㈠ 經典英文電影片段
Big words of western tour （大話西遊）
Chapter 1
Site：The wedding
Characters:牛魔王 、至尊寶、紫霞、小妖
Aside: The story begins with a wedding. The Bull King is going to have a concubine.
牛：Today is my wedding. I am going to have a concubine. Ha ha ha …….
妖：Concubine? Dose your wife agree to it?
牛：Oh! She is not lovely anymore. She』s right now at the Flame Mountain. She can do nothing about it!
(至尊寶從後台走入人群中)
牛：Let me introce my brother to you! My bro!
Come here! This is my brother.
(牛深情地轉向紫霞)
牛：Zixia, listen to me. I think I 『ve fallen in love with you once I know you. I want to show my sincerity. So I request you to marry me in front of my bros. This Pandora』s Box is my gift to you. I hope you would say yes.
妖：I object!
牛：What?
妖：Zixia has a means to test her lover. If you can pass it, I will shout up!
至：What』s this? Really?
妖：This test is that she would marry the guy who can make her Magic Sword go out of the scabbard.
(劍從至的懷中落下)
妖：Magic Sword?
牛：Let me do this!
(紫跑出,拾劍)
紫：It』s not true! It』s just a joke. It is still meaningless even if you can put it out!
(紫跑下)
妖：King, Iron Fan Princess has come.
牛：Aaa……
(牛驚慌地跑下)
Aside: The monkey king leaves the front hall, running to back garden……
Chapter 2
Site: Bull King』s back garden
Characters: 至尊寶、紫霞
（至跑過來,突然看到紫獨自坐在台階上,於是走過來）
至：Why are you hiding here?
(紫抽劍,指向至.兩人定格,至走出來,獨白)
至：At this time, the blade is really close to me, 0.01 cm I think. But after a short period of time, 0.01 second I think, the owner of the sword will fall for me whole-heartedly. Because I』ve decided to tell lies, I』ve told many lies in my life, but I think it is the most wonderful lie!
紫：I』ll kill you if you come closer!
至：You should kill me! Kill me! I』d found my best love, but I didn』t treasure her. I left regretful after that. It』s the ultimate pain in the world. Just cut my throat, please don』t hesitate! If God can give me a chance, I will tell her there words. 「I love you」. If God wants to give a time limit, I』ll say this love will last 10 thousand years!
（紫長嘆,拋劍,拾劍,抱劍）
紫：What can you tell your wife?
至：I have to tell her the truth. So I must get the Pandora』s Box back. Then go back with you and explain everything. But I hate myself that I can』t get the box back. I ……
紫：I help you!
至：No, it』s dangerous!
紫：You don』t want to?
至：I do! But ……
紫：I trust you! I』ll get the Pandora』s Box back tonight. Wait for me here at midnight.
(豬喊)
至：Let me do something to my boss first. See you tonight.
（依依不捨）
Aside: The night ……
Chapter 3
Site: Dungeon
Characters: 至尊寶、豬八戒、沙僧、唐僧
豬和沙：Master, master
(兩人同時悄聲說)
豬：We come to save you.
沙：We come to bring you out.
唐：I won』t go.
豬和沙：Stay here? Why?
唐：There』re full of obstacles in the way of getting scriptures. This is because we』re not united enough. So we let the devils do bad to us. That』s fine. This prison has no difference with the outside world, to me; the outside world is just a bigger prison. You go out first. I have something to tell him.
(豬和沙下)
唐：You come in and have a sit!
至：To be honest, I』m not your disciple. I don』t want to be your disciple. Master I know you』re a good guy. Please let me go!
唐：Do you know 「dong , dong, dong ……」?
至：What is 「dong, dong, dong」?
唐：「dong, dong, dong ……」 is ……
(唐唱Only you)
至：Stop. Stop. I can』t take this anymore, please stop ……
唐：Ohoh ……
至：Damn you, you … I』ve said I can』t take this anymore. Don』t disturb or I』ll kill you.
