狮子王美国电影观后感

『壹』 狮子王英文观后感

1

Disney continues its string of instant classic family films with one of their best in recent years, The Lion King. Essentially, it's a loose interpolation of Shakespeare's "Hamlet," set in the fields of Africa, with lots of typical Disney anthropomorphic creatures to sing and dance for our every amusement. It's a solid endeavor, with excellent characterizations and a good deal of heart that keeps keen interest, while also blessed with a memorable soundtrack.

Simba (voiced by Jonathan Taylor Thomas, "Home Improvement") is a lion cub currently being groomed to be the next king of the plains, which is currently the job of his father, the strong, brave Mufasa (James Earl Jones, The Sandlot). Mufasa's slighter, but wilier brother, Scar (Irons, Reversal of Fortune), wants to be the king in the worst way, and devises a plan to usurp the vaunted position for himself. But first, he needs to get Mufasa out of the way, and Simba as the next in the blood line. Banished in exile, Simba finds a life of no worries, but destiny calls him. Will he be ready to avenge Scar's misdeeds?

The Lion King works on nearly every level. I won't go so far as saying it is a masterpiece, but it is definitely worthy of being called a classic in the Disney arc, containing all of the elements that the greats of the 1930s and 1940s delivered. Although many clearly will be enamored of the catchy soundtrack, or the colorful animation, where The Lion King's strength really lies is in good storytelling. You feel for Simba and his plight, which pays off well ring the sadder moments, later becoming thrilling when the confrontation between the Simba and Scar manifests itself in a fiery, cataclysmic finale.

I feel the need to point out that the MPAA ratings system has a perfunctory tendency to give G ratings to anything that is animated and has the word "Disney" above the title. While it probably isn't going to permanently wreck the psyche of any young children out there, The Lion King is quite a dark, scary and often violent film. Yes, it's all a cartoon, but there is a murder of a main character, and a handful of attempted killings throughout, and while people feel that animation equals innocuous fare, The Lion King is not cartoonish in its handling of these alt themes. Heck, the flatulence alone should have been enough to kick it to PG, even if there weren't several scenes of murder and mayhem.

On the flip side, The Lion King will appeal to alts more than most Disney films just by being more mature in its themes, so even alts without children should find much to like here. Nice scenery, pleasant music, and a very strong story all add up to one of the grand, timeless entertainments of the 90s for young and old alike. Watching this will become an integral part of the "circle of life" for future generations for a long time to come.

2
The LION KING is technically an amazing and dazzling movie. I find it hard to review a cartoon. Perhaps, I could start by discussing some of the characters that were made special by the actor's voice.
Hands down, the best voice in this movie was that of Jeremy Irons who was the evil Scar, brother of the king Mufasa. Irons is brilliant in everything he does, but I think his best roles were BRIDESHEAD REVISITED and REVERSAL OF FORTUNE. He can play villains and good guys equally well. James Earl Jones was the voice of Mufasa, and although he was good, I expected more out of one of the most dramatic sounding voices in the movies today. Jones could have been a great orator (read politician I guess) had he not become an actor. Whoopi Goldberg was funny as a laughing hyena. I liked everyone except Mathew Broderick who I felt was too weak and unconvincing as the grown up Simba.
The movie's strengths, however, were not in the characters. The images and the soundtrack were the highlights. All of the music was very moving. The images had a 3D effect that I have not seen before. There was clear foreground and background in almost every shot, and sometimes they even varied the focus as you would in a "real" movie so that at first the foreground was in focus and then the background. My favorite part of the entire show was the vibrance of the colors. Monet would have come every day to see The LION KING.

Sad to say, I can not give it as high a rating as I would liked for two reasons. First, the story and the characters were okay, but they were not as interesting as they could have been. When they have to resort to lots of jokes about gas and bad breath, you know the script writers have run out of steam.

Second, the main audience for this movie is little kids. I have a 5 year old boy who went with us. Why oh why did they have to have someone who viciously murders his own brother in the sight of his brother's son? And if they felt they had to kill off a character, why be so explicit? Yes, this part of life does happen, but so does rape, incest, drive-by shootings and a lot of other stuff. Being true to life does not mean we have to subject little kids to it.

By the way, my son spent almost the whole movie in one of our laps, but claimed in the end to have not been scared (he was clearly scared while it was going on), and wanted to see it again. Actually, he wants to see LASSIE even more.

3
Walt Disney came up with a winning formula when he made SNOW WHITE AND THE SEVEN DWARFS, back in 1937; over the years, his company refined that formula to a science. With the re-birth of Disney in the late 1980s, the "magical" formula for Disney animation was re-discovered by Jeff Katzenberg and Michael Eisner, the studio heads. Unfortunately, these two men are not Walt Disney: they're Hollywood studio executives. That means that you can expect them to milk a winning formula for all it's worth, and not dare to push the edge. If it works, why change it?

