① 求高清完整版韓國電影《雛菊》720P或1080P
用網路搜素「電驢備份」，第一個出來的網頁打開就能看到那個網站，
直接搜「雛菊」就行，但都是DVDrip版本的。
滿意請採納。
② 求韓國電影《雛菊》的英文評論或介紹
Review：
PanAsia lives with Daisy. This ballyhooed Korean film screams quality from the get-go. Not only does it star the inestimable Sassy Girl herself, Jeon Ji-Hyun, but it's got a story from My Sassy Girl mastermind Kwak Jae-Yong, plus it features a killer o of actors in Jung Woo-Sung and Lee Sung-Jae. The crossover occurs with Hong Kong director Andrew Lau, who's been on an insane streak since he made the Infernal Affairs series and Initial D. The Amsterdam location and genre-friendly hitman-with-a-heart storyline only intensify any notion of this being a must-see Asian film. Better check those expectations pronto; the actors are fine and the film looks great, but that's as good as it gets.
Jeon Ji-Hyun is Hye-Young, a young painter who works at her grandfather's antique shop in Amsterdam, and makes some money on the side sketching portraits for tourists. She ends up falling in love with Jeong-Woo (Lee Sung-Jae), who she mistakenly believes to be the guy who sends her daisies on a weekly basis. Jeong-Woo is actually an Interpol agent specializing in Asian criminals, and not a daisy-delivering romantic, though his growing affection for Hye-Young makes it hard to come clean. Jeong-Woo also must eventually face off against the real daisy guy: Park-Yi (Jung Woo-Sung), a soulful hitman who has pined for Hye-Young ever since he spied her painting daisies in the countryside. Through myriad manufactured circumstances, the two men meet and become rivals over love and the law. Meanwhile, Hye-Young cries in the background, clueless as to who her promised daisy guy really is.
If you're looking for good filmmaking, you just might join Hye-Young in her tears. While possessing stunning proction values and some fine performances, Daisy goes to hell pretty damn quick thanks to superficial direction, obvious voiceover, and events that are mind-blowing in their sheer stupidity. The film starts promisingly enough. The characters are introced effectively, and the first action sequence is kinetic and exciting. The actors are charismatic and likable, especially Lee Sung-Jae, who gives his third-wheel cop character both humanity and heart. And the location and cinematography are aces. As a music video - or a tourism commercial for Amsterdam - Daisy is supreme stuff. There may not be a better-looking movie this year.
The problem is that's all on the surface. Outwardly, Daisy presents quality, but the interior of the film is startlingly routine and even laughable. First of all, nothing is left to the viewer's imagination. Lau and his screenwriters spell everything out with copious voiceover, such that the film starts to feel like it's being recited rather than told. Also, the film is mind-numblingly serious. Daisy recalls HK flicks like The Killer and Fulltime Killer with its "soulful hitman" clichés, but unlike those films - which possessed dark wit or an enthralling cinematic verve - Daisy possesses absolutely no sense of humor, and its style is exceedingly artificial. Everything is played for such heart-rending emotional effect that you can either submit and buy into the overblown romanticism, or give up and start laughing.
Furthermore, the characters begin to act stupidly. At a certain point, they drop any pretense of logical lives, and begin to submit to some over-idealized romantic world where love controls and basically is everything. That may work in some sappy melodrama, but this is a movie with hitmen and cops, who should actually try to do their jobs instead of giving up because the Sassy Girl may prefer the other person. Also, it's all well and good to hold some romantic longing for a secret admirer who sends you daisies, but you'd think that discovering he was a hitman would give you some pause. That's not the case here. In Daisy, the idealized notion of love seems to hold amazing sway over everyone; it's like ideal love is The Force, and what The Force instructs is that your self-imagined idea of romance is more important than trivial things like laws, morality, or perhaps human life. That sounds like a great idea if the filmmakers could sell it. But they can't, and since Lau and his cohorts can't convince us that love is as powerful as Daisy purports it to be, all we're left with is a promising, but overblown romantic drama with some minor bits of effective action. We all deserve better.
③ 韓國電影<雛菊>的英文介紹
Daisy (데이지) is a Korean movie directed by Hong Kong filmmaker Andrew Lau Wai Keung of the Infernal Affairs series, and starring Jeon Ji-hyun (My Sassy Girl), Jung Woo-sung (Musa), John Tai-wai Chiang , Lee Sung-jae (Public Enemy), and Cheon Ho-jin (The Big Swindle).
Daisy is an urban melodrama about a young struggling art painter, the Interpol police detective she loves and a professional hitman from whom there is no escape. Shot entirely in The Netherlands, for the most part in the capital of Amsterdam, Haarlem and Epen. Daisy is proced by iFilm and opened in South Korean cinemas on March 9, 2006.
There are two version of Daisy: an Asian cut and an international cut.
雛菊 (韓語：데이지，台灣稱愛無間) 是由香港導演劉偉強執導的韓語動作及愛情電影。主要演員有全智賢、鄭雨盛、姜大衛、李誠宰和千虎珍。
來自：http://en.wikipedia.org/wiki/Daisy (film)
④ 請問大家有韓國電影《雛菊》的資源嗎要帶中文字幕的，我找了半天沒
正好我這里有《雛菊》資源1080P我剛看完非常精彩真實分享給大家望採納提取碼:r9j7
⑤ 求韓國電影雛菊，一定要有字幕，最好是百度雲，謝謝！！！！
你好
圖形處理能力，任務並行方面的能力。通常配有高解析度的大屏、多屏顯示器及容量很大的內存儲器和外部存儲器