唐： Monkey King, you can kill me. Life and death are very minor. When you know why you should make sacrifices, you will come back and sing this song with me. Namonitabhaya …
(至跑走)
Aside: The Monkey King succeeds in escaping form the Bull King, and he reaches the Spiders』 Cave with the Grapes. Unfortunately, the Monkey King and his friends meet the Queen of Spider.
The Monkey have heard that if the blade slashed fast and accurately, the guy who』s cut open won』t die at once. He can still see. So he asks the Queen of the Spider to kill him as fast as she could and to tear his heart out and let him have a look.
After the Monkey King』s death, he appears in the Hole of Waterfall …
Chapter 4
Site: The Hole of Waterfall
Characters: 至尊寶、觀音
至：Goddess. I』m about to understand your words. I used my eyes to see in the past. What I was dying. I started using my heart to see this world. Then I could see all things clearly. That girl …has left a drop of tear in my heart. I felt her sorrow.
觀：Have you given up all things in human world?
至：Yes! Life and death is just minor! …… But I don』t understand why can human』s hatred last 10 years, 50 years, and even 500 years. What hatred is it?
觀：So that Tang Monk went to the west and got scriptures, which clean out hearts.
至：OK, I want to stay here, there are many things waiting for me to do.
觀：I want to warn you again. After wearing the gold ring, you』re no longer a normal human. You can』t have human desires anymore. If you do so, the gold ring will get smaller and smaller. It』s very uncomfortable.
至：OK.
觀：Before wearing the ring, what do you want to say?
至：I had had found my best love, but I didn』t treasure her. When I lost her, I regret. It』s the most pain in the world. If God can give me another chance, I will say there words to her 「I love you」! If there is a time limit, I hope, it is 10 thousand years.
㈡ 求 電影【百萬寶貝】的英文講稿.高分噢.急急急.
Clint Eastwood always explores the darker side of human nature and the ality of man. His dark hero of Unforgiven, William Munny, tries to repent only to be thrust back into that violent world he knows so well. His regretful Frank Horrigan of In The Line Of Fire and his womanizing Steve Everett of True Crime also want redemption.
Eastwood's Frankie Dunn of Million Dollar Baby is the most conflicted, weathered, and vulnerable he's ever played. When he weeps in a darkened church it's like watching a house of cards begin to fall. This is a man whose had a regretful past and can't run away from the curve balls life has thrown at him. Frankie Dunn is like most of us where we eventually get punished for our good deeds.
The funny thing is that Million Dollar Baby is not a boxing movie despite the way it's being advertised like a female version of Rocky. Yes, Hilary Swank's Maggie trains to be a boxer under the guidance of Clint Eastwood's Frankie Dunn. Yes, Morgan Freeman is Scrap, Frankie's tough friend and ex boxer. Yes, the bulk of it takes place in a boxing gym. Yes, there are numerous boxing matches. Despite all this it's still not a boxing movie.
When you see it you'll be surprised by the utter humanity in the piece. This film runs very deep and you will care for the three main characters. Eastwood gives us something we rarely get in films today. He gives us real people.
The film is about the triumph of the human spirit, the emotional world we try to hide from that eventually sucks us all in, our compassionate hearts, and the difficult decisions we face when it comes to those we care about. It's about friendship, trust, and the bonds of the heart that are unavoidable. It is a true masterpiece.
Hilary Swank is all fire and guts as Maggie. Her intensity and commitment has guided her to another Academy Award. She knows she's poor, she accepts it, and she pushes forward despite her limitations. This is not to say she can't be hurt. We watch her eyes well up a few times and truly feel her pain despite the fact that she is as tough as they come. Morgan Freeman, who finally won a long overe and well deserved Oscar, plays Scrap with the perfect combination of toughness and compassion. He knows the situation from every angle and his narration of the film rings true.
