电影亚瑟王的观后感

Ⅰ 亚瑟拔剑称王的读后感

亚瑟拔剑称王的读后感
为最大程度还原亚瑟王经典史诗，《拔剑称王》采用欧美魔幻画风，历经多事匠心打造，甫一开篇，便能让你身临其境感受中世纪卡美洛大陆的风土人情，同时引领你以第一视角闯荡魔幻大陆，开启波澜壮阔的全新历程。

相传在百年前，邪恶之力席卷整个大陆，哀鸿遍野之际，亚瑟王集结圆桌骑士团，经过血与泪的漫长斗争，终于击败黑暗势力统一大陆，人民从此安居乐业、幸福生活。
但是好景不长，亚瑟王为奸臣背叛，身受重伤，不幸与世长辞。觊觎多时的黑暗势力复苏，曾经统一的大陆重新四分五裂。
眼见光明力量式微，游戏的主角——你，便以救世主的姿态降临，继承前人亚瑟王的意志，凭借各色剧情玩法——例如“幻世录”，接触到卡美洛诸位英雄人物，与他们结识交谈、共同成长，并通过关卡选择触发全新故事线，参与各大战局，最终，带领这片大陆再度走向和平，谱写属于你自己的英雄史诗！

Ⅱ 电影【亚瑟王】观后感～

影片的人物原形来自15世纪英国最富有传奇色彩的国王--勒?莫特?亚瑟。亚瑟王更多的感性认识来自神话传说，他和圆桌骑士的故事，已然是诠释基督教传承的文化传说。历史学家们对于亚瑟王的国籍和年代问题有很多争议。本片以历史学家托马斯?马洛里的文稿基础完成剧本，认为亚瑟王是罗马人，在英国立下赫赫战功，正是亚瑟的上台，才让英国打败日耳曼部落推翻罗马帝国的统治，最后赢得了革命性的胜利。我喜欢这部电影，喜欢里面七个骑士的对自由深切的渴望。这自由面前，生命都显得不那么的动人了。在现实生活中，我们在生活的网上爬行，到处都是束缚，却鲜有人对此斗争反抗。也许，我们这样生活了太久，已经意识不到了自由的美丽了。我自认为是个比较懒散的人，不太喜欢太多的规矩，怎么舒服就怎么过。最好，逍遥的像个桃下醉仙。显然，我是在做梦了。虽然，从影评界的角度来说，亚瑟王不能算是顶尖一流，但影片中骑士间超越生死的友谊，草原上大家对自由的呐喊，以及大雪中失去伙伴的悲痛，绝对能唤起人们心中的某些情愫。

Ⅲ 你好，亚瑟王！

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亚瑟王 斗兽争霸2017年5月12日正式上映，8月腾讯开播了。不出大家所料，一勺哥又华丽丽的因为加班错过了上映式。对，大家没听错，是加班！对，大家没看错，是周五加的班。但是，你明白的，这都不是重点！！！

8月腾讯一开播，一勺就挤了挤自己可怜的各种卡片，续购了会员。

                                             （此处不是硬广，此处不是硬广，此处不是硬广！！！职业三遍）

说起亚瑟王，他全名叫亚瑟·潘德拉刚（Arthur Pendragon），是英格兰近乎神话般的传奇国王，还有个别称“凯尔特英雄谱中最受欢迎的圆桌武士骑士首领”。好了，先放下这么长的别称，凯尔特英雄谱是什么？在欧洲，凯尔特神话与希腊神话并称，英雄谱上都有太阳神、冥神等一大众大神，可想一下，能进这其中，而且是骑士的首领，那是相当了得啊。

传说，亚瑟王在罗马帝国土崩后，亲率他的圆桌骑士统一了不列颠群岛后，英格兰民众高呼出了那个口号：King Arthur!（亚瑟王、亚瑟王……）

《亚瑟王·斗兽争霸》电影改编自美国著名文学家、制片人、艾美奖演员集一身的托马斯·马洛里的《亚瑟王之死》。电影由执导过《秘密特工》和《大侦探福尔摩》的盖·里奇导演执导，讲诉了青年亚瑟在父亲的得力助手梅林等人的帮助下，得到了那把“王者之剑”，握着一把可以统治整个英格兰的剑铲除了“兽人”叔叔，戴得皇冠。

