蜜蜂总动员读后感
Once upon a time there was a bee called Benson. He think that bees work too hard. But the worst thing is, people keep stealing honey from the bees. So there’s a meeting with the humans. There’s a fat guy representing the humans. They argued,talked and shouted……finially,the bees win.they got every bit of honey. The bees are very happy at first. But, there were too much honey, the bees are not working anymore. Of the bees did not work, the will be no more flowers.So every flower shop shut down in that town.
Benson got an idear he and the lady went on a plane to some other country. They bring all the flowers they can bring from that town. At last, the flowers were saved. Benson realize his troble, and everything’s saved.
B. 蜜蜂总动员对于主人公的观后感！！！！！！！！！！！！！！！！！！！ ！！！！！！！！！！！！！！！
按人物的经历或事件发生、发展的先后顺序进行的叙述。2、倒叙：把事件的结局或事件中的突出片断提在前面，然后再按时间顺度叙述事件的发展过程的叙述。3、插叙：在叙事过程中插进另一有关事件的叙述，然后再接上原来的主线写下去的叙述。4、补叙：对前面事件作某些补充而不发展原来情节的叙述。5、平叙：对同时发生的两件以上的事进行分列、平列的叙述。
C. 求《蜜蜂总动员》观后感。
1.
巴瑞从蜜蜂学校正式毕业之后，非常不想从事那份早在他出生的时候就安排好的工作，以一只工蜂的身份制造蜂蜜。而在一个偶然的情况下他来到人类世界，被花商温妮沙救了一命，同时也打破了蜜蜂界最大的禁忌--开口和人类说话。但随后巴瑞却成为了无话不谈的好朋友。他于是了解人类世界，也发现了一个令所有的蜜蜂都震惊的秘密——人类偷窃蜜蜂的蜂蜜！随后在温妮沙的帮助下，巴瑞控告人类，并成功了。接着，因为所有的蜂蜜都物归原主，蜜蜂们不用像以前那样继续生产蜂蜜，导致了全世界的植物都枯萎了。温妮沙的花店也倒闭了。幸运的是巴瑞及时地认识到错误，用最后的花粉拯救了世界。
而在这片电影中令我感受到最深的却是一个很小的细节，当温妮沙的男友第一次看到巴瑞时，被温妮沙救下，并对男友说：“为什么你的生命就比他的要重要。（还是：为什么你的生命就比它的生命值钱呢）。”当我们被外界的生物所吓倒时（比我们弱的），总是将其打死。没有考虑到那些生物的感受，就算是在小的生物总会有作用，说为“天生我才必有用”，所以我们应该要保护动物，在上课的时候就算遇到臭虫，也不要大打出手。（尤其是猪王，解肢……）
2.
《蜜蜂总动员》是一部动画片，讲的是一只叫巴里的小蜜蜂遇险时得到好心人的救助，而和人类成了朋友，又因为人们享受蜂蜜感到不公平而与人类打官司的有趣故事。
故事要从巴里上班第一天说起：巴里跟着采蜜队飞出了蜂巢，阴差阳错飞进了一家花店，和一个叫维纳莎的姑娘成为了好朋友。因为看不惯人类食用蜂蜜而和养蜂场的人打了一场官司，在维纳莎的帮助下，官司打赢了。所有的蜂蜜都物归原主，蜜蜂有了吃不完的蜂蜜而停止工作。几天后，世界上的花儿都枯萎了，连巴里的好朋友维纳莎的花店都只好倒闭了，蜜蜂们才如梦初醒。巴里也及时地认识到了自己的错误，用最后的花粉拯救了世界。
看了这场电影，我明白了：大自然的安排真是天衣无缝啊！任何想破坏大自然和谐秩序的举动都是那么的幼稚可笑，必将遭到大自然的惩罚。同时，我也明白了：我们要象对待自己的亲人和朋友一样，对待大自然中的每一个生命！
D. 谁有《蜜蜂总动员>>的英文台词
精彩对白Barry B. Benson：Tivo. You mean you can just freeze live TV? That's insane. Vanessa：What, you don't have anything like that? Barry B. Benson：We have "Hivo", But it's a disease. It's a horrible, horrible disease.巴瑞·B·拜森：数字录像机？你是说你能够把活人固定到电视里？太疯狂了。温妮沙：怎么？你们没有类似的产品吗？巴瑞·B·拜森：我们有"Hivo"，但那是一种传染病，一种非常、非常可怕的传染病。The way we work may be a mystery to youMaking honey takes a lot of bees doing a lot of small jobsBut let me tell you about a small jobIf you do it well, it makes a big difference[1]More than we realized. To us, to everyoneThat's why I want to get bees back to working togetherThat's the bee way! We're not made of Jell-O！
E. 名著读后感，或英语电影影评，1000字以上,要英文的，三篇……谢谢
平凡的世界》名著读后感
劳动着是幸福的，无论在哪个时代。《平凡的世界》正白纸黑字的告诉我们这样的人生真谛。它响亮的提出，人，无论在什么位置，无论多么贫寒，只要一颗火热的心在，只要能热爱生活，上帝对他就是平等的。只有作一名劳动者，不把不幸当作负担，才能去做生活的主人，用自己真诚的心去体验，毕竟生命属于我们只有一次。 这是一部用生命来写成的书。在亘古的大地与苍凉的宇宙间，有一种平凡的声音，荡气回肠。 -------------------------------------------- 《平凡的世界》的作者是路遥。当代作家。路遥的小说多是农村题材，担又不局限于农村生活的描写和城市“交叉地带”发生的人和事。特别是着重表现年轻人的生活，通过他们爱情的波折反映出新生活中一代年轻人的价值观。 《平凡的世界》时间跨度是七五年至八五年。发生地点在广袤的黄土高坡上一个叫做双水村的地方。基本上整部小说是写双水村的变化和双水村的人。在这个十年里，中国又发生了惊天动地的变化。双水村及双水村的人是中国和中国人民的缩影。在那段年代里，文化革命结束了，邓小平上台执政带来了改革开放。 里面包含了当时社会生活的方方面面。路遥是想用一种现实主义的笔法细致的勾勒出一幅宏大的社会画卷。在里面各个阶层不论性格面貌的人物都栩栩如生。这是很重要的一点，因为路遥的精湛的小说功底，极其严肃的写作态度，使这部小说具备了作为那一段历史最好的辅助教材。 这部小说给我最大的教育意义则是一种对农民的深刻理解。现代城市年轻人可能很难真正理解农民。农民的生活，农民的想法。农曾经过的日子，农民现在和未来他们也不会关心。但是间接知识也能够贷给我们启示和触动。这就是《平凡的世界》。小说能够深刻的反映农民的生活和喜怒哀乐，读完这些小说从某个意义上说我们也经历过了那个时代，也曾在田中挥汗如雨。这些书的现实意义在于中国的现状，在于历史的延续，在于未来的展望和我们年轻人自身的提高：对人性的理解，对中国的理解，对构成中国大地那一片片生命陆地的人们的理解。 另外一个方面，我很喜欢路遥的出发点——平凡的世界。他的世界是平凡的，这只是黄土高原上几千几万 座村落中的一座。但路遥却在平凡中看到了他的主人公的不平凡。比如说孙少平，他受过了高中教育，他经过自学达到可与大学生进行思想探讨的程度。作者赋予了这个人物各种优良的品质，包括并不好高骛远。在路遥的世界中出现的都是平凡的人物，这是在这些平凡的人物里他描写着人性中的善与美，丑与恶。在他的世界里，人的最大的优点就是认识到自己是平凡的。这点从孙少平身上得到最突出的体现，。当他得到调出煤矿来到城市的机会时，哪怕他选择的是煤矿。这不是又无他有多高的觉悟，而是他对自己工作过的地方的热情和眷恋。他选择了平凡。 然而，就如萨迦格言所说的，“火把虽然下垂，火舌却一直向上燃烧”一样哪怕再平凡的人也应为其所生活的世界奋斗！
译文:
Ordinary world "famous Book