Because you can wear it out, that's why. The spectacular box-office success of Disney's animated films (except for THE RESCUERS DOWN UNDER, which deserved to do better) has blinded the men on the top of the heap; as long as the money keeps rolling in, they're not going to want to make any changes. But they don't see that when you rely too heavy on a safe, predictable formula, you risk losing the life-granting "spark" that infuses your creations with energy--and keeps the money rolling in. THE LION KING is going to make another pile of money for Disney, and as a result we can expect to see no changes in the formula for Disney animated films in the future. That formula is laid bare here:

- Pour lots of money into procing great animation. This is the easy part. The Disney studios have hundreds of artists and the latest computer technology to proce lavish, dazzling animation that can be matched by no one else. There are some amazing moments here, especially ring the opening sequence (which Disney has pushed for months, revealing this sequence at its many Disney Stores as early as February) and a scene where Mufasa speaks to his son from the clouds. The animation on the rest of the movie is also good, as one expects from Disney. But is great animation the only reason we watch Disney films? No. The formula has more ingredients, such as ....

- Create an evil, sneaky villain, and then let him be utterly defeated (preferably in the midst of an inferno of some sort, with lightning and smoke and explosions and fire to make it more dramatic). With the Disney formula, there are only the Good Guys and the Bad Guys--you know whom to root for, because the Bad Guys are always drawn in a cartoonish way that makes them look less than human. The perfect hero and heroine battle the freaks, and guess who wins in the end?
- Create a hero, and give him a girlfriend--but make sure the hero is nice and bland. What's the difference between Simba, the hero of this film, and Aladdin? Nothing at all, other than being drawn differently. They're both young and naive; they both make a big mistake; they both correct that mistake by beating the Bad Guy once and for all. And the girlfriend must be equally bland, though at least in ALADDIN Princess Jasmine was a major character. In THE LION KING, the girlfriend is merely there for the hero to grow up with, and to bring him back to face his big mistake so that the movie can reach its climax. Why must the hero and his girlfriend be so generic and uninteresting? So that they won't overshadow the supporting characters, as we see in the next ingredient ....

- For comic relief (and merchandising), through in a few goofy characters to play the hero's friends. These characters always act silly, and they get the lion's share (pun intended) of the laughs, except ring the climax when they stay by the hero's side and battle the bad guys.

- And of course, include a bunch of musical numbers. Ever since THE LITTLE MERMAID won the Oscars for Best Original Score and Best Song, Disney has been pushing its animated films as the last bastion of the Hollywood musical. Each of their animated films includes a bunch of bouncy numbers as filler, one Busby Berkeley surrealist musical number, and a sappy, treacly "love" song to get the audience all weepy-eyed.

When this formula works, it can awaken the child in us. I enjoyed THE LITTLE MERMAID, because it made the Disney films seem fresh and new again. I loved ALADDIN in spite of its flaws--but if it weren't for Robin Williams, that movie would have fallen flat on its face, because it was nothing but Disney formula. THE LION KING doesn't have Robin Williams; and while it does have James Earl Jones' booming baritone as Mufasa, the great king, that's not enough to keep this film from feeling like a re-hash. There's nothing new here, and there's not enough creativity to make it seem refreshing.

Sure, the animation's great--that's easy for Disney to do, because they've got millions of dollars to do it. But there's more to making a great film than merely dazzling the eyes, whether it's with animated lions, computer-generated dinosaurs or exploding bridges (which we'll see in TRUE LIES). As in all great movies, it's the story and the characters that count, and there's nothing in here that we haven't seen before. Mufasa himself is a regal, majestic figure; the comic-relief characters are funny; and the evil Scar is wicked and properly evil. But Disney has given us a long line of majestic, funny, and evil characters, from Cruella de Vil and Stromboli to Gaston and Iago; the characters in THE LION KING simply aren't charismatic enough to come out from the shadow of their predecessors.

As if to add insult to injury, the musical numbers are downright awful. There's nothing in here to match the catchy, joyful "Under The Sea and "Be Our Guest," or even the fun "Prince Ali" and "Never Had A Friend Like Me." The songs were written by Tim Rice (who also worked on the ALADDIN soundtrack) and Elton John--who also sings the "love theme" over the ending credits. Bleah. Disney is certain to push this soundtrack for the Oscar...but if it actually wins, it will be undeniable proof that taste is dead in Hollywood. There IS a reasonably good musical score by Hans Zimmer that's based on on African music (though why didn't Disney just bring in some real African musicians to compose it?), but that's about all the praise I can give it.

The problem is simply that we've seen it all before. Nothing is new here, and one gets the impression that Disney is merely spinning its wheels. The Disney formula is starting to wear thin ... but as long as it keeps making millions for the company, we're not going to see anything different.

In this respect, one can say that BEAUTY AND THE BEAST was the most original Disney film in a long time, because while it included many aspects of the Disney formula (animation, musical numbers, comedy relief characters), it actually worked on real characterization (at least on the part of the Beast himself) and an entertaining story (though I detested the character of Gaston). But that film proved to be an exception to the rule. ALADDIN, despite Robin Williams' delightful presence, was merely a return to the old formula ... the same formula that mires down THE LION KING.

