楼主 没有懂你什么叫带中文 我就试着写了写 我今年高三毕业 英语也没有好到哪去 请给我最佳哦！！！
my favorite movie <ice age 4> has been showed in this summer. i looked it at the first moment. i was moved by this movie .first of all . peaches can faces her falut and to correct her errors and make a fresh start. on the other hand little squirrel who insists his dream is my favorite animal and other animals also have their own advantages i am looking forward the <ice age 5>！！
我最喜爱的电影《冰河世纪4》在这个暑假终于上映了。 我第一时间观赏了这部影片。我被这部电影深深触动了。首先，剧中的桃子拥有正视自己的错误并且改过自新的良好品格。另一方面 那个坚持梦想的小松鼠是我电影里最喜爱的小动物，并且其他动物也有自己的特点。我期待《冰河世纪5》的上映！！！
『贰』 冰河世纪英语小影评
Hello，I am a film critic on the 6th, I think the Ice Age film very good. It taught us to friendship with each other. We have to unite. Well, anything can be overcome.My favorite is the protagonist of a tiger. I would like to learn from the tiger's courage, in the face of Sham Shui Po, the courage to save his own companions. He made me feel deep. I should be brave to overcome difficulties.This is my understanding of the film, thank you.
大家好，我是6号影评，我认为冰河世纪非常好。它教我们互相友爱。我们必须团结起来。那么，什么问题都可以克服。我最喜爱的主角是一只老虎。 我要学习虎的勇气，面对深水 ，勇气拯救自己的同伴。 他让我感受深刻。我要勇于克服困难。这是我对这部电影的认识，谢谢大家。
『叁』 冰河世纪4的影评sid英文300词
《冰川时代4》电影由史蒂夫·马蒂诺执导，约翰·雷吉扎莫、雷·罗马诺、奎恩·拉提法、詹妮弗·洛佩兹、西恩·威廉·斯科特和克里斯·韦奇共同献声配音，于2012年7月27日在中国上映。
钙片讲述地球因为冰山上的一颗松果引发的蝴蝶效应，而分裂成了七大洲四大洋，史前动物曼尼、希德和迭戈只好重新踏上全新的大冒险之旅。它们途中遇上希德的怪姥姥和一群疯狂的海盗，为它们的冒险之旅增添不少的麻烦[1] 。
中文名
冰川时代4
外文名
Ice Age: Continental Drift
其它译名
冰原历险记4:板块漂移
出品时间
2012年6月27日
出品公司
蓝天工作室、二十世纪福斯电影公司
发行公司
二十世纪福斯电影公司
制片地区
美国
制片成本
9500万美元
拍摄日期
2010年5月5日
导 演
史蒂夫·马蒂诺
编 剧
Michael Berg
制片人
John C. Donkin
类 型
动画
主 演
约翰·雷吉扎莫，雷·罗马诺，奎恩·拉提法
片 长
88分钟
上映时间
2012年7月27日（中国）
票 房
8.7亿美元
分 级
USA：PG
对白语言
英语
本片有一些创意十足的视觉高潮，虽然影片的喜剧情节无新意，可是影片中的搞笑之处还是得以赞赏的。穿插进行无声演出的斯奎特是无与伦比的喜剧角色，不仅引发影院观众的笑声，而且也贡献出少量美学亮点
『肆』 《冰河世界》观后感英文。80词
面对困难，镇定自若；危险来临时，毫不惧色，这就是《冰河世界》里的主人公——毛象和他的朋友们。这部电影有喜有悲，时而令人捧腹大笑，时而令人禁不住为毛象捏了把汗。
电影主要讲了在冰河时期，冰面上的动物们无忧无虑地生活着。这时，他们的首领毛象发现了冰在融化，洪水马上就要爆发。水底不知怎么回事，出现了两条凶猛的鱼龙。于是，毛象便警告大家：必须马上离开家园。一路上，它和它的伙伴——长牙虎，遇到了重重危险，也认识了一头温和而自称是负鼠的母毛象。
电影中最令人感动的是：洪水冲过冰川，那只母毛象被困在了山洞里，前后都被巨石挡住了，下面都是水。毛象在水里用尽了各种办法都无法把母毛象救出来，撬巨石，也没用。毛象低头一看，呀！又是那两条肥胖而凶猛的鱼龙，凶狠的眼神，好像要把毛象吃掉。突然，鱼龙朝毛象猛扑过去。谁知，毛象一躲闪，鱼龙一下子撞在了石头上，把巨石撞开了，母毛象也就得救了。毛象和母毛象游到了岸上，又回到了它们的大家族中了！
看了这部电影，我明白了：在第一时间帮助别人，帮助他人化险为夷，他人和你就产生了永恒的友谊。
In the face of difficulties, calm; when the danger is coming, without fear, this is in the "ice world" hero -- mammoths, and his friends. This movie is pregnant with sorrow, sometimes hilarious, sometimes it is tempted to mammoth pinch to sweat.