See this film. It deserves it's accolades because it's about real characters and it's directed with honesty, warmth, and true pain. Clint Eastwood gets better with age and his films reflect the days of real movie making. The sets are simple, the characters are complex, and the story moves in a pace closer to real life than any other director could reach. Eastwood has been called the Hemingway of Film making. You don't get more real than that. It was great seeing this natural storyteller take home his second Oscar for Best Director and Picture.
"Million Dollar Baby" has great characters, but it doesn't glorify them. It has a wonderful story, but it never tries to impress you. The photography, score and direction is superb, but never distracting. What this movie is, if I have to call it something, is passion. Passion for film-making, passion for storytelling, passion for its characters, passion for its actors, and passion for its story and the means at which it will go to tell it. Amazing.
Frankie Dunn (Clint Eastwood) owns a messy boxing gym which is populated, mostly, by downbeat losers who he spends some time training. He runs it with his friend and former student Eddie Scrap-Iron Dupris (Morgan Freeman), who now lives contently at a room in the gym. One day a young woman named Maggie (Hilary Swank) walks in, looking for a manager and trainer. Frankie shafts her immediately ("girly, tough ain't enough"). Frankie has bigger things on his hands. He's managing a fighter who has a shot at a title bout.
But Frankie is old and weathered and not an appealing manager, so the fighter leaves him. Frankie is broken by this; it is another in a long line of rejections and separations. We can tell that, at this time in his life, he only gets really close with those he's training (Scrap is the only exception). We can tell that his loneliness – and a bit of persuasion from Scrap – cause him to agree to teach Maggie. Teach, that is the agreement, not manage. But, by the end of the film he will have devoted his life to her.
So the rest of the story follows these two people. There is no real 'plot' that you could describe in a trailer because it is constantly changing…it is not the inspiring underdog story you may think of it as. No, what it's 'about' is these characters, and how they react to the circumstances around them, which change with each scene.
Narrating the story is Scrap, speaking like he's looking back to a time long ago when everything has passed. His voice seems flat, deadpan, but there is a working of subtle sorrow in it. Scrap is a sad human being, he sees himself as the result of missed opportunities in the past, and so he spends his time helping the others, offering them his wise advice, with a tone of deadpan humor and even cockiness. Scrap knows what should be done, and what will happen regardless, and he is sort of okay with everything, in a sort of passive way. But the man also knows what's right and he has a deep, inner strength which is displayed in one scene in particular where you just have to cheer. It is an intriguing character, and personally I think it's Freeman's best performance.
And Eastwood's best too. He is an elderly man; some might say too elderly to still be working. After all, most people are retired by his age. But if you had to guess when you're watching this film, you would never, ever say the man is seventy-four. You would say something closer to the sixties, because the man has such amazing energy and dedication, and above all, he has talent. It's been forty long years since "A Fist Full of Dollars" and film has come a long way, and so has this man. At seventy-four, passed all those years as an action hero, nearing what's could be the end of his career, Eastwood has made his best movie. I really, really hope he has time to make many more.
As for Swank, well, she must have found something big that she shared with her character, because this is not acting, it is existing. Swank is Maggie. That's all there is too it. This could be the movie she will be remembered for.
So, "Million Dollar Baby" is a masterpiece. I saw it last night when it opened in my city, and everyone else was seeing "White Noise", and I was shaking my head. Everyone who is even remotely interested in movies should see this one, just so they can know how movies are supposed to be made. I'm trying to think, and there is not a single thing here where Eastwood went wrong. The acting, directing, writing, score, cinematography…they all accomplish precisely what they're supposed to with sublime perfection. Many of these aspects will certainly receive Oscars and all of them should.
You may cry through this film, you may cheer. Whatever the case, you will love it.