这个传奇式的亚瑟王被改成电影并不是第一次了，但每次除了坚毅的眼神和典型帅气、超man欧洲人的脸庞一致外，那种导演和制片人想传达给我们的气味已越聚越丰富了，对，你们懂的，一勺哥说的是感觉。

亚瑟王·斗兽争霸除了开头和结尾各十分钟左右的超炫特效外，绝大多场景都是贴近古罗马末期的角斗士风格的，看过《斯巴达克斯》的人应该更能理解这种感受，感觉整部电影大段的叙述很生活，真实感十足。少年到青年的亚瑟王成长导演仅用了不到3分钟呈递给观众，我们可以看到亚瑟王的成长历程极其普通，他在妓院长大，斗殴、坑蒙拐骗、耍心机藏钱，平凡的简直和现在社会的三流人一般。

那么是什么最终塑造了伟大而又传奇的亚瑟王呢？是“兽”？是社会责任？是复仇的心？这可能正是每部亚瑟王电影的魅力所在。也是我们很多人值得深思的地方。每个人都可以成功，不是吗？当然亚瑟王是天命所归了（这是后话）。不同导演传达出了不一样的亚瑟王，每个观众也将会感受到多面的亚瑟。本片《斗兽争霸》中，一勺哥不但感受到了一股浓浓的苦难、绝境与浴火重生；也被兽性、贪婪、无下限沉沦深深的伤害了一万次（你们也自己去感受一下人没有下限可以到什么程度，比对一下自己无下限到几级了）。一勺哥就很不反感宣传片的那句话“从一无所有到圣剑在手”，自己感受一下。

也许，是上天注定让亚瑟从被诅咒的巨石中拔出那把天命之剑（石中剑铭文“Whoso pulleth out this sword from this stone and anvil is ly born King of all England”，翻译：凡能从此石中拔出此剑者，便是英格兰之王），手握后来的王者之剑报自己嗜亲之仇，解百姓于水火，这可能是亚瑟的宿命，和我们每个人一样，来到这个世界总有上天的宿命一样。

一勺哥会告诉你自己的宿命是什么吗？

本片虽是一个典型的好莱坞式英雄的诞生历程，从一个素人在经历了一系列苦难与烈火灼心后称王。但一勺哥觉得仅仅为最后亚瑟王和魔、商人甲的终极对话，这个电影你也绝对值得一看。良心推荐以下英文全文，大家自己感受，反正一勺哥已经裱起来了。

先来看看亚瑟王、老亚瑟王（奄奄一息）和魔的对话（一战封神版）：

魔(亚瑟王叔叔)：I think that sword belongs to me now.

老亚瑟王：Run, Son.

魔：Brother，I think that sword belongs to me now.

老亚瑟王：Whatever price you pay, it will be more than you know.

亚瑟王(心理活动)：You don’t need to run anymore.You don’t need to look away.

老亚瑟王：The sword is yours,son. Take it.

亚瑟王对魔说：

You wanted to know what gave me such drive?

It was you.

You put me in the brothel(妓院，亚瑟王成长的地方).

You cut me on the streets.

I am here now, because of you.

You created me.

And, for that, I bless you(亲吻被打败的恶魔).

You make sense of the devil.

再来看一下一战封王后的亚瑟王和商人甲的对话（霸气侧漏版）：

甲：While I understand there’s been a change in the leadship of this nation, I am confident that you will still honor the agreement made by your predecessor and my king. We respect leave here with 10,000 young men as agreed(商人的狡诈表现的极好).

亚瑟王：I don’t think so, man.

甲：Excuse me?(轻蔑的)

亚瑟王：Yeah, I don’t think so, mate.

甲：May I remind of you a fleet of 3,000 longships controlling the seas, surrounding your island? It wound be unwise to displease my king.

亚瑟王：I am sorry(依然礼貌有加).

甲：I’m prepared to extend the deadline by a week.

亚瑟王：

No, I mean I’m sorry.

You’ve made a mistake.

You’re no longer dealing with the man you previously met.

You are addressing England, and all the subjects under her king’s protection.

So you have a choice.

You can now kneel to England or I’ll step off this throne and you can deal with me as the man you previously met.

And we can see how that goes.

