gas系列電影網站

① 《自拍復印機》電影高清在線觀看，求免費下載完整版

《自拍復印機》網路網盤高清免費資源在線觀看

鏈接: https://pan..com/s/1N4jf12VHzN8EMDy7S9vqdQ

導演: Wregas Bhanuteja
編劇: Wregas Bhanuteja / Henricus Pria
主演: Shenina Cinnamon / 奇科·庫爾尼亞萬 / Lutesha / 傑羅姆·庫尼亞 / 迪婭·潘德拉 / Giulio Parengkuan / Mian Tiara / 魯思·馬里尼 / 路克曼·沙帝 / Rukman Rosadi / Lanng Simatupang / 雅彥·魯伊安 / Elisabeth Pasaribu / Budi Ros / 東尼·達瑪拉
類型: 懸疑 / 犯罪
製片國家/地區: 印度尼西亞
語言: 印度尼西亞語
上映日期: 2021-10-08(釜山國際電影節) / 2022-01-13(印度尼西亞)
片長: 130分鍾
自拍復印機的劇情簡介· · · · · ·
本片講述了主人公蘇爾因醉酒的一張自拍在網上瘋狂流傳後被取消享有獎學金的資格，她的任課教師也受其牽連，並怒斥蘇爾。但蘇爾對於醉酒的當晚發生的事情毫無記憶。於是，她開始向朋友尋求幫助以究其原委。

② 香港有哪些著名的電影公司

1、寰亞電影

寰亞電影1994年由七位香港電影人士創辦，第一部電影《我和春天有個約會》便先聲奪人，奪得當年香港電影金像獎「最佳劇本」。其後9年，寰亞電影不單票房成績優異，還贏得了80個國際電影節獎項。

2、英皇電影

英皇電影為香港最具規模及影響力的娛樂媒體投資公司之一。得獎或口碑佳作包括：2018年林超賢執導的《紅海行動》；庄文強執導，周潤發、郭富城領銜主演的《無雙》；饒曉志執導的《無名之輩》。

3、中國星集團

中國星集團由香港影業協會副會長向華強先生一手創辦的上市集團，擁有永盛娛樂製作有限公司及永盛音像企業香港有限公司製作的電影及電視劇集的全球獨家發行權，及多間獨立製作公司的代理發行權。

4、銀河映像

銀河映像的主要業務是向各電影公司提供全方位的電影製作服務，包括前期製作、拍攝工作及後期製作等。

5、澤東電影

澤東電影有限公司（Jet Tone Film proction）由知名導演王家衛所成立，公司宗旨是致力於生產具有國際水平的高質量影片。

③ 好萊塢槍戰電影,在加油站叫什麼名字

《蓋斯》正片—美國—電影—優酷網,視頻高清在線觀看—又名余虧:《Gas》
電影:蓋斯2004 別名:加油站/Gas
上映:2004-01-01 優酷上映:2014-01-01 評分:6.5 無 主演:Flex Alexander/卡哈利·凱恩/泰森·貝克福德賀毀讓 導演:Henry Chan 地區:美國 類型:喜劇 簡介:兩個經常爭吵的親兄弟,他們總是看不慣對方,從小就會為了一些小事發生摩擦,然而就在這個時候,他們的父親過世了,父親死後,為兄弟二人留下了一個加油站,而這兩個兄弟要做的是一起合作經禪局營這個加油站。

④ 我需要這些電影的英文簡介!

1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文評論
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

2 a clockwork orange

Director:Stanley Kubrick

Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)

Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more

Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie

Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文評論
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

3 annie hall

Director:Woody Allen

Writers:Woody Allen (written by) and
Marshall Brickman (written by)

Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more

Woody Allen ... Alvy Singer

Diane Keaton ... Annie Hall
Tony Roberts ... Rob

Carol Kane ... Allison
Paul Simon ... Tony Lacey

Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall

Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall

Mordecai Lawner ... Mr. Singer

評論
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

4 bonnie and clyde
Arthur Penn

Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more

Warren Beatty ... Clyde Barrow

Faye Dunaway ... Bonnie Parker

Michael J. Pollard ... C.W. Moss

Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis

Gene Wilder ... Eugene Grizzard

評論
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

5 brief encounger

Director:David Lean

Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more

Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room

評論
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

6 chariotes of fire

Hugh Hudson

Writer:Colin Welland (original screenplay)

Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell

Ben Cross ... Harold Abrahams

Daniel Gerroll ... Henry Stallard

Ian Holm ... Sam Mussabini

John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
評論
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

Do watch it - it's very fine, very moving, very exciting.