This does not bode well for the long-term future of American animated films. Hollywood is falling once again into the trap of trying to imitate Disney, rather than experimenting with other ways of making animated films. But Walt Disney himself knew that if you don't keep looking forward and aiming for something new, fresh, and different, you're liable to dig your own grave.

Disney has reached the height of its popularity; in fact, it may have already passed that peak (note the troubles of Euro Disneyland). But if corporate history has any precedents, it is that the bigwigs at the top don't notice that the tree is sick until it's already rotten and ready to collapse or be cut down. I suspect that the same thing is starting with Disney: THE LION KING is merely one symptom of corporate rot that is starting to seep into the Disney empire--its movies are safe, non-controversial, and bland; the theme parks are expanding with seemingly endless re-hashes of the same few ideas (movie-based rides); and all of the company's other projects (the BEAUTY AND THE BEAST stage musical, or their proposed ceremonies for the World Cup tournament) consist of them spending money like water to flash and dazzle the eyes and promote themselves.

『贰』 狮子王英语观后感

[狮子王英语观后感]《狮子王对于我们90后来说，应该都不陌生了，狮子王英语观后感。就我自己而言。我都看了不下于三遍了，刚开始，是因为小不懂事，就当是好玩，慢慢的随着年龄的增长，自己也从中学到一些东西，做人处事的道理。可是遗憾的是，知道现在我也没有看过完整版的英语版本。看狮子王，一遍又一遍，不是因为我们沉迷于动画的世界，长不大，而是被它的内涵所吸引，道理所折服。《狮子王》的主角辛巴，从一个幼小的狮子成长为了一国之王，他的成长是坎坷的也是勇敢的。也许曾经他逃避过，当看到自己父亲为了救自己而死于羊群的践踏之下的时候：那一刻，他仿佛不再是自己，他讨厌自己的顽皮；那一刻，他幼小的心灵被封闭了；那一刻，他胆怯了，失魂落魄；那一刻，他选择了逃避，选择了离开；那是落难的离开，是被别人从自己的家园赶出来家门。流浪在外的日子，其实每天都受着心灵的折磨，他永远走不出父亲离开的那天，逃不开父亲看向他的眼神……就这样，他在自己的心灵受到一次次煎熬的时候，他用自己的勇敢战胜了一切困难，从一个孩子到一位文中的领导者，我们无法想象到他经历的心路有多远多坎坷！影片的最后，辛巴用自己的智慧与领导才能夺回了属于父亲属于自己的国家，还自己的家园一片宁静！我喜欢辛巴的勇敢。即使受到再大的挫折，我们在等自己冷静之后，都要勇敢面对着，虽然这个过程是残酷的甚至是漫长的，在这个过程中我们唯一要做的调整自己，学会等待时机学会忍受！Is full of contradictions and with joy in the sad film, which began around the story of Simba. Simba, who in a noble family, and all the future king is a very lucky little lion, at the same time accompanied by contradictions, from the origin of the principal contradictionScar(Simba father\'s brother) in the heart of jealousy, because Simba said that his birth, when the king\'s desire to burst, and that life is very unfair to think of it when they have talent but when the king can not be king, they colluded with the murder of jackal dog Simba\'s father and son when the king himself. So the Lions seemingly peaceful kingdom has implied a serious crisis, that is, from the rebellion Scar. The story of Simba\'s birth to start the next generation to the outcome of birth, echoed at the beginning of the beautiful land are also considered. Videos to order starting from the grand and stirring music scene, we can see that the grasslands of the animal kingdom there is a Golden Age, specifically what is it? Who do not know, follow the flow of animals, the audience to the glory of the sacred stone that symbolizes the right place. We all are celebrating the birth of a small lion, and he will become king. Simba how lucky he was born in the moment on the subject of much attention. When the scenes in that great quote in the air with little Simba in contrast, the envy of all the audience is not autonomous and animals also have a common pilgrimage to the small sense of Simba\'s birth. This depicts the use of a large number of panoramic view to the performance of the performance from the perspective of composition to the very place. Perhaps because the history has been recognized as a classic film, and as a result of reasons as to why the subject felt the history of taste, I can not help but think of the "Finding Nemo "It\'s a little one to the theme of animation, in the choice of subject matter is I think" Finding Nemo "is better. "Lion King" is based on the theme of the story of big shot. In the "Lion King" is not a great guy and did not over-emphasize the great love, more respect in the responsibility. His responsibility is Simba, because his uncle was not a good Scar King, in his field of rule is full of hunger