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英文评价电影

发布时间:2021-07-07 01:03:44

⑴ 电影点评 英语

这里提供了电影英文影评:
http://..com/question/224018772.html
http://..com/question/223725915.html
阿甘正传的英文影评:
http://..com/question/226429087.html
当幸福来敲门的英文影评:
http://..com/question/226142095.html

⑵ 英文版电影评价

http://www.veryabc.cn/movie/new/index.html
这里肯定有你想要的影评~~

下面给你个蜘蛛侠2的:
Tonight I watched the movie for the third time. I really enjoy this film so much.
So what's your choice between being a common person or a hero with people's respects? Most people will choose the latter. But what will be your choice if the cost is laying your lover among the risks? What will it be if the cost is you can never tell the girl, who you love so much, that you love her? The spider man had this contradiction. But finally he still chose the latter, not in order to be a hero, but to make this word peaceful.
I was so moved by the words the Aunt Mary said:
You will never guess what he wants to be, the spider man. He knows the hero when he sees one, too a few characters out there, flying all around out there, saving old girls like me. Lord knows kids like Henry need hero courageous, sacrificing for people, setting examples for all of us. Everybody loves a hero. People enthrone them, cheer them, scream their names and years later they will tell how they stood in the rain for hours just to get a glimpse the one who taught them to hold on to stand longer. I believe there is a hero in all of us. They keep us be honest, give us strength, make us noble, and finally allow us to die with proud. Ever though sometimes we have to initiatively give up the thing we want most, even our dreams. Spider man did that for Henry, so he wants to know where he is gone. He needs him.
The spider man got much from these words, so did I. And what about you? what's the hero lying in you?

⑶ 用英文写一段对某电影的评价

James Cameron once more shows that he knows what he is doing. I finally get to watch it after waiting so long. I am still in shock from what I experienced. The visual effects in the movie is great, you have to watch...

⑷ 英语】谈论电影

Twenty Thousand Leagues Under the Sea is a classic science fiction novel by French writer Jules Verne (1828–1905), published in 1870 under the title Vingt mille lieues sous les mers. The original edition, published by Hetzel, contains a number of illustrations by Alphonse de Neuville and Edouard Riou. The novel is about the fictional Captain Nemo and his submarine, Nautilus, as seen by one of his passengers, Professor Pierre Aronnax.

The story was written before modern sea-going submarines were a reality. It is narrated by Professor Pierre Aronnax, a noted marine biologist, who is accompanied by his faithful assistant Conseil and by a Canadian harpooner named Ned Land. As the story begins, a mysterious "sea monster", theorized by some to be a giant narwhal, is sighted by ships of several nations; an ocean liner is also damaged by the creature. The United States government finally assembles an expedition to track down and destroy the menace. Since Aronnax happens to be in New York City at the time and is a recognized expert in his field, he is invited at the last minute to go along, and he accepts. Master harpoonist Land is also brought on board.

The expedition sets sail from Long Island aboard an American warship, the Abraham Lincoln, which travels down around the tip of South America and into the Pacific Ocean. After much fruitless searching, the monster is found, and the ship charges into battle. During the fight, the ship's steering is damaged, and the three protagonists are thrown overboard. They find themselves stranded on the "hide" of the creature, only to discover to their surprise that it is a large metal vessel. They are quickly captured and brought inside the vessel, where they meet its enigmatic creator and commander, Captain Nemo. ("Nemo" means "no one" in Latin, and may have been inspired by a passage in Homer's Odyssey where Odysseus calls himself Ουτι?, which is Greek for "nobody")

