① 灰姑娘,美女与野兽的英文观后感！100词左右，急求啊~~~
灰姑娘：
Cinderella is a deeply beloved animated classic. This is very easily one of my Disney animated films ever made because it is such a delightful adaptation of the classic fairy tale. The characters are a lot of fun to watch and the story was handled excellently. The songs in the movie are also very good to listen to and fit perfectly into the movie. I strongly recommend it to any Disney fan.
美女与野兽：
'La Belle et la bête' is a romantic fantasy masterpiece.
The atmosphere is ethereal, hazy, ripe with magic. There is a quality to the pace, visuals, dialogue and blocking that just feels otherworldly. Perfect for this tale.
The use of human and other life forms in unusual ways is most imaginative. Especially so are the faces in the mantel and the torch sconces. I mention them as inspired and labeled this review for spoilers because I still remember the pleasure of the surprise of those images when I first saw this film.
I do not speak french but I think that the actual dialogue matters less than in any film I have seen. This one can be enjoyed by yielding to the image and the rhythm.
② 电影《灰姑娘》英文影评
It is a tough bet to retell a story which has already been told not once but many number of times. We all know what happens in Cinderella, but it would take Disney to make an already known story to be interesting. The way this version of Cinderella has been told makes all the difference. Disney and Fairy tales are made for each other so much, that no matter how many times they tell the same story, it is still as interesting as watching it for the first time. Throw in some top class CGI to the fairy tale, and voila you have a stunning movie, and yes the movie was stunning, be it the palace, which i believe was CGI, the performances by the artists and above all the screenplay had been extremely well written all over the movie. Thankfully this one is not a musical like its predecessor, from Disney.So full marks to the director Kenneth Branagh, and full scores to Lily James for portraying the most loved character of all times. Also a special mention to the characterization of the prince,played by Madden, that rather than being portrayed as the lover boy Prince Charming, who just falls in love over Cinderella, in this version he shows his character by standing up for his love.
③ 电影灰姑娘介绍一下英语作文
nd there stood Cinderella in the loveliest gown she had ever seen. On her tiny feet were delicate glass slippers.
Cinderella was delighted. “Oh, fairy godmother – it’s like a dream come true!”
“Yes, child. But like all dreams, it can’t last forever. On the stroke of midnight, the spell will be broken, and everything will be as it was before.”
“I’ll remember,” promised Cinderella. “Oh, it’s more than I ever hoped for! Thank you, fairy godmother.”
“Bless you, my child. Now hurry up. It’s getting late.”
Cinderella stepped into the pumpkin coach and was whisked away to the royal ball.
The King’s ballroom was magnificent. Every lady in the land was dressed in her finest gown. But Cinderella was the loveliest of them all.
When the Prince saw the charming Cinderella, he fell in love instantly. The Duke said to the King, You see, Your Majesty, the Prince has danced with that girl all evening. It looks like he’s found the girl he wants to marry.
All at once the tower clock began to strike midnight. Cinderella cried, “Oh, I almost forgot!” And without another word, away she ran, out of the ballroom and down the palace stairs. On the way she lost one of the glass slippers, but she couldn’t stop to get it.
Cinderella stepped into the magic coach, and quickly drove away. As the clock struck for the twelfth time, the magic ended! Cinderella was left with a pumpkin, some mice, and the memory of her wonderful evening.
The next morning the whole kingdom was wondering who the mysterious girl was. The only clue was the lost slipper. The Grand Duke carried the glass shoe from house to house looking for its owner, for the Prince had said he would marry no one but the girl who could wear the tiny slipper.
Every girl in the land tried hard to put the slipper on. The ugly stepsisters tried hardest of all! But it was no use. Not a single girl could fit her foot into the glass shoe.
And where was Cinderella? Locked in her room, the mean old stepmother was taking no chances that poor Cinderella would try on the slipper. But Cinderella’s mice friends found the key and rushed it up to the locked room.
