电影小公主观后感500

❶ 世界名著《小公主》告诉我们一个什么道理

1.善待他人。无论何时何地，无论对方贵贱、美丑或是强弱，以一颗仁爱之心去对待，才能得到他人的尊重，才能在自己患难之时得到他人的帮助或回报。这是一个公主最基本的品德。
2.不畏权贵，坚持信仰。不管身为衣食无忧的公主，还是沦作食不果腹的仆女。不为身外之物改变信仰，不为权贵势力改变信仰。这是一个公主内在的骄傲所在，这决定了她是否是一个真正高贵的公主。
3.始终保持积极的生活态度。不因你生活优越而高枕无忧，也不因你贫穷卑微而自暴自弃。活出每一天的精彩是一个公主的魅力所在。
4.相信奇迹。奇迹如果时常出现，那么它就不会被称作是奇迹了；但倘若你根本就不相信它的存在，那么它连眷顾都不会眷顾你的生命。相信奇迹，是每一位公主的权利。

《小公主》是本故事浅显易懂，但内涵深刻的名著。很高兴你也喜欢它~
在此也推荐同名电影《小公主》（1995 美国），它对原著的重现和改编会使你更有亲临其境的感受(*^__^*) ~

❷ 《小公主》

如果要的是1937年版的就请发消息给我

小公主 A Little Princess (1995)

片长: 97分钟

演员 及所有工作人员
1 Liesel Matthews ..... Sara Crewe
2 Eleanor Bron ..... Miss Minchin
3 Liam Cunningham ..... Capt. Crewe/Prince Rama
4 Rusty Schwimmer ..... Amelia Minchin
5 Arthur Malet ..... Charles Randolph
6 Vanessa Lee Chester ..... Becky
7 Errol Sitahal ..... Ram Dass
8 Heather DeLoach ..... Ermengarde
9 Taylor Fry ..... Lavinia
10 Darcie Bradford ..... Jesse
11 Rachael Bella ..... Betsy
12 Alexandra Rea-Baum ..... Gertrude
13 卡米拉·贝勒 / Camilla Belle ..... Jane
14 Lauren Blumenfeld ..... Rosemary
15 Kelsey Mulrooney ..... Lottie
16 Kaitlin Cullum ..... Ruth
17 Alison Moir ..... Princess Sita
18 Time Winters ..... Frances (milkman)
19 Lomax Study ..... Monsieur Dufarge
20 Vincent Schiavelli ..... Mr. Barrow
21 Pushpa Rawal ..... Maya
22 Rahi Azizi ..... Laki
23 Ken Palmer ..... John Randolph
24 Helen Greenberg ..... Flower lady
25 Norman Merrill ..... Doctor in hospital
26 Peggy Miley ..... Mabel (cook)
27 Robert P. Cohen ..... Ermengarde's father
28 Will Blomquist ..... Rich boy in street
29 David Fresco ..... Beggar man in Fantasy Forest
30 Judith Drake ..... Bakery woman
31 Chris Ellis ..... Policeman
32 Jonás Cuarón ..... Chimney-sweeper (uncredited)
33 Sandeep Walia ..... Indian servant (uncredited)
导演 director 1 阿方索·卡隆 / Alfonso Cuarón .....
编剧 writer 1 Frances Hodgson Burnett ..... (novel)
2 Richard LaGravenese ..... (screenplay) and
3 Elizabeth Chandler ..... (screenplay)
制片 procer 1 Alan C. Blomquist ..... executive procer
2 Dalisa Cohen ..... co-procer
3 Amy Ephron ..... executive procer
4 Mark Johnson ..... procer
摄影 cinematographer 1 Emmanuel Lubezki .....
剪辑 editor 1 Steven Weisberg .....
星探 casting director 1 Jill Greenberg Sands .....
造型设计 proction designer 1 Bo Welch .....
艺术指导 art director 1 Tom Duffield .....
布景设计 set decorator 1 Cheryl Carasik .....
服装设计 costume designer 1 Judianna Makovsky .....
make-up 1 Fríea Aradóttir ..... hair stylist
2 Bonnie Clevering ..... hair stylist
3 Julie Hewett ..... makeup artist
4 Robert Norin ..... makeup artist
制片主管 proction manager 1 Robert P. Cohen ..... unit proction manager
助理导演 assistant director 1 Stephen P. Dunn ..... assistant director
2 David Fudge ..... second assistant director
3 Bo Welch ..... second unit director
艺术指导 art department 1 John Dexter ..... set designer
2 Michael Diersing ..... construction coordinator
3 Lawrence A. Hubbs ..... set designer
4 Andrew Petrotta ..... assistant property master
5 Stephanie Schwartzman ..... art department coordinator
声效 sound crew 1 José Antonio ..... sound
2 Richard Beggs ..... sound designer
3 Richard Beggs ..... sound re-recording mixer
4 Marty Church ..... adr mixer
5 Pud Cusack ..... boom operator
6 Ann Ducommun ..... assistant sound editor
7 Michael Herbick ..... sound re-recording mixer
8 Tom Meadows ..... sound mixer
9 Bob Newlan ..... supervising sound editor
10 Ken S. Polk ..... sound re-recording mixer
11 Roy Prendergast ..... supervising music editor
12 Donald Sylvester ..... foley editor
13 Hugo Weng ..... sound editor
14 Danny van Spreuwel ..... sound re-recording mixer: Dutch version
特效 special effects 1 Matt Farell ..... technical director
2 Alan E. Lorimer ..... special effects
特技表演 stunt performer 1 Kathy Brock ..... stunt performer
2 Charles Croughwell ..... stunt coordinator
3 Joe Finnegan ..... stunt performer
4 Svetla Krasteva ..... stunt performer
5 Lee Poppie ..... stunt performer
6 Scott Sproule ..... stunt performer
作曲 composer 1 Patrick Doyle .....

