10000字限制，只能两次回答）。

Ⅱ 《无事生非》txt下载在线阅读，求百度网盘云资源

《无事生非》（[英] 威廉·莎士比亚）电子书网盘下载免费在线阅读

链接：https://pan..com/s/1iXS_kPv9pphJ0pmeXxYc_w

书名：无事生非

作者：[英] 威廉·莎士比亚

译者：朱生豪

豆瓣评分：8.7

出版社：中国国际广播出版社

出版年份：2001-06

页数：183

内容简介：

《无事生非(中英文对照全译本)》内容简介：于世界文学史中，足以笼罩一世，凌越千古，卓然为词坛之宗匠，诗人之冠冕者，其唯希腊之荷马，意大利之但丁，英之莎士比亚，德之歌德乎，此四子者，各于其不同之时代及环境中，发为不朽之歌声。然荷马史诗中之英雄，既与吾人之现实生活相去太远；但丁之天堂地狱，又与近代思想诸多低语；歌德距吾人较近，实为近代精神之卓越的代表。但以超脱对空限制一点而论，则莎士比亚之成就，实远在三子之上。盖莎翁笔下之人物，虽多为古代之贵族阶级，然其所发掘者，实为古今中外贵贱贫富人人所同具之人性。故虽经三百余年以后，不仅其书为全世界文学之士所耽读，其剧本且在各国舞台与银幕上历久搬演而不衰，盖由其作品中具有永久性与普遍性，故能深入人心如此耳。中国读者耳闻莎翁大名已久，文坛知名之士，亦曾将其作品，译出多种，然历观坊间各译本，失之于粗疏草率者尚少，失之于拘泥生硬者实繁有徒。拘泥字句之结果，不仅原作神味，荡然无存，甚至艰深晦涩，有若天书，令人不能阅读，此则译者之过，莎翁不能任其咎者也。余笃嗜莎剧，曾首尾研涌全集至少十余遍，于原作精神，自觉颇有会心。开四年春，得前辈同事詹先生之鼓励，始着手为翻译全集之尝试。越年战事发生，历年来辛苦搜集之各种莎集版本，及诸家注译考证批评之书，不下一二百册，全数毁于炮火，仓卒中只携出牛津版全集一册，及译稿数本而已，而后辗转流徙，为生活而奔波，更无暇晷，以续未竟之志。及卅一年春，目观世变日亟，闭户家居，摈绝外务，始得惠心一志，致力译事。虽贫穷疾病，交相煎迫，而埋头伏案，握管不辍。前后历十年而全稿完成，夫以译莎工作之艰巨，十年之功，不可云久，然毕生精力，殆已尽注于兹矣。

余译此书之宗旨，第一在求于最大可能之范围内，保持原作之神韵；必不得已而求其次，亦必以明白晓畅之字句，忠实传达原文之意趣；而于逐字逐句对照式之硬译，则未敢赞同。凡遇原文中与中国语法不合之处，往往再三咀嚼，不惜全部更易原文之结构，务使作者之命意豁然呈露，不为晦涩之字句所掩蔽。每译一段，必先自拟为读者，查阅译文中有无暧昧不明之处。又必自拟为舞台上之演员，审辨语调是否顺口，音节是否调和。一字一字之未惬，往往苦思累日。然才力所限，未能尽符理想；乡居僻陋，既无参考之书籍，又鲜质疑之师友。谬误之处，自知不免。所望海内学人，惠予纠正，幸甚幸甚！

原文全集在编次方面，不甚惬当，兹特依据各剧性质，分为“喜剧”、“悲剧”、“传奇剧”、“史剧”四辑，每辑各自成一系统。读者循是以求，不难获见莎翁作品之全貌。昔卡莱尔尝云：“吾人宁失百印度，不愿失一莎士比亚”。夫莎士比亚为世界的诗人，固非一国所可独占；倘若此集之出版，使此大诗人之作品，得以普及中国读者之间，则译者之劳力，庶几不为虚掷矣。知我罪我，惟在读者。