The Duke was just about to leave. “Well, madam, if you have no other daughters, I’ll bid you good day.” Just then he heard a voice calling to him. “Please wait! May I try the slipper?” It was Cinderella.
“Of course,” said the Duke. “Every girl must have a chance. Please sit down.” He slid the glass shoe onto Cinderella’s foot and it fit perfectly.
Cinderella’s dream had come true. No longer would she slave for her cruel stepmother and her foolish stepsisters. She would marry the Prince and live happily ever after. And what became of the little mice who had been Cinderella’s only friends? They went to the palace, too. And they all lived happily ever after
④ 灰姑娘电影英文观后感
Cinderella is my favorite fairy tale. It told us a wonderful love story. The poor girl, Cinderella, was ill treated by her step mother and self sisters. But finally, she got her true love with the prince.
It made me moved because Cinderella is such a brave girl; she doesn't care about the gap between her and her beloved one. I learn from it that miracles are often created by our own effort.
⑤ 灰姑娘故事梗概50字英文
《灰姑娘》英文版的故事： Once upon a time lived a beautiful girl, called Cinderella. 从前有一位漂亮的姑娘，叫灰姑娘。
One day,Prince Charming is having a ball to find his bride！ 一天，白马王子要举办一个舞会来选他的新娘！ Her wicked stepmother just laughed mockingly and told her to stay at home in the cinders where she belonged. 她的刻度的继母只是取笑她，被告诉她呆在家里面的煤灰中，她属于那里。 Cinderella was very , a fairy appeared from out of the glowing light！ 灰姑娘非常伤心。
在那时，一位仙女从这处夺目的光芒中出现！ The cat had transformed into a coachman,the mice changed into horses. 这个猫变成了一位马车夫！老鼠变成马匹。 The fairy kindly and waved her wand again, Cinderella\'s rags had disappeared 仙女再次挥动着她的拐杖，灰姑娘的破春漏衣服消失了。
When Cinderella entered the ball a hush fell and everyone stopped dancing. 当灰姑娘进入的时候，忽然静了下来，每一个人都停止了跳舞。 The Prince himself thought that Cinderella was so beautiful that he danced with her all night long. 王子他自己觉得灰姑娘如此美丽，因此他整晚始终和她一起跳舞。
The clock had begun to strike twelve. 钟表已经开始敲响12点。 The Prince tried to chase after Cinderella but he lost sight of her. 王子试着在后面追逐灰姑娘，但是他看不见她了。
The Prince went everywhere trying to find the girl whose the foot would fit into the dainty glass slipper. 王子走遍每一个地方试着找到她的脚适合这只迷人的玻璃鞋的女孩子。 Finally, he came to Cinderella\'s house. 最后，他来到灰姑娘的房子。
Cinderella watched as the Prince tried to fit the slipper onto her stepsister\扒慎烂's feet.”May I try the slipper？”. 当王子试着把鞋子穿上她的继姐妹的脚的时候，灰姑娘看着，“我可以试这个鞋子么？”。 The slipper fitted Cinderella\'s foot perfectly！ 鞋子极其合适地穿在灰姑娘的脚上孝冲。
The Prince recognized her immediately and asked her then and there to be his bride. 王子立即辨认出了她，在那时和那里请她作她的新娘。 (5)观灰姑娘电影英文观后感100字扩展阅读 《灰姑娘》的故事英文版叫做《仙履奇缘》，是一部1950年的美国动画电影，于1950年2月15日在美国首映。
《仙履奇缘》讲述的是一个孝顺且心地善良的女孩子，长期受到继母和姐姐们的虐待，在厨房里做女佣，每天都是灰头土脸脏兮兮的，后来由于善待小动物而且孝感动天，所以得到了仙女的帮助，在历尽继母和姐姐们的阻挠后终于和王子快乐地生活在一起的故事。 参考资料：网络—仙履奇缘。
⑥ 英文电影《灰姑娘》观后感150字
灰姑娘是一个善良，坚强的孩子，她信守着母亲的诺言做一个坚强勇敢善良的孩子，母亲死后她体谅父亲的孤苦，答应父亲找一位继母，对于新姐姐们也真诚相待。父亲死后对于继母的刁难也默默承受着，面临着如此困境但她却依旧阳光开朗，她就像蒙灰的明珠，虽然外表灰暗，真实确是美丽明亮而温暖。王子的出现为她拂去了灰尘，开始流光溢彩，绽放光芒。因为她的善良仙女让她穿上了华丽衣服与王子在舞会相遇，互诉衷肠。结局是美好的王子和灰姑娘在一起了，坏人受到惩罚。这告诉我们要真诚善良，遇到困境依旧能开朗对待。
⑦ 《cinderella》观后感英文版
《Cinderella》观后感英文版：