and desolation, he brought into the Kingdom of vibrant dark lion, Simba met Nana at the same time, in accordance with traditional practices should be King Simba, is a well-recognized legitimate king, Nana the Kingdom of the lion Simba told the crisis, so at the responsibility, he decided to go back, but he killed his father\'s inner sense of guilt does not disappear, Simba and did not know at this time is Scar is the real murderer to kill his father. Full of dramatic plot, the characters sense of inner contradictions and the audience is not the same as the feelings, derived from a contradiction between the complexity of feelings, touches the hearts of the audience.Scar still enjoying all kinds of evil of his life when King did not die he did not know is the return of Simba, people are still alive Scar in the deception, at the same time to allow the return of Simba to the throne of Scar will once again be threatened. When Simba and Scar fight back the throne, the abominable to kill Simba, Scar use his father\'s sense of guilt, I would like the opportunity to kill Simba, but the trick did not play a decisive effect, to the last knife Simba with a lie to deceive the scar hidden in the back when the original of the jackal trying to help dog Scar three brothers have seen the true face of Scar , and finally in the most dangerous time for Simba to say Scar Simba killed his father, the fact that This is all truth, angry Simba kill she\'s father see their enemy is their own uncle, no longer in the fight in the mountains under Scar hoof, the final outcome was Scar jackal dog eat his own making deserving to be damned, after the rain after the war indicates that the rule was Scar the dark period is over the Lions is about to usher in the Kingdom of the dawn of his, so the Lions returned to the Kingdom of the past alive. Character of each character to a certain expression. However, there are many perfect in the imperfect, perfect on visual Needless to say, the story only in the focus on a character portrait of Simba, a strong dramatic narrative but his point is relatively weak. "Finding Nemo" the merits of its story is that he can satisfy the curiosity of the audience can feel that everyone has their own understanding of life, whether social or indivial aquatic organisms, the audience can feel each and every circle different feel. Kingdoms is their vividly without affectation. And "Lion King" only over Peng Ding Peng and active atmosphere, can be the story of the tragedy or as a result of the strong sense of reason, from time to time, reminiscent of Hamlet. People in the image of the design is very elegant. The traditional Disney style we can see that the great sand wood law, he is characterized by a square on the chin, the red hair loose and full of body, in the action also reflects the design style of the King, in the corresponding Scar although would like to have is in the appearance of a lion or a great difference between the physical shape of thin build, black hair and so on have different performance, in action and also in line with Scar character. The design of said action, I think that there were their own characteristics, the differences between animals in the relationship between the expression of the action together with the integration of anthropomorphism is close, given the person\'s facial expression and emotion, you will think that they are animals right? Their performance given the characteristics of people, while people can not have some lovely and so on. The tremendous success of music, music with rhythm and a good screen, music in the films is an indispensable part of the screen along with the music constantly changes, rendering the atmosphere of the audience led the tour. The film became a classic of history, and achieved great success, touched the hearts of countless viewers, with the development of 3D it is not 2D animation development to adapt to the situation now. 3D has its obvious advantages, the combination of 2,3-dimensional use of their advantages will be better I think the birth of the animation.