◎简 介

上尉克鲁奉命前往南非作战，小女儿莎拉因为没有母亲，只好被寄养在一所贵族学校，校长得知她出身贵族，以贵族了女招待。时间一天天过去，前线不时传来阵亡名单。有一天，克鲁上尉的名字出现在报纸的失踪名单上，因此无法再缴昂贵的学费，学校把小莎拉赶出原来的房间，莎拉含着泪水做起小佣人。但他坚信父亲不会离她而去，天天抽空跑去医院找父亲，她的那份真情感动了英国女皇，也感动了老天，奇迹终于出现了……

影评&幕后

《小公主》是世界著名儿童文学作家 F·H·伯内特夫人的经典名作,多次被改拍成电影,由秀兰·邓波儿主演,在我们的童年记忆里,应该都有这部电影

精彩对白
. [the amnesiac Capt Crewe comes across Sara crying in a corner of a darkened room]
Capt. Crewe:What is it? Why are you crying? Please tell me. I won't hurt you. Won't you tell me your name?
Sara Crewe:[sobbing] Sara.
Capt. Crewe:'Sara'... that's such a pretty name.
Sara Crewe:[there is a flash of lightening, and the lights suddenly come back on] Papa...?
Capt. Crewe:What did you say?
[she runs to him, and he tries to hold her away]
Capt. Crewe:I'm sorry...
Sara Crewe:Papa, it's me! It's Sara!
Capt. Crewe:Do you know me?
Sara Crewe:Papa, don't you remember me? Papa, please! You've got to know me! It's Sara, remember? Remember India and Maya? Remember the Ramayana... and Emily? And the locket with Mama's picture?
Capt. Crewe:[still struggling to push her away] No...
Sara Crewe:Papa, please!
Charles Randolph:[Mr Randolph arrives with Miss Minchin and the police] Do you know this man?
Sara Crewe:Papa, tell them!
Miss Minchin:[recognizes Captain Crewe] This child has no father. Take her away!
Sara Crewe:[a police man tears Sara away and carries her, kicking and screaming, from the room] No! No! Papa!
Capt. Crewe:I'm so sorry...
2. [the girls have woken up to find the attic beautifully redecorated and a breakfast of sausages, muffins and fruit awaiting them]
Sara Crewe:Look! Just what we ordered!
Becky:I'm a little scared about all of this...
Sara Crewe:Me too. Do you think we shouldn't eat it?
Becky:I'm not that scared!