是一部经典的童话故事，它向我们展示了一个美好、浪漫的世界。在观看这部电影后，我感受到了许多积极的情感和启示。
首先，灰姑娘的故事告诉我们，无论遇到多么艰难的困境，我们都应该保持善良和勇敢。灰姑娘虽然遭受了继母和姐姐们的虐待，但她从未放弃对美好未来的向往。她通过努力和坚韧不拔的精神，最终实现了自己的梦想。
其次，这个故事也表明了真正的爱情是建立在内在美而不是外在美的基础上的。灰姑娘虽然穿着破旧的衣服和鞋子，但她的美丽和善良却吸引了王子的目光。这种爱情观念对于我们现代社会仍然具有非常重要的启示意义。
此外，灰姑娘的故事也传递了一种乐观向上的人生态度。无论遇到多大的困难，我们都应该保持乐观的心态，相信自己有能力克服一切困难。
总之，《Cinderella》是一部非常经典的童话故事，它向我们展示了善良、勇敢、真爱和乐观向上的人生态度。这些主题对于现代社会仍然具有非常重要的意义，让我们更加珍惜自己的生活，保持积极向上的心态。
⑧ 观后感：Ever After（是英语就太感谢啦～！）
1
Danielle De Barbarac (Drew Barrymore) lives alone with her father and their servants after the death of her mother, until one day her father brings home a new bride, the Baroness Rodmilla De Ghent (Anjelica Huston) and her two daughters, Marguerite and Jacqueline. When Danielle's father dies, the Baroness turns Danielle into a servant to wait on her and her spoiled daughters.
Danielle accidently meets young Prince Henry (Dougray Scott) when the Prince pilfers a horse from their manor in order to escape his parents restrictions. For her silence, he gives her coins, which she uses to pose as a courtier to buy back their old servant the Baroness sold to pay her taxes.
She meets Prince Henry again, but this time posed as a Lady, and Henry finds himself enchanted not simply by her beauty but by her intelligence and spirit. He becomes determined to know more about her, but first must find her for she keeps slipping away from him. In the meantime, Marguerite has set her sights on the handsome prince, with the help of her mother and a michevious courtier.
I won't give away any more of the movie, but absolutely must mention that there is a great deal of humor in this unique telling of the Cinderella story (take special note of the wedding chapel scene with the Spanish Princess). The acting is supurb and the script very tight and well written, the costumes are stunning, the scenery is breathtaking, and the photography brilliant.
Overall, this is a wonderful movie that softened even my cold, hard heart, allowing it to pump warm blood if only for the length of the movie. This is a love story without sappiness, a handsome hero with faults of his own, and a beautiful heroine who knows how to save herself. Enjoy!
2
This is a wonderful movie. The premise may be cliché, but this is much, much more than just another "Cinderella" movie. Its effects are really quite magical--it will make you laugh, it will make you cry, and it will totally immerse you in its spell. If you are human, it will proce a lump in your throat that will remain there for hours. Some people might call this a "woman's" movie, but I, as a man, will proclaim that it really touches my heart every time I watch it, and I freely admit that it does bring tears to my eyes. I need not go into detail describing the plot--it is a somewhat modernized Cinderella story, replete with the evil stepmother, charming prince, and angelic, mistreated heroine. Instead of a fairy godmother, there is Leonardo da Vinci--an unexpected but brilliant scripting decision, I feel. There are no magic pumpkins turning into horses and carriages, but there is magic; it is the magic of true love.
