《蝴蝶效应》英文电影观后感：
"The Butterfly Effect" evokes a weird, lasting feeling of shock when the credits roll. It's a powerful and complete movie that will mess with your head in all the right ways.
The character development here is superb, having the viewer take a trip through the most important moments in the life of the main characters (even in their childhood) while maintaining these scenes crucial to the main plot. Which is the greatest aspect of this movie by far.
The licensed music fits perfectly in the movie (I also found out quite some bands / songs I enjoy through this movie!) and the original compositions are just amazing. The visual effects are top notch, without ever feeling like too much or too little, it's just right, just how it should be. Photography is a wonder to look at, showing amazingly well when a scene is in the present or the past, without distracting too much from the whole experience.
Acting is also superb in here, with every actor delivering their characters like they should - even the younger ones! Impressed!
This movie is for you if you enjoy a haunting and bone-chilling mystery thriller that will mess with your head and keep you glued to the screen until the very end. A classic, for me.
B. 谁会写法国电影<<蝴蝶>> 的英文观后感...
Julien (Michel Serrault) is a bitter old man in the midst of an emotional desert. His collection of butterflies constitutes his sole passion. One day, he makes his new little neighbor's acquaintance, Elsa (Claire Bouanich), visibly neglected by her mother but looks unfavorably on her intrusion in his life. One day, he's going to the Alps to try to find a rare species of butterfly, the Isabelle and for his greatest pleasure, Elsa invited herself to the trip...
If you ever want to spend an evening in front of a DVD and if you search for originality, then this Philippe Muyl's flick hasn't your name on it. How many times have we seen the eternal recipe of a friendship story between a grumpy old man and a little girl as fresh as a daisy? Making Julien and Elsa go into the Alps to try to discover the Isabelle is a pretext to bring them together and make them know each other. At first, it's hostility. At the end, complicity prevails. Between the two poles, a scheled psychological evolution. In short, on the surface "the Butterfly" (2002) smells the reheated. However, although Muyl has limited talents as a film-maker (the success of "Cooking and Dependences" 1993 is to be attributed to the tandem Jean-Pierre Bacri/Agnès Jaoui), there's something warm in his work. The presence of the little Claire Bouanich is partly responsible of it. She's so gorgeous of freshness and spontaneity that it would take a heart of stone to resist her. Definitely no Shirley Temple. She sees in Julien, the grandfather she would have liked to have and especially an experienced person to take care of her. Getting in contact with him, she learns life with its joys and sorrows and her hill-walking is rich in learning lessons so that it's nearly an initiatory travel for her. Beside her, Michel Serrault is excellent as usual.
Tenderness for his two main characters, preposterous explications but adapted to a child's faculties of understanding to bring touches of humor (did you know that shooting stars are locks of hair God loses?). Philippe Muyl mixes these two things and by letting oneself slip into this touching story, one just has to be charmed along the way and the work is done. And it works rather well. There's a feel-good factor that dominates our minds throughout the projection and sometimes it's comforting to feel this. Moreover, the wild beauty of the Alpin countryside is highlighted to add a decent amount of poetry.
But probably to avoid a break of tone, the director erased as much as possible dramatic sides of the story, particularly the hateful misunderstanding according which Julien is suspected to have kidnapped Elsa when she left of her own free will. During the time the two protagonists are in the mountains, this point is taken to the back seat and after Elsa fell into the hole and help rescue her, Julien is taken to the police station but we can watch him leaving it rather freely without any trouble. Philippe Muyl glossed over this point. Fortunately, that doesn't muck up the bliss of the projection but beware Mr Muyl! You came close to disaster! At the end of the road, the most cynical ones will only probably see a simpering flick without any real depth and tailor made to furnish an evening in front of the telly. As for the others: if you are sick of watching violent or bloody movies à la "Kill Bill" (2003/2004), why not having a break with this certainly stereotyped proct but so cute which surfs on the wave of unexpected popular movies like "une hirondelle a fait le printemps" (2001) through the simple philosophy it brings out: earth connection, a return to the basic pleasures of life.
C. 《蝴蝶效应1》 英文介绍与感受
自己的浅薄感受：
We can't play God, unless we sacrifice ourselves.
We can't change the past.
What we will have tomorrow, all depends on what happened yesterday.