3. Sara Crewe:Don't cry, Becky.
Becky:I'm scared. If Michin throws me out, I got no place to go
Sara Crewe:That's not true. I'm here with you. I've always thought of us as sisters.
Becky:You have?
Sara Crewe:Let's make a promise right now: to always look out for each other.
Becky:It's a promise.

4. [Randolph and his servant are at a military hospital, where Randolph has discovered that the amnesiac soldier there is not his son John]
Charles Randolph:All the hoping... you must think me a fool.
Ram Dass:Is it your wish to be wise, sahib?
Charles Randolph:I don't know. I suppose a wise man wouldn't have come here at all.
Ram Dass:But if he had, he would have looked more closely upon the soldier's face.
Charles Randolph:And what would he have seen?
Ram Dass:Pain, sahib. He needs to be cared for.
Charles Randolph:He's not my responsiblity.
Ram Dass:A wise man would remember that this soldier was in John's regiment. If his memory returns... he might tell sahib what happened to his son. Perhaps sahib would learn that John is in British hospital now wishing a kind man would take him home... away from his pain.

5. [Sara just met her new doll, Emily]
Capt. Crewe:You know, dolls make the very best friends. Just because they can't speak doesn't mean they don't listen. And did you know that when we leave them alone in our room, they come to life?
Sara Crewe:They do?
Capt. Crewe:Yes! But before we walk in and catch them, they return to their place as quick as lightning!
Sara Crewe:Why don't they come to life in front of us so we can see them?
Capt. Crewe:Because it's magic. Magic has to be believed. It's the only way it's real.

6. Miss Minchin:Sara,this is Monsieur Dufarge. You will begin French lessons with him this afternoon.
Sara Crewe:Do I have to?
Miss Minchin:Sara! You most certainly do! Now apologize to Monsieur this instant for your rudeness!
Sara Crewe:But I didn't mean to be rude.
Miss Minchin:[shouts] Now!
[Sara says three sentences entirely in French. Monsieur Dufarge looks at her through his monicle impressed]
Monsieur Dufarge:This child doesn't need to learn French, she practically *is* French! Says she learned it from her father.
Miss Minchin:I understood perfectly well what she said, Monsieur.
Sara Crewe:I'm sorry, but we tried to tell you.
Monsieur Dufarge:Well, perhaps she can tutor the younger children, and she might just be able to help you with your pronunciation, Miss Minchin.

7. [at Sara's birthday party, Sara blows out the candles on her cake]
Lottie:[happily jumping up and down] I want a big piece!
Lavinia:[sarcastically] Oh hush up, Lottie! I'm sure Princess Sara will give everyone a fair share. Right, Princess?
Lottie:[to Sara] I told her that's what you were.
Sara Crewe:Well, not just me, all girls are princesses. Even snotty, two-face bullies like you, Lavinia!

8. Becky:Sara... why don't you tell your stories anymore?
Sara Crewe:They're just make-believe. They don't mean anything.
Becky:Oh, but they've always meant something to me. There were days I thought I would die, until I heard you talk about the magic.
Sara Crewe:There is no magic, Becky.

9. [Captain Crewe has just presented his young daughter with a doll named Emily]
Capt. Crewe:Whenever you're afraid, or miss me terribly... just tell Emily. And she'll get the message to me, wherever I am. And I'll send one back right away... so that when you hug her... you'll really be getting a hug from me.
Sara Crewe:...It's alright, Papa. I'm going to be fine.