甲：ehe……

亚瑟王：

Well, now that’s out the way. Let’s eat.

Why have enemies, when you can have friends?

甲：跪……

最后，给大家一个 彩蛋 ，看看底下这是谁？还不抓紧去看这个电影？

Ⅳ 亚瑟王 英语影评

Rule your fate.

It’s 300 A.D. and the Sarmatians to the east of Britain are all that’s left of a warring cavalry. So impressed with their agility and prowess at battle, the Romans decide to spare them their lives in return for just one little favor. All their young sons and their son’s sons are taken from their families and forced to serve as knights for Rome for 15 years each. Of course, they may return at the end of their service to Rome, unless they happen to die in battle, which will most likely be the horrible outcome.

It is into this dreary and sad history we are introced as Lancelot (Loan Gruffudd) is shipped off from his village as a pre-teen boy knowing full well he will never see his family again. It is a rough life. A life or death struggle just to make it through each 24 hour period.

As the dawn of his 15 year servitude crests, we are forced to engage with Lancelot in his final bloody battle before his freedom papers are given him, and he may return home a free man. Miraculously, Lancelot and his forged family of knights have survived this tour of ty to Rome! They have lived and died along side one another in these years under Roman Christian rule. There are but these brave left: Galahad (Hugh Dancy), Dagonet (Ray Stevenson), hawk-loving Tristan (Mads Mikkelsen) — and Arthur (Clive Owen), to whom they have all have pledged their iron-clad allegiance.

It is with high hopes they travel to meet with the Pope’s advocate to accept their papers to travel through Roman Britain unharmed under the protection of His Grace. Unfortunately for them, the home office in Italy has one more campaign for them to run, and if they are successful (which means if they don’t die while carrying it out) then, and only then, will they finally be allowed to quench their thirst for freedom.

Arthur, who had a Roman father and British mother, is an idealistic Christian soldier who truly believes God has sent him into this world to protect and win in Roman battles. He finds through the course of this final campaign, that Rome is not the place of equality and freedom his most beloved father had imbibed within him. The realm he so honorably served and protected for these past grueling years in fact no longer exists. The film traces Arthur’s evolution from idealistic dreamer to practical hero.

We do get a glimpse of the famous Round Table within the walls of the British castle/fortress to which Arthur refers is round “..for men to be men they must all be as equal” showing no head at this table, but an equal place for all. He also prays in earnest to God to have his life the sacrificed rather than any of his men, so that they would be able to return to their homes and families.

Lancelot, his most trusted friend, overhears this plea and asks why he beseeches this 'God' and not confide in him instead. Arthur responds that it is his faith that protects him. Lancelot responds by saying he trusts no man on his knees. Arthur shows true humility and says perhaps his prayers will put an end to this war. Being the realist he is, Lancelot sadly states there will always be battles in this world.

These knights willingly go off upon this one last mission, not because of their allegiance to Rome, but because of their respect and honor to Arthur. It is here that the sacrifice of faith and friendship is demonstrated in these brave men. Into the grip of the Saxons who have pillaged, raped and murdered their way across Britain they ride to rescue a Roman royal family and bring safely back the son, Arious, to the safe haven of the Roman Pope. They are ambushed in the forest by a fierce warrior tribe of Woads led by a mystical Merlin, but much to their surprise, are spared their lives.

Arthur and his men find the servants being flogged, beaten and tortured in a ngeon at the home of the Roman official he has been charged to rescue and is appalled this is being done in the name of Christianity. It proves more than just the honorable thing to do now, but the real Christian thing to do is save his British countrymen from the very rulers they have placed their faith in to protect them. Arthur also frees and falls in love with a beautiful, confident Woad princess, Guinevere (Keira Knightley). In this telling, Arthur and Guinevere are true loves and Lancelot, though smitten with Guinevere, never makes any advance towards her.

The Saxon army is headed by the ruthless warrior king Cerdic (Stellan Skrsgard) who will stop at nothing in his rampage of killing and burning to eventually meet and defeat Arthur and his knights. The scene where the seven knights aided by Guinevere’s expert archery, face down a whole battalion of 500 Saxon’s on a frozen river bed, is well worth the price of admission.