The entire cast is superb, particularly Anjelica Huston as the evil stepmother, but all of them are overshadowed by Drew Barrymore. Anyone who does not feel that Drew Barrymore is one of the greatest actresses of this and any other generation has obviously not seen this movie. I love all of Drew's movies, but I really believe this movie represents her finest performance. Even down to the most unimportant nuances of acting, she is simply brilliant. She is equally convincing as a peasant in the field as she is a royal courtier among the nobility of France. The emotion she is able to express to the audience is deep and amazingly real. I really can't say enough about her performance here.
All I can do is encourage you to experience this movie. I believe you will want to watch it more than once; it is just as fresh and moving the second and third time as it is the first. Don't dismiss it as a "sappy love story" or think its 16th century setting will make it hard to relate to. This is a story as old as time itself, really, and it is a story that will always be relevant to humankind. It celebrates the power of true love and shows all of us that dreams can indeed come true.
3This is the kind of movie that no self-respecting guy would admit to liking in front of his friends. Seeing as i have no self-respect and even fewer friends, i have no reservations in stating that i loved this one from start to finish. It is a clever and highly original retelling of the classic Cinderella story, set in France. The entire cast does an inspired job. Drew Barrymore hasn't been this endearing since "E.T." (or was it "Doppelganger" ? I keep confusing the two), Anjelica Huston is a fittingly loathsome stepmother and even the featured "prince charming" i found easy to stomach. Need i recount the (allegedly true) tale ? (daughter turned lowly servant turned pretend courtier turned princess) Check elsewhere !
The pre-feminist subtext is hard to overlook, but far from obtrusive. Couldn't help liking the not so evil second stepsister. No fantastic elements are introced: there is no evidence of sorcery, or a pumpkin anywhere to be found. Replacing the fairy godmother with Leonardo da Vinci of all people is a stroke of genius, adding to the credibility of the storyline. The payoff is thoroughly satisfactory, leaving you with a smile on your face. My fellow countryman Jeroen Krabbé (Barrymore's father) sees his acting career cut short as he is killed off within the first five minutes or so. The whole thing is accompanied by a great music score. Set aside your prejudice & suspend your disbelief.
4
Every once in a while, a movie surprises me. Such is the case with Andy Tennant's Ever After. Based on the lackluster previews, I was prepared for the worst, but, instead of getting a juvenile, pointless re-telling of the classic "Cinderella" fairy tale, I was confronted with a delightful re-interpretation. While I won't claim that Ever After is the best cinematic version of the fable, this is deft storytelling, and sure to be a hit with almost everyone who sees it (except, perhaps, unromantic cynics).
One of the most curious things about this movie is the PG-13 rating bestowed upon it by the MPAA. This is the third would-be family film in less than a month to carry that classification, and, while it is understandable in the case of the other two, Dr. Dolittle and Small Soldiers, I am at a loss to explain why Ever After was treated so harshly. Aside from a couple of mild swordfights, the evidence of a whipping (the actual event is not shown), and an inconsequential instance of profanity, there's nothing remotely objectionable about Ever After's content. Parents made wary by the PG-13 need not fret; this picture is entirely suitable for viewing by children of all ages.
Ever After's twist is that it's telling the "real" Cinderella story from which the Brothers Grimm fable was derived (the two famous fairy tale scribes make a brief appearance in a prologue that also features a cameo by the incomparable Jeanne Moreau). Consequently, there are no pumpkins, mice, magic spells, or fairy godmothers. The love story between a peasant girl and a prince is still at the core, although, in this case, "Cinderella" (whose name is Danielle), has the kind of progressive attitude that would be more at home in the 1990s than in the 1500s.