結尾很有感染力，呵呵。如果覺得長，也可以做適當的刪改
㈢ 暮光之城英文演講稿
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㈣ 《後天》電影里 最後總統的電視講話的英文稿子
These past few weeks have left us all
with a profound sense of humility in the face of nature's
destructive power.
For years, we operated under the belief
that we could continue consuming our planet's natural resources
without consequence.
We were wrong.
I was wrong.
The fact that my first address to you
comes from a consulate on foreign soil is a testament to our changed reality.
Not only Americans but people all around the globe
are now guests in the nations we once called The Third World.
In our time of need,
they have taken us in and sheltered us.
And I am deeply grateful
for their hospitality.
We mourn the loss of a spirited leader
whose courageous order to evacuate.
For days, we've despaired
about the fate of the people who are trapped in the North.
Today, there is cause for hope.
Only a few hours ago, I received word
that a small group of people survived in New York City
against all odds...
and in the face
of tremendous adversity.
I've ordered an immediate
search-and-rescue mission to bring them home
and to look for more survivors.
㈤ 英文介紹 入殮師 這部電影
Departures (film)
Departures (おくりびと Okuribito) is a 2008 Japanese drama film by YōjirōTakita. It won the Academy Award for Best Foreign Language Film at the 81st Oscars in 2009 and the Japan Academy Prize for Picture of the Year at the 32nd Japan Academy Prize.
The films concerns the historic Japanese "encoffining" ceremony (called a nōkan) in which professional morticians (納棺者 nōkansha) ritually dress and prepare bodies before they are placed in coffins. Although the film follows contemporary themes, the practice is now rarely performed; limited mainly to rural areas where older traditions are maintained.
Daigo Kobayashi, a cellist in Tokyo, loses his job when his orchestra is disbanded. He decides to move back to his hometown, with his wife Mika. His father ran away with thewaitress when Daigo was very young, and his mother raised him by herself and died two years ago. Back home, Daigo finds an advertisement in the newspaper for "assisting departures". He goes to the interview and is hired on the spot after only one question ("Will you work hard?"). He then discovers that the job involves preparing the dead. Daigo reluctantly accepts it. But after completing a number of assignments and experiencing the gratitude of those leftbehind, Daigo begins to gain a sense of fulfillment. However, both Mika and hisold classmate Yamashita tell him to give up and get "a proper job",Daigo refuses.
A few months later, Yamashita』s mother died. In front of Yamashita, his family and Mika, Daigo prepares her body. The ritual earns the respect of all present. Not long after, there comes the news of the elder Kobayashi's death. Daigo and Mika go to see the body of his father, but Daigo finds that he cannot recognize him.As the funeral workers carelessly handle the body, he angrily stops them, and his wife explains that her husband prepares the dead for burial as a living, thereby tacitly admitting that she has come to accept his work. Daigo takes over the dressing of his father's body and finds the stone-letter he had given to his father when he was little, in his father's hands. He is at last able torecognize his father from his childhood memory.
Departures starts out unexpectedly with some bizarre humor before transitioning seamlessly into a quiet drama about family and relationships and finally a tearjerker. You can call it oldfashioned but I'd call it classical, and the themes it addresses – life, loss and personal connections – should resonate with just about everybody.
Thanks for listening.
——Mostly from Wikipedia, hope you satisfied.^_^
㈥ 要一篇英文演講稿，關於電影的。
This movie is delightful from start to finish. Although some of the coincidences and chance meetings are highly improbable (both going to NYC? Both watching the same TV set at the same time?), they cannot spoil what is a genuinely touching and moving experience.