10. Sara Crewe:Papa? Maya told me that all girls are princesses.
Capt. Crewe:Maya... is a very wise woman.
Sara Crewe:Then it's true?
Capt. Crewe:You can be anything you want to be, my love, as long as you believe.
Sara Crewe:What do you believe?
Capt. Crewe:I believe that you are... and always will be... my little princess.

11. Miss Minchin:Don't tell me you still fancy yourself a princess? Child, look around you! Or better yet, look in the mirror.
Sara Crewe:I am a princess. All girls are. Even if they live in tiny old attics. Even if they dress in rags, even if they aren't pretty, or smart, or young. They're still princesses. All of us. Didn't your father ever tell you that? Didn't he?

12. [Sara is tracing her father's face with her finger]
Capt. Crewe:What are you doing? Memorizing me by heart?
Sara Crewe:No... I already know you by heart.

13. Rich Boy in Street:Here, little girl.

❸ 如何评价韩国电影《小公主》

评价韩国电影《小公主》：全高云作为80后新进导演，正是亲历现代社会消费主义压迫下的一代青年。她在面对现实，走进人群，但仍憧憬心中那一片伊甸园。文艺片总有她的理想架高，或许因此，微笑真实、悲伤的生活的另一面似乎又缺少了那么些实感。

有人说，追求诗和远方的前提是，满足基本的生活需求。微笑的生活是许多人都无法做到甚至不能理解的。也有人夸微笑是个欲望极低的女孩，“她的要求真的不高生活你可别再摧残她”。微笑不是个低欲的女孩，她只是选择了另一种生活，并且坚持履行她的生活哲学。在她的一方天地里，她就是那个公主。

<소공녀＞韩语直译作“小公女”，中文译为“小公主”。无论有没有看过这部片子，中韩片名都容易让看客不解。英文译名“Microhabitat”就直接了许多。这部由韩国80后女导演全高云自编自导的文艺片讲述了女孩“微笑”的一段寄居生活。影片在中国上映一个多月，已在豆瓣收获7.8分的好评。

❹ 如何评价《我的小公主》这部电影

《我的小公主》其实是导演伊娃·爱洛尼斯科的童年自叙，电影讲述的是一个小女孩从天真无邪，一步一步走向成年人世界中的故事，既让人感慨，又让人愤恨。

• 虚荣是滑向极乐、堕落以及毁灭的唯一通道

毫无疑问薇奥莉塔在一开始并不抗拒拍摄这样的照片，一方面是为了与母亲的相处，另一方面则是因为薇奥莉塔本身就是虚荣的。

薇奥莉塔不讨厌那些露骨的、诱惑的衣服，因为照片会让她成名，她可以获得赞美、艳羡、可以提前走进大人的世界，在所谓的“上流社会”声色犬马中展示自己年轻的胴体。

❺ 观后感 读后感(写作高手请进)

好好看下面的参考资料.........

十分详细的参考资料http://ke..com/view/108793.html?wtp=tt

后感，就是读了一本书或一篇文章，或读了一段话，或读了几句名言后，把具体感受和得到的启示写成的文章。所谓“感”，可以是从书中领悟出来的道理或精湛的思想，可以是受书中的内容启发而引起的思考与联想，可以是因读书而激发的决心和理想，也可以是因读书而引起的对社会上某些丑恶现象的抨击。读后感的表达方式灵活多样，基本属于议论范畴，但写法不同于一般议论文，因为它必须是在读后的基础上发感想。要写好有体验、有见解、有感情、有新意的读后感，必须注意以下几点：