The film is mainly about the ice age, the animals on the ice are free to live. At this time, they found the princes of mammoth ice melting, the flood soon broke out. The bottom somehow appeared two ferocious fish. So, he warned that the mammoth must leave home immediately. Along the way, it and its partners - toothed tiger, met many dangerous, also know the head gently and claiming is possum mother mammoth.
Film is the most touching is: floods over the glacier, the mother mammoths were trapped in the cave, both before and after being a boulder blocking the, here is water. The mammoth exhausted a variety of ways in the water can put the female mammoth out, don't pry stone. The mammoth looked down! It is the two obese and ferocious ichthyosaurs, fierce eyes, seems to want to eat the mammoth. Suddenly, at Mammoth pounced on the fish. Who knows, a mammoth Dodge, ichthyosaurs crashed in stone, the stone broke, the mother also saved mammoth. Mammoth mammoth and swim to shore, and returned to their families!
Watching the movie, I understand: the first time to help others, help others saved the day, other people, and you have a lasting friendship.
『伍』 冰河世纪英文影评
20th Century Fox's film, a cartoon, in the 2000 exhibition of investment and issue 5 million dollars in 1000 cartoon "frozen planet AE (Titan AE)." The film lost in a rigidly playing stereotypical myth of the heroic old routines, whether it is the story or script style screen, "Frozen planet AE" failed to keep up with a new era, the box office only Qianqiancancan more than 1,000 2 million. This almost makes Fox the same period were a number of large proction of a new style cartoon film distribution companies, such as Disney, DreamWorks and SONY, completely expelled from the millennium cartoon film market.
But 20th Century Fox is not fuel-efficient lights. Two years of meticulous planning, "Ice Age" will be in March 2002, leading the company to return to Fox Lung Poon Huju cartoon film market. In order to not repeat the "frozen planet AE" mistake at the same time, avoid overcharging floating in the stunt effects, 20th Century Fox drastic rection in the "frozen planet AE" unsatisfactory performance of the Fox CG proction group, in turn won 99 opening of the Academy Awards best cartoon film director Chris--(Chris Wedge), and its outstanding proction team - blue sky studio (Blue Sky Studios). Such great abolition of its own subsidiaries, the Fox It is a "burn his bridges, and determined to win."
July 2000, "Ice Age" major animation proction in New York, started work indoors. July 2001 "Ice Age" trailers to the release of the film become the focus of Hollywood films. In this short notice for a few seconds the screen, showing an appearance not cheap to the strange squirrel to a hiding in the ice on the pineal, has led to the avalanche tragedy, in the face of icicle and ice bombarded RUF murder and folders thrilling scenes, the strange squirrel bring it had not forgotten the pineal fled, Enron is not easy landing, as it ran Jiaotu Mammoth to be a giant foot pressure top! Although this film trailers and the story has nothing to do with the main theme, but one vivid cartoon image exaggerated by the greatly appreciated. Trailers success proves that director Chris. Wei blue sky with the success of the proction group portfolio, but also to Fox once again become the focus of observers, strengthened them to return cartoon market confidence. The integration of the proction team, its strength should not be denied small
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感谢您为 Google 翻译提供翻译建议。我们会利用您的建议在将来更新我们的系统时提高翻译质量。 20th Century Fox's film, a cartoon, in the 2000 exhibition of investment and issue 5 million dollars in 1000 cartoon "frozen planet AE (Titan AE)." The film lost in a rigidly playing stereotypical myth of the heroic old routines, whether it is the story or script style screen, "Frozen planet AE" failed to keep up with a new era, the box office only Qianqiancancan more than 1,000 2 million. This almost makes Fox the same period were a number of large proction of a new style cartoon film distribution companies, such as Disney, DreamWorks and SONY, completely expelled from the millennium cartoon film market.
