㈠ 經典電影《人工智慧》插曲 For Always 中文歌詞
For Always
Lara:
I close my eyes 我閉上眼
And there in the shadows I see your light 朦朧中我看到了你帶來的光明
You come to me out of my dreams across
The night 你穿越黑夜從夢境中向我走來
Josh:
You take my hand 你抓住我的手
Though you may be so many stars away 雖然你遠在天邊
I know that our spirits and souls are one 我知道我們的精神和靈魂已合二為一
Lara:
We've circled the moon and we've touched the sun 我們繞著月亮來到了太陽身邊
Both:
So here we'll stay 我們在此停留
For always 一直這樣
Forever 直到永遠
Beyond here and on to eternity 飛越這里直至永恆
For always 一直這樣
Forever 直到永遠
For us there's no time and no space 對我們而言 沒有時間和空間的概念
Josh:
No barrier love won't erase 愛可以跨越一切障礙
Lara:
Wherever you go 不管你身在何方
I still know in my heart you'll be here 我依然知道你的心與我同在
Both:
With me 和我一起
Josh:
From this day on (day on) 從今天起
I'm certain that I'll never be alone 我確信我不再孤獨
Lara:
I know what my heart must have always known 我知道我心所想
(known what my heart must have known)
Both:
That love has a power that's all its own 愛有種獨特的力量
And for always 一直會有
Forever 直到永遠
Now we can fly 現在我們可以飛翔
And for always 一直得飛啊
and always 飛啊
Lara:
We will go on (we will go on) 我們將繼續
Both:
Beyond goodbye 告別孤單
Lara:
For Always 一直這樣
Josh:
Forever 直到永遠
Lara:
Beyond here and on to eternity 飛越這里直至永恆
Josh:
For Always 一直這樣
Lara:
And ever 直到永遠
Both:
You'll be a part (you'll be apart) of me 你是我的一部分
Both:
And for always 一直這樣
Forever 直到永遠
A thousand tomorrows may cross the sky 一千個明天跨越了天際
And for always 一直這樣
And always 一直這樣
We will go on (we will go on) beyond goodbye 我們將繼續 不再孤單
㈡ 急需電影《人工智慧》和《勇敢的心》的英文劇情介紹
勇敢的心 braveheart
資料一：
Unfortunately, I have yet to find a film of quite this caliber again. Braveheart contains elements of Romance (several heart- wrenching and warming instances), Epic/Action (spectacular scenes), Mystery (can take a few viewings to put it all together), History (albeit romanticised) and of course Drama (perfectly unravelled). This level of uncompromised multi-tasking allows the film to move you to laugh and cry, love and hate or even to think and be taught. I'm trying to avoid the clichés of glowing reviews (almost as bad as entirely negative ones) - but this is one of the few movies that I feel deserves one.
The witty banter between friends/foes/lovers/relatives is, in my opinion, flawless and aids the film's claim as a true classic. The soundtrack is similarly top-notch and encapsulates and refracts the patriotic theme ring several key moments. The political sub-plot and gorgeous scenery also serve as refreshers ring otherwise heavy areas of the story. Perhaps Braveheart's only flaw (but if you share my sentiments it's actually a bonus) is its length so you'll want to prepare a comfy seat and maybe even two pots of tea (complete with cosies!).
I suppose it's also relevant to touch on the historic inaccuracies as I expect this is what people might dislike most about this film. However, "History is written by those who have hanged heroes"; also, the overall sketchiness of such periods coupled with the right of artistic license are enough for me to personally dismiss such thoughts. On that note, I hope you also enjoy what, to me, is the greatest film created (so far).