We are shown the 'real' account of Excalibur and how this sword of renown was actually pulled from the burial mound of his father by Arthur as a young boy, to be used later in his soldiering life to avenge the death of his mother.

This is no fairy tale account of King Arthur, but an attempt at realism — probably more like the rugged lives actually lived back in this ancient time. Although the writers did take many liberties with the classic legend, who King Arthur really was is so clouded by now, who is to say this account is not more closely woven to reality.

LANGUAGE, SEX AND VIOLENCE: The battle sequences are vividly graphic and lengthy, therefore I would not suggest this film for children under 13. There was some use of medieval swearing, but it seemed appropriate for the movie’s theme of reality. The film included a scene where rape was inferred, but nothing actually seen. There is also a sex scene between Arthur and Guinevere — sadly, just an act of lust and not the true love for which the story really called.

Over the course of its blood thirsty battles and through to its conclusion, this film provides a somber look at how Christian ideals can be abused — crushing and breaking innocent lives in the process. As history has often proved, it takes but one brave and committed human being to change the course of the times and bring relief to those who are harshly oppressed.

In the end, Arthur acknowledges that his best friend Lancelot gave his life for the freedom of others. He decrees that “deeds in themselves are for nothing except they be lead by a higher power.” Many have given their lives throughout human history for a better existence for all. As Christians we are finely tuned to the sacrificial death of our Savior, Jesus, for the sins of all mankind. How relevant the truth that there is no greater love than a man who gives his life freely for the sake of his friend’s. Through to the end Arthur never gave up his belief in God, even when other’s questioned, Arthur’s faith remained strong and true. I found this the best, most profound example over all.

Ⅳ 电影《亚瑟王：斗兽争霸》好看吗

专属盖里奇的亚瑟王
文/梦里诗书

盖里奇的执导加上亚瑟王的故事，本预想《亚瑟王：斗兽争霸》会是一部如同《指环王》般的传奇史诗，可未曾料想整部电影虽然在制作上无可挑剔，但那差强人意的剧情使电影难谈惊艳，而盖里奇在这部电影所做的也证明了自己的风格并不适合史诗的格局。

谈及盖里奇，与之相对应的便会是那特有的黑色幽默，从《两杆大烟枪》到《偷拐抢骗》,再到《大侦探福尔摩斯》的颠覆性改编，其实都能让人看到他是一位个人风格尤为强烈的导演，而其在这部新作中，当然也不会满足于只是往一个古老的故事里注入些许幽默元素那么简单，就电影对比原有的故事来说，电影往这个故事里融入了非常多新的细节，这也成为了他能将自己的风格带入到这个古老故事中的契机。

这种颠覆性的创作改编，其实并没有什么过错，可是这样的做法其实也带来了两个尤为明显的问题，一个是电影对整体节奏的把控出现了失衡，对于一个剧情说穿了就是争夺王位的故事，过多刻意的闪回穿插，对剪辑与叙事功底的卖弄，使电影从中段开始就变的平庸了起来，而另一个问题则是盖里奇为了突显自己的风格，他将电影俨然变的不再是一场本当附有史诗感的煌煌之作，仅是一场个人风格浓厚的盖里奇电影。

当然这也并不能说《亚瑟王：斗兽争霸》是一部失败的作品，对原作大幅改编的手笔，小混混的王者逆袭，恰合时宜的幽默，还是为这个老旧的故事某种程度上赋予了新生，而电影在配乐上也同样敢于摆脱传统奇幻史诗的桎梏，那摇滚带感的节奏如若蒙上你的眼睛，或许你都不会相信自己在看一部古装片。

总之如果你期待的是一场一如《指环王》般宏大的魔幻史诗，那么盖里奇的这部《亚瑟王：斗兽争霸》或许会让你失望，但如果你想看的是一场 盖·里奇电影，那么你必然能在这个古老的传奇中发现他的身影。