我们不能扮演上帝，除非我们牺牲自己
我们不能改变过去
我们将会有什么明天，一切取决于昨天发生的事情
至于影片的经典台词，我觉得就开始时埃文写的那段话就很好，说出来很有感觉。
D. 法国电影 蝴蝶的影评
这是一部79分钟的影片，其实涉猎了相当广泛的内容。亲情、友谊、爱情、战争、金钱、命运、人生等等。看起来似乎是极深奥的话题，本片却以简单的对话和简洁的镜头语言做了近乎完美的阐释。
《蝴蝶》象一组清新的田园诗，以润物细无声的方式，一点点渗入眼耳。那片屏幕，穿过蝴蝶斑斓的羽翼，给我一座惊艳府邸，如此宁馨，静美。蔚蓝晴空下，一望无际碧绿的草原，微风中摇曳的金色麦浪，草原上烂漫的野花和扑蝶的小女孩。大自然的静美与生命的动感，在这部影片里，融合得如此无缺。
《蝴蝶》没有跌宕迂回的剧情，也没有刻意做秀的煽情，只是一场平淡的讲述。
八岁的小女孩丽莎是个单亲家庭的孩子，妈妈未婚先孕生下了她，却又不知该如何照顾她。孤单的丽莎只能与心爱的蓝球为伴，在母亲失约或晚归的时候，一个人坐在咖啡厅里、或者电话亭边的长椅上无助地等待。直到有一天，失去儿子的孤寡老人朱利安把丽莎领进了他的家，丽莎第一次接触到了蝴蝶这种生物，并跟随着酷爱收集蝴蝶的朱利安一起，去寻找全欧洲最罕见、也最美丽的蝴蝶“伊莎贝拉”。
口齿伶俐、思维敏捷的丽莎在与朱利安同行途中，不停地提出各种各样的问题，并与固执严肃的朱利安斗嘴。一老一少在不断地争执与妥协中，渐渐亲近。这一趟旅程，变成了寻找爱与亲情的路途。
法国优美的乡村风光和老少之间谐趣的对话，使得整部片子看来心旷神怡。
而法国人一贯擅长表达的浪漫在这部电影中穿插始终，朱利安虽然表面严肃，其实内心也天真如孩童。他与丽莎之间孩子气地斗嘴，令整部影片谐趣横生。
这是法国影片中又一触动人心的温情点，也是影片的主旨所在。身兼编剧与导演两职的菲利普.穆乐擅长处理家庭喜剧，在本片中，他举重若轻，将深厚涵义融化于轻松温情，使得整部片子充满幽默感，人情味十足。剧本里的对白及导演镜头语言的运用，讲究对内心忠实，对情感忠实，所以每一个观看的人，都能从中找到共鸣。
你也可以突出描述一下在这部影片中让你印象最深刻的片段，加上自己的感受和领悟会更好。
希望对你有所帮助！！
E. 电影（蝴蝶效应），（再生门）观影感。用英语写，字数不用太多，分开写，求各位看过的英语大神们帮帮忙
The Butterfly Effect
There is a plot in the movieThe Butterfly Effect —— We can't play God, unless we sacrifice ourselves.
Who says, anything is better than nothing.
Who knows, the price of that anything.We can't change the past.Then how can we change the future?Coz what we will have tomorrow, all depends on what happened yesterday.I think it is so deep a thought.
This movie really can be called a masterpiece!