The rest of the story follows the adventures of the prota

⑸ 关于评论电影的英语作文

第1篇 英文:
Although Lei Feng left in a hurry, but leave us precious wealth. -- "
Lei Feng, the shock of universal name! When it comes to Lei Feng, my heart is always filled with respect and gratitude, especially after watching the movie "Lei Feng", this move is particularly strong.
No smoke of the battlefield on the screen, but each picture was so touching story; no extraordinary, plot twists and turns, but every detail was so exciting......
The movie "Lei Feng" tells the story of Uncle Lei Feng put one's heart and soul into serving the people's story. Was this a seemingly ordinary things, make Lei Feng in the hearts of the people to establish a very tall figure.
"No matter what position, I will do everything in my power, tried in every way to serve the people." This, Lei Feng -- a good son of the people! Outstanding member of the Communist party!
Each plot in the film is deeply moved me, however, the most let me unforgettable is Lei Feng for the victims.
Once, Lei Feng and his comrades driving transporting flood control materials to the disaster areas, to unload supplies, Lei Feng do not eat rice will return. Before he left, he took the opportunity to sneak an envelope was ready on the table, the envelope marked "with one hundred yuan donated to the disaster areas the people's Liberation Army soldiers". Beam director of the flood control headquarters after know, hurried to catch up, want to put the money back to Lei Feng, Lei Feng would take? Then, the beam director to see Lei Feng fall down an old pair of socks have mixed feelings, said: "you, you're wearing the socks, has donated one hundred dollars!?" He turned, the presence of people said: "comrades, this is not the one hundred dollars and a pair of thousands of joint million patch socks, this is a tremendous spiritual wealth!"
As you can imagine, this "one hundred yuan" was how huge amount! This can not but let us ponder: with only six yuan monthly allowance, save one hundred yuan of money is how not easy! However, who knows, Lei Feng's life is very simple: thirsty, refused to drink a bottle of that only five cents of soda; heat, even a sweat towel also did not carry...... But put those old socks, fill fill...... However, the people in the disaster areas have a difficult time, but he had no scruples, loosen one's purse strings generously, this is such a huge contrast!
At this time, the screen where everyone was excited; now, I had tears off screen. Who is not for Lei Feng's noble deeds and moved?
What is this spirit? This is work hard and perseveringly, thrift revolutionary spirit. Lei Feng's good qualities of this selfless dedication, sacrifice oneself to protect others is proud of the Chinese nation, is the pride of the Chinese people!
"A man's life is limited, but service to the people is limitless. I will dedicate my limited life to infinite serve for the people."
The film ended, Lei Feng's voice still echoes in my ears, my heart is not quiet for a long time -- although Lei Feng left us too early, however, he has left us with a very great wealth. This wealth, for you, I, he, the benefit of the whole society. I believe, this precious wealth will forever be handed down from age to age!
翻译中文
雷锋虽然匆匆地离开了,然而却给我们留下了宝贵的财富。——题记

雷锋,这个震撼环宇的名字!每当提起雷锋,我的内心总会充盈着崇敬与感激,特别是在观看了电影《雷锋》之后,这种感动尤为强烈。

银幕上没有硝烟弥漫的战场,可是每个画面竟那么感人至深;故事里没有离奇、曲折的情节,可是每个细节竟那么扣人心弦……

电影《雷锋》讲述的是雷锋叔叔全心全意为人民服务的故事。竟是这一件件看似平凡的小事,使雷锋在人们的心中树立起无比高大的形象。

“不管在什么岗位上,我都要尽一切力量、想一切办法去为人民服务。”这,就是雷锋——人民的好儿子!优秀的共产党员!

影片中的每个情节都深深地感动了我,然而,最让我难以忘怀的是雷锋为灾区捐款的事。

一次,雷锋和他的战友驾车给灾区运送防洪物资,卸下物资后,雷锋饭也不吃就要返回。临行前,他趁机偷偷地把早就准备好的一个信封放在桌子上,信封上面写着“内有一百元捐给灾区人民解放军一战士”。防汛指挥部的梁主任知道后,急忙追出来,想把钱还给雷锋,雷锋怎肯收下呢?这时,梁主任见到雷锋落下的一双旧袜子,百感交集地说:“你,你就穿着这样的袜子,却捐出来一百块钱!?”他转过身,对在场的人说:“同志们,这不是一百块钱和一双千缝万补的袜子,这是一笔巨大的精神财富!”

可以想象,这“一百元”在当时是多么庞大的数额!这不能不让我们深思:凭着每月仅仅六元钱的津贴费,积攒下一百元钱是多么不容易啊!然而,又有谁知道,雷锋的生活是多么俭朴:渴了,不肯喝一瓶当时仅仅一毛五分钱的汽水;热了,就连一条擦汗的毛巾也不曾携带……却把那双年久的袜子,补了又补……然而,在灾区人民有难的时候,他却毫不顾忌,慷慨解囊,这是多么巨大的反差啊!