The broad strokes of the story are certainly familiar. After the tragic death of her father (Jeroen Krabbe), Danielle (played by Anna Maguire as a little girl, and Drew Barrymore thereafter) is consigned to a life of servitude for her cruel stepmother, Rodmilla (Anjelica Huston), and vain step-sister, Marguerite (Megan Dodds). Danielle has an ally in the household, her second step-sister, Jacqueline (Melanie Lynskey, last seen opposite Kate Winslet in Heavenly Creatures), but she's too meek to stand up to her mother. While Rodmilla, Marguerite, and Jacqueline enjoy as much luxury as their farm house provides, Danielle (bbed "Cinderella" by Marguerite for the cinders that always stain her clothing) is forced to scrub the floors, cook the meals, and feed the animals.
One day, when Danielle is picking apples, she spies a man stealing one of her step-mother's horses. It's actually Prince Henry (Dougray Scott), the heir to the throne of France, in the process of running away from his father because he is unwilling to be trapped in a loveless, arranged marriage. Mistaking Henry for a common thief, Danielle knocks him from the horse with a well-aimed apple. After she realizes who he is, she is apologetic, but the meeting leaves an impression on both of them. At the time of their next encounter, Danielle is posing as a countess in order to rescue a family retainer from debtors' prison. She engages the Prince in a spirited debate, and, although he thinks he recognizes her, he can't put a name to the face. Soon, he is scouring the countryside looking for her, and, although Danielle is attracted to him, she avoids contact, fearing that if he learns that she isn't a member of the nobility, he will shun her. Through all of this, there is a fairy godmother of sorts -- Leonardo da Vinci (Patrick Godfrey), who uses science, not magic, to smooth the path of true love.
Movies like Ever After, if fashioned with little skill, become curiosities for pre-teen girls looking for a summer afternoon at the movies. However, Tennant takes this familiar material and crafts a charming, captivating motion picture. He gives the villains a few human qualities, but still manages to make them despicable enough that we feel justified in cheering when they receive their comeuppance. The all-important romance is nicely-developed. Danielle and Henry are clearly fated to be together, but they have to overcome a number of obstacles along the way, including her dishonesty, her step-family's plicity, and his prejudice. Of course, everything turns out "happily ever after" (hence, the title), but, as in all romances, our enjoyment lies in observing the games played by the two smitten protagonists en route to that ending.
As good as the costumes and setting are, Tennant does not craft a flawless period piece. In fact, Ever After transpires in a pseudo-16th century that bears only a passing resemblance to the historical reality. Anachronisms abound, both in attitudes and in speech. The characters talk as if they are procts of the 1900s, not the 1500s, using idioms that, at the time, were centuries away from making their way into the language. Tennant doesn't appear to be bothered by these inaccuracies, but those who are sticklers for period detail may be distracted by this sort of thing.
Drew Barrymore, continuing to rehabilitate her once-tarnished image, proves that her winning turn as a romantic lead in the otherwise-dreadful The Wedding Singer was no fluke. As Danielle, she radiates tremendous appeal. Like Prince Henry, we are immediately taken not only with Danielle's beauty (which shines through the dirt on her face) but with her spirit. Speaking of the Prince, Dougray Scott (who can also be seen in this summer's Deep Impact) manages the difficult feat of making Henry likable rather than bland (blandness is often the unfortunate fate of the male leads in movies like this). Anjelica Huston and Megan Dodds turn on the bitchiness as step-mom and step-sister, and veteran actors Timothy West and Judy Parfitt have comical turns as the King and Queen of France. Patrick Godfrey's wise-but-humorous da Vinci is a delight.
Tennant, who showed skill at the helm of a romance with his last film, Fools Rush In, has found the right tone for this effort. The love story is wrapped around interludes of comedy, adventure, and drama. It never seems to matter that we know the entire story from the beginning -- the characters, not the plot, capture our attention. One concern I have about this film is that, because it's not high-profile, it has the potential to become lost in the summer crush. Here's hoping that enough viewers discover Ever After to give it a happy ending at the box office.