But 20th Century Fox is not fuel-efficient lights. Two years of meticulous planning, "Ice Age" will be in March 2002, leading the company to return to Fox Lung Poon Huju cartoon film market. In order to not repeat the "frozen planet AE" mistake at the same time, avoid overcharging floating in the stunt effects, 20th Century Fox drastic rection in the "frozen planet AE" unsatisfactory performance of the Fox CG proction group, in turn won 99 opening of the Academy Awards best cartoon film director Chris--(Chris Wedge), and its outstanding proction team - blue sky studio (Blue Sky Studios). Such great abolition of its own subsidiaries, the Fox It is a "burn his bridges, and determined to win."
July 2000, "Ice Age" major animation proction in New York, started work indoors. July 2001 "Ice Age" trailers to the release of the film become the focus of Hollywood films. In this short notice for a few seconds the screen, showing an appearance not cheap to the strange squirrel to a hiding in the ice on the pineal, has led to the avalanche tragedy, in the face of icicle and ice bombarded RUF murder and folders thrilling scenes, the strange squirrel bring it had not forgotten the pineal fled, Enron is not easy landing, as it ran Jiaotu Mammoth to be a giant foot pressure top! Although this film trailers and the story has nothing to do with the main theme, but one vivid cartoon image exaggerated by the greatly appreciated. Trailers success proves that director Chris. Wei blue sky with the success of the proction group portfolio, but also to Fox once again become the focus of observers, strengthened them to return cartoon market confidence. The integration of the proction team, its strength should not be denied small
『陆』 谁有冰河世纪的英文读后感
冰河世纪读后感
It’s not particularly surprising to be disappointed by any computer-animated film not bearing the Pixar logo.In fact,until Shrek,2001’s rollicking success,I wouldn’t have even believed it could happen.What is surprising,is that Ice Age doesn’t even ATTEMPT to reach Pixar’s Toy Story heights,apparently content to revel in its status as Monster’s,Inc.'s second rate,half wit cousin.
Ice Age is yet another “extinction for kids” movie,one of many in a long line of baby dinosaurs,pterodactyl eggs,and sympathetic cavemen.This time,it’s the ice age,and wooly mammoths roam the earth alongside primitive man.Strangely enough,in this early world,animals can talk,and humans cannot.But when a group of would-be-enemies discover a lost human baby,wooly mammoth (Ray Romano),saber-toothed tiger (Dennis Leary),and giant sloth (John Leguizamo) must work along side each other in a journey to return the child to its home.
Visually,Ice Age is perhaps the poorest bit of CGI I have ever seen.Contrasted to the beautiful constructs of Monsters,Inc.; or even the gooey,gloppy creativity of Shrek; Ice Age is nothing but badly rendered polygons and Acme animated characters.No hint of photo-realism here.It’s like comparing a Bugs Bunny Cartoon to The Lion King.Actually,I suspect that is exactly what the folks at Ice Age were going for.
Ice Age is really little more than a collection of silly animal gags and Leguizamo one liners.Some of them are even quite funny.If that is all that we’re going for here,then I suppose I’m all for it.But then there are these strange attempts at gut wrenching sappiness,which fall painfully flat amidst sub-video game animation.Frankly,I’m not even sure the CGI they use here is up to the task of displaying the kinds of emotions these people are trying to illicit from their characters.The humans more closely resemble totem poles than they do living,breathing,creatures.It’s laughable watching their polygon-limited faces trying to emote in response to the story’s attempts at heartfelt,soft touches.
Thankfully,the main characters are animals,which are at least bearably rendered to slapstick fun levels.As a result,what slapstick there is,is highly entertaining.Sure,Ray Romano’s vocal talents aren’t particularly spectacular.But Dennis Leary and the always-odd John Leguizamo cover for his mammoth ineptitude without hesitation.
The story itself is bland,boring,and uninspired,as is the almost laughably bad animation.The film’s only real saving graces are some slapstick side trips into the world of an unlucky squirrel and a group of soon-to-be-extinct melon-hoarding dodos.Ice Age’s comedy is worthy of Bugs,but unless you’re under 5,you’ll be bored with everything else.