Ⅵ 书虫《亚瑟王传奇》读后感

亚瑟王传奇读后感
The most famous works of life for the epic legend of "The Death of King Arthur," a comprehensive book contains the legendary King Arthur's round table knights search for the Holy Grail story and the heroic feat. Thirteen years in the Ming Hidemune formal closure of Korinomiyatsuko Knight (now Council).
It is now generally agreed that he and historical airborne Warwick County, lord of the same name are the same person, who is also a glimpse of tomorrow Yingzong thirteen years as a Warwick County members, if the two really the same person, then this were later charged with rape, robbery and attempted murder. In other words he was twenty years out of the prison to complete the proceof compilation, "The Death of King Arthur," this feature-length masterpiece of.
"The Death of King Arthur," modeled on the French classics, plus the author's fictional creation of a lot of content and hybridity of some other material for the future generally agree that the book is the most complete description of the literary works of Arthurian legend . At the same time, he, too, the development of English prose narrative epic has made immortal contributions.
我在感受到一生中最有名的著作为史诗式传奇《亚瑟王之死》，书中全面收录了亚瑟王圆桌骑士们的传奇故事和追寻圣杯的英雄壮举。于明英宗正统十三年受封为郡领骑士(即现在的议员)。
现在人们普遍认同他与历史机载的同名沃尔威克郡领主是同一人，后者也是于明英宗十三年受封为沃尔威克郡议员的，如果二者真是同一人，那么此人后来被控强奸、抢劫和杀人未遂罪。也就是说他是在二十年出入于监狱的过程中编纂完成《亚瑟王之死》这部鸿篇巨著的。
http://www.oh100.com/a/201203/67457.html
《亚瑟王之死》以法国古书作为蓝本，加上了作者的很多虚构的创作内容，并杂糅了一些其他方面的素材，后世普遍认同此书为最完整地描述亚瑟王传奇的文学作品。同时，他也对英国散文叙事史诗的发展做出了不朽的贡献。
The most famous works of life for the epic legend of "The Death of King Arthur," a comprehensive book contains the legendary King Arthur's round table knights search for the Holy Grail story and the heroic feat. Thirteen years in the Ming Hidemune formal closure of Korinomiyatsuko Knight (now Council).
It is now generally agreed that he and historical airborne Warwick County, lord of the same name are the same person, who is also a glimpse of tomorrow Yingzong thirteen years as a Warwick County members, if the two really the same person, then this were later charged with rape, robbery and attempted murder. In other words he was twenty years out of the prison to complete the proceof compilation, "The Death of King Arthur," this feature-length masterpiece of.

"The Death of King Arthur," modeled on the French classics, plus the author's fictional creation of a lot of content and hybridity of some other material for the future generally agree that the book is the most complete description of the literary works of Arthurian legend . At the same time, he, too, the development of English prose narrative epic has made immortal contributions.
我在感受到一生中最有名的著作为史诗式传奇《亚瑟王之死》，书中全面收录了亚瑟王圆桌骑士们的传奇故事和追寻圣杯的英雄壮举。于明英宗正统十三年受封为郡领骑士(即现在的议员)。
现在人们普遍认同他与历史机载的同名沃尔威克郡领主是同一人，后者也是于明英宗十三年受封为沃尔威克郡议员的，如果二者真是同一人，那么此人后来被控强奸、抢劫和杀人未遂罪。也就是说他是在二十年出入于监狱的过程中编纂完成《亚瑟王之死》这部鸿篇巨著的。
《亚瑟王之死》以法国古书作为蓝本，加上了作者的很多虚构的创作内容，并杂糅了一些其他方面的素材，后世普遍认同此书为最完整地描述亚瑟王传奇的文学作品。同时，他也对英国散文叙事史诗的发展做出了不朽的贡献。