此时,银幕里在场的人都激动万分;此刻,银幕外的我早已热泪盈眶。谁不为雷锋的高尚行为而感动呢?

这是什么精神?这是艰苦奋斗、勤俭节约的革命精神。雷锋的这种无私奉献、舍己为人的优秀品质是中华民族的自豪,是中国人民的骄傲!

“人的生命是有限的,可是为人民服务是无限的。我要把有限的生命投入到无限的为人民服务之中去。”

影片放映结束了,雷锋的声音却一直在我的耳畔回响,我的心更是久久不能平静——雷锋虽然过早地离开了我们,但是,他却给我们留下了无比巨大的财富。这财富,惠及着你、我、他,惠及着全社会。我相信,这宝贵的财富将世世代代相传下去!

⑹ 如何用英语评论电影

可以试下登陆
www.imdb.com
网站,该网站是非常权威的电影资料库,搜索你要的电影,
就会有相关电影评论,全英文的,所以要有一定英语水平才比较容易阅读

⑺ 英文电影影评

Julie & Julia is a 2009 American comedy-drama film written and directed by Nora Ephron starring Meryl Streep, Stanley Tucci, Amy Adams, and Chris Messina. The film contrasts the life of chef Julia Child in the early years of her culinary career with the life of young New Yorker Julie Powell, who aspires to cook all 524 recipes in Child's cookbook in 365 days, a challenge she described on her popular blog that would make her a published author.

Ephron's screenplay is adapted from two books: My Life in France, Child's autobiography written with Alex Prud'homme, and a memoir by Julie Powell documenting online her daily experiences cooking each of the 524 recipes in Child's Mastering the Art of French Cooking, and she later began reworking that blog, The Julie/Julia Project。 Both of these books were written and published in the same time frame (2004–06). The film is the first major motion picture based on a blog。这是我最喜欢的一部电影之一,我在维基网络上找的资料,你根据那里的资料改一改,至于观点,你可以写坚持自己的兴趣和爱好这一方面,写兴趣是最好的老师什么的,给你个链接

⑻ 要电影的英文点评。

你好!

《亚瑟王》点评,短点的:
Excellent Movie, 27 December 2004
Author: Gomezy3k from United States

I loved this movie. It is closer to the truth than any other movie about King Arthur. Yes there was some literary license but for the most part I found it more real and believable than any "Knight in Shining Armor fantasy" about King Arthur that has been put out in the last Century... I liked it because it made the knights more like real humans instead of the perfect Chivalry living Holy Warriors of the Fantasy stories. I also liked the way it portrayed the Church as a bunch of conniving lowlife scumbags which they were. There should be no holy cups, lances, 16th century ceremonial armor and Saxons/Vikings in horned helmets. To me the time period at the end of the Roman Conquest of Britain is much more interesting than the later time period when the fantasy Arthur was supposed to have lived. I would recommend this movie to anyone.

长点的:

这是《芝加哥时报》著名影评人Roger Ebert对《亚瑟王》的评论:

For centuries, countless tales have been told of the legend of King Arthur. But the only story you've never heard ... is the true story that inspired the legend. -- Trailer for "King Arthur"

Uh, huh. And in the true story, Arthur traveled to Rome, became a Christian and a soldier, and was assigned to lead a group of yurt-dwelling warriors from Sarmatia on a 15-year tour of ty in England, where Guinevere is a fierce woman warrior of the Woads. His knights team up with the Woads to battle the Saxons. In this version, Guinevere and Lancelot are not lovers, although they exchange significant glances; Arthur is Guinevere's lover. So much for all those legends we learned from Thomas Malory's immortal Le Morte d'Arthur (1470) and the less immortal "Knights of the Round Table" (1953).

This new "King Arthur" tells a story with uncanny parallels to current events in Iraq. The imperialists from Rome enter England intent on overthrowing the tyrannical Saxons, and find allies in the brave Woads. "You -- all of you -- were free from your first breath!" Arthur informs his charges and future subjects, anticipating by a millennium or so the notion that all men are born free, and overlooking the detail that his knights have been pressed into involuntary servitude. Later he comes across a Roman torture chamber, although with Geneva and its Convention safely in the future, he doesn’t believe that Romans do not do such things.