Ⅲ 急需莎士比亚喜剧《无事生非》的英文情节简介和人物性格介绍

Brief introction：Much Ado About Nothing is a comedy by William Shakespeare about two pairs of lovers, Benedick and Beatrice, and Claudio and Hero.Benedick and Beatrice are engaged in a very "merry war"; they both talk a mile a minute and proclaim their scorn for love, marriage, and each other. In contrast, Claudio and Hero are sweet young people who are rendered practically speechless by their love for one another. By means of "noting" (which sounds the same as "nothing," and which is gossip, rumour, and overhearing), Benedick and Beatrice are tricked into confessing their love for each other, and Claudio is tricked into rejecting Hero at the altar. However, Dogberry, a Constable who is a master of malapropisms, discovers the evil trickery of the villain, Don John. In the end, Don John is captured and everyone else joins in a dance celebrating the marriages of the two couples.
Personality of different characters：Don Pedro, Prince of Aragon: A kind, good Prince who helps Claudio win Hero. It was very common for the superiors of that time to find suitable wives for their men. He later helps Claudio disgrace Hero when he believes that she is unfaithful and he also tricks Benedick and Beatrice to fall in love.Benedick, of Paa; companion of Don Pedro: A sarcastic, witty bachelor who swears he will never marry, he later falls in love with Beatrice when he is tricked into believing that she loves him. He is said to be very good in battle and there is hinting at a past relationship with Beatrice, though they do nothing but fight when the story opens.Claudio, of Florence; a count, companion of Don PedroBalthasar, attendant on Don Pedro, a singer: Though Don Pedro praises his singing, Benedick calls him a "cat who sounds as if someone is killing it."Don John, "the Bastard Prince," brother of Don Pedro and the main villain.Borachio and Conrade, followers of Don John: They are the ones who actually initiate the plot to frame Hero as an alteress. Borachio, who is in a relationship with Margaret, gets her into Hero's clothes and makes love to her on the balcony window, in full sight of Don John, Don Pedro, and Claudio.Leonato, governor of Messina: He is ready to kill Hero himself when he believes she has dishonored him, but when he starts to believe her innocence, is ready to turn and kill Claudio instead.Hero, Leonato's daughter: Beautiful, sweet, gentle, and demure, she is wrongfully accused of unfaithfulness and publicly humiliated on her wedding day. Wounded by Claudio's anger and her love for him, she swoons, and later pretends to be dead to bring remorse to her beloved. She marries Claudio in the end.
Beatrice, niece of Leonato: Hero's witty, older cousin, she attacks Benedick verbally, though she mentions once that "I wish he would have boarded me," insinuating that they had a past relationship. She swears never to marry, but after being tricked into believing that Benedick loves her, falls in love with him. She asks him to avenge Hero's dishonor and he reluctantly agrees to challenge Claudio to a el. Her father is Antonio.Antonio, an old man, brother of Leonato: Offers to fight Claudio after Hero is pronounced "dead."Margaret, waiting-gentlewoman attendant on Hero: Borachio's lover, she wears Hero's clothes and is thought to be her mistress. It is not known if she was tricked or was in on the ploy.Ursula, waiting-gentlewoman attendant on HeroFriar Francis, a priest: The priest who believes in Hero's innocence and proposes the plot to pretend that she is dead.Dogberry, the constable in charge of Messina's night watch: An idiot with a too-large sense of self-importance, he continuously botches everything he tries to do but is indirectly responsible for Hero's public redemption from disgrace.Verges, the Headborough, Dogberry’s partnerA Sexton, the judge of the trial of BorachioThe Watch, watchmen of MessinaA Boy, serving BenedickAttendants and messengersInnogen, a ghost character included in early editions as Leonato's wife</p>

Ⅳ 求莎士比亚电影无事生非的观后感，中文的也可以，最好是英文的。急用！！！

无事生非Clerks
Clerks was made for $27,575. It was mainly funded by 10 credit cards that Kevin had to his name, funds garnered from store credit after he sold his comic book collection, a family donation, and paychecks from working at the Quick Stop and RST Video. (NOTE: We don't really recommend this method of funding a film as if your film does not pan out, you will be put in serious financial debt for much of your life. However - we do condone going out and making your film yourself - just make sure your script is watertight).
Clerks was filmed using a 16mm Arri SR-2 camera and utilized Kodak Plus-X film.

Clerks began the road to distribution at the IFFM (Independent Feature Film Market) where it was viewed and liked by Bob Hawk, a member of the Sundance Advisory Committee. It was then shown at Sundance in 1994 where it was picked up by Miramax Films.