資料二：
The movie begins in the small town of Elerslie, Scotland. William lives with his father, who is not named in the film, and his older brother Malcolm. William's father and older brother are called to a meeting a few miles from their home where they find the entire nobility of Scotland hanging. Malcolm and his father then go to a battle between the British and their clan, both die tragically. At the funeral William meets his uncle Argyle who fought in the battle with Malcolm and his father. He takes him away to live with him. The scene then cuts to an alt William on his horse. William later runs into a girl he knew before he went to live with Argyle, her name, Murron, we discover that Lords have the right to sleep with brides on their wedding night, so William marries Murron in secret. Murron is the assaulted by a British guard, the guard is killed by William, a fight ensues, and eventually Murron is killed by the lord. This enrages Wallace who then build himself a fine army entering city's and killing all Englishman within. Wallace prepares to move on to Sterling where he prepared for his greatest battle yet, in the forest he realises that he must find a way to beat the heavy cavalry from the ground, he decided to create spears twice as long as men. These were used in the battle to kill the entire heavy cavalry raised at the last minute to kill the on coming horses. Eventually Wallace reaches York, the most important military city he gains control. Williams final battle at Falkirk ends in his betrayal by two nobles, whom he later kills. William is betrayed by the leper father of Robert the Bruce, is captured and refuses to bow down as a loyal subject of the king Edward I, Longshanks. Therefore, instead of mere beheading William Wallace is subject to being Hung, hung within an inch of death. Drawn, being stretched by his ankles and wrists and then having his insides shown to him before he died. Then Quartered, he was beheaded and his head was put on the London Bridge his body was torn into for pieces one sent to each corner of Britain as a warning to the citizens. After Wallace's death we see Robert the Bruce led the battle of Bannockburn the last battle for Scotland's freedom.
資料三：
In 14th Century Scotland, William Wallace leads his people in a rebellion against the tyranny of the English King, who has given English nobility the 'Prima Nocta'.. a right to take all new brides for the first night. The Scots are none too pleased with the brutal English invaders, but they lack leadership to fight back. Wallace creates a legend of himself, with his courageous defence of his people and attacks on the English.
——————————————————————
人工智慧 artificial intelligence A.I
資料一：
In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-procing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real".
資料二：
The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, instry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.
㈢ 十部經典人工智慧電影 關於人工智慧的電影盤點 有關人工智慧的科幻電影
在眾多科幻電影中，人工智慧主題的作品尤為引人注目。這十部電影不僅展現了人類對未來科技的無限想像，更深刻探討了人機關系、倫理道德等重要議題。從《銀翼殺手》到《機械姬》，每部影片都以獨特的視角和精湛的技術，為觀眾帶來震撼與思考。
《銀翼殺手》（Blade Runner）中，人工智慧與人類的界限被模糊，探討了復制人與人類共存的可能性。而《人工智慧》（AI）則通過小男孩大衛的故事，展示了人類情感與機器智能之間的復雜關系。《機械姬》（Ex Machina）則聚焦於人工智慧的意識覺醒及其對人類社會的潛在影響。
在《星球大戰：帝國反擊戰》（Star Wars: Episode V - The Empire Strikes Back）中，人工智慧R2-D2和C-3PO不僅是絕地武士的得力助手，更是故事中不可或缺的角色。它們的存在證明了智慧生命可以跨越種族界限，共同對抗邪惡勢力。
《黑客帝國》（The Matrix）通過虛擬現實和人工智慧世界，探討了現實與虛幻之間的界限，引發了關於自由意志和控制權的深刻討論。《超驗駭客》（Transcendence）則展示了當人工智慧與人類意識結合時，可能引發的倫理和科技挑戰。
《終結者》（The Terminator）系列中，人工智慧的覺醒成為人類生存的威脅。電影通過描繪機器人的冷酷無情和人類的頑強抵抗，探討了技術進步與人類命運之間的復雜關系。
《她》（Her）則以一種溫柔的方式，探討了人與機器之間的關系。電影中的AI系統OS1能夠理解和回應人類的情感，為觀眾呈現了一個充滿詩意和溫情的世界。
《超能陸戰隊》（Big Hero 6）中的機器人大白，以其憨態可掬的形象和溫暖的性格，成為了眾多觀眾心中的英雄。電影通過機器人與人類夥伴的互動，傳遞了愛與勇氣的信息。
《未來戰士》（Futurama）則通過幽默的方式，展現了未來社會中人工智慧的廣泛運用。雖然是一部動畫片，但其對於人工智慧未來的想像同樣令人興奮。
最後，《我，機器人》（I, Robot）中，人工智慧的倫理問題被置於聚光燈下。電影通過一系列事件，探討了人工智慧與人類社會的和諧共存之道。
㈣ 電影《人工智慧》的台詞。
人工智慧精彩對白：
David: Is it a game?