『叁』 狮子王英文版观后有感

网络一下吧

『肆』 电影《狮子王》观后感 20条人生格言 （中英） 20 条警示语（中英）

《狮子王》观后感矛盾重重，欢乐中的带有悲伤电影，围绕着辛巴而展开的故事。辛巴出身在贵族家庭，并切是将来的国王，是一个无比幸运的小狮子，同时矛盾也伴随而来，主要矛盾的起源来自刀疤（辛巴父亲的兄弟）的嫉妒之心，因为辛巴的出生表示着他当国王的愿望破灭，觉得生活对它很不公平觉得自己有当国王的才能却当不了国王，于是勾结豺狗谋杀辛巴父子让自己当上国王。所以在看似平和的狮子王国却隐含着严重的危机，那就是来自刀疤的谋反。故事以辛巴的生为开始，以下一代的出生为结局，呼应开头也算收的漂亮。
影片以顺序开始，从那宏大的场面和震撼人心的音乐，可以看出草原上的动物王国有一个盛世，具体是什么呢？谁都不知道，跟随着动物们的流向，把观众带到了荣耀石那象征着神圣权利的地方。我们到所有的一切都是在庆祝一个小狮子的诞生，并且他将来会成为国王。多么幸运的辛巴在他出生那一刻就受到万众的注目。当在那宏大的场面与被举在空中的小辛巴形成对比时，无不令观众羡慕，不又自主的与动物们产生共同朝圣小辛巴的出生的感觉。这段描绘中使用了大量的全景来表现，从构图到视角表现的非常到位.
也许因为已经被历史承认为经典影片了，由于题材的原因会感觉到历史的味道，我不禁的想起《海底总动员》它一部一以小人物为题材的动画，在题材的选择上我到是觉得《海》是更胜一筹 。《狮子王》则是以大人物为题材的故事。在《狮》中没有小人物的伟大，也没有过多的强调爱的伟大，更多的表现在责任方面。是辛巴他的责任，因为他的叔叔刀疤并不是一个好国王，在他统治的领域充满了饥饿与荒凉，他把生机勃勃的狮子王国带进了黑暗，同时娜娜遇到了辛巴，按照传统惯例辛巴应该是国王，是大家公认合法的国王，娜娜把狮子王国的危机告诉了辛巴，于是处于责任，他决定回去，但他内心的害死父亲的犯罪感并没有消失，而此时的辛巴并不知道是刀疤是害死父亲的真正凶手。富有戏剧化的剧情，人物内心的矛盾和观者内心的感受是不一样的，由一个矛盾衍生出来的复杂感情，牵动着观者的心。作恶多端的刀疤还在享受他的国王的生活时他不知道没有死的辛巴正在回归，人们还在刀疤的欺骗中活着，同时辛巴的回归让刀疤的王位再次会受到威胁。当在辛巴与刀疤决斗取回王位时，可恶的刀疤利用辛巴对害死父亲的犯罪感，想乘机杀死辛巴，但这一招并没有起到决定性的效果，到最后刀疤用谎话欺骗辛巴时隐藏在背后原本想帮刀疤的豺狗三兄弟也看到了刀疤的真正面目，终于在辛巴最危险的时候刀疤说出了自己杀害辛巴父亲的事实，这是一切都真相大白，愤怒的辛巴看到自己的杀父仇人就是自己的叔叔，忍无可忍在决斗中把刀疤蹄下了山，最后刀疤的结局被豺狗吃掉也是他自己造成的死有余辜，战后完的一场雨预示着被刀疤所统治的黑暗时期已经过去了狮子王国即将迎来他的黎明，就这样狮子王国又恢复了往日的生机勃勃。
每个人物的性格特点得到了一定的表达。但完美中又有许多的不完美，视觉上的完美就不用说了，故事只是在着力刻画一个人物辛巴，有着强烈的戏剧性但他的故事性相对要弱一点。〈海〉它的故事的优点就在于他可以满足观者的好奇心，可以感觉到每个人都有自己对生活的理解，无论群居，还是单个的水生生物，观众可以到每一个圈里感受的不同感觉。他们的演义真是惟妙惟肖毫不做作。而〈狮〉中只有彭彭和丁满活跃了一下气氛，可还是由于故事的悲剧感太强的缘故，不时的让人想起王子复仇记 。
人物的形象设计很考究。传统的迪斯尼风格我们可以发现，木法沙的伟大，他的特点是方形的下巴，松散的红色头发以及饱满的身躯，在动作设计上也体现出王者风范，于之想对应的刀疤虽然都是狮子在外表上还是有很大的区别，瘦削的身体造型，黑色的头发等有着不同的表现，在动做上也和刀疤的性格相符。
说道动作设计，我觉得很有各自的特点，在表达动物之间不同关系的动作在加上拟人化的融合令人亲近，赋予了人的表情和情感，你还会认为它们是动物吗？他们的表现赋予人的特征，同时有具有了人所不能有的可爱等因素。
音乐上的巨大成功，音乐的节奏和画面配合的很好，音乐在着部影片中是一个不缺少的一部分，跟着音乐画面不断的变化，渲染气氛，带领着观众畅游。
这部电影成为了历史的经典，取得巨大的成功，感动了无数的观众，随着3D的发展2维显得不太能适应现在动画发展的情况。3D有着它明显的优势，23维相结合的利用各自的优势我想会有更优秀的动画诞生。
人生格言警句大全 I cannot be your friend and your flatterer too.朋友不能阿谀奉承。
If a man deceives me once, shame on him, if he deceives me twice, shame on me.
上当一回头，再多就可耻。
If you make yourself an ass, don‘t complain if people ride you.
人善被人欺，马善被人骑。
If your ears glow, someone is talking of you.耳朵发烧，有人念叨。
If you run after two hares, you will catch neither.脚踏两条船，必定落空。
If you sell the cow, you sell her milk too.杀鸡取卵。
If you venture nothing, you will have nothing.不入虎穴，焉得虎子。
If you want knowledge, you must toil for it.要想求知，就得吃苦。
Instry is the parent of success.勤奋是成功之母。
It is better to die when life is a disgrace.宁为玉碎，不为瓦全。
It is easier to get money than to keep it.挣钱容易攒钱难。
It is easy to be wise after the event.事后诸葛亮好当。
It is easy to open a shop but hard to keep it always open.创业容易守业难。
It is hard to please all.众口难调It is never too old to learn.活到老，学到老。
It is no use crying over spilt milk.覆水难收。
It is the first step that costs troublesome.万事开头难。
It is the unforeseen that always happens.天有不测风云，人有旦夕祸福。
It is too late to grieve when the chance is past.坐失良机，后悔已迟。
It never rains but it pours.不鸣则已，一鸣惊人。
It takes three generations to make a gentleman.十年树木，百年树人。
Jack of all trades and master of none.门门精通，样样稀松。
Judge not from appearances.人不可貌相，海不可斗量。
Justice has long arms.天网恢恢，疏而不漏。
Keep good men company and you shall be of the number.近朱者赤近墨黑。
Kill two birds with one stone.一箭双雕。
