經典電影英文影評

1. 求以下電影的英文影評，每篇兩百詞左右

1.《Dead Poets Society》
Dead Poets Society was a movie that took some in depth realization. Robin Williams did a fantastic job depicting indivialism and how to walk on your own. He realized that these young men were going to be shaped in either a bad way or could shape themselves into the type of men they wanted to become.Sure, everyone around them were jerks and stiffs but that is the environment of the school. People just didn't go up against all odds, and everything was OK. That is exactly what Dead Poets Society was showing. Even though there were consequences to the boys being inspired and re-forming "Dead Poets Society" they still learned to march to their own drummer. They could be boys and go for their own dreams and ambitions. This movie showed Williams in a different light and i have so much respect for his character. He believed enough in these boys to loose his job. Standing on desks may not make everything better, but it shows the real meaning of the movie. These boys had been taught to conform and put their beliefs aside, but Williams opened up their hearts and made a lot of people, whether they liked it or not, realize that tradition is not always the way to push your children. If all you can look at is the expression on Neil Perrys fathers face, when he realized what his son had done, then you really didn't get the point. This was not Mr. Perrys life, and Williams knew that and was not about to cover up Neils dreams and tell him exactly the opposite of what he had been teaching him all along. Dead Poets Society was an unbelievable movie that showed how this teacher believed so much in his students, that it changed their lives.
2. 《The Joy Luck Club》
Joy Luck Club is a deeply moving film that will touch the heart and mind of anyone who opens themselves to it's messages about life.

If someone (such as darkfalz) feels this film speaks more of women's shallow choices, they miss out on humanity for the sake of superficial judgment.

This is a film about hard choices and sacrifice. It's a story of the generation gap that inevitably occurs between immigrant mother's and their daughters who were brought up surrounded by different values. Each mother strives to raise her children in a way that will bring them success and joy in life. Each hopes to free their offspring from the pains they themselves had to enre.

It is also about the Chinese way of pushing a child to be the best, and gives insight into a mother's need to see her own struggles amount to something great in her daughter. However, this is not just about Asians. It is about all parents hopes and all children's frustrations with fulfilling those dreams.

In America the story of the first generational gap is a very real and painful one. It happens for boys as much as girls, and I know a lot of men who relate to this film despite it's inherent chick flick nature. It celebrates the need to keep your roots and history alive, even if you let go of certain traditions that you were not born into.

The women in the film often make hard choices. Many of them folly and sin, but it is not a film about forgiving them so much as it is about the lasting effect of the choices we make.

Everyone should see this film. It's one of the most honest human dramas out there.

3.《The Devil Wears Prada》
I had been told that Merryl Streep is great in this movie but the movie isn't really very good, so I went in with very low expectations. Maybe that was good: I really liked "The Devil Wears Prada" a lot.

Maybe I liked it because of two things I had in common with Andy: first, I have had the experience of starting a new job with only the vaguest idea of what I was supposed to do (and how to do it) and finding that everyone expected me to perform competently, without any training or help, right away. Second, I have had a boss (female) who was so difficult to please and so willing to tell her underlings how stupid they were that several quit without even waiting until they could find other jobs. In other words, I could really relate to Andy's situation. Stuff like that actually does happen in the real world. Perhaps, that is the reason that I was possibly the only person in the theater who was hoping Andy would not make the choice she made.

One thing that Miranda Priestley (Merryl Streep) had going that my Boss From Hell did not was class. It would have been very easy to create Miranda as a monster, but, wisely and skillfully, Merryl Streep allowed her to have a dignity and intelligence that made her seem to be demanding but not sadistic.

Stanley Tucci is superb as Nigel, the ambitious, hard working man who dreams of having a position of power like Miranda's some day.

"The Devil Wears Prada" is a very funny movie that is not as far divorced from the real world as, I believe, the procers of this movie may have thought.
4. 《Philadelphia》
In 1993, not many films major films with top stars had taken on the AIDS as a topic, so Jonathan Demme really was taking a risk here. He made the smart move about keeping the movie true to the story and outlining how all of us are prejudice in one form or another. He also made a film about a man dying from AIDS, plain and simple.

Philadelphia does not stand on a high horse as a gay rights film, and if it did its mass appeal may well be ruined. I am very conservative by nature, but still this film makes me cry and reminds me that above all, people die a horrible death.

Hanks won a well deserved Oscar here, and I think he won mostly for the brief but pivotal scene where his lawyer (Denzel Washington) re-directs a line of questioning about skin lesions. I will not spoil for you, but if this scene fails to move you then nothing will.