Monica: Yes.
Monica: You won't understand the reasons but I have to leave you here.
David: Is it a game?
Monica: No.
David: When will you come back for me?
Monica: I'm not, David. You'll have to be here by yourself.
David: Alone?
Monica: With Teddy.
David: No. No, no, no! No, Mommy, please! No, no. Please, Mommy.
Monica: They would destroy you, David!
David: I'm sorry I broke myself. I'm so sorry I cut your hair off. I'm sorry I hurt Martin.
Monica: I have to go. I ahve to go! Stop it! I have to go now.
David: Mommy, don't! Mommy if Pinocchio became real and I become a real boy can I come home?
Monica: That's just a story.
David: But a story tells what happen.
Monica: Stories are not real! You're not real! Now, look. Take this, alright? Don't let anyone see how much it is. Look. Don't go that way. Go anywhere but that way or they'll catch you. Don't ever let them catch you! Listen, stay away from Flesh Fairs, away from where there are lots of people. Stay away from all people. Only others like you, only Mecha are safe!
David: Why do you want to leave me? Why? I'm sorry I'm not real. If you let me, I'll be so real for you!
Monica: Let go, David! Let go! I'm sorry I didn't tell you about the world.
Narrator: 289 Those were the years when the icecaps melted e to the greenhouse gases and the oceans had risen and drowned so many cities along all the shorelines of the world. Amsterdam, Venice, New York forever lost. Millions of people were displaced. Climate became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived when most governments in the developed world introced legal sanctions to license pregnancies. Which was why robots, who were never hungry and did not consume resources beyond those of their first manufacture were so essential an economic link in the chain mail society.
fe8 Female Colleague: It occurs to me with all this animus existing against Mechas today it isn't just a question of creating a robot that can love. Isn't the real conundrum, can you get a human to love them back?
Professor Hobby: Ours will be a perfect child caught in a freezeframe. Always loving, never ill, never changing. With all the childless couples yearning in vain for a license our Mecha will not only open up a new market but fill a great human need.
Female Colleague: But you haven't answered my question. If a robot could genuinely love a person what responsibility does that person hold toward that Mecha in return? It's a moral question, isn't it?
Professor Hobby: The oldest one of all. But in the beginning, didn't God create Adam to love him?
David: Mommy? Will you die?
Monica: Well, one day, David, yes, I will.
David: I'll be alone.
Monica: Don't worry yourself so.
David: How long will you live?
Monica: For ages. For 50 years.
David: I love you, Mommy. I hope you never die. Never.
Patricia in mirrored room: I'm afraid.
Gigolo Joe: Of me?
Patricia in mirrored room: Yes.
Gigolo Joe: That I will hurt you?
Patricia in mirrored room: Yes.
Gigolo Joe: I think... you're afraid of letting go. I think you're afraid of happiness. And this is starting to excite me. Are you afraid of seeing the stars... Patricia? I can show you how to reach them.
Patricia in mirrored room: I'm afraid of what you've got under there. May I see what it looks like first?
Gigolo Joe: Is this your first time... with something like me?
Patricia in mirrored room: I've never been with Mecha.
Gigolo Joe: That makes two of us.
Patricia in mirrored room: I'm afraid it will hurt.
Gigolo Joe: Patricia... once you've had a lover-robot you'll never want a real man again. Are these the wounds of passion?
Patricia in mirrored room: Do you hear that music?
Gigolo Joe: You... are a goddess, Patricia. You wind me up inside. But you deserve so much better in your life. You deserve... me.
Gigolo Joe: Miss Bevins, it's Joe, at your service. I've been counting the seconds since last we met. Have you been crying, Samantha? I found a tear.
The Murderer: Hey Joe, what do you know? How many seconds has it been since the last time you two were together?
Gigolo Joe: 255,133.
The Murderer: Goodbye, Sam, and never forget: you killed me first.
Gigolo Joe: I'm in bad trouble.