Kings go mad, and the people suffer for it君王发狂，百姓遭殃。
Kings have long arms.普天之下，莫非王土。
Knowledge is power.知识就是力量。
Knowledge makes humble, ignorance makes proud.
博学使人谦逊，无知使人骄傲。 Learn and live.活着，为了学习。
Learning makes a good man better and ill man worse.
好人越学越好，坏人越学越坏。
Learn not and know not.不学无术。Let sleeping dogs lie.别惹麻烦
Learn to walk before you run.先学走，再学跑。
Let bygones be bygones.过去的就让它过去吧。
Let the cat out of the bag.泄漏天机。Life is but a span.人生苦短。
Lies can never changes fact.谎言终究是谎言。
Lies have short legs.谎言站不长。
Life is half spent before we know what it is.人过半生，方知天命。
Life is not all roses.人生并不是康庄大道。
Life without a friend is death.没有朋友，虽生犹死。
Like a rat in a hole.瓮中之鳖。
Like author, like book.文如其人。
Like father, like son.有其父必有其子。
Like for like.一报还一报。 Like knows like.惺惺相惜。
Like mother, like daughter.有其母必有其女。
Like teacher, like pupil.什么样的老师教什么样的学生。
Like tree, like fruit.羊毛出在羊身上。
Little things amuse little minds.小人无大志。
Look before you leap.摸清情况再行动。
Lookers－on see more than players.当局者迷，旁观者清。
Losers are always in the wrong.胜者为王，败者为寇。
Lost time is never found again.岁月既往，一去不回。
Love at first sight.一见钟情。 Love cannot be compelled.爱情不能强求。
Love is blind.爱情是盲目的。 Love is full of trouble.爱情充满烦恼。
Love is never without jealousy.没有妒忌就没有爱情。
Love me, love my dog.爱屋及乌Make hay while the sun shines.良机勿失。
Make your enemy your friend.化敌为友。
Man is the soul of the universe.人是万物之灵。
Man proposes, God disposes.谋事在人，成事在天。
Many hands make light work.众人拾柴火焰高。
Many heads are better than one.三个臭皮匠，赛过诸葛亮。
Many things grow in the garden that were never sown there.
有心栽花花不发，无心插柳柳成荫。
Measure for measure.针锋相对。
Misfortunes never come alone.祸不单行。
Misfortune tests the sincerity of friends.患难见真情。
Money isn‘t everything.钱不是万能的。 Murder will out. 纸包不住火。
My son is my son till he has got him a wife, but my daughter is my daughter all the days of her life.
儿子婚前是儿子，女儿终生是女儿。
Nature is the true law.天行有常，不为尧存，不为桀亡。
Necessity is the mother of invention.需要是发明的动力。
Never fish in trouble water.不要混水摸鱼。
Never judge from appearances.不可以貌取人。 Never say die.永不言败。
Never too old to learn, never too late to turn.亡羊补牢，为时未晚。
New wine in old bottles.旧瓶装新酒。
No cross, no crown.不经历风雨，怎么见彩虹。
No garden without its weeds.没有不长草的园子。
No living man all things can.世上没有万事通。
No man can do two things at once.一心不可二用。
No man is born wise or learned.没有生而知之者。 No man is content.人心不足蛇吞象
No man is wise at all times.聪明一世，糊涂一时。
None are so blind as those who won‘t see.视而不见。
None are so deaf as those who won‘t hear.充耳不闻
No news is good news.没有消息就是好消息。
No one can call back yesterday.昨日不会重现。
No pains, no gains.没有付出就没有收获。
No pleasure without pain.没有苦就没有乐。
No rose without a thorn.没有不带刺的玫瑰。
No sweet without sweat.先苦后甜。 No smoke without fire.无风不起浪。
Nothing brave, nothing have.不入虎穴，焉得虎子。
Nothing dries sooner than a tear.眼泪干得最快。
Nothing in the world is difficult for one who sets his mind to it.
世上无难事，只怕有心人。
Nothing is difficult to the man who will try.世上无难事，只要肯登攀。
Nothing seek, nothing find.没有追求就没有收获。
Nothing is so necessary for travelers as languages.外出旅行语言最要紧。
Nothing is to be got without pains but poverty.
世上唯有贫穷可以不劳而获。
Not to advance is to go back.不进则退。
Not to know what happened before one was born is always to be a child.
不懂世故，幼稚可笑。
No way is impossible to courage.勇者无惧。