I love courtroom dramas and this a great one. Denzel Washington is key - you see his character change over time from a greedy lawyer with prejudices to a compassionate friend. I do not think that the his character ever overcomes his prejudice, but grapples with it and learns what is right in spite of himself. Denzel gives a Oscar worthy performance as well.
5.《Beauty and the Beast》
This Disney classic is truly one of the most darkest but most loving films I have every seen. I don't want to say to much cause we all know that this film is very impressive no matter what level it's on.

A young prince is rude to an old lady who's trying to get out of the cold. He rejects her again and she turns into a beautiful princess (Godest) and then she transforms him into a Beast and he must have love in his heart and he must learn to love another. The other person (who is the gorgeous Belle) must love the Beast. The Beast looses all faith and keeps himself in his black, darken castle for many years.

Maurice then goes to the fair and gets lost in the woods and then Belle (who is the daughter of Maurice) goes out to look for him and ends up being a prisoner instead of her father. As the film progresses on, the Beast & Belle end up falling in love and we do have a magical ending.

i can't on how much I love this film. I think there where two sequels and they both sucked a lot of ass. The 1991 classic has a deep, emotional, loving story, characters are great, the settings are awesome and the music score of coarse is done well with both the themes of passion and darkness.

After the Lion King, this would be my second favorite.

6. 《The Queen》
An exceptionally well written, directed, and acted film. I am torn about the best picture category, but would not be disappointed if this film won. I would, however, feel that the Academy would be making a tremendous mistake if they did not honor Helen Mirren with a statue, in spite of the other fine actresses in the category. Ms. Mirren put a face on the most recognized yet most isolated monarch in the world. Kudos! I am far from a royalist sympathizer, but I do appreciate the human element this or any story provides. I was equally moved by the symbology employed by way of "stalking the stag." Princes Philip, Charles, William, and Harry, while at Balmoral would go out daily to stalk a 14-point stag for a hunting expedition in order to distract the younger princes from the horror of their mother's untimely and brutal death. Queen Elizabeth encounters the stag in one of the films most beautiful and emotional moments. The Queen's Range Rover breaks down as she tries to ford a river. While waiting for help, the stag appears. Standing before the Queen, the noble animal represents the British Monarchy; its ability to survive despite attempts on its life parallels the longevity of the Crown. The stag's tenuous hold on life mirrors the Queen's trouble at maintaining the monarchy e to rising unpopularity. Her attempt to honor the Spencer family's right to private mourning is seen as inaction and a lack of compassion by her subjects who mourn en masse. When the Queen acquiesces to Prime Minister Blair's recommendations to return to London and acknowledge the mourners she learns of the stag's death. Significant is the fact that the stag was not killed by a "royal" but by a "common" investment banker from London. An act portending the fate of the monarchy at the hands of the British subjects if the Windsors fail to modernize. It is not so much that the British, as portrayed in the film, were shouting down with the Queen, but were looking to their Sovereign for consolation ring their collective mourning. Mirren and the entire cast succeed at putting this small slice of British history into perspective, and for that this film succeeds.

7. 《Troy》
Troy is without a doubt one of the greatest movies of all time. Those who think differently should be ashamed of themselves. This movie as most people know is based on Homer's the Illiad. The movie is way off from the book but who cares. This movie excels in every aspect.

I thought this movie excelled in the acting aspect. Every actor drew me into there character. I found myself cheering for Hector when he fights Achilles and was sad when he died. Many reviews did not like Brad Pitt's performance because he didn't let you get into his character. However if you know anything about the book you will realize that Achilles is just a tough, egotistical man and Brad Pitt portrayed that very well. Eric Bana was outstanding as Hector and I liked his character the best, and I liked how the director showed the struggle with him debating whether to fight Achilles or not. I'm not a huge Orlando Bloom fan but he portrayed a very good coward in the character of Paris. They picked the perfect woman to play Helen because hey, isn't Helen supposed to be extremely hot. Last but not least Brian Cox does a phenomenal job as Agamemnon. Brian Cox plays every bad guy in his movies to perfection.

2. 電影影評英文範文

電影評論的目的在於分析、鑒定和評價蘊含在銀幕中的審美價值、認識價值、社會意義、鏡頭語言等方面，達到拍攝影片的目的。下面是我給大家整理的電影影評英文範文，供大家參閱!