Instead of a the usual scenario where two people try desperately to find love, the two leads, Li Chiao (Maggie Cheung) and Li Xiao Jun (Leon Lai), try desperately to avoid it. Both Mainlanders, she has come to Hong Kong to make her fortune; he has come to earn enough money to marry his long-time fiancée back on the Mainland. Through a brief meeting in a McDonalds where Li Chiao works one of her several part-time jobs, and Xiao Jun has come to experience the unknown-in-his-hometown food, they become friends. They discover a shared love for the songs of Taiwanese singer Teresa Tang, which become the soundtrack to their relationship. Both are lonely, and graally they form a genuine friendship, then a not-so-casual intimate relationship. Their struggle to remain true to their original goal in coming to Hong Kong leads to an emotional crisis for both them and their partners. The struggle takes place over a ten year period, ring which they separate only to keep bumping into one another and reopening old wounds. The resolution of this struggle is sweet indeed.
The lead actors are both exceptional, particularly Leon Lai, who always seemed to be playing a variation on himself until this film. He is completely believable as the naive and trusting Xiao Jun, and Maggie Cheung is, as ever, radiant and affecting. The songs of Teresa Tang are used to great effect, one of which gives the film it's title (Tian mi mi, the title of the Chinese version, roughly translates as Sweet Like Honey).
invisible and chose
Just ask yourself-- billions of people in the world, why do I meet you not someone else?
㈦ 美國電影文化英文演講稿100詞，謝謝
Richards opened up the first fastfood restaurant,named Mcdonald's,beside a highway.In order to attract people passing by,they lifted up the golden neon signs,mainly selling out the hamburgers,milkshake,soda water and so on which are packed with paper bags.Due to it's convenient to carry with,those people that on the car can find the solution to eating,therefore,it's very popular with the Americans.Based on the instrial pipeline,a new kind of the fastfood came into being.With its appearance,a new lifestyle started to spread to the whole America,even affected the whole world later on.
㈧ 奧黛麗赫本的電影，中英文對照的英語劇本，3－4人演出，時間5－10分鍾
安妮跟伯爵夫人的對白，中文的在下面，對一下就行了<<羅馬假日>>
ANN:(brushing her hair) I hate this nightgown. I hate all my nightgowns. And I hate all my underwear too.
COUNTESS:(coming over to tend to her bed, dressed in a bedrobe and wearing glasses) My dear, you have lovely things.
ANN:But I'm not two hundred years old! (Dropping down on the bed) Why can't I sleep in pyjamas?
COUNTESS:(looking up as she folds the sheets into place) Pyjamas!
ANN:(Just) the top half. Did you know there are people who sleep with absolutely (nothing) on at all?
COUNTESS:(opening the window) I rejoice to say that I did not.
ANN:(lying against the headboard, smiling as she hears distant music coming in through the window) Listen.
COUNTESS:Oh, and your slippers. Please put on your slippers and come away at the window. Your milk and crackers.
ANN:(taking the tray; as the Countess helps her pull the covers over her) Everything we do is so wholesome.
COUNTESS:They'll help you to sleep.
ANN:(stubbornly) I'm too tired to sleep--can't sleep a wink.
COUNTESS:Now my dear, if you don't mind: tomorrow's schele--or schele whichever you prefer--both are correct. Eight thirty, breakfast here with the Embassy staff; nine o'clock, we leave for the Polinory Automotive Works where you'll be presented with a small car.
ANN:(disinterested; absently playing with a napkin)Thank you.
COUNTESS:Which you will not accept.
ANN:No, thank you.
COUNTESS:Ten thirty-five, inspection of food and agricultural organisation will present you with an olive tree.
ANN:No, thank you.
COUNTESS:Which you (will) accept.
ANN:Thank you.
COUNTESS:Ten fifty-five, the Newfoundling Home For Orphans. You will preside over the laying of the cornerstone; same speech as last Monday.
ANN:Trade relations?
COUNTESS:Yes.
ANN:(chewing a cracker) For the orphans?
COUNTESS:No, no, the other one.
ANN:'Youth and progress'.
COUNTESS:Precisely. Eleven forty-five, back here to rest. No, that's wrong... eleven forty-five, conference here with the press.
ANN:'Sweetness and decency' (she rolls her eyes.)