『伍』 狮子王第一部观后感英文版

The LION KING is technically an amazing and dazzling movie. I find it hard to review a cartoon. Perhaps, I could start by discussing some of the characters that were made special by the actor's voice.
Hands down, the best voice in this movie was that of Jeremy Irons who was the evil Scar, brother of the king Mufasa. Irons is brilliant in everything he does, but I think his best roles were BRIDESHEAD REVISITED and REVERSAL OF FORTUNE. He can play villains and good guys equally well. James Earl Jones was the voice of Mufasa, and although he was good, I expected more out of one of the most dramatic sounding voices in the movies today. Jones could have been a great orator (read politician I guess) had he not become an actor. Whoopi Goldberg was funny as a laughing hyena. I liked everyone except Mathew Broderick who I felt was too weak and unconvincing as the grown up Simba.
The movie's strengths, however, were not in the characters. The images and the soundtrack were the highlights. All of the music was very moving. The images had a 3D effect that I have not seen before. There was clear foreground and background in almost every shot, and sometimes they even varied the focus as you would in a "real" movie so that at first the foreground was in focus and then the background. My favorite part of the entire show was the vibrance of the colors. Monet would have come every day to see The LION KING.

Sad to say, I can not give it as high a rating as I would liked for two reasons. First, the story and the characters were okay, but they were not as interesting as they could have been. When they have to resort to lots of jokes about gas and bad breath, you know the script writers have run out of steam.

Second, the main audience for this movie is little kids. I have a 5 year old boy who went with us. Why oh why did they have to have someone who viciously murders his own brother in the sight of his brother's son? And if they felt they had to kill off a character, why be so explicit? Yes, this part of life does happen, but so does rape, incest, drive-by shootings and a lot of other stuff. Being true to life does not mean we have to subject little kids to it.

By the way, my son spent almost the whole movie in one of our laps, but claimed in the end to have not been scared (he was clearly scared while it was going on), and wanted to see it again. Actually, he wants to see LASSIE even more.

『陆』 《狮子王》的观后感。

矛盾重重，欢乐中的带有悲伤电影，围绕着辛巴而展开的故事。辛巴出身在贵族家庭，并切是将来的国王，是一个无比幸运的小狮子，同时矛盾也伴随而来，主要矛盾的起源来自刀疤（辛巴父亲的兄弟）的嫉妒之心，因为辛巴的出生表示着他当国王的愿望破灭，觉得生活对它很不公平觉得自己有当国王的才能却当不了国王，于是勾结豺狗谋杀辛巴父子让自己当上国王。所以在看似平和的狮子王国却隐含着严重的危机，那就是来自刀疤的谋反。故事以辛巴的生为开始，以下一代的出生为结局，呼应开头也算收的漂亮。
影片以顺序开始，从那宏大的场面和震撼人心的音乐，可以看出草原上的动物王国有一个盛世，具体是什么呢？谁都不知道，跟随着动物们的流向，把观众带到了荣耀石那象征着神圣权利的地方。我们到所有的一切都是在庆祝一个小狮子的诞生，并且他将来会成为国王。多么幸运的辛巴在他出生那一刻就受到万众的注目。当在那宏大的场面与被举在空中的小辛巴形成对比时，无不令观众羡慕，不又自主的与动物们产生共同朝圣小辛巴的出生的感觉。这段描绘中使用了大量的全景来表现，从构图到视角表现的非常到位.
也许因为已经被历史承认为经典影片了，由于题材的原因会感觉到历史的味道，我不禁的想起《海底总动员》它一部一以小人物为题材的动画，在题材的选择上我到是觉得《海》是更胜一筹 。《狮子王》则是以大人物为题材的故事。在《狮》中没有小人物的伟大，也没有过多的强调爱的伟大，更多的表现在责任方面。是辛巴他的责任，因为他的叔叔刀疤并不是一个好国王，在他统治的领域充满了饥饿与荒凉，他把生机勃勃的狮子王国带进了黑暗，同时娜娜遇到了辛巴，按照传统惯例辛巴应该是国王，是大家公认合法的国王，娜娜把狮子王国的危机告诉了辛巴，于是处于责任，他决定回去，但他内心的害死父亲的犯罪感并没有消失，而此时的辛巴并不知道是刀疤是害死父亲的真正凶手。富有戏剧化的剧情，人物内心的矛盾和观者内心的感受是不一样的，由一个矛盾衍生出来的复杂感情，牵动着观者的心。作恶多端的刀疤还在享受他的国王的生活时他不知道没有死的辛巴正在回归，人们还在刀疤的欺骗中活着，同时辛巴的回归让刀疤的王位再次会受到威胁。当在辛巴与刀疤决斗取回王位时，可恶的刀疤利用辛巴对害死父亲的犯罪感，想乘机杀死辛巴，但这一招并没有起到决定性的效果，到最后刀疤用谎话欺骗辛巴时隐藏在背后原本想帮刀疤的豺狗三兄弟也看到了刀疤的真正面目，终于在辛巴最危险的时候刀疤说出了自己杀害辛巴父亲的事实，这是一切都真相大白，愤怒的辛巴看到自己的杀父仇人就是自己的叔叔，忍无可忍在决斗中把刀疤蹄下了山，最后刀疤的结局被豺狗吃掉也是他自己造成的死有余辜，战后完的一场雨预示着被刀疤所统治的黑暗时期已经过去了狮子王国即将迎来他的黎明，就这样狮子王国又恢复了往日的生机勃勃。