電影影評英文範文：銀河護衛隊

Guardians of the Galaxy

The film adapted from the Marvel comic, as the way it once was, there is no doubt that the movie talks about some hero saving people. But in this movie, the hero saved the Galaxy. In the beginning, a little boy was listening music outside the ward, his mother was dying, but the boy can’t acceptit. He run out, at this time,a space ship came out and took him away. Then the scene changed, an interstellar robberfound a mysterious energy ball,but he didn’t expectit would bring complete change in his life.Yes, he was the lost boy from earth many years ago. In order to protect the energy ball, he got some other hero. And this team is not only powerful but also very funny and full of love. Anyway, it’s a film worth seeing

電影影評英文範文：鋼琴師

The pianist

This is a movie though the Jewish pianist’seyes of the Germans ring World WarⅡ and exposed to the cruel massacre of the Jews. Before the Nazi came to power, the family of the pianist was living well. With the Nazi persecution of the Jews deepened, the family lived more and more hard. They were forced to move to a cluster with other Jews, and then one day they had to leave for another unknown place. What impressed me so much is the old father bought a small milk sugar and then cut it to pieces for other families. But soon they were separated, the families were taken to concentration camp, only the pianist saved by a Jew assistant police. After that, the pianist started the long road to escape.

電影影評英文範文：伴我同行

StandbyMe

This is a story recalled by protagonist in his childhoodabout 4 boys went to search a dead body. And all of these boys are not happy because of the disharmony home environment, the protagonist’s parents are not fond of him, they believe he was not good as his dead brother.The leader is a boy who looks like a thug, but he is the best friend of protagonist, and in fact, he is a smart and kind person.Their journey was arous with many challenges along the way. In the end, they found the dead body, and the protagonist found himself.

電影影評英文範文：泰迪熊

Ted

On Christmas Eve, the boy received a teddy bear. The boy had no friend, so he wished teddy bear can be alive and talk with him. The next morning, his dream came true, teddy bear talked! And all of countries are shocked. Ted grew up with the boy to alt, and his mind grew too, but they are still best friend. But the man’s girlfriend thought Ted is spare part in their life, so she wanted Ted to leave. The man thought highly of Ted, so he would rather break with his girlfriend. For his best friend, Ted decided to leave. At this time, a Ted’s crazy fan kidnapped Ted. The man and his girlfriend found it and saved Ted out. This movie was rated 12A because of some alt dialogue and scenes, but I think is a good film that tell us the choice between the friendship and love is very important.

電影影評英文範文：狂怒

Fury

This is a very good film, which is about the World WarⅡ. At the end of the war, the United States joined the fight to Germany. The movie talked about a tank named“FURY” fight to Nazi.The soldiers in it thought the tank as their home, and the leader was a hero who saved others many times. In the beginning, they have some other comrades-in-arms, five tanks were destroyed one by one. At last, the “FURY” was the last one who still can fight. And at this time, they got a mission to slow the enemy at a crossroads. But in fact, they knew it’s impossible to finish it alive. They tried their best but at last they failed because of outnumbered.

3. 請各位英語高手用英文幫我寫四篇電影影評

1. 虎膽龍威（DIE HARD)：

What makes Die Hard the all-time classic it has rightfully become was the lack of extravagance and fantasy: there were no decades-old war grudges, no jungle action, no superhuman powers and only the occasional physics-defying stunts we are usually overloaded with. The characters in this film were regular people, with regular jobs and regular attitudes, confronted with an extraordinary situation, responding as most regular people would, by doing things which go beyond what they would "regularly" consider. Each character's backstory is one that could easily be ours if we were born in their shoes, and we all know at least one or two people like someone from the film. These are the people we live with, work with, and interact with, and the film captured them perfectly. This realism makes it very easy for the audience to believe that it too could have been caught at that party and had to face the situation.

Die Hard took the action genre in a new direction, adding a human touch and bit of reluctance to their invulnerability, while also showing them (as Spider Man would do so as well later on) as people who are much better at making others' personal lives work out than they are with their own.

Even if you haven't seen Die Hard, you've seen its legacy in many other films since. The formula was a brilliant one, and this was its birth.

2. 鐵血戰士（PREDATOR)：

Huge guns, Huge tough guys, macho dialogue, funny banter, One liners and an Alien. John McTiernan's 1987 classic 'Predator' is a action fans dream and a true guys film. What's not to like? Quick setup. Dutch (Arnold Schwarzenegger) and his team of bad-asses are sent to the South American jungles to rescue a group of POW's from an enemy hideout. Simple enough, but that's before they start getting picked off by a hunter from another planet. The rest of the movie relies on suspense, an over the top macho atmosphere and a entertaining team.