The Clerks script can be purchased at Jay and Silent Bob's Secret Stash. It is in book form along with the Chasing Amy script and titled Clerks/Chasing Amy: Two Screenplays

The Quick Stop and RST Video are located at 58 Leonard Ave., Leonardo, NJ. (Off Route 36 heading towards the beach for those of you familiar with the area) Postens Funeral Home is located at 59 E Lincoln Ave, Atlantic Highlands, NJ

Director Kevin Smith attended the Vancouver Film School for 4 months before dropping out and making Clerks.

Originally rated NC-17 for language. Miramax hired Alan Dershowitz of OJ Simpson Defense Team fame to appeal the rating. The rating was successfully appealed without any cuts.

Jeff Anderson, who played Randal, had never acted before. He can also be seen "Dogma and in the upcoming movie "Jay and Silent Bob Strike Back".

Ⅳ 谁有莎士比亚<<无事生非>>电影视频及英文剧本 我们要演戏剧~谢谢 邮箱414767570@qq.com

剧本已发送，请注意查收

Ⅵ 跪求！！莎士比亚《无事生非》剧本！！

第一幕
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第一场 里奥那托住宅门前
里奥那托、希罗、贝特丽丝及一使者上。
里奥那托 这封信里说，阿拉贡的唐•彼德罗今晚就要到梅西那来了。
使者 他马上要到了；我跟他分手的时候，他离这儿才不过八九哩路呢。
里奥那托 你们在这次战事里折了多少将士？
使者 没有多少，有点名气的一个也没有。
里奥那托 得胜者全师而归，那是双重的胜利了。信上还说起唐•彼德罗十分看重一位叫做克劳狄奥的年轻的弗罗棱萨人。
使者 他果然是一位很有才能的人，唐•彼德罗赏识得不错。他年纪虽然很轻，做的事情十分了不得，看上去像一头羔羊，上起战场来却像一头狮子；他的确能够超过一般人对他的期望，我这张嘴也说不尽他的好处。
里奥那托 他有一个伯父在这儿梅西那，知道了一定会非常高兴。
使者 我已经送信给他了，看他的样子十分快乐，快乐得甚至忍不住心酸起来。
里奥那托 他流起眼泪来了吗？
使者 流了很多眼泪。
里奥那托 这是天性中至情的自然流露；这样的泪洗过的脸，是最真诚不过的。因为快乐而哭泣，比之看见别人哭泣而快乐，总要好得多啦！
贝特丽丝 请问你，那位剑客先生是不是也从战场上回来了？
使者 小姐，这个名字我没有听见过；在军队里没有这样一个人。
里奥那托 侄女，你问的是什么人？
希罗 姊姊说的是帕度亚的培尼狄克先生。
使者 啊，他也回来了，仍旧是那么爱打趣的。
贝特丽丝 从前他在这儿梅西那的时候，曾经公开宣布，要跟爱神较量较量；我叔父的傻子听了他这些话，还拿着钝头箭替爱神出面，要跟他较量个高低。请问你，他在这次战事中间杀了多少人？吃了多少人？可是你先告诉我他杀了多少人，因为我曾经答应他，无论他杀死多少人，我都可以把他们吃下去。