再生门，没看过
F. 求《蝴蝶效应》的英文影评
这部电影，很棒，看完后，一个人，活脱脱地呆住了。
有很多片段，他们已经成了记忆的一部分，我们会尽力忘掉这些片段，仅仅是因为我们无法回到那时刻，改变他们。如果给了我这个可能，让我重回旧日十字路口，如果我能在那一刻预先知道了某种选择所带来的我并不愿发生的结果，让我收住脚步，转身向另一个方向迈出一步，我的历史，会不会就此更完美？
这部电影，不但假设出这种可能，甚至还试着给出了一个让人意想不到的答案：
是的，如果蝴蝶在那个时刻，没有飞走，而仅仅抖动了一下翅膀，在时间的链条的末端，将凭空多出一场飓风，更糟的是，没人知道风是在向哪里吹。
当一切都是未知的，我们只能自我安慰似的假定我们所实际经历过并参与改变的世界是迄今为止最好的一种结果，当然，如果你认为那是最糟的会觉得舒服些的话也悉听尊便。有一种假定，也就是影片中所提供的这种假定，可能是我所能想到的最让人沮丧的了一种了，即，无论更改历史上的任何一个环节，都将导致一场无法预料到的灾难，（影片只有两处特例，即主人公为了得到监狱室友的配合，而回到过去，用钉子伤了自己的手，以及为了毁掉历史上的炸弹，而拿起了刀子，这两次过后，主人公都回到了既定的时空，不但没有带来重大的灾难性改变，甚至还为此受益）。假释你有能力看到一个没有自己的世界的美好（正如影片最后三分钟的镜头）换作是谁，都要感到深深的失落。
主人公的不幸是家族遗传性的，但这种看似无休无止的不幸终因时代的进步，可以用影像记录下婴儿降生的过程而宣告结束，纵然这个生命没有胎死腹中，料想在他长大成人之后，在得知自己的这种能力后，也只有被关进疯人院或者自我了断两条路可走。或许不在这个尘世露面，是他能想到的最好的结局，但，即便这样，仍要有一个母亲为他的早早离去而痛苦不堪。
换句话说，如果一个人得到了可以扭转历史的能力，等待他的要么是历史的灾难，要么是自己的悲剧。而有两种动力使拥有此种能力的人的命运成为必然，即，悔恨与贪婪——要么是为自己的曾经做过的事情懊恼不已，要么是就是对正置身其中的生活状态不满，渴望改变，正是这两种情绪使我们不时产生要回到过去改变历史的冲动，也正是这两种情绪让人区别于神。
电影中的主人公的所作所为，暗合一个宗教命题，既然我之存在只会为世人带来不幸，那么，我不入地狱谁入地狱？主人公手上的钉痕，隐隐暗示着殉道者式的苦恼。人人都可能在某一刻产生回到过去改变历史的愿望，这是人性导致的必然。然而这个愿望永远无法达成，所以人们才得以以现在的状态与关系存在于世。人们终日忙碌，或幸福，或困苦，他们期待着新的生命的降临，却又对冥冥一无所知，他们只能自我安慰似的为一切拟定一个个答案，一代代恪守着，以期无穷无尽地平安地繁衍下去。
人之所以存在，只因人不是神。
The film, great, after reading a person look just like to transfixed.
There are many fragments, they have become part of the memory, we will try to forget about these clips, just because we can not return to that moment, to change them. If you give me this possibility, let me return to the old crossroads, if I can know in advance that moment brought me a choice and do not want to place the results, I received stopped, turned to another step direction, my history, would not this be more perfect?
The film not only out of such assumptions may even try to give an unexpected answer:
Yes, if the butterfly in that moment, no fly away, but just shake a bit wings and the end of the chain in time, will be more of a hurricane out of thin air, worse, no one knows where the wind is blowing to.
When everything is unknown, we can only console themselves like assumptions we have experienced and participated in the actual change in the world is a result of the best so far, of course, if you think that the worst would feel better if also wish me it. There is an assumption, which is provided in the film that assumption, I might can think of the most frustrating of a kind, and Ji, Wu Lun Genggailishi on any link to cause the Yichang not Yuliao to the disaster, (film only two exceptions, the hero of the match in order to get the prison roommate, while the return to the past, with the nails hurt his hand, and in order to destroy the history of the bomb, but picked up the knife, which After two, the hero went back to the established time and space, not only did not bring a major cataclysmic change, even this benefit). Parole you have the ability to see a better world without their own (as the movie last three minutes of the lens) for as who should feel the loss deeply.
The tragic hero is hereditary in nature, but unfortunately the end of this seemingly endless era of progress because you can use video to record the process of baby born to an end, even if this life is not aborted, expect the After he grew up, in that their ability to post this, only to be locked in a lunatic asylum or a self-breaking of two paths. Maybe not in this earthly appearance, is the best he can think of outcomes, but, even so, still have a mother for his early departure painful.
In other words, if a person was able to reverse the historical ability to either wait for his disaster in history, or is their tragedy. The two have the capability, power to the fate of the inevitable, namely, regret and greed - either for their own ever done regretting, either of which is the life of the state is actually dissatisfied with desire change, it is these two emotions so that we proce from time to time to back the urge to change history, but also makes it different from the God of the two emotions.
The hero of the movie has done covertly a religious proposition, since I brought the existence of only the unfortunate people of the world, then, What happened to the water? Hands nails hero, vaguely suggesting a martyr-like distress. Everyone can proce back in a moment the desire to change history, this is the inevitable human nature. However, this desire can never be reached, so people were able to present the status and relations are known to the world. People busy, or happiness, or hardship, they look forward to the arrival of new life, but knew nothing of the tied to, they could only console themselves one by one like the answer for all the development, generation after generation abide by the order of infinity multiply endlessly down safely.