The movie is darker and the weather chillier than in the usual Arthurian movie. There is a round table, but the knights scarcely find time to sit down at it. Guinevere is not a damsel in potential distress, but seems to have been cloned from Brigitte Nielsen in "Red Sonja." And everybody speaks idiomatic English -- even the knights, who as natives of Sarmatia might be expected to converse in an early version of Uzbek, and the Woads, whose accents get a free pass because not even the Oxford English Dictionary has heard of a Woad. To the line "Last night was a mistake" in "Troy," we can now add, in our anthology of unlikely statements in history, Lancelot's line to Guinevere as seven warriors prepare to do battle on a frozen lake with hundreds if not thousands of Saxons: "There are a lot of lonely men over there." (Her reply: "Don't worry. I won't let them rape you," also seems somewhat non-historical.)

Despite these objections, "King Arthur" is not a bad movie, although it could have been better. It isn't flat-out silly like "Troy," its actors look at home as their characters, and director Antoine Fuqua curtails the use of computer effects in the battle scenes, which involve mostly real people. There is a sense of place here, and although the costumes bespeak a thriving trade in tailoring somewhere beyond the mead, the film's locations look rough, ready and green (it was filmed in Ireland).

Clive Owen, who has been on the edge of stardom for a decade, makes an Arthur who seems more like a drill instructor, less like a fairy-tale prince, than most of the Arthurs we've seen. Lean, dark and angular, he takes the character to the edge of anti-hero status. Keira Knightley, who was the best friend in "Bend It Like Beckham," here looks simultaneously sexy and muddy, which is a necessity in this movie, and fits right into the current appetite for women action heroes who are essentially honorary men, all except for the squishy parts. The cast is filled with dependable actors with great faces, such as Ray Winstone as a tough-as-nails knight who inexplicably but perhaps appropriately anticipates the Cockney accent, and Stephen Dillane as Merlin, leader of the Woads and more of a psychic and sorcerer than a magician who does David Copperfield material.

The plot involves Rome's desire to defend its English colony against the invading Saxons, and its decision to back the local Woads in their long struggle against the barbarians. But Rome, declining and falling right on schele, is losing its territorial ambitions and beginning to withdraw from the far corners of its empire. That leaves Arthur risking his neck without much support from the folks at home, and perhaps he will cast his lot with England. In the traditional legends he became king at 15, and went on to conquer Scotland, Ireland, Iceland -- and Orkney, which was flattered to find itself in such company.

The movie ends with a pitched battle that's heavy on swords and maces and stabbings and skewerings, and in which countless enemies fall while nobody that we know ever dies except for those whose deaths are prefigured by prescient dialogue or the requirements of fate. I have at this point seen about enough swashbuckling, I think, although procer Jerry Bruckheimer hasn't, since this project follows right on the heels of his "Pirates of the Caribbean." I would have liked to see deeper characterizations and more complex dialogue, as in movies like "Braveheart" or "Rob Roy," but today's multiplex audience, once it has digested a word like Sarmatia, feels its day's work is done.

That the movie works is because of the considerable proction qualities and the charisma of the actors, who bring more interest to the characters than they deserve. There is a kind of direct, unadorned conviction to the acting of Clive Owen and the others; raised on Shakespeare, trained for swordfights, with an idea of Arthurian legend in their heads since childhood, they don't seem out of time and place like the cast of "Troy." They get on with it.

⑼ 谁能帮我写一篇英文的对电影的评价

这是《芝加哥时报》著名影评人Roger Ebert的评论:

For centuries, countless tales have been told of the legend of King Arthur. But the only story you've never heard ... is the true story that inspired the legend. -- Trailer for "King Arthur"

Uh, huh. And in the true story, Arthur traveled to Rome, became a Christian and a soldier, and was assigned to lead a group of yurt-dwelling warriors from Sarmatia on a 15-year tour of ty in England, where Guinevere is a fierce woman warrior of the Woads. His knights team up with the Woads to battle the Saxons. In this version, Guinevere and Lancelot are not lovers, although they exchange significant glances; Arthur is Guinevere's lover. So much for all those legends we learned from Thomas Malory's immortal Le Morte d'Arthur (1470) and the less immortal "Knights of the Round Table" (1953).