里奥那托 真的，侄女，你把培尼狄克先生取笑得太过分了；我相信他一定会向你报复的。
使者 小姐，他在这次战事里立下很大的功劳呢。
贝特丽丝 你们那些发霉的军粮，都是他一个人吃下去的；他是个著名的大饭桶，他的胃口好得很哩。
使者 而且他也是个很好的军人，小姐。
贝特丽丝 他在小姐太太们面前是个很好的军人；可是在大爷们面前呢？
使者 在大爷们面前，还是个大爷；在男儿们面前，还是个堂堂的男儿——充满了各种美德。
贝特丽丝 究竟他的肚子里充满了些什么，我们还是别说了吧；我们谁也不是圣人。
里奥那托 请你不要误会舍侄女的意思。培尼狄克先生跟她是说笑惯了的；他们一见面，总是舌剑唇枪，各不相让。
贝特丽丝 可惜他总是占不到便宜！在我们上次交锋的时候，他的五分才气倒有四分给我杀得狼狈逃走，现在他全身只剩一分了；要是他还有些儿才气留着，那么就让他保存起来，叫他跟他的马儿有个分别吧，因为这是使他可以被称为有理性动物的唯一的财产了。现在是谁做他的同伴了？听说他每个月都要换一位把兄弟。
使者 有这等事吗？
贝特丽丝 很可能；他的心就像他帽子的式样一般，时时刻刻会起变化的。
使者 小姐，看来这位先生的名字不曾注在您的册子上。
贝特丽丝 没有，否则我要把我的书斋都一起烧了呢。可是请问你，谁是他的同伴？总有那种轻狂的小伙子，愿意跟他一起鬼混的吧？
使者 他跟那位尊贵的克劳狄奥来往得顶亲密。
贝特丽丝 天哪，他要像一场瘟疫一样缠住人家呢；他比瘟疫还容易传染，谁要是跟他发生接触，立刻就会变成疯子。上帝保佑尊贵的克劳狄奥！要是他给那个培尼狄克缠住了，一定要花上一千镑钱才可以把他赶走哩。
使者 小姐，我愿意跟您交个朋友。
贝特丽丝 很好，好朋友。
里奥那托 侄女，你是永远不会发疯的。
贝特丽丝 不到大热的冬天，我是不会发疯的。
使者 唐•彼德罗来啦。
唐•彼德罗、唐•约翰、克劳狄奥、培尼狄克、鲍尔萨泽等同上。
彼德罗 里奥那托大人，您是来迎接麻烦来了；一般人都只想避免耗费，您却偏偏自己愿意多事。
里奥那托 多蒙殿下枉驾，已是莫大的荣幸，怎么说是麻烦呢？麻烦去了，可以使人如释重负；可是当您离开我的时候，我只觉得怅怅然若有所失。
彼德罗 您真是太喜欢自讨麻烦啦。这位便是令嫒吧？
里奥那托 她的母亲好几次对我说她是我的女儿。
培尼狄克 大人，您问她的时候，是不是心里有点疑惑？
里奥那托 不，培尼狄克先生，因为那时候您还是个孩子哩。
彼德罗 培尼狄克，你也被人家挖苦了；这么说，我们可以猜想到你现在长大了，是个怎么样的人。真的，这位小姐很像她的父亲。小姐，您真幸福，因为您像这样一位高贵的父亲。
培尼狄克 要是里奥那托大人果然是她的父亲，就是把梅西那全城的财富都给她，她也不愿意有他那样一副容貌的。
贝特丽丝 培尼狄克先生，您怎么还在那儿讲话呀？没有人听着您哩。
培尼狄克 嗳哟，我的傲慢的小姐！您还活着吗？
贝特丽丝 世上有培尼狄克先生那样的人，傲慢是不会死去的；顶有礼貌的人，只要一看见您，也就会傲慢起来。
培尼狄克 那么礼貌也是个反复无常的小人了。可是除了您以外，无论哪个女人都爱我，这一点是毫无疑问的；我希望我的心肠不是那么硬，因为说句老实话，我实在一个也不爱她们。
贝特丽丝 那真是女人们好大的运气，要不然她们准要给一个讨厌的求婚者麻烦死了。我感谢上帝和我自己冷酷的心，我在这一点上倒跟您心情相合；与其叫我听一个男人发誓说他爱我，我宁愿听我的狗向着一只乌鸦叫。
培尼狄克 上帝保佑您小姐永远怀着这样的心情吧！这样某一位先生就可以逃过他命中注定的抓破脸皮的恶运了。
贝特丽丝 像您这样一副尊容，就是抓破了也不会变得比原来更难看的。
培尼狄克 好，您真是一位好鹦鹉教师。
贝特丽丝 像我一样会说话的鸟儿，比起像尊驾一样的畜生来，总要好得多啦。