Person exists, because people are not God！
希望有帮助
G. 蝴蝶效应1 英文版影评
Now normally I tend to prefer movies that let the writer/director tell the story that they want to without having to water it down for mass consumption. In this case I have to say that the ending they they were forced to re-shoot for the theatrical release of this movie is a much more emotional, resonant and appropriate ending than the bleak, cold and grotesque finale they had originally planned. On the US DVDs you get the choice of which version to see (foreign editions only have the less compelling director's version)... so North American viewers can make up their own mind about which ending they prefer. I would suggest watching the theatrical cut first... and then check out the director's cut... which would you prefer to think of as the "real" ending?
As for the movie itself... don't be put off by the idea of Ashton Kutcher in the lead role. He does quite a good job in a serious part quite different from his usual TV persona. He plays a college student who, having been plagued by mental blackouts all his life, devotes himself to the study of human memory. Eventually he finds that by re-reading old journal entries he can will himself back in time to experience the events he had blacked out... and even CHANGE THEM using the knowledge that his older self possesses. Unfortunately one small change in the past causes some HUGE ramifications in his present day world. Can't say too much more about the plot without giving away the many fun surprises. Believable performances and a basic seriousness give the film an urgency that is sometimes missing in modern fantasy films of this type.
H. 写一篇看法国《蝴蝶》的观后感
不要忽视身边的爱——《蝴蝶》观后感
这是一部关于亲情的法国电影，一个老人和一个10 岁女孩共同去寻找一种阿尔卑斯山脉中的稀有蝴蝶“伊莎贝拉”，老人为了死去儿子的遗愿，女孩为了寻找失去的母爱，走在同一条寻找的路上。整部片子以寻找来一步步梳理出电影本身要体现的内容，寻找并不是意义本身，寻找的动力和根源——人与人之间的沟通、对亲情的寄托才是这部电影最终要表达的内容，也是要传达给观众的意义。
“伊莎贝拉”是老人疯掉的儿子死前最后的希望，他想看看叫“伊莎贝拉”的蝴蝶，为了儿子，老人成为了一个蝴蝶专家，在山里找伊莎贝拉找了15年，这是一种一年只出现10天的短暂生命，但却被誉为最美丽的蝴蝶；单亲女孩的妈妈忙于工作，女孩受到冷落，所以在没有告诉家人的情况下偷偷钻进老人的汽车去了山里，为的就是看到老人所说的蝴蝶。电影最后我们才知道，女孩的妈妈就叫“伊莎贝拉”，她的寻找，纯粹是出于对母爱的渴望。一老一少在山林中露营，对话，从互相排斥到共同携手，当伊莎贝拉就要到来时，女孩却因为毛手毛脚让它飞走了。虽然我觉得电影最后的结局有点俗套，是以警察抓到老人以为他拐卖儿童最后两家冰释前嫌结束的，但是我认为这部片子所表达的意义和拍摄的景色还是挺值得一看的，毕竟法国电影都是比较有人文色彩的，总看美国大片，偶尔看看这种法国文艺电影还是挺享受的。