This new "King Arthur" tells a story with uncanny parallels to current events in Iraq. The imperialists from Rome enter England intent on overthrowing the tyrannical Saxons, and find allies in the brave Woads. "You -- all of you -- were free from your first breath!" Arthur informs his charges and future subjects, anticipating by a millennium or so the notion that all men are born free, and overlooking the detail that his knights have been pressed into involuntary servitude. Later he comes across a Roman torture chamber, although with Geneva and its Convention safely in the future, he doesn’t believe that Romans do not do such things.

The movie is darker and the weather chillier than in the usual Arthurian movie. There is a round table, but the knights scarcely find time to sit down at it. Guinevere is not a damsel in potential distress, but seems to have been cloned from Brigitte Nielsen in "Red Sonja." And everybody speaks idiomatic English -- even the knights, who as natives of Sarmatia might be expected to converse in an early version of Uzbek, and the Woads, whose accents get a free pass because not even the Oxford English Dictionary has heard of a Woad. To the line "Last night was a mistake" in "Troy," we can now add, in our anthology of unlikely statements in history, Lancelot's line to Guinevere as seven warriors prepare to do battle on a frozen lake with hundreds if not thousands of Saxons: "There are a lot of lonely men over there." (Her reply: "Don't worry. I won't let them rape you," also seems somewhat non-historical.)

Despite these objections, "King Arthur" is not a bad movie, although it could have been better. It isn't flat-out silly like "Troy," its actors look at home as their characters, and director Antoine Fuqua curtails the use of computer effects in the battle scenes, which involve mostly real people. There is a sense of place here, and although the costumes bespeak a thriving trade in tailoring somewhere beyond the mead, the film's locations look rough, ready and green (it was filmed in Ireland).

Clive Owen, who has been on the edge of stardom for a decade, makes an Arthur who seems more like a drill instructor, less like a fairy-tale prince, than most of the Arthurs we've seen. Lean, dark and angular, he takes the character to the edge of anti-hero status. Keira Knightley, who was the best friend in "Bend It Like Beckham," here looks simultaneously sexy and muddy, which is a necessity in this movie, and fits right into the current appetite for women action heroes who are essentially honorary men, all except for the squishy parts. The cast is filled with dependable actors with great faces, such as Ray Winstone as a tough-as-nails knight who inexplicably but perhaps appropriately anticipates the Cockney accent, and Stephen Dillane as Merlin, leader of the Woads and more of a psychic and sorcerer than a magician who does David Copperfield material.

The plot involves Rome's desire to defend its English colony against the invading Saxons, and its decision to back the local Woads in their long struggle against the barbarians. But Rome, declining and falling right on schele, is losing its territorial ambitions and beginning to withdraw from the far corners of its empire. That leaves Arthur risking his neck without much support from the folks at home, and perhaps he will cast his lot with England. In the traditional legends he became king at 15, and went on to conquer Scotland, Ireland, Iceland -- and Orkney, which was flattered to find itself in such company.

The movie ends with a pitched battle that's heavy on swords and maces and stabbings and skewerings, and in which countless enemies fall while nobody that we know ever dies except for those whose deaths are prefigured by prescient dialogue or the requirements of fate. I have at this point seen about enough swashbuckling, I think, although procer Jerry Bruckheimer hasn't, since this project follows right on the heels of his "Pirates of the Caribbean." I would have liked to see deeper characterizations and more complex dialogue, as in movies like "Braveheart" or "Rob Roy," but today's multiplex audience, once it has digested a word like Sarmatia, feels its day's work is done.

That the movie works is because of the considerable proction qualities and the charisma of the actors, who bring more interest to the characters than they deserve. There is a kind of direct, unadorned conviction to the acting of Clive Owen and the others; raised on Shakespeare, trained for swordfights, with an idea of Arthurian legend in their heads since childhood, they don't seem out of time and place like the cast of "Troy." They get on with it.