培尼狄克 我希望我的马儿能够跑得像您说起话来一样快，也像您的舌头一样不知道疲倦。请您尽管说下去吧，我可要恕不奉陪啦。
贝特丽丝 您在说不过人家的时候，总是像一匹不听话的马儿一样，望岔路里溜了过去；我知道您的老脾气。
彼德罗 那么就这样吧，里奥那托。克劳狄奥，培尼狄克，我的好朋友里奥那托请你们一起住下来。我对他说我们至少要在这儿耽搁一个月；他却诚心希望会有什么事情留住我们多住一些时候。我敢发誓他不是一个假情假义的人，他的话都是从心里发出来的。
里奥那托 殿下，您要是发了誓，您一定不会背誓。（向唐•约翰）欢迎，大人；您现在已经跟令兄言归于好，我应该向您竭诚致敬。
约翰 谢谢；我是一个不会说话的人，可是我谢谢你。
里奥那托 殿下请了。
彼德罗 让我搀着您的手，里奥那托，咱们一块儿走吧。（除培尼狄克、克劳狄奥外皆下。）
克劳狄奥 培尼狄克，你有没有注意到里奥那托的女儿？
培尼狄克 看是看见的，可是我没有对她注意。
克劳狄奥 她不是一位贞静的少女吗？
培尼狄克 您是规规矩矩地要我把老实话告诉您呢，还是要我照平常的习惯，摆出一副统治女性的暴君面孔来发表我的意见？
克劳狄奥 不，我要你根据冷静的判断老实回答我。
培尼狄克 好，那么我说，她是太矮了点儿，不能给她太高的恭维；太黑了点儿，不能给她太美的恭维；又太小了点儿，不能给她太大的恭维。我所能给她的唯一的称赞，就是她倘不是像现在这样子，一定很不漂亮；可是她既然不能再好看一点，所以我一点不喜欢她。
克劳狄奥 你以为我是在说着玩哩。请你老老实实告诉我，你觉得她怎样。
培尼狄克 您这样问起她，是不是要把她买下来吗？
克劳狄奥 全世界所有的财富，可以买得到这样一块美玉吗？
培尼狄克 可以，而且还可以附送一只匣子把它藏起来。可是您说这样的话，是一本正经的呢，还是随口胡说，就像说盲目的丘匹德是个猎兔的好手、打铁的乌尔冈①是个出色的木匠一样？告诉我，您唱的歌儿究竟是什么调子？
克劳狄奥 在我的眼睛里，她是我平生所见的最可爱的姑娘。
培尼狄克 我现在还可以不戴眼镜瞧东西，可是我却瞧不出来她有什么可爱。她那个族姊就是脾气太坏了点儿，要是讲起美貌来，那就正像一个是五月的春朝，一个是十二月的岁暮，比她好看得多啦。可是我希望您不是要想做起丈夫来了吧？
克劳狄奥 即使我曾经立誓终身不娶，可是要是希罗肯做我的妻子，我也没法相信自己了。
培尼狄克 事情已经到这个地步了吗？难道世界上的男子个个都愿意戴上绿头巾，心里七上八下吗？难道我永远看不见一个六十岁的童男子吗？好，要是你愿意把你的头颈伸进轭里去，那么你就把它套起来，到星期日休息的日子自己怨命吧。瞧，唐•彼德罗回来找您了。
唐•彼德罗重上。
彼德罗 你们不跟我到里奥那托家里去，在这儿讲些什么秘密话儿？
培尼狄克 我希望殿下命令我说出来。
彼德罗 好，我命令你说出来。
培尼狄克 听着，克劳狄奥伯爵。我能够像哑子一样保守秘密，我也希望您相信我不是一个搬嘴弄舌的人；可是殿下这样命令我，有什么办法呢？他是在恋爱了。跟谁呢？这就应该殿下自己去问他了。注意他的回答是多么短：他爱的是希罗，里奥那托的短短的女儿。
克劳狄奥 要是真有这么一回事，那么他已经替我说出来了。
培尼狄克 正像老话说的，殿下，“既不是这么一回事，也不是那么一回事，可是真的，上帝保佑不会有这么一回事。”
克劳狄奥 我的感情倘不是一下子就会起变化，我倒并不希望上帝改变这事实。
彼德罗 阿门，要是你真的爱她；这位小姐是很值得你眷恋的。
克劳狄奥 殿下，您这样说是有意诱我吐露真情吗？
彼德罗 真的，我不过说我心里想到的话。
克劳狄奥 殿下，我说的也是我自己心里的话。
培尼狄克 凭着我的三心两意起誓，殿下，我说的也是我自己心里的话。
克劳狄奥 我觉得我真的爱她。
彼德罗 我知道她是位很好的姑娘。
培尼狄克 我可既不觉得为什么要爱她，也不知道她有什么好处；你们就是用火刑烧死我，也不能使我改变这个意见。