5
“Once Upon A Time…” begins the classic tale of Cinderella, hapless victim of a cruel stepmother and wicked stepsisters. This time do not look for fairy godmothers or magic pumpkins and mice, and Cinderella may not be the demure damsel portrayed by Disney. Cinderella, AKA Danielle (Drew Barrymore) is a spunky, independent young woman who reads Sir Thomas More's “Utopia” and dreams of running the estate of her deceased father sans stepmother and stepsisters. Prince Charming Henry (Dougray Scott) is a young man struggling to define his own identity in the midst of an arranged marriage and a domineering father. When the two meet, a twisted tale of class struggle, political power brokering and love mix in this retelling of the Cinderella classic called “Ever After: A Cinderella Story”.
A suprisingly well assembled cast along with some original additions to the Cinderella tale make “Ever After” captivating despite any previous exposure to the story. Anjelica Huston makes one mean stepmother, shockingly icy and venomous at times. So well portrayed is the wicked stepmother than you cannot help but be endeared to young Danielle. Drew Barrymore is a master of (acting) youthful innocence and her simple sweet smile was everything I needed to forget some of the racier characters she has played. Even the “bit parts” we filled with charming characters, from quaint country folk to legends from the annals of history. Don't expect history here though; remember this is a fairy tale (and at some points quite anachronistic) but a lively retelling of a well loved story.
“Ever After: A Cinderella Story” contains two instances of profanity, some violence, and some alt topics (including some sexual innuendo). In spite of the above, I was pleased to see positive (albeit brief) references to Christian values. There is even a mention (and I quote) of “the Son of God”! There is a brief instance of prayer and a mention of the positive role that Christian monks played in the ecation of society. This does not excuse the negative and sometimes too frequent sexual innuendo (which many viewers did not even notice, however) but it was good to see Christianity displayed somewhat openly and positively!
“Ever After: A Cinderella Story”” was originally rated PG-13. However, the video version is slightly edited to make it a PG rating. Even with this in mind, however, some topics are better left alone with younger audiences. But otherwise a great film with some positive references to the Christian faith—perhaps you could use this to discuss your Christian faith with a friend!
6
Drew Barrymore as Cinderella? What a perfect fit for an update, like when Alicia Silverstone did a 1995 modern-dress version of Jane Austen's Emma in Clueless. But wait. Ever After doesn't step a toe out of the sixteenth century. Director Andy Tennant shot the film in France, with fairy-tale costumes by Jenny Beavan. Luckily, Barrymore is not the kind of actress who'd settle for a musty retread. The last time she and Tennant worked together, she was a hellcat Lolita in his TV version of The Amy Fisher Story. Barrymore's take on Cinderella is more Betty Friedan than Brothers Grimm. No prince would mistake her for a docile dolly.
Let's start with her attitude. As the orphaned Danielle, Barrymore is willing to take just so much shit from her stepmother, Rodmilla (Anjelica Huston). Danielle doesn't pine for a fairy godmother to solve her problems. Good thing: The script by Tennant, Susannah Grant and Rick Parks doesn't give her one. Danielle makes her own miracles, though she does get sound advice from Leonardo da Vinci (Patrick Godfrey) -- you heard me -- in handling her stepsisters (Megan Dodds and Melanie Lynskey) and Prince Henry (Dougray Scott), a handsome snob with a thing about servants; he recoils in horror when he finds out that Danielle is one.
Enough remains of the Cinderella myth -- masked ball, glass slipper -- to please purists. But it's the feminist spin that makes Ever After mischievous fun. The radiant Barrymore energizes Cinderella with a tough core of intelligence and wit. And Huston is a devilish delight, wringing laughs and a grudging sympathy from a role usually caricatured as pure evil. Shake off the cobwebs. These sisters are doing it for themselves