⑽ 电影英文点评

《哈6》感想::With Half-Blood Prince, again we have a stalwart, satisfying visualization of the Rowling cosmos. Screenwriter Steve Kloves (his fifth Potter script) and director David Yates, the BBC veteran (State of Play, Sex Traffic) who also helmed Order of the Phoenix, concoct a potent brew of horror and romance, in which the supercool special effects — notably a swoopy-cam ride with the Death Eaters as they soar over London's monuments and through its creepiest streets — never obscure a commitment to the book's central theme. True to Rowling's portrayal of the teen experience, the film is almost wholly occupied with school: the business of getting good grades (sometimes by cheating) and the influence of inspiring or maleficent teachers. Plus, of course, sex.

剧情::Scarred by his experience at the Ministry of Magic with Voldemort, Harry is reluctant to return to Hogwarts. Dumbledore encourages him to continue, after taking him to see a former professor, Horace Slughorn, hoping that Slughorn would return to Hogwarts and take Harry under his wing.

Meanwhile, Death Eaters begin to wreck havoc both towards Muggles, destroying the Millennium Bridge, and Wizards, kidnapping the wandmaker Mr. Ollivander and destroying his Diagon Alley shop. Bellatrix Lestrange entreats Severus Snape to enter an Unbreakable Vow with Draco Malfoy's mother, Narcissa, assuring that he will complete the task assigned to Draco should Draco fail and that he will protect him and make sure he doesn't get hurt. Harry, Ron and Hermione, while in Diagon Alley, spot Draco entering Borgin and Burkes and taking part in a ritual with other Death Eaters, and become suspicious of his actions.

At Hogwarts, the school is under tight security to prevent the Death Eaters from entering the school. With Slughorn back to teach Potions, Snape is given Defense Against the Dark Arts. Harry and Ron are encouraged by Professor McGonagall to take up Potions now that Slughorn, with lower standards, is teaching the class; however, as neither was expecting to take the course, they are given textbooks. Harry's book is annotated with more exact instructions to complete potions, giving him an edge over the other students, and finds that it once belonged to the "Half-Blood Prince", a term Hermione cannot figure out. Meanwhile, Ron becomes the successful Gryffindor's Quidditch goalie, attracting the love of Lavender Brown, much to Hermione's chagrin. Harry is also upset over Ginny's attraction to Dean Thomas. During the Christmas Break while Harry and Ron are at the Burrow, the Death Eaters come intending to kidnap Harry, but are forced to retreat after they are outnumbered by Order of the Phoenix members. Before they leave they set fire to the Burrow, and the Weasleys are gathered outside the house, leaving Harry regretting the evil that he has brought down upon people he cares about.

Dumbledore reveals to Harry through the Pensieve memories of Tom RiddleVoldemort's original nameincluding a false memory from Slughorn, when Riddle asked him about a certain resistricted Dark Art. The memory fails to reveal this art, and Dumbledore believes that the key to defeating Voldemort is to learn what Dark Art Riddle asked about, and instructs Harry to further confide himself to Slughorn. Using a Luck potion he won earlier in the school year, Harry is able to bring Slughorn to be intoxicated with Hagrid and convinces the professor in his stupor to give him the true memory. This memory reveals that Riddle inquired about the creation of Horcruxes, devices that store a portion of the creator's soul to allow them to live indefinitely. Dumbledore reveals that Riddle's diary and his mother's ring were two of seven Horcruxes that Riddle had created, and that they must track these down and destroy them to make Voldemort mortal.

Meanwhile, Harry continues to be suspicious of Draco's actions, following him around the school but no success in determining what he seeks. Harry believes Draco to be behind two indirect attempts on Dumbledore's life, one through a cursed necklace that Katie Bell, under an Imperius Curse, was bringing to Dumbledore as a gift, and another through a bottle of poisoned wine that Slughorn, similarly cursed, planned to give to the professor. The latter is discovered accidently when Ron ingests the poison; though he recovers with medical treatment, he unconsciously mumbles Hermione's name in front of Lavender, sending her away crying. After this incident, Harry corners Draco in the toilets and after a short fight casts the Sectumsempra curse from the Half-Blood Prince's book, severely harming Draco. Snape arrives knowing that he let Draco get hurt and that he broke one of the promises and heals him. Ginny convinces Harry to hide the book in the Room of Requirement to prevent him from using it again; there, they discover, unknown to them, a Vanishing Cabinet, which Draco has been attempting to repair, but think nothing of it further. Ginny also reveals her love for Harry, and they kiss after she hides the book.