这部电影，能够欣赏到老人家里无处不在的各式各样的蝴蝶标本和阿尔卑斯山脉如画的风景。导演还把蝴蝶的所有生物形态和破茧过程都一一展示给了观众，这是电影的一大特色。最令人意想不到的要数老人家里一扇紧闭的门了，在小女孩偷偷打开之后，发现那屋子里竟然是一个精心营造的蝴蝶温室，飞舞着各色美丽的蝴蝶，就像城市中童话里的另一个世界，比阿尔卑斯山脉的天然景色更令人惊叹。
整部电影话语不多，但都耐人寻味，一少一老一问一答，满篇基本都是这样的对话。女孩看到一个男人强迫女友和她共同滑翔来表示爱他时，问：什么叫一根绳子维系的爱情？答：当爱情需要证明时，那它本身就不存在；女孩问：为什么有富人和穷人之分呢？答：平等、自由、博爱的口号虽然叫起来响亮但实施起来却不是那么容易的。诸如此类……人生的经历和哲理就这样在对话中简单清晰的进行了解释，展示在了人们面前。最后的片尾曲也是一老一少的问答歌唱，很可爱、很有趣，这大概是这部影片的又一个特色吧。
不过最后我们还是等待到了伊莎贝拉，就在两人兜兜转转一圈之后，在老人的温室里，一只邮寄来的伊莎贝拉诞生了，两个人的心愿都得到了实现，女孩的妈妈也告诉她“她爱她”。我看到这里，也才赫然明白，这部片子所要表达的意义原来就是，不要忽视身边的爱。当身边的亲人和爱人都还在的时候，要懂得珍惜，不要等到亲人失去了才通过实现当初未能实现的愿望来回忆和遗憾，这是老人给我的启示；要懂得珍惜，不要因为最亲的人在身边就以为他知道自己的心，爱是需要沟通的，也是需要表达出来的，不要让身边的人受到冷落，这是那对母女的启示。爱身边的人和事吧，它会让我们的心里永远驻留着那遍寻不着的最稀有美丽的蝴蝶，让我们不会有遗憾。参考资料： http://shineapril.spaces.live.com/blog/cns!6cd94bac6e27511c!905.entry
I. 法国电影蝴蝶观后感
法国电影《蝴蝶》观后感
这部影片 轻松，幽默，温馨，洋溢着浓浓的亲情，既没有跌宕的情节，也没有精彩的动作，但却揭示了很深刻的哲理：“有时候爱就在我们身边，却常常被我们忽略” ！
朱利安是一位丧妻丧子的孤独老人，多年前儿子抑郁症自杀，他为了实现对儿子许下的诺言，执着地寻找一只叫做伊莎贝拉的蝴蝶。一个单亲家庭的小女孩丽莎，偶然闯进老人寻找蝴蝶的旅程，而女孩的妈妈也叫伊莎贝拉，16岁时怀孕生下来丽莎，妈妈忙于工作，似乎又不懂得如何爱她，女孩受到冷落。女孩在这次旅行中实际上是在寻找母爱。 短短的旅程，老人完成了儿子的遗愿，女孩找到了母爱，他（她）们都找到了自己心中的伊莎贝拉。
影片中很多细节值的品味，女孩一路上天真的问，老人充满哲理的回答，给人留下难以忘怀的启示。这位看似孤独的蝴蝶老人却对生命有着宏大的感悟。
看到一对恋人要用跳伞来证明彼此的爱情，老人就说，“他们的爱情很危险，只靠一根绳子在维系，因为他们之间没有信任”；
看到一位登山者瞬间赚到35万美元，老人丝毫不为所动，因为他懂得，“只有做自己喜欢的事才是真正的富有”；
看到母鹿被偷猎者射杀，老人平静地说出自己的生死观——“死亡也是生命的一部分，他会随时造访而没有预告，生命都是一秒钟一秒钟地度过的”；
他告诉丽莎的妈妈，要去爱抚、亲吻自己的女儿并告诉她“我爱你”….因为老人有切身的体会，亲情对一个人有多重要、有多珍贵. 老人也为始终没对儿子说出“我爱你”这三个字而愧疚 。
影片的最后，朱利安老人对妈妈说，“缺少母爱的小孩都渴望自己快快长大，脱离让自己感觉痛苦的生活，到自己能掌握的世界中去”。丽莎妈妈才幡然醒悟，她拥抱着女儿，轻轻的告诉她“我爱你”！
寻找蝴蝶并非意义本身，而人与人之间的交流，对亲情的寄托才是这部电影最终要表达的主题。整个电影充满了人性关怀和智慧火花，她让我们用心关注那些孤独的老人、不安的孩子，和日渐麻木的自己。
看完电影后，那位孤独，善良，充满沧桑却智慧的蝴蝶老人，那位聪明伶俐，又孤独敏感，清澈蓝眼睛里的忧伤，羞怯迷人的笑容，精灵般的小女孩， 以及亲情，友情，美丽的大自然，充满生命哲理的对话，生动而立体，久久的的展现在眼前，那种精彩难以言表！
J. 蝴蝶效应3英文观后感
跟多米诺骨牌类似，
所以说这个世界很无趣，
这个世界没有奇迹，
只有一个个可以用数字解释的必然，
佛家说：”万物皆有因果“是没错的，
未来是必然的，
我们无法预测未来，
只是因为我们目前还没有能力去分析造成未来的所有因素而已。
奇迹，
只存在于生物的思维中，
所以生命才是这个宇宙这个世界唯一的奇迹，
只有拥有思维的生命，
才有能力改变未来，
如果没有拥有思维的生命，
那么这个宇宙从大爆发开始，
其结局就已经存在了，
那该是多么可悲的一个世界啊...