John McTiernan's style of creating a believable atmosphere shines out through the characters and dialogue. Every member of the rescue team is memorable and likable e to their humorous dialogue and over the top macho-ism. Dutch chomping on cigars, Blain wielding a mini gun, Mac shaving with his own sweat and Billy's huge knife are all examples of the manliness portrayed in the film.

The Predator is great in its first portrayal, brought to life thanks to Stan Winston's incredibly lifelike effect. His gadgets and weaponry stay cool and interesting right until the end. One of the things that make the film interesting is watching the team come up with new ways to kill this creature that's picking them off like flies.

The film is filled with memorable quotes and scenes that will linger in your mind any time you think of masculinity. Any fan of action or Schwarzenegger will know this is a must see and one of the quintessential 80's flicks.

3. 青春年少（RUSHMORE）：

Rushmore is an extremely well written movie about obsessive love.

The acting is a quality of Rushmore that contributes greatly to its appeal. I've seen a lot of Bill Murray movies, an I've always had a high opinion of him. Saying that Bill Murray is good in a movie usually means that he was really funny (which, with a few exceptions, goes without saying). In this film, though, there is something more to his performance. With his facial expressions alone capturing the tortured soul of Mr. Blume accompanied by his impeccable comic timing, Murray is plainly terrific. Jason Schwartzman is also outstanding as Max, although his appearance shows more years than the mere 15 he is supposed to be. Olivia Williams is subtle and extremely effective as the British object of affection. Finally, in a key role as Max's chapel partner, Dirk Calloway, Mason Gamble (from Dennis the Menace), convey's his bitterness and anger with such acuity and humor that one can't imagine that there he is actually acting in front of a camera.

The humor of Rushmore is so delightfully offbeat, hilarity sometimes being found in such places as silent pauses with the camera directed right at the actor's face, that it might not be for every taste (but be sure to give it a try first). In fact, everything about this movie is different. I've seen this film twice and from the surreal use of really vivid colors to the quick-paced direction by the obviously very talented Wes Anderson, it seems destined to have cult status in the future. Finally, I would like to mention the soundtrack, a compilation of primarily British "invasion" rock (along with a brilliant original score), for it almost perfectly captures the spirit and life of this amazing achievement.

4. 死亡證據（DEATH PROOF)：

Like classic directors invented the western imagery, Tarantino recreates a world of vinyl jukebox, groovy cars and adventurer-girls that only exists as an illusion. The girls, low-middle class , behaves with an independence that many housewives would envy and they are clearly inspired in the Russ Meyer pictures. But they are real, even one of the girls is credited as 'herself'.

The famous Tarantino's dialogs are a hit-and miss in this one. Sometimes they seem forced, others they flow naturally, the sheer pleasure of conversation, and they help to make the movie a lightweight experience, that could keep on running. I said that the world exists only as an illusion, but that doesn't apply to the objects (the cars, the jukebox). Tarantino is like an antiquarian that doesn't want to see his beloved treasures getting st.

Did I mention the virtuosity? The cinematography is ostentatious and generous, showing colorful scenarios. They don't try to be pervasive, on the contrary it is a "Hey, look what I'm doing" way all the time, and it works.

My only complaint is that I'm sure I'm gonna see a few semi-obscure movies from the 70s and think: "I've seen this before somewhere..." It is time for QT to do something that could be described as 'original'. Only Pulp Fiction fits in that category.

4. 求一篇150字左右的英文影評

阿甘正傳
the movie is about Forrest Gump (Hanks), named after a civil war hero, grows up in Greenbow, Alabama, where his mother (Sally Field) runs a boarding house. Although Forrest is a little "slow" (his IQ is 75, 5 below the state's definition of "normal"), his mental impairment doesn't seem to bother him, his mother, or his best (and only) friend, Jenny Curran (played as an alt by Robin Wright). In fact, the naivete that comes through a limited understanding of the world around him gives Forrest a uniquely positive perspective of life.

Through the miracle of visual effects, Forrest meets his fair share of famous people - George Wallace, Presidents Kennedy, Johnson, and Nixon, and John Lennon. While mixing the real footage of these notables with new images featuring Hanks is not a seamless process, the result is nevertheless effective.

Ultimately, however, any gripes about Forrest Gump are minor. This is a marvelous motion picture -- a mint julep on a hot summer's afternoon.

5. 天使愛美麗 英文影評 謝謝啦

天使愛美麗英文影評是：

1、英文影評：

In this film, the corners of the mouth are always slightly raised, and Audrey Tatu with a little elf temperament perfectly interprets the role of Emily.

French director Jean Pierre Genet creates a dreamy and sweet film world with his good fantasy style. Each frame seems to be a romantic postcard with a strong French flavor.