彼德罗 你永远是一个排斥美貌的顽固的异教徒。
克劳狄奥 他这种不近人情的态度，都是违背了良心故意做作出来的。
培尼狄克 一个女人生下了我，我应该感谢她；她把我养大，我也要向她表示至诚的感谢；可是要我为了女人的缘故而戴起一顶不雅的头巾来，或者无形之中，胸口挂了一个号筒，那么我只好敬谢不敏了。因为我不愿意对任何一个女人猜疑而使她受到委屈，所以宁愿对无论哪个女人都不信任，免得委屈了自己。总而言之，为了让我自己穿得漂亮一点起见，我愿意一生一世做个光棍。
彼德罗 我在未死之前，总有一天会看见你为了爱情而憔悴的。
培尼狄克 殿下，我可以因为发怒，因为害病，因为挨饿而脸色惨白，可是决不会因为爱情而憔悴；您要是能够证明有一天我因为爱情而消耗的血液在喝了酒后不能把它恢复过来，就请您用编造歌谣的人的那枝笔挖去我的眼睛，把我当做一个瞎眼的丘匹德，挂在妓院门口做招牌。
彼德罗 好，要是有一天你的决心动摇起来，可别怪人家笑话你。
培尼狄克 要是有那么一天，我就让你们把我像一头猫似的放在口袋里吊起来，叫大家用箭射我；谁把我射中了，你们可以拍拍他的肩膀，夸奖他是个好汉子。
彼德罗 好，咱们等着瞧吧；有一天野牛也会俯首就轭的。
培尼狄克 野牛也许会俯首就轭，可是有理性的培尼狄克要是也会钻上圈套，那么请您把牛角拔下来，插在我的额角上吧；我可以让你们把我涂上油彩，像人家写“好马出租”一样替我用大字写好一块招牌，招牌上这么说：“请看结了婚的培尼狄克。”
克劳狄奥 要是真的把你这样，你一定要气得把你的一股牛劲儿都使出来了。
彼德罗 嘿，要是丘匹德没有把他的箭在威尼斯一起放完，他会叫你知道他的厉害的。
培尼狄克 那时候一定要天翻地覆啦。
彼德罗 好，咱们等着瞧吧。现在，好培尼狄克，请你到里奥那托那儿去，替我向他致意，对他说晚餐的时候我一定准时出席，因为他已经费了不少手脚在那儿预备呢。
培尼狄克 如此说来，我还有脑子办这件差使，所以我想敬请——
克劳狄奥 大安，自家中发——
彼德罗 七月六日，培尼狄克谨上。
培尼狄克 嗳，别开玩笑啦。你们讲起话来，老是这么支离破碎，不成片段，要是你们还要把这种滥调搬弄下去，请你们问问自己的良心吧，我可要失陪了。（下。）
克劳狄奥 殿下，您现在可以帮我一下忙。
彼德罗 咱们是好朋友，你有什么事尽管吩咐我；无论它是多么为难的事，我都愿意竭力帮助你。
克劳狄奥 殿下，里奥那托有没有儿子？
彼德罗 没有，希罗是他唯一的后嗣。你喜欢她吗，克劳狄奥？
克劳狄奥 啊，殿下，当我们向战场出发的时候，我用一个军人的眼睛望着她，虽然中心羡慕，可是因为有更艰巨的工作在我面前，来不及顾到儿女私情；现在我回来了，战争的思想已经离开我的脑中，代替它的是一缕缕的柔情，它们指点我年轻的希罗是多么美丽，对我说，我在出征以前就已经爱上她了。
彼德罗 看你样子快要像个恋人似的，动不动用长篇大论叫人听着腻烦了。要是你果然爱希罗，你就爱下去吧，我可以替你向她和她的父亲说去，一定叫你如愿以偿。你向我转弯抹角地说了这一大堆，不就是为了这个目的吗？
克劳狄奥 您这样鉴貌辨色，真是医治相思的妙手！可是人家也许以为我一见钟情，未免过于孟浪，所以我想还是慢慢儿再说吧。
彼德罗 造桥只要量着河身的阔度就成，何必过分铺张呢？做事情也只要按照事实上的需要；凡是能够帮助你达到目的的，就是你所应该采取的手段。你现在既然害着相思，我可以给你治相思的药饵。我知道今晚我们将要有一个假面跳舞会；我可以化装一下冒充着你，对希罗说我是克劳狄奥，当着她的面前倾吐我的心曲，用动人的情话迷惑她的耳朵；然后我再替你向她的父亲传达你的意思，结果她一定会属你所有。让我们立刻着手进行吧。（同下。）
第二场 里奥那托家中一室
里奥那托及安东尼奥自相对方向上。
里奥那托 啊，贤弟！我的侄儿，我的儿子呢？他有没有把乐队准备好？
安东尼奥 他正在那儿忙着呢。可是，大哥，我可以告诉你一些新鲜的消息，你做梦也想不到的。