『柒』 有电影冰河世纪的观后感吗
前天老师给我们看了一部电影—《冰河世纪》。它讲述了一群动物面临着冰川融化的威胁，它们将如何地逃生的故事.它们将失去自己的家园，这种现象是谁造成呢？答案是我们人类制造的污染。
污染是以多种形式出现的：我们看的，闻的，还有我们喝的,污染的掘开，损害了我们的健康，甚至是我们的生命。自从地球上有人类生活以来，就一直污染地球。在河里洗衣服，随地扔垃圾等。许多年前，这个问题没有这么严重，因为当时地球上还没有这么多人居住。所有的脏物很快会被覆盖起来，有大量的清新空气，陆地和水护着。在一个地方当陆地被用光或者河水被污染，人类移居到另一个地方。但这一切已经不再是真的了。人类现在慢慢地污染整个地球。
谈到污染，我们曾经一度只是指空气污染，空气污染一直是最危险的，但这只是污染中的一种。因为使用杀虫药，我们污染了土地，杀害了很多动物；因为把污水排入河里和湖里，我们污染了我们喝的水，杀害了很多鱼类。人口的增长也是问题的一部分，人越多，垃圾越多。动物的种类随着时间的推移，也渐渐地少了，甚至有些已经灭绝了，或许过了更长的时间，连动物的影子也将会消失的。
以前，人类不会担心自然资源。河，湖和海洋是干净的，人类能够找到大量的地方种植。这好像自然资源无穷无尽地供给我们，但是今天许多人住在我们的世界，我们用各种方式去浪费和污染资源。这样自然资源总有一天会被我们用完的，再也不会有再生了，保护地球的资源对所有人都很重要，我们应该采取措施去保护我们的地球。
『捌』 八年级学生写冰河世纪电影观后感英语有中文对照
《冰河时代3》的成功是流水生产线的必然结果——观后感
和第二集相比,《冰河时代3》虽然在观赏性上有所提高,但这个系列电影总体质量上还是呈下滑的趋势,希望制作方就此打住,还是另外进行新的创意吧,不过人家肯定不会听我的,圈钱运动还会如火如荼地进行的.抛开电影本身主题思想的优劣和剧情安排的合理与否,单从技术层面上讲,人家这钱赚得叫人心服口服.可以说以《冰河时代3》为代表的一大批好莱坞动画电影所创造的光怪陆离色彩纷呈的童话世界用“叹为观止”形容一点都不过分,但是我看《冰河时代3》最大的感触不仅在此,我更折服于好莱坞动画电影的制作理念,在强大的技术支持下这种理念几乎达到了化境.
由于动画电影普遍具有拟人化和奇幻色彩,在创作上几乎不受时间、空间、角色的限制,地球上甚至宇宙间的任何物种都可以进入动画电影中,并且开口说话,进行人类所能进行的一切活动.从这个角度上讲,动画电影的取材无比宽泛,相对于真人电影,人们对其剧情合理性的要求也宽松很多.但是这并不意味着编导们就可以胡说八道,人家不胡来,基本上还要给你把故事讲圆满了,叫你看了笑了轻松了,人家把钱拿走,完事.《冰河时代3》令人很直观地看到好莱坞动画编导们讲故事的几大法宝,说白了,就是一条制作流水线,按照这个套路生产基本上没跑,差也差不到哪里去.