Gigolo Joe: Are you in trouble? Have you run away from someone?
David: 25 My mother told me to run away.
ef5 Gigolo Joe: Why did she say that?
David: I guess because Henry didn't like me.
Gigolo Joe: Why was that?
David: Martin came home.
David: Martin is Mommy and Henry's real son. After i find the Blue Fairy then I can go home. Mommy will love a real boy. The Blue Fairy will make me into one.
Gigolo Joe: Is Blue Fairy Mecha, Orga, man or woman?
David: Woman.
Gigolo Joe: Woman? I know women! They sometimes ask for me by name. I know all about women. About as much as there is to know. No two are ever alike, And after they've met me, no two are ever the same. And I know where most of them can be found.
David: Where?
Gigolo Joe: Rouge City. Across the Delaware. Too far for our feet. We'll need help to get there. And it's not without peril. We will have to journey towards the moon.
David: Are there many women in Rouge City?
Gigolo Joe: As there are stars at night.
David: How do we find just one?
Gigolo Joe: We will ask Dr. Know. There is nothing he doesn't. Exactly what name do you give this woman?
David: She is just Blue Fairy.
Gigolo Joe: Blue Fairy. In the world of Orga, blue is the color of melancholy. Yet the services I provide will put a blush back on anyone's cheek. I will change the color of your fairy for you. She will scream out: 'Oh yes! Oh God! Oh, yes! Oh, God! Oh, God!' She will make you a real boy for I will make her a real woman and all will be right with the world because you held my hand and saved my brain so that once again my customers my ask for me by name: 'Gigolo Joe, what do you know?'
Gigolo Joe: There are girls your age that are just like me. We are the guiltless pleasures of the lonely human being. You won't get us pregnant or have us to supper with mommy and daddy. We work under you, we work on you and we work for you. Man made us better at what we do than was ever humanly possible.
David: I like your floor.
David: Please make me a real boy?
David: My brain is falling out.
Gigolo Joe: When you become a real boy, remember me to the ladies when you grow up.
Gigolo Joe: I *am*.
[Being taken into custody]
Gigolo Joe: I was!
Professor Hobby: You are a real boy. At least as real as I've ever made one.
Monica: David, this is your new toy.
Teddy: I am *not* a toy!
Gigolo Joe: 27b She loves what you do for her, as my customers love what it is I do for them. But she does not love you David, she cannot love you. You are neither flesh, nor blood. You are not a dog, a cat, or a canary. You were designed and built specific, like the rest of us. And you are alone now only because they tired of you, or replaced you with a younger model, or were displeased with something you said, or broke. They made us too smart, too quick, and too many. We are suffering for the mistakes they made because when the end comes, all that will be left is us. That's why they hate us, and that is why you must stay here, with me.
fb5 Gigolo Joe: They ask for me by name. Gigolo Joe, What do you know?
Gigolo Jane: Hey Joe, what do you know?
Gigolo Joe: Hey Jane, how's the game?
Dr. Know: Come away O human child / To the waters and the wild / With a fairy hand in hand / For the world's more full of weeping / Than you can understand.
David: I never had a birthday.
Monica: Cirrus, Socrates, particle, decibel, hurricane, dolphin, tulip.
Gigolo Joe: You are a goddess, Patricia. You wind me up inside. But you deserve much better in your life. You deserve... me.
Gigolo Joe: I know women! They sometimes ask for me by name. I know all about women. About as much as there is to know. No two are ever alike, and after they've met me, no two are ever the same!
Lord Johnson-Johnson: He who is without "sim", cast the first stone.
David: What's for dinner tonight?
Monica: You know you don't eat.
David: Yes. But I like sitting at the table.
David: Mommy... I'm sorry I broke myself.
Monica: I can't accept this! There is no substitute for you own child!
Dr. Know: Starving minds, welcome to Dr. Know! Where fast food for thought is served up 24 hours a day, in 40, 000 locations nationwide. Ask. Dr. Know - there's nothing I don't.
[Finding a of himself in Hobby's office/library]
David: Is this the place they make you real?
David 2: This is the place they make you read.