首先，要读好原文。“读后感”的“感”是因“读”而引起的。“读”是“感”的基础。走马观花地读，可能连原作讲的什么都没有掌握，哪能有“感”?读得肤浅，当然也感得不深。只有读得认真，才能有所感，并感得深刻。如果要读的是议论文，要弄清它的论点(见解和主张)，或者批判了什么错误观点，想一想你受到哪些启发，还要弄清论据和结论是什么。如果是记叙文，就要弄清它的主要情节，有几个人物，他们之间是什么关系，以及故事发生在哪年哪月。作品涉及的社会背景，还要弄清楚作品通过记人叙事，揭示了人物什么样的精神品质，反映了什么样的社会现象，表达了作者什么思想感情，作品的哪些章节使人受感动，为什么这样感动等等。
其次，排好感点。只要认真读好原作，一篇文章可以写成读后感的方面很多。如对原文中心感受得深可以写成读后感，对原作其他内容感受得深也可以写成读后感，对个别句子有感受也可以写成读后感。总之，只要是原作品的内容，只要你对它有感受，都可以写成读后感。
第三，选准感点。一篇文章，可以排出许多感点，但在一篇读后感里只能论述一个中心，切不可面面俱到，所以紧接着便是对这些众多的感点进行筛选比较，找出自己感受最深、角度最新，现实针对性最强、自己写来又觉得顺畅的一个感点，作为读后感的中心，然后加以论证成文。
第四，叙述要简。既然读后感是由读产生感，那么在文章里就要叙述引起“感”的那些事实，有时还要叙述自己联想到的一些事例。一句话，读后感中少不了“叙”。但是它不同于记叙文中“叙”的要求。记叙文中的“叙”讲究具体、形象、生动，而读后感中的“叙”却讲究简单扼要，它不要求“感人”，只要求能引出事理。初学写读后感引述原文，一般毛病是叙述不简要，实际上变成复述了。这主要是因为作者还不能把握所要引述部分的精神、要点，所以才简明不了。简明，不是文字越少越好，简还要明。
第五，联想要注意形式。联想的形式有相同联想(联想的事物之间具有相同性)、相反联想(联想的事物之间具有相反性)、相关联想(联想的事物之间具有相关性)、相承联想(联想的事物之间具有相承性)、相似联想(联想的事物之间具有相似性)等多种。写读后感尤其要注意相同联想与相似联想这两种联想形式的运用。
如何写读后感

一、要选择自己感受最深的东西去写，这是写好读后感的关键。
看完一本书或一篇文章，你的感受可能很多，如果面面俱到像开杂货铺一样，把自己所有的感受都一股脑地写上去，什么都有一点，什么也不深不透，重点部分也像蜻蜓点水一样一擦而过，必然使文章平淡，不深刻。所以写感受前要认真思考、分析，对自己的感想加以提炼，选择自己感受最深的去写。你可以抓住原作的中心思想写，也可以抓住文中自己感受最深的一个情节、一个人物、一句闪光的语言来写，最好是突出一点，深入挖掘，写出自己的真情实感，总之，感受越深，表达才能越真切，文章才能越感人。
二、要密切联系实际，这是读后感的重要内容。
写读后感的重点应是联系实际发表感想。我们所说的联系实际范围很广泛，可以联系个人实际，也可以联系社会实际，可以是历史教训，也可以是当前形势，可以是童年生活，也可以是班级或家庭状况，但最主要的是无论怎样联系都要突出时代精神，要有较强的时代感。
三、要处理好“读”与“感”的关系，做到议论，叙述，抒情三结合。
读后感是议论性较强的读书笔记，要用切身体会，实践经验和生动的事例来阐明从“读”中悟出的道理。因此，读后感中既要写“读”，又要写“感”，既要叙述，又必须说理。叙述是议论的基础，议论又是叙述的深化，二者必须结合。
读后感以“感”为主。要适当地引用原文，当然引用不能太多，应以自己的语言为主。在表现方法上，可用夹叙夹议的写法，议论时应重于分析说理，事例不宜多，引用原文要简洁。在结构上，一般在开头概括式提示“读”，从中引出“感”，在着重抒写感受后，结尾又回扣“读”。

叙原文不要过多，要体现出一个‘‘简’’字