『玖』 冰河世纪英文电影读后感
很少这么认真的看一部动画电影，但冰河世纪给了我太多感动。
人类在这部电影里多少扮演着一个残酷的角色，给所有的动物们都带来了痛苦，无论是善良的长毛象曼弗瑞德，还是扮演了大反派的剑齿虎，他们都因人类失去了同伴。
在这短短的旅程里，这些动物给了我太多感动。
因为人类失去家人的曼弗瑞德是那么疼爱小婴儿，在他的眼里我从未读到任何仇恨，而无论对于希德、还是迪亚戈，在危险的时候他总会挺身而出，虽然大多时候他总是在抱怨他们是麻烦。
树獭希德绝对是一个搞笑的角色，他总是不停的说，惹麻烦，出状况。但在强瓜是，当他看到小婴儿的期盼的目光时，那搞笑的功夫片段，却触动了我。
至于迪亚戈绝对是我最爱的角色，尤其是他为救曼弗瑞德受伤以后，对曼弗瑞德说“这就是团队”后，慢慢闭上眼，我真的以为他死了，眼泪唰的一下就流了出来，怎么也止不住。而当在最后一刻，出现在大家面前时，我不知道该用什么话来形容我那一刻的心情。
这是一部在冰河时期的电影，但我感觉不到任何寒冷，这里充满了温暖，一点一点的融化了所有的冰雪。
『拾』 急需一篇冰河世纪的观后感（英文）
《冰河时代3》的成功是流水生产线的必然结果——观后感
和第二集相比，《冰河时代3》虽然在观赏性上有所提高，但这个系列电影总体质量上还是呈下滑的趋势，希望制作方就此打住，还是另外进行新的创意吧，不过人家肯定不会听我的，圈钱运动还会如火如荼地进行的。抛开电影本身主题思想的优劣和剧情安排的合理与否，单从技术层面上讲，人家这钱赚得叫人心服口服。可以说以《冰河时代3》为代表的一大批好莱坞动画电影所创造的光怪陆离色彩纷呈的童话世界用“叹为观止”形容一点都不过分，但是我看《冰河时代3》最大的感触不仅在此，我更折服于好莱坞动画电影的制作理念，在强大的技术支持下这种理念几乎达到了化境。
由于动画电影普遍具有拟人化和奇幻色彩，在创作上几乎不受时间、空间、角色的限制，地球上甚至宇宙间的任何物种都可以进入动画电影中，并且开口说话，进行人类所能进行的一切活动。从这个角度上讲，动画电影的取材无比宽泛，相对于真人电影，人们对其剧情合理性的要求也宽松很多。但是这并不意味着编导们就可以胡说八道，人家不胡来，基本上还要给你把故事讲圆满了，叫你看了笑了轻松了，人家把钱拿走，完事。《冰河时代3》令人很直观地看到好莱坞动画编导们讲故事的几大法宝，说白了，就是一条制作流水线，按照这个套路生产基本上没跑，差也差不到哪里去。
法宝一：角色的成人性
《冰河时代》系列都以对坚果无比执着的松鼠作为影片的一个重要线索，这几乎成了这个系列电影的一个招牌，《冰河时代3》也不例外，只不过又安排进了一个雌性松鼠。首先，在这只母松鼠的造型上，我们看到的是一个成熟美女的形态，雄松鼠看雌松鼠那色迷迷的神情，以及两只松鼠的结合和矛盾的产生，无不是按照成人的思想和生活演进的。这样的创作手法，在好莱坞的动画电影中几乎随处可见。动画电影本来的主要观众是儿童，但是正因为在这些“儿童形象”中加入了成人的表现要素，在形式与内容的巨大反差下，产生了很强的娱乐趣味，因而影片也变得老少咸宜了。反观我们的动画电影，在很大程度上，都局限在儿童的世界里，不敢大胆地引进成人思维，使得我们的动画片看起来都很“弱智”，只适合儿童观看，大人们要是成天盯着《海尔兄弟》看，恐怕要被人当“弱智”了。当然这种情况近年来有所改观，但是还是放不开手脚。
法宝二：题材的广泛性
好莱坞的那帮大仙们，凭着天马行空的想象力，几乎把世间万物都纳入了他们的创作之中，小到《霍顿与无名氏》中的微生物，大到《冰河时代》中的恐龙猛犸象，从《寻找尼姆》中的深海汪洋到《WALL-E》中的浩瀚宇宙，从《马达加斯加》中美国纽约中央公园到《狮子王》中广袤的非洲草原，从阿拉伯传说《阿拉丁》到中国故事《花木兰》等等，可以说只要你能想到的领域，几乎都被好莱坞动画涉及。这样一来，只要技术许可，好莱坞动画的题材就无穷无尽，而技术保障又恰恰是最不是问题的问题。正是这种题材创造上的广泛性，保证了好莱坞动画电影永远充满了神奇，永远都有你想不到的故事出现，而且这些题材的广泛性足以包容全球文化，这个咱就得佩服美国文化的软实力和其背后强大的技术支持了。而我们国内的动画电影总是逃不出传统的题材，一部《大闹天空》几十年来一直成为一个难以逾越的高峰，这不是荣耀，而恰恰是悲哀。有人会说我们的动漫技术不成熟，这个是事实，那么我们在3D领域没有优势，在平面动画方面技术上应该不成问题了吧？日本的好多优秀动画电影都是平面的，可见内容永远大于形式。《灰太狼与喜洋洋》似乎叫我们看到了一丝曙光，但愿这不是昙花一现。
法宝三：内容的娱乐性
当然好莱坞动画最大的卖点就是它娱乐性。就拿《冰河时代3》中的树獭希德来讲，这是一个油嘴滑舌、见风使舵但有一颗善良的心灵的市井小混混形象，他几乎就是《冰河时代》系列的灵魂人物，也是这个系列的最大的娱乐点。他有着普通人类的一切弱点，但是又有着普通人类的基本人性，正是这种草根性，保证了影片整体上的亲民性，所以人们再怎么给电影挑刺，你看完了都得笑一笑，你一笑，钱没了，那电影就算成功了。有意思的几乎好莱坞所有的动画电影中都有一两个类似希德的角色，比如《史莱克》系列中的驴子、《花木兰》系列里的木须龙、《狮子王》系列中的大猩猩和后来出现的那个那两个活宝——丁满和彭彭，这些角色的出现极大的增强了影片的娱乐色彩，有的甚至反客为主，成为人们心目中印象极深的“主角”。这就要归功于好莱坞动画制作者善于制造和贩卖娱乐的能力了，这种能力几乎已经工业化，形成了生产流水线。角色的基本套路已经确定，只要创造一个角色按照这个套路走，基本就成功了。只要逗乐了大家，你还能说什么？你看得不就是一个乐呵吗？
法宝四：情节的拟人性
个人觉得这一点几乎是动画电影的灵魂，拟人化这个工作做好了，出来的东西就可能是精品。《冰河时代3》中出现了一个类似于堂吉诃德式的人物——鼬鼠巴克，这个角色身上体现的是人类身上更深层次的东西，那就是一种追求，一种具有自我牺牲精神的追求，虽然角色荒诞，但是我们又不能不承认这种精神确实在人类身上可以找到。好莱坞动画最值得称道地方在于，能把某些道理在嬉笑怒骂的娱乐之中讲出来，叫你笑过之后，还得回味，而不是机械地说教。叫我至今印象深刻的地方是在《狮子王》中，刀疤望着逃离的小辛巴的影子，阴沉地对土狼（如果我没记错的话）说：“杀了他！”——这一情景活脱脱地是一副动画版的黑社会老大的样子，叫人玩味无穷。在《霍顿与无名氏》中，最后的结局表明真理往往是掌握在少数人手上，片中的宏观世界和微观世界最终归于美好，但是现实中却往往难以达到这样一种皆大欢喜的结果，因此使得影片整体上的内涵更加深刻。《WALL-E》中更是把人类的末世情节和对爱的渴望淋漓尽致地运用到了机器人的身上，观看本片几乎成了一次心灵升华的过程。反观我国的动画电影，总是免不了说教，更可笑的是我们进行传统文化教育、品德情操教育、爱国主义教育也往往是临时的说教，而不懂得潜移默化寓教于乐才是王道。
除此之外就是在动画技术上的领先性，这个是有目共睹的，无需再说。
《冰河时代3》不能算一部经典的动画片，但它有着好莱坞动画电影的所有特点，动画效果逼真、老少咸宜、温情脉脉、娱乐十足。可以说好莱坞动画电影产业已经形成流水线作业规模，只要剧本搞定，技术保障是毫无问题的。近几年来好莱坞的动画电影，尽管质量上有高低，但几乎鲜有彻底失败的例子。因为从流水线上出来的东西，都具备上述几个为人们所认可的特点，只是在这几个特点的整合上有高低之分，但这足以保证未出场已经稳操胜券了，剩下的不过是赚钱多少的问题了。
因此《冰河时代3》拍得未必多成功，但赚钱赚得高明，这种高明之处需要中国动画电影人多多学习。
"Ice Age 3" and the inevitable result of success is the assembly line - Feedback