『柒』 《狮子王》观后感

[《狮子王》观后感]《狮子王》观后感 昨天看完的《狮子王》，没有着急写观后感，不是没感受，是不想写，这应该就是人的惰性，《狮子王》观后感。有时候在想，写这些感受的意图，想这些的时候真感觉微不足道。但还是情不自禁地写了下来。为什么说这些废话呢?渲染我无处可泄的情感罢。我粗略地看了一下电影简介，是导演根据莎士比亚的小说改编而成的，应该就是哈姆雷特了，同样的叔叔夺取王位，而电影通过动物表现出来，实属难得。电影成功的制作的技巧，每一处微小的动作都逼真地触动着人的情感。似乎那个动物世界的事情确是发生人类身上的事情似的。一直以来，动画给我的感觉总是做作，造假，我们只是以一个审视，而不是进入的状态观察着那个世界的情景，而这次，我却能跟随着动画的情节而激动，就已经表明这部电影的优秀之处。 关于电影，不想大篇幅的描述，主人公辛巴只表现了哈姆雷特的十分之一，甚至更少的东西。最明显的意识就是反抗，其他的应该还有，但是已经忘却。我在别人的推荐下看的，看的时候不免带有一种审慎的心态，而对于未知的儿童来说，这部动画可能要给予他们更多的感受，甚至会成为他们心底永久的动力和力量，观后感《《狮子王》观后感》。动画中语言很有喻义性，辛巴抬头望着天空中的星星，定格成一种遥远的向往和追求，让自己的心也朝着那远处仰望，梦想着更大的自由，梦想着自己也能对着自己的过往开始回忆和对明天憧憬着。 故事情节如下:老狮子王木法沙和爱姬生下小幼狮，在一个精明的老猴的洗礼后，取名辛巴，并授于其为未来广博的草原的狮子王。然而，老狮子王的弟弟刀疤一直对于王位\"狮\"视眈眈，利用阴谋诡计陷害木法沙，勾结土狼，阴谋得逞。木法沙为救辛巴死于逃窜的犀牛蹄下。刀疤派土狼追杀辛巴，辛巴不能正视父亲因自己而死的现实，在森林中安逸的生活。当得知自己的国土被叔叔刀疤蹂躏千疮百孔，毅然地返回草原，和刀疤决斗，成为新一代的狮子王，草原恢复了往日的生机。

『捌』 狮子王的观后感英文要用了五十字要带翻译

Film is an amazing technical achievement, but even if it is meticulous, it is only "realistic", because real animals can't talk, they can't sing, and they can't quote those interesting pop culture stalks.

Movies are sometimes wonderful, but they are often absurd. And sometimes-for example, a very lifelike animal dies on the big screen in front of you, and the only son cries for him-it is really wandering on the edge of grotesque.

该片是一部令人惊叹的技术成就，不过即便细致成这样，它也只是“逼真”的，因为真正的动物不会说话，他们不会唱歌，也不会引用那些有趣的流行文化梗。电影有的时候很妙，不过常常是荒谬的。而且有时候——比如一个非常逼真的动物在你面前的大银幕上死去，独子为他哀嚎——真是在怪诞的边缘游走。

幕后制作

《狮子王》由《奇幻森林》导演乔恩·费儒构思并执导，翻拍自迪士尼动画经典《狮子王》，是一部真人与CG结合的电影。费儒借用了他在《奇幻森林》中的经验——使用真人儿童演员，并利用尖端技术和在洛杉矶摄影棚的绿幕片场，制作丛林和动物。

乔恩·费儒也是电影《奇幻森林》的导演，他带领《阿凡达》《泰坦尼克号》的视觉效果团队，进一步提升了迪士尼CG（Computer Graphics）电影的制作技术水平，运用计算机设计、人工模型及道具等，使电影中的动物毛发、大自然的光和影等，都显得更加逼真，而不是真正引入狮子等动物来拍摄电影。

『玖』 狮子王英文观后感，初一水平，80词左右，带翻译

Simba, the prince of the animals' kingdom, whose life was not always happy. Simba's uncle, carried out an evil plan.To save his dear son, the old lion king died. And Simba, with his uncle taking his father's place, had no other choice but to flee. On his aimless road, he met two new friends, a weasel and a boar. They were hearty.

The friendship between Simba and the other two brought him great courage.Through efforts of himself and help from his friends, Simba finally defeated his uncle and became the king of the animals.

This film taught me that a friend in need is a friend indeed and that only through perseverance can one reach his goal.

翻译：
辛巴，动物王国的王子，他的生活并不总是快乐的。辛巴的叔叔，开展了一个邪恶的计划。为了救他的亲爱的儿子，老狮子王死了。辛巴，与他的叔叔带他父亲的地方，没有其他的选择，但逃跑。他漫无目的的路上，他遇到了两个新朋友，一只黄鼠狼和野猪。他们精力充沛。
辛巴，他遇到了两个之间的友谊。通过努力，他本人和他的朋友们的帮助下，辛巴终于击败了他的叔叔和成为国王的动物。
这部电影教导我，有需要的朋友是真正的朋友，只有通过坚持不懈的努力才能达到他的目标。

觉得可以请采纳，谢谢了