Professor Hobby: My son was one of a kind. You're the first of a kind.
Gigolo Joe: I'm in bad trouble.
Gigolo Joe: All roads lead to Rouge.
David: Is 50 years a long time
Teddy: I don't think so
Gigolo Joe: In this day and age, David, nothing costs more than information.
Junky Mecha: Would you be so kind and shut down my pain receivers?
Gigolo Joe: Many a mecha has gone to the end of the world... never to come back! That is why they call the end of the world 'MAN-hattan'.
Gigolo Joe: They hate us, you know... The humans. They'll stop at nothing.
Gigolo Joe: e7 She will make you a real boy for I will make her a real woman and all will be right with the world, because you held my hand and saved my brain. So once again my customers may ask for me by name: 'Gigolo Joe, wha'd'ya know'!
f56 [Joe starts dancing]
David: Why do you do that?
Gigolo Joe: That's just what I do.
David: My mommy doesn't hate me! Because I'm special! And unique! Because there's never been anyone like me before, ever! Mommy loves Martin because he is real, and when I am real Mommy's going to read to me and tuck me in my bed and sing to me and listen to what I say and she will cuddle with me and tell me every day a hundred times a day that she loves me!
David: I can never go to sleep... but I can lay quietly and not make a peep.
Female Colleague: If a robot could genuinely love a person, what responsibility does that person hold toward that mecha in return? It's a moral question, isn't it?
Professor Hobby: The oldest one of all. But in the beginning, didn't God create Adam to love him?
Monica: I do love you, you know.
[whispers]
Monica: I have always loved you.
Professor Hobby: The greatest single human gift - the ability to chase down our dreams.
Gigolo Joe: I am... I was.
㈤ 電影《人工智慧》英文名
《人工智慧》（英文名《A.I.: Artificial Intelligence》）
斯皮爾伯格繼承大師庫布里克遺志，拍攝了這部未來派的科幻史詩影片，裘迪勞和第六感小神童奧士文的機器人造型頗為神奇。
故事發生在二十一世紀，地球因溫室效應而令冰山溶化，許多沿海城市被水淹沒，人類只有依靠電腦的人工智慧來維持生命，同時人類也應用具有人工智慧的機器人作各種不同的用途。在其中的一個家庭，一對人類父母收養了小機器人大衛（凱利祖奧士文）作為他們的兒子，給他真人一樣的生活。而大衛在人類中長大，開始了一段非比尋常的心路歷程…
本片是導演監制於一身的斯皮爾伯格根據電影大師史丹利庫布里克生前所留下的八十頁劇本改編而成的。影片的故事有點兒象童話皮諾曹的現代科幻版，和2年前羅賓威廉斯的《兩百年人》（Bicentennial Man）也有幾分相似。而片名 A.I. 是 Artificial Intelligence 的縮寫，就是人工智慧的意思，影片的全名也應該是 A.I.: Artificial Intelligence。
斯皮爾伯格自98年的《拯救大兵瑞恩》後就一直在猶豫他的下一部作品，他手頭的計劃包括《藝妓回憶錄》(Memoirs of a Geisha)、《印地安那瓊斯第四集》(Indiana Jones 4)和《少數派報告》(Minority Report)等。但由於和他有20年交情的庫布里克於1999年突然去世，《大開眼界》(Eyes Wide Shut)在無奈中帶著一絲遺憾成了大師的絕響，而大師生前最後一個計劃也就是本片《A.I.》暫時擱淺，這一突變使得斯皮爾伯格把本片列入了他的計劃之中。
斯皮爾伯格於去年初決定繼《侏羅紀公園》後再度挑戰科幻題材的影片，其中包括向老友致敬的這部《A.I.》和湯姆克魯斯期待多時的《少數派報告》，兩部影片到底誰先勝出一度成了影迷茶餘飯後的最佳話題。經過數度周折，斯皮爾伯格最終選擇了這部他從未嘗試過的未來派風格的科幻史詩影片《A.I.》。(以上均為網路轉載）
對本部科幻經典的一切評價都顯得蒼白空洞，個中寓意萬千，只可自己身受。
望及時採納！