Ⅶ 《亚瑟王》你到底看懂了什么呢

凶残的萨克逊大军兵临城下，看着满城手无寸铁的人们殷切的眼神，亚瑟终于明白自己作为一名骑士的使命——此前多年的征战，正是为了此刻能够保卫自己的家园能够不遭受外敌侵害！料定此战必死的亚瑟选择挺身而出并与骑士们道别。当波尔斯与亚瑟隔山相望振臂高喊，都明白这一别很可能就是两个世界！面对族人叛徒的挑衅，亚瑟只身一人出城面对整支萨克逊大军，而萨克逊人首领在与亚瑟简单的会面之后，也终于找到了a man worth killing。撤退路上的骑士们面对萨克逊人隆隆的鼓声最终没有选择离去，而是再一次和亚瑟并肩作战！这个片段一直是个人整部电影最喜欢的几个镜头之一：并肩多年骑士们几个眼神，彼此心领神会。当崔斯坦对自己的宠物鹰说Now you are free的时候，都已抱定了此战必死的决心，此时骑士们脸上流露出的是视死如归的豪情。临战前亚瑟激励骑士们的话，道出了亚瑟心中所领会的自由——The home we seek resides not in some distant lands, it’s in us and in our actions on this day!经过一番激战，最终和黥面人联手的亚瑟击败了入侵的萨克逊人。而兰斯洛和崔斯坦都在此战中牺牲。崔斯坦临死前仰望天空，镜头再次给了那只鹰。也许此时那只鹰确实自由了，但他的主人却已经战死！而这只鹰正如一位离开了战场的骑士——宿命使然。故事回到影片开头，年幼的亚瑟激动地跑向河边向妈妈展示自己制作的贝拉吉乌斯的塑像，洗净转身的时候却发现妈妈已经走远，如此即如母亲一样的至亲，也不能完全理解自己的精神世界。几位骑士决定追随亚瑟最后一战的时候也许并不能完全理解亚瑟心目中的自由世界，但是一路走来，正是由这些诸如梅林、乔斯、Ganis、亚勒多以及他母亲这些现实世界里残存的善良忠直的人们的相互帮助、彼此取暖、并肩作战对抗现实的不公和残忍，才最终保卫了心目中自由的家园！正如影片开头河边贝拉吉乌斯对小亚瑟所说：The world isn’t a perfect place, but perhaps people like you, me and them can make it so.
纵观全片，几位骑士的形象刻画得非常鲜明细致，骑士间的性格和关系也非常生动有趣，因厌倦骑士生活而一心向往平静的亚瑟在责任降临到自己身上时也总是能依靠自身的信仰选择挺身而出。骑士们为之拼杀了十几年的不列颠在萨克逊人入侵，罗马放弃之后，最终亚瑟选择继续战斗终成不列颠人心目中的亚瑟王，也许这正是人生的宿命。

Ⅷ 求一部有关欧洲中世纪的电影。我是学历史的，老师让写观后感（学术性的），可我很少看电

沙普的挑战

骑士蒂朗

奥马尔传奇

大鼻子情圣

火与剑

浮华荣耀

圣钟

安拉的使者-----默罕莫德

十字军

天方夜谭

马可波罗

终极天将

玛丽与罗宾

龙之心

亨利五世

地狱骑士

万世英雄

皇帝的密使

国王之路

理想国

太阳王公

格林瓦尔德

伊丽沙白一世

太阳王--路易十四

高地人

乱世情缘

守夜人

特里斯坦和伊索尔德

TO KILL A KING(叛徒与英雄)

四个火枪手

游牧战神

MERLIN(梅林的徒弟)[Q]

尼伯龙根的指环

THE MISTS OF AVALON(阿法隆之谜)

海盗传奇

疯狂的贵族

圣战五骑士

匈奴王阿提拉

华伦王子

怪谈

JOAN The Maid(圣女贞德监狱篇)

THE HEADSMAN(刀斧手)

亚历山大·内夫斯基

龙与地下城

鹰狼传奇

WESTENDER

PRINCE CHARMING

时间线

LANCELOT Of THE LAKE(武士兰士诺)

黑狮

WOLFHOUND(猎狼犬)

BEOWULF AND GRENDEL(贝奥武夫与怪兽格兰戴尔)

THE DARK PRINCE(黑暗王子:德古拉)

黑暗时代

黑骑士

THE HEXER(屠龙记)

FIRST KNIGHT(剑侠风流)

麦克白

WARRIOR ANGELS(战士天使)

Gryphon(鹰怪)

东罗马的缔造者-----------君斯坦丁大帝(BBC)

勇敢的心

Artemisia(欲海轮回)

冬狮

JOAN of arc(圣女贞德)

圆桌骑士

勇敢的皇后

蒙哥拉

十三勇士

理查三世

铁血武士

佣兵传奇

罗宾汉历险记

侠盗罗宾汉(BBC剧)

秘密会议

亚瑟王

马丁路德

冷血奇兵

劫后英雄传

第七封印

天国王朝

征服者

Robin Hood Prince Of Thieves(侠盗王子罗宾汉)

亚历山大大帝

蒙乔莘

终极奇兵[Q]