Dumbledore implores Harry to help him recover another Horcrux, the location of which he recently learned. The two apparate to a seaside cliff, and enter a cave where the Horcrux is located. On a small crystalline island, Dumbledore forces Harry to make him drink a mind-altering liquid in order to reveal the Horcrux. While Dumbledore recovers from the liquid, Harry recovers the Horcrux, a small pendant. Harry tries to help Dumbeldore recover, but they are attacked by numerous inferi. Dumbledore recovers in time to set them aflame, and the two return to the Astronomy Tower at Hogwarts.

Dumbledore, still weakened by the trial, instructs Harry to go to get Snape. However, before Harry can go, footsteps are heard, and Dumbledore tells Harry to hide on the lower floor. The footsteps belong to Draco, who prepares to kill Dumbledore, but cannot bring himself to do so. Meanwhile, with the Vanishing Cabinet fixed, Bellatrix and other Death Eaters are able to invade Hogwarts through a similar cabinet at Borgin and Burkes, and join Draco in the tower. Snape silently arrives on the lower floor, indicating to Harry to stay quiet, and then goes upstairs, joining the other Death Eaters. Snape then casts the killing spell Avada Kedavra on Dumbledore, throwing him over the side of the Tower and killing him. Snape, Draco, and the other Death Eaters depart the school, Bellatrix casting the Death Eaters' sign over the school, destroying the Great Hall and setting fire to Hagrid's hut in glee. Harry tries to stop them with the Sectumsempra spell, but Snape deflects it and stuns him. As he departs, he explains that he is the Half-Blood Prince and the creator of the spell.

Harry returns to the school to find the staff and students mourning over Dumbledore's death. Harry walks over to Dumbledore's body lying in front of them, grieving as Ginny comforts him. When he returns to the late headmaster's office one last time, McGonagall confronts him and asks him to open up to her, but he does not comply and leaves. A portrait of Dumbledore can be seen hanging on a wall behind them.

Harry reveals to Ron and Hermione that the Horcrux they got was a fake, containing a message from an "R.A.B." that stated he had already taken it, but is also seeking to end Voldemort's life. Harry tells his friends that he does not plan to return next year, instead seeking out R.A.B. and the other Horcruxes so that he may put an end to Voldemort; Ron and Hermione remind Harry that they are his friends and will help alongside him in his goal。 《冰河世纪3》介绍:
After the events of "Ice Age: The Meltdown", life begins to change for Manny and his friends: Scrat is still on the hunt to hold onto his beloved acorn, while finding a possible romance in a female sabre-toothed squirrel named Scratte. Manny and Ellie, having since become an item, are expecting a baby, which leaves Manny anxious to ensure that everything is perfect for when his baby arrives. Diego is fed up with being treated like a house-cat and ponders the notion that he is becoming too laid-back. Sid begins to wish for a family of his own, and so steals some dinosaur eggs which leads to Sid ending up in a strange underground world where his herd must rescue him, while dodging dinosaurs and facing danger left and right, and meeting up with a one-eyed weasel known as Buck who hunts dinosaurs intently.

感受:
Its all about family in essence. Starting one, keeping one, becoming one, protecting one. A family film about family is always going to ring the right bells (unless Eddie Murphys in it), and this is no exception! It's funny, its sharp, it's clever, and when it wants too will tug on your heart strings. It's everything a great family film should be. It has just as much humour to keep the grown ups happy as it does the kids.

It's not perfect; it starts fairly slowly with scenes we've already scene twenty times in the trailer, but the further you go into this adventure the more fun you will have.

A fantastic new addition to the franchise is "Buck" (Simon Pegg) a looney tune hermit possum who joins the herd around half way through. When he enters the scene, the whole movie shifts up a gear! Some of the stuff he comes out with will have you rolling in the isle! If you have the chance, you must see it in 3D! It's amazing how this new version of such an old and dated technology can suck you even deeper into a film! The chases are more exciting, the locations more real, it works so well! And it doesn't give you a migraine!

Overall - Like a franchise should, Ice Age gets better and better and better! If you liked the first, you'll love the second! If you loved the second, you'll go crazy for the third!

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