And compared to Episode II, "Ice Age 3" In the view of somewhat improved, but the overall quality of this series of films on the downward trend is still hope that procers stop there, or another bar for new ideas, but the people will certainly not listen to me, means for misappropriating campaign will be carried out in full swing. Cast aside the theme of the film itself, the merits and the plot arrangements, reasonable or not, just from the technical level, painfully convinced people that make money. It can be said of "Ice Age 3" is represented by a large number of Hollywood animated film created by the bizarre color scene of the fairy tale world of "amazing" to describe is not at too much, but I see "Ice Age 3" the greatest feeling, not only in Here, I am more impressed by the Hollywood animated film proction concepts with strong technical support of this concept has almost reached Transformation. As animated films generally have anthropomorphic and fantasy colors, almost from the creation time, space, role constraints, Earth and even the universe can be of any species into the animated film, and to speak, human beings can be carried out in all its activities. From this point of view, extremely broad drawn animated films, as opposed to live-action film, it is reasonable for its story demands much more relaxed. But this does not mean that they can be written and directed nonsense, others do not mess things up, basically you should be given to the successful stories in, and tell you to read the laugh easily, and people put money away, bin. "Ice Age 3" It is very intuitive to see that the Hollywood animated story books written and directed several major magic weapon, put it plainly, is a proction line, according to the routine proction, virtually no run, where the poor are poor not to go. Magic one: the role of alt sexual
, "Ice Age" series are extremely persistent in pairs of squirrel nuts, as the film an important clue, which is almost become a sign of this series of films, "Ice Age 3" is no exception, but also arranged into a female squirrel. First of all, only on the mother squirrel shape, we see is a mature form of beauty, male squirrel to see female squirrel that Indecent expression, as well as the combination of two squirrels and contradictions of having no not according to alt the evolution of thought and life. This creative approach, in the Hollywood animated film almost everywhere. Animated films have been the main audience is children, but precisely because of these "image of the child," which incorporates elements of the alt's performance, in the form and content of great contrast given rise to a strong entertainment tastes, and thus film has become young and old salt Yi had. In contrast to our animated feature films, to a large extent, are confined to the children's world, not daring to introce alt thinking, makes our animation looks very "mental handicap" and is only suitable for children, alts all day long if staring at "Haier Brothers" Look, I am afraid we have to be as "mental handicap" had. Of course, this situation has improved in recent years, but still can not relax hands and feet. Magic 2: the broad themes
Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining
Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation procers the ability to manufacture and trafficking in entertainment, and this ability is almost instrialization, forming a proction line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human
Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a Don Quixote-like figure similar toMagic 2: the broad themes
Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining
Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation procers the ability to manufacture and trafficking in entertainment, and this ability is almost instrialization, forming a proction line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human
Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a similar to the Don Quixote-like figure - weasel Buck, this role is to embody a deeper level of what the human body, it is a pursuit, a kind of self-sacrifice the spirit of the pursuit, although the role of absurd, but we must admit that this spirit can be found in humans did. The most commendable parts of Hollywood animation is able to in the subject of ridicule in some token of entertainment among the speak out, tell you to laugh over later, have to aftertaste, rather than mechanically preaching. Impressed me so far are found in "The Lion King", the Scar Simba looking to escape the shadow of a small, murky against coyotes (if I remember correctly) said: "Kill him!" -- This scenario is an animated version of Huo Tuotuo to underworld boss looks like and tells the people pondering infinity. In "Horton and Anonymous", the final outcome shows that truth is often rests in the hands of the few in the film world and the micro-macro eventually attributed to a better world, but in reality are often difficult to achieve such a happy outcome, thus making video more profound meaning as a whole. "WALL-E" has even more in the end of the world of human desire for love plot and vividly applied to the robot's shoulders, watching film seems to have become a spiritual sublimation process. In contrast China's animated films, were always going to preach, even more ridiculous is that we have the traditional culture and ecation, moral sentiments of ecation, patriotic ecation is often temporary preaching, rather than know how to nurture learning fun, is kingly. In addition is the leading technology of animation, this is for all to see, no talk. "Ice Age 3" can not be considered an animated classic, but it has all the characteristics of the Hollywood animated films, animation realistic, young and old, sentimental, entertainment full. Can be said that the Hollywood animated film instry has formed the scale of pipeline operations, as long as the script without getting technical support is without question. In recent years, Hollywood's animated films, even though there are high or low quality, but almost a complete failure few examples. Because out of things on the line, all with a few of the above-mentioned characteristics of the people recognized only in the integration of these features have a level of points, but it is not sufficient to guarantee that appeared certain to win, and the rest is just profit how much money a problem. Therefore, "Ice Age 3" They are not necessarily more successful, but the money earned clever, this genius of animated film, the Chinese people need to learn as much as