COUNTESS:One o'clock sharp, lunch with the Foreign Ministry. You will wear your white lace and carry a small bouquet of very small pink roses. Three-o five, presentation of a plaque. Four-ten, review special guard of * Police. Four forty-five (ANN How do you do?) back here to change to your uniform to meet the international--.
ANN:(screaming at the Countess) STOP!!! (Looking away, her hair covering her face) Please stop! stop...!
COUNTESS:(retrieving the tray) It's alright, dear, it didn't spill (she places the tray on the table.)
ANN:I don't care if it's spilled or not. I don't care if I (throws her head into the pillow) drown in it!
COUNTESS:(putting her hands on her shoulders to comfort her) My dear, you're ill. I'll send for Doctor Bonnachoven.
ANN:(turning over, facing the opposite way) I don't want Doctor Bonnachoven; please let me die in peace!
COUNTESS:You're not dying.
ANN:(facing the Countess) Leave me.
COUNTESS：It's nerves; control yourself Ann.
ANN：(throwing herself on the pillow, beating it with her fist) I don't want to!
COUNTESS：(standing up straight, speaking with authority) Your Highness. I'll get Doctor Bonnachoven
ANN:(looking up as she leaves) It's no use; I'll be dead before he gets here.
安 妮：我討厭這睡袍，我討厭所有的睡袍。我也不願意穿著這些東西睡覺。
女 官：親愛的，您這些哪樣不是好東西？
安 妮：但我還沒成老太婆呢！為什麼不能讓我穿睡衣褲？
女 官：睡衣褲？
安 妮：對，只露出上面的一半！你知道嗎？有人睡覺還一絲不掛呢！
女 官：稟告公主，我沒聽說過。
安 妮：你聽！
女 官：唉呀！穿上您的鞋，您穿上鞋，別在窗口站著了！您的牛奶和餅干。
安 妮：對，我們做什麼事都要有益身心健康。
女 官：這對您的睡眠有好處。
安 妮：我太累了睡不著，也不想睡。
女 官：如果您允許我的話我們談談，明天的節目或是日程吧。明早八點半您和使館人員共進早餐，九點出發參觀汽車製造廠，他們將贈送您一輛小型汽車。
安 妮：謝謝。
女 官：這汽車您不能接受。
安 妮：不接受。
女 官：十點三十五分視察食品和農業機構，他們將贈送橄欖樹一棵。
安 妮：不接受。
女 官：這棵樹您要接受。
安 妮：謝謝。
女 官：十點五十五分在新孤兒院主持奠基典禮，發表演說，用上星期一的講稿。
安 妮：貿易關系？
女 官：是的。
安 妮：給孤兒聽？
女 官：不不，是為了一個另外的原因。
安 妮：是促進進步嗎？
女 官：對對！十一點四十五分回來休息，不，又弄錯了，是舉行記者招待會。
安 妮：要親切得體。
女 官：一點整與外交部長午餐，穿白色花邊衣裙，手中拿（疊）小巧的紅玫瑰。
安 妮：（疊）小巧的紅玫瑰。
女 官：三點五分受榮譽勛章。
安 妮：謝謝。
女 官：四點五分檢閱警察儀仗隊。
安 妮：不必了……
女 官：四點二十分回使館跟……
安 妮：別說了……
女 官：你將在廣場上接受……
安 雅：別說了！別說了！
女 官：沒關系，還沒砸鍋呢，您哭什麼？
安 妮：砸不砸鍋，我才不管呢！這些事和我有什麼關系？
女 官：親愛的，我看您是病了。我叫波那大夫來看看你。
安 妮：我不要，讓我安靜的死掉算了。
女 官：您現在還不會死。
安 妮：你走！你走！別來管我。
女 官：您這是神經緊張了。
安 妮：不是不是。
女 官：剋制一下！安妮。
安 妮：就不。
女 官：殿下！我去找大夫過來。
安 妮：沒用，不等他來，我就死了。