里奥那托 是好消息吗？
安东尼奥 那要看事情的发展而定；可是从外表上看起来，那是个很好的消息。亲王跟克劳狄奥伯爵刚才在我的花园里一条树荫浓密的小路上散步，他们讲的话给我的一个用人听见了许多：亲王告诉克劳狄奥，说他爱上了我的侄女，你的女儿，想要在今晚跳舞的时候向她倾吐衷情；要是她表示首肯，他就要抓住眼前的时机，立刻向你提起这件事情。
里奥那托 告诉你这个消息的家伙，是不是个有头脑的人？
安东尼奥 他是一个很机灵的家伙；我可以去叫他来，你自己问问他。
里奥那托 不，不，在事情没有证实以前，我们只能当它是场幻梦；可是我要先去通知我的女儿一声，万一真有那么一回事，她也好预先准备准备怎样回答。你去告诉她吧。（若干人穿过舞台）各位侄儿，记好你们分内的事。啊，对不起，朋友，跟我一块儿去吧，我还要仰仗您的大力哩。贤弟，在大家手忙脚乱的时候，请你留心照看照看。（同下。）
第三场 里奥那托家中的另一室
唐•约翰及康拉德上。
康拉德 嗳哟，我的爷！您为什么这样闷闷不乐？
约翰 我的烦闷是茫无涯际的，因为不顺眼的事情太多啦。
康拉德 您应该听从理智的劝告才是。
约翰 听从了理智的劝告，又有什么好处呢？
康拉德 即使不能立刻医好您的烦闷，至少也可以教您怎样安心忍耐。
约翰 我真不懂像你这样一个自己说是土星照命的人②，居然也会用道德的箴言来医治人家致命的沉疴。我不能掩饰我自己的为人：心里不快活的时候，我就沉下脸来，决不会听了人家的嘲谑而陪着笑脸；肚子饿了我就吃，决不理会人家是否方便；精神疲倦了我就睡，决不管人家的闲事；心里高兴我就笑，决不去窥探人家的颜色。
康拉德 话是说得不错，可是您现在是在别人的约束之下，总不能完全照着您自己的心意行事。最近您跟王爷闹过别扭，你们兄弟俩言归于好还是不久的事，您要是不格外陪些小心，那么他现在对您的种种恩宠，也是靠不住的；您必须自己造成一个机会，然后才可以达到您的目的。
约翰 我宁愿做一朵篱下的野花，不愿做一朵受他恩惠的蔷薇；与其逢迎献媚，偷取别人的欢心，宁愿被众人所鄙弃；我固然不是一个善于阿谀的正人君子，可是谁也不能否认我是一个正大光明的小人，人家用口套罩着我的嘴，表示对我信任，用木桩系住我的脚，表示给我自由；关在笼子里的我，还能够唱歌吗？要是我有嘴，我就要咬人；要是我有自由，我就要做我欢喜做的事。现在你还是让我保持我的本来面目，不要设法改变它吧。
康拉德 您不能利用您的不平之气来干一些事情吗？
约翰 我把它尽量利用着呢，因为它是我的唯一的武器。谁来啦？
波拉契奥上。
约翰 有什么消息，波拉契奥？
波拉契奥 我刚从那边盛大的晚餐席上出来，王爷受到了里奥那托十分隆重的款待；我还可以告诉您一件正在计划中的婚事的消息哩。
约翰 我们可以在这上面出个主意跟他们捣乱捣乱吗？那个愿意自讨麻烦的傻瓜是谁？
波拉契奥 他就是王爷的右手。
约翰 谁？那个最最了不得的克劳狄奥吗？
波拉契奥 正是他。
约翰 好家伙！那个女的呢？他看中了哪一个？
波拉契奥 里奥那托的女儿和继承人希罗。
约翰 一只早熟的小母鸡！你怎么知道的？
波拉契奥 他们叫我去用香料把屋子熏一熏，我正在那儿熏一间发霉的房间，亲王跟克劳狄奥两个人手搀手走了进来，郑重其事地在商量着什么事情；我就把身子闪到屏风后面，听见他们约定由亲王出面去向希罗求婚，等她答应以后，就把她让给克劳狄奥。
约翰 来，来，咱们到那边去；也许我可以借此出出我的一口怨气。自从我失势以后，那个年轻的新贵出足了风头；要是我能够叫他受些挫折，也好让我拍手称快。你们两人都愿意帮助我，不会变心吗？
康拉德
波拉契奥 我们愿意誓死为爵爷尽忠。
约翰 让我们也去参加那盛大的晚餐吧；他们看见我的屈辱，一定格外高兴。要是厨子也跟我抱着同样的心理就好了！我们要不要先计划一下怎样着手进行？
波拉契奥 我们愿意侍候您的旨意。（同下。）
....
太多了写不下