伊凡雷帝

神的战士

万世千秋

The Man Who Would Be King(大战巴墟卡)

铁面人

Profession of Arms(职业武器)

奥马尔传奇

万世英雄

新麦克白

英国战争(BBC)

江山美人

新月与十字架-十字军东征(纪录片)

罪孽的代价

神谴之日

圣战骑士

Ⅸ 电影《亚瑟王》的英文观后感，500字左右，不要复制的，自己写的，加分

Written by David Franzoni (Gladiator) and directed by Antoine Fuqua (Training Day), this film abandons all premonitions of what Arthur was and what he is in all our memories. They do keep some of the same, more recognizable, legends of the king. The Round Table makes an appearance but is not nearly held with as high regard as in previous legends. Also, Excalibur still sits on the hip of Arthur. But there's a different twist here. Where in other legends, Arthur was the son of a poor man who pulled the sword Excalibur from its stone, therefore establishing Divine Right for King of England; here Excalibur is his father's sword. His father is killed in battle and the young Arthur pulls the sword from his father's dead body and carries the sword since. Fuqua decides to use the same imagery as if Arthur was pulling the sword out of a stone but just the idea that Excalibur was pulled from his father's body and he has carried it ever since, establishes a little more depth to the story. And that's where most of the similarities stop. This story is based on historical finds that have been discovered recently that have not been established in other Arthurian literature or film works. Arthur is a Roman that has to serve out his ty to the Roman Empire until he realizes he is fighting for a Rome that is too idealistic to exist. Lancelot is an amazingly gifted warrior who was recruited from a young age to join the conquering Roman army to serve for 15 years. He has more of a friendship with Arthur than a king/knight relationship. Guinevere is not a princess from the neighboring France but an English born slave who is discovered and rescued by Arthur's knights. And Merlin normally considered the lovable magician is more of a rebel ghost who leads a rag tag group of English fighting the Roman Empire. So no, this is not your typical 'Arthur' movie.

But what truly surprised me were not the entirely new interpretations but how well every aspect of the film was done. The cinematography was unbelievable. Most of the shots look like they could have been taken start from artist renderings of Arthurian literature. Breathtaking establishing shots of the snowy English landscape transport you back into 400 AD where nature was virtually untouched and made you wish you could visit this country on holiday. The script for the film was done very well also. There weren't those blockbuster, crappy lines that one would expect from a Bruckheimer film. There wasn't even the one liner, 'Braveheart-like' war anthem when going into battle but a very stirring speech from Clive Owen (Arthur) that made you think 'They better kick some Saxon ass.' And it was funny. Not in the modern way either but they took humor and situations from that era and made it funny to today's audience, a true accomplishment.

But there are two things that make a blockbuster, period piece like this work…the battle scenes and the acting. First off, the acting was very impressive. Fuqua casted relatively unknown actors, besides Owen and Keira Knightly, to play the other pivotal parts in the film. None of the performances seemed forced and all appear to become their characters which was probably easier because they did not have to play the well known characters. These were all new interpretations of Arthur and his knights, allowing them to play the characters as they see fit. Who was impressive though was Knightly. Although I am a fan, I was even more impressed with the way she handled the role of Guinevere. Guinevere is no longer a princess who watches from the background but a warrior of Merlin who contributes greatly to the battles. Not many young, very young (19), actress today can pull off a role where you have to be a gorgeous potential Queen one minute and then a brutal warrior the next. And it was these battle scenes that made the film stand out just that much more. You have to appreciate it when directors and writers try to find new and innovative ways to have a battle scene that isn't two giant armies running at one another, swinging large weapons. 'Arthur' is one of those movies that made you believe these were how battles of that time should have been fought. And they were fun to watch.

All in all, 'King Arthur' amazed me. Very rarely to I walk into a film with such high expectations that they would never be filled. Yea, 'Arthur' surpassed everything I ever imagined.