Labor is the well-being, no matter which era. "Ordinary World" is in black and white to tell us the true meaning of this life. Make it loud, people, whatever the location, no matter how poor, as long as a fiery heart, as long as they can to love life, God is his equal. Only as a worker, not as a burden, unfortunately, to do the masters of life, with their hearts in good faith to experience, after all life belongs to us only once. This is a life to write a book. In ancient times the land with desolation of the universe, there is a remarkable voice,荡气回肠. -------------------------------------------- "Ordinary world" The author is Luyao. Contemporary writers. Lu Yao's novels are mostly in rural subjects, Tam is not limited to descriptions of rural life and urban "crossroads" of the people and events took place. Performance with particular emphasis on the lives of young people, through their ups and downs of love life reflects the new generation of young people's values. "Ordinary World" is the time span from 2075 to 2085. Took place in the vast loess slope of a high double-known places where the water village. Basically, the whole novel is written in the village of al water change and two-water village. In this decade, China has earth-shaking changes have taken place. Water Village, and two pairs of the water village in China and the people are the epitome of the Chinese people. During that era, the end of the Cultural Revolution, Deng Xiaoping came to power brought about by the reform and opening up. At that time, which includes all aspects of social life. Luyao is to use the technique of writing a realistic and detailed outlines of a grand picture of the community. Inside face of all walks of life regardless of character are lifelike characters. This is a very important point, because of the superb novel Luyao good, very serious attitude toward writing, so that the novel has the best history of that period as a teaching aid. The novel gave me the greatest ecational value is a deep understanding of the farmers. Modern city may be difficult to really understand the young farmers. The lives of farmers, the farmers think. Days has been farming, the farmers now and in the future they would not care about. Indirect knowledge but also to loans to our inspiration and touch. This is the "mundane world." Novels can be a profound reflection of the lives of farmers and emotions, after reading these stories from a certain sense, we have experienced that era, also in挥汗如雨Tanaka. The practical significance of these books lies in China's status quo, is the continuation of history lies in the future and our young people to raise their own: the understanding of human nature, the understanding of China, China's vast land of movie life that people's understanding of the land . Another aspect, I like the starting point Luyao - ordinary world. His world is extraordinary, this is only the Loess Plateau on the thousands of tens of thousands of villages in a block. However, in the ordinary Luyao see his unusual character.孙少平For example, he received a high school ecation, he can be reached through self-study and college students to explore the extent of thinking. The author gives the characters a variety of excellent quality, including not ambitious. In Luyao appeared in the world are ordinary people, which is unusual in these figures, he described the good of humanity and the United States, ugly and evil. In his world, people's awareness of the biggest advantages is that they are extraordinary.孙少平body from this point the most prominent manifestation. When he got out of mine came to the city when the opportunity arises, even if his choice is mine. This is not how high he nor the consciousness, but he had worked for their enthusiasm and nostalgic places. He chose the ordinary. However, as萨迦格statement said, "Although the drop torch, flame has been burning up," even as ordinary people no longer should live in a world they struggle!