Ⅶ 请问你那是有《无事生非》的英文剧本的吧，可以发给我一份吗非常非常感谢！

http://www.bigear.cn/news-106-13094.html

Ⅷ 求《无事生非》英文版台词

《Too Wise To Woo Peaceably(无事生非)》
"'Come, I will have thee, but, by this light, I take thee for pity'," Severus said with smug condescension. twbcuaCTW
"'I would not deny you'," Harry replied archly. "'But, by this good day, I yield upon great persuasion; and partly to save your life, for I was told you were in a consumption'." %Rn:G K
"'Peace! I will stop your mouth'." 59MR|Jt
There it was. PJwEA
The line that had, in its own way, started this whole business. What Harry had protested so vehemently in February, he now wanted more than anything in the world. d<Dn9,G
If the moment had called for him to be somber and serious, he couldn't have done it; there was no way he could have masked the silly grin wreathing his face as Severus wrapped one arm around him and pulled him closer. r`>~Lp
`
"Well?" Severus asked in a voice low enough for Harry's ears alone, and, sliding his arms around Severus' neck, Harry whispered yes. a@k.$
With permission given, Severus brought his other hand to the back of Harry's head, positioning him for a kiss -- a real one -- and bent to brush his lips lightly against Harry's. But Harry had no intention of letting it end there. He parted his lips, inviting more, and Severus accepted, capturing his mouth for a deep, loving kiss that he returned with his whole heart. ?1DUNZ6
He was vaguely aware there were gasps and murmurs from both the audience and the cast as they embraced, but he didn't care. !h/
dZ`#
He also knew they had a few more lines in the play to get through, but he didn't care about that either. Xa*?<(^`
The Seeker had found what he was looking for at last. Jmy)J!ib*

Ⅸ 莎士比亚四大喜剧英文简介

《威尼斯商人》The Merchant of venice Antonio, a merchant write youth for help to the royal family friend bassanio Portia, to borrow. Shylock usurious businessman For cargo was delaying debt. Shylock grudges Antoinette, insist to press from Antonio according to cut a pound meat. P masquerading as a lawyer in defence, smashing Shylock attempt to legally shooting plot revenge. 《仲夏夜之梦》A Midsummer Night's Dream William? Shakespeare is a youth finally most mature comedies, also William? Shakespeare is one of the most famous comedy. The emotional dramas, generally is a "mixed up so" story. There was little farce into play, namely the craftsmen as a joke for wedding tier "irrelevant" comedy and rehearse. This drama has no significance and contents of the society. It contains, just pure joy, asing if is a drama of revelries, also an inherent love troubles, but also is to joy, drama.4.comely. 《皆大欢喜》As You Like ItTells the ke's daughter was banished rothie elim and oliver eldest brother Orlando abuse. Soon, rothie Lin is uncle Fred's usurper banishment, as men fled to the forest, and put one in Orlando. For this line, with Orlando forget.i, saved the elder brother, make its thought, and with that proced safter mrsarkozy celebrates love. Fred by hermits inspiration, Michael has returned to their stories, etc. Final four lovers, happy marriage. 《第十二夜》Twelfth nightWrite the twin sibling west weiaola sixin and wrecked separated. Weiaola ke aoxinuo love, as men gave him when shizhong. But the ke but love count miss yuli da. But yuli da instead of love to replace the ke weiaola courtship. After some interesting twists, weiaola and aoxinuo, yuli da and west sixin both good form. 《无事生非》Much Ado About Nothing列入四大喜剧里 Writing is young noble DiAo claudius and governor of female he love at first sight, decide a week after the wedding, and again to fight each other - set ambitious beatrice and love, dick. Tang? John next trick, let DiAo claudius mistakenly, he was a whore in her wedding in a crowd. He fainted flustered, claudius DiAo thought he was already dead, grave, remembering that contrite hall. Finally the truth is, they meet.