Ⅹ 亚瑟-斗兽争霸：影评与剧情解析，强劲史诗抒写英雄传奇！

亚瑟王一直都是英国相当知名的故事，在中古世界，充满魔法、权力、贪婪的世界里、在贫富悬殊，没有法律，教育贫瘠的环境中，除了昏君与邪恶外，大家都在期待英雄的出现，由他带领大家走向光明，不再是黑暗笼罩与强权欺压，而《亚瑟：斗兽争霸》（King Arthur: Legend of the Sword）则完全聚焦了划破黑暗、扳倒强权的层面，这次，我们不仅看到了中古世界的迷人，还有史诗的华美与壮阔。

编剧评价（普通、杰出、精湛、完美）：精湛

皇室中，总会存在一则颠沛流离的悲惨故事，因为对权力的渴望、对王位的野心，一个夜晚的叛乱，王权被夺走、家族被剿灭、还在襁褓中的王子，随著河水来到社会的基层中，王子可能会被农夫、樵夫、渔夫收养，在电影中，亚瑟（查理·杭南饰）则是在妓院长大。

编剧乔比·哈诺德（Joby Harold）、盖·瑞奇（Guy Ritchie）、莱诺·威格拉姆（Lionel Wigram）聚焦了许多反派的刻划，沃帝根（裘德·洛饰）存在一种浑然天成的邪恶气质，对权力的渴望与野心，不惜牺牲一切取得王位的调性，使他成为了故事中的灵魂人物，他能推动故事的前进，让我们能够使用亚瑟的视野体验故事。

悲剧的王子所面对的不仅仅是沃帝根，同时还必须面对自己的恐惧，他亲眼看见自己的父亲为了保护血派与王权，而将圣剑抛向空中，插在自己的背脊变成剑座，保护了血派的延续，也是亚瑟唯一的机会夺回王权。

三位编剧在亚瑟因恐惧抗拒力量的部份，也有相当鲜明的刻划，就像我们被噩梦惊醒，再度闭上眼睛时总会出现噩梦的片段，让眼睛不赶闭上，但睡意的侵袭，又会不经意的阖上双眼，如此就在这两者之间来回，但最后，睡意都会成为赢家，好似亚瑟通过了精神考验，逐渐地克服恐惧，挥舞著圣剑，对决沃帝根。

亚瑟王曾经被翻拍过数次，但《亚瑟：斗兽争霸》则将史诗的层面放入了人心，让残酷又冰冷的文字，被热血又澎拜的绽放于故事里，正邪的对立、王位的角逐、魔法的迷幻，皆压缩于亚瑟与沃帝根两个角色中，他们乃这个世界正邪集合体，但在这之中加入了人与情感的层面，史诗是将残酷历史美化，仍少了人心的层面，而《亚瑟：斗兽争霸》则弥补了这项缺点，故事比想像中更加有力，难以从脑中挥去。

导演评价（普通、杰出、精湛、完美）：完美

身兼导演的盖·瑞奇，他的影像──雄壮，每一个战争与打斗镜头都富含扎实的力道，尤其是亚瑟挥舞圣剑爆发潜藏的能力时，影像不遗馀力地绽放，以及亚瑟面临一对多的情况下，瑞奇则将摄影机放在亚瑟的身后，放大了亚瑟本身，也加强了打击感。这个中古世界非常真实，就像我们亲眼见证了一切，盖·瑞奇无庸置疑地完成了一部完美的作品。

演员评价（普通、杰出、精湛、完美）：精湛

裘德·洛（Jude Law）就是这则故事中最重要的反派，我曾在影评中提到：故事仰赖于角色，角色中若有反派，那他将是非常重要的关键，而裘德·洛则恰恰解释了这点，浑然天成的邪恶，看著自己的哥哥登基，眼里只有对王位的贪婪与渴望，容不下一丝地亲情，甚至牺牲了自己的妻女与黑暗缔结契约，就算掌握权力、坐上王位，却似乎没有得到自己想要的，他与背叛、悔恨为伍，只为了巩固王权，裘德·洛著实演绎了这项特质，如果没有裘德·洛的带领，查理·杭南（Charlie Hunnam）对抗邪恶的部份不会如此突出，每一个好演员都能引领故事、引导演员，裘德·洛正是一位绝佳典范。

总体评价（普通、杰出、精湛、完美）：精湛

《亚瑟：斗兽争霸》是一部相当成功的史诗电影，镜头壮阔又写实，角色与演员完美契合，纷纷展现了史诗的特性，电影能精准呈现史诗的细节与架构，只是非常困难，但《亚瑟：斗兽争霸》做到了！

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