字數太多，可去網站上自己查詢

⑤ 收集《越獄》里T-bag主演的其它電影

T-bag 真名：Robert Knepper

(1992) Gas Food Lodging

中文《旅客》、《公路休息站》

年 代： 1992
地 區： 美國 (更多...)
片 長： 101 min
導 演： 阿利森 安德斯 (Allison Anders)
編 劇： 阿利森 安德斯 (Allison Anders) / Richard Peck (III)
類 型： 愛情 / 劇情

http://www.mov99.com/movie/1999091802592_credit.html

Robert Knepper 飾演 Dank
扮演一個地質青年~~研究石頭~

<WEST WING>中也有參演，ms是一個警探還什麼。。。

母愛光輝 (1994) Getting Out (TV)

年 代： 1994
地 區： 美國 片 長： 100 min
導 演： 約翰 科蒂 (John Korty)
編 劇： Eugene Corr / Marsha Norman / Ruth Shapiro
類 型： 劇情
別 名： 母愛光輝
主要演員：
坦迪 克羅寧 艾倫 伯斯汀 麗貝卡 德 莫妮

色 彩： 彩色
http://fs2.cyworld.com.cn/data5/2006/08/19/103/1155987703596175_file.jpg

(Law And Order） 《法律與秩序 》 TV

參演...ms很少主演，不過美國電視劇能堅持6集以上的都不錯了....

profiler 《再現犯罪的人》， 電視劇

據說影評不佳

《LOVE & SEX》
他演女孩高中的法語老師
說的是帶法國口音的英語
很搞笑也很性感
羅伯特·克耐普 Robert Knepper 飾演Gerard Boussard
http://movie.ku6.com/movie/31878/#menu

圖圖
http://fs2.cyworld.com.cn/data8/2006/08/19/080/1155988080586032_file.jpg

（Point Pleasant《天鵝人》FOX新劇目前電視台已停播
http://www.verycd.com/groups/@g19053/30843.topic 電驢第一季下載地址

圖圖
http://fs2.cyworld.com.cn/data8/2006/08/20/102/1156063902890307_file.jpg

http://fs2.cyworld.com.cn/data7/2006/08/20/054/1156063854775921_file.jpg
很德庫拉的氣質，優雅冷血

ER《急診室的故事》也出現過

http://fs2.cyworld.com.cn/data5/2006/08/19/069/1155987869321538_file.jpg

<Phantoms>
扮演一警察
截然不同的表演
圖圖
http://fs2.cyworld.com.cn/data8/2006/08/20/023/1156066223049425_file.jpg

找到這里的時候，發現一個網站，斯巴達...

飾演T-Bag的Robert Knepper在美劇《Thieves》和《CSI》中都飾演過角色。

其他作品：1、Hostage 火線對峙 【2005】<IMG http://img3.mtime.com/mg/2007/51/1b5272de-f8ce-4965-90fe-c975d10f566e.jpg"
2、"Prison Break" 越獄 【2005】
3、Species III 異種 3 【2004】
4、Absence of the Good（TV）魔鬼獵殺 【1999】
5、Phantoms 幻覺 【1998】
6、Jaded 激情的控訴 【1996】
7、Search and Destroy 狙擊手 【1995】
8、Getting Out（TV）母愛光輝 【1994】
9、When the Bough Breaks 魔鬼劊子手 【1993】當樹枝折斷時（中）
10、Gas Food Lodging 【1992】
11、Session Man（TV）會議人 【1992】
12、Young Guns II 年輕槍手 2 【1990】少壯屠龍陣 2（台）/龍威虎將 2（港）
13、Renegades 赤色雄狼 【1989】叛徒（其他）
14、D.O.A. 死亡旋渦 【1988】零時亡點（港）
15、Made in Heaven 天上人間 【1987】/天堂製造
16、That's Life! 生之樂章 【1986】

http://www.mtime.com/my/912679/blog/786701/ 其實他蠻可愛的..