F. 写英语蜜蜂的作文六句。急！
Bee is a kind of insect.It has a pair of wings and six legs.It has yellow and black colours.Groups of bees work together to proce honey. Their great efforts are not selfish.They are great inscets.
G. 急求三篇英文的电影观后感大神们帮帮忙
英文影评:千与千寻(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂总动员 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.
H. 看<<蜜蜂总动员>>观后感
都是别人博客里的http://seater0324.blog.sohu.com/81121912.html 轻松的氛围,像小孩子看的电影,想不到我也看下来了. 影片以蜜蜂的角度,一只小蜜蜂,Barry,不想从事单调的一旦选择就要一生坚守的职业岗位,于是,他决定出去外面的世界看看. 带着勇气与好奇,更多的是贪玩,他来到了精彩的世界,可是,他立刻就遭遇了他生命的无奈,他只是一只小蜜蜂,小小的蜜蜂. 这时,出现了以为后来成为他好朋友的花商,她对她的男友说,:他的生命不比你卑贱,你的生命不比他高贵.”对生命的看法,赋予了人性与平等,通常人们都说,人人生来平等,现在,我们应该意识到,生命生来平等. 小蜜蜂发现了一个令他震惊愤怒的事实,就是人类在偷盗他们辛苦酿造的蜂蜜.人类圈养蜜蜂,把蜜蜂当成是赚钱的工具,并且并没有因为创造了价值而得到应有的回报. 于是,这只不经世事的小蜜蜂,开始了为种族权利的奋斗,他想人类起诉,挑战人类的权威. 历经种种,他成功了.终于,蜜蜂获得了休假的权力,并取回了所有他们的劳动成果. 这时,蜜蜂变的懒惰了,以前是2700万年的劳碌,现在呢,除了吃还是吃,除了睡还是睡,慢慢的,世界也因为少了蜜蜂而失去了自然的平衡. 没有了蜜蜂的劳作,没有了花粉的传播,花也不开了,如此恶劣的循环,预示着灾难性灭亡的到来. 在是时候觉悟的时候小蜜蜂也终于意识到了自己所犯下的错误. 之后的抢救最后的玫瑰花,为了拯救自然而呼吁全体蜂群来合作,使无人驾驶最后生手替换的飞行员,引领着一架飞机安全降落. 人来也重新认识到了蜜蜂,不仅仅只是蜂蜜的制造器. 圆满的落幕了,世界还是和平美好的. 生命的意义在于自己的认识,如果你没有自己明确的目标,不知道自己想要的是什么,就像这只小蜜蜂一样,开始的时候对自己终身只是重复做一种工作感到无聊不解迷茫.后来,他经过了一系列的成长蜕变,了解了他工作的意义所在.如此这般,才活得有声有色多姿多彩. 这部影片也同时展现了自然的规律是不予违反的,任何生命存在的价值都有自身奉献的高贵. 生命生而平等.生命的存在不是为了存活,生命的价值在于快乐奉献自身本能!在这片电影中令我感受到最深的却是一个很小的细节，当温妮沙的男友第一次看到巴瑞时，被温妮沙救下，并对男友说：“为什么你的生命就比他的要重要。（还是：为什么你的生命就比它的生命值钱呢）。”当我们被外界的生物所吓倒时（比我们弱的），总是将其打死。没有考虑到那些生物的感受，就算是在小的生物总会有作用，说为“天生我才必有用”，所以我们应该要保护动物
I. 求蜜蜂总动员的英文观后感
Recently, I saw bees Story drama, animation story is true, bee pollination craftsmen from the collection of the division after the honey was proced, and so the entire process has too imaginative. Ting vulgar or course of the story, because people have been saved by the bees. The next story will be out that the extinction of dinosaurs is because saving mankind? For example, because of dinosaurs living environment has changed, mental and reproctive capacity are beginning to decline and in the end because of a mother dinosaur stupid Skip to the volcano, henceforth divorced from the human dinosaur killing. . . Otherwise is alien to attack Earth, the Earth's dinosaurs to……