2、中文翻譯：

該片中總是微微勾起嘴角，帶著點精靈氣質的奧黛麗·塔圖完美詮釋了艾米麗這個角色，法國導演讓-皮埃爾·熱內用擅長的奇幻風格打造了一個夢幻甜蜜的電影世界，每一幀畫面都似乎是帶著濃郁法國氣息的浪漫明信片。

劇情簡介：

法國女孩艾米麗從來就沒有享受過家庭的溫暖，她的童年是在孤單與寂寞中度過的。1997年夏天的一個事件改變了艾米麗的人生。那天新聞播報黛安娜王妃在一場車禍中身亡，而艾米麗手中的瓶蓋掉到地上，撞上一塊牆磚。

艾米麗從裡面掏出一隻鐵盒，裝滿了小男孩所鍾愛的小玩物和許多照片。艾米麗於是決定要是能找到盒子的主人——半個世紀前這個公寓的房客，她就開始幫助所有的人。

6. 急求三篇英文的電影觀後感大神們幫幫忙

英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

7. 急求兩片英文電影的影評，影評要中文的！外加求推薦三部英文電影！！（我是初中生）

1,天使之城（CITY OF ANGELS)
看了這部電影，心盪漾了許久，覺得好心痛好心痛，我深深迷醉、難以自已。黑暗與安靜之中，賽斯憂郁的雙眼，一直浮現腦海中。傳說，幸福的人會變成天使，可原來，天使不一定幸福。原來，天使可以為愛墮落。
當賽斯變成人時，他激動得語無輪次，彷彿如一個瘋子。雖然，他赤著雙腳，滿身泥污，可當他與瑪姬真實的相抱，一切又那麼值得。
多數人追求永生，永生的人卻只想感覺一下心愛的人。
I would rather have had one breath of her hair, one kiss of her mouth, one touch of her hand, than eternity without it. （這是最令我感動的地方）
看了之後，一直在想，賽斯怎麼辦。他應該會在人間好好的活著吧，畢竟，生活不只有愛情。
天使，真的存在。真的有，只羨鴛鴦不羨仙。
黑色的天使很悲傷，繽紛的世界很殘酷。
或許愛是生命中痛苦的根源，可對於愛情、對於天使、對於生命中那未知的美好，我還是要說——I can''t see you, but i know you there.
因為，這就是生活。在生活里身不由己的旋渦里，在未知無常的生命中，淡淡的憂傷是我們生存的代價，悠長的痛苦是我們換取無限歡樂的籌碼。
2，這個殺手不太冷（Leon）
在一個慵倦而無所事事的下午，一部影片洞穿了我。無論它是叫《這個殺手不太冷》，或是《終極追輯令》，還是《殺手列昂》，影片中那種極度張揚的力度已經完全令我忽略了這些細節。我感到心臟怦怦跳起來，已經淹沒在太多平庸和繁瑣的生活背後的情感像火把被剎那點燃，已經為太多細碎空洞的影片變得麻木的審美能力忽然尖銳起來，敏感起來，像是其上布滿了神經末梢的一根釘子，深深地楔入到靈魂深處。

當我們習慣於把「殺手」簡單地定義為「壞人」之際，我們失去了殺手的細節。就在我們的眉睫之前，盧貝松還原了一個超級殺手列昂。殺手並非殺人狂，對於列昂，殺手只意味著一份職業，一份他別無選擇、非此不可的職業。影片只用了5分鍾就讓我們明白，冷酷無情、無所畏懼的列昂是一位天生做殺手的不二人選。
3暮光之城系列（The Twilight Saga ）四部曲
這可能是個老套的故事，人類和吸血鬼，狼人尚且還是伏筆，但依舊可以讓我動心。
貝拉，一個內向的女孩子。愛德華，神秘的存在。
庫倫家族進入大家視線的時候，我尚有些失望，可能是受吸血鬼騎士的蠱惑，總覺得還可以更俊美高貴些，但之後證實我錯了，他們就是高貴的存在，不是血統，而是彼此那種親密的感情。
貝拉和愛德華的初次相處還真是尷尬，他一副嫌惡的表情很是刺痛貝拉小小的自尊心。後來這被愛德華解釋是因為無法拒絕她的味道，最甜美的血的誘惑。這讓我想起了很久以前看到的一篇漫畫，講一個聞香師，可以聞到所有人身上獨有的味道，然後配以合適的熏香為她們帶來好運，但只有一個女孩子，他完全聞不出她的味道，但就是這一點，在這個女孩子被人綁架時使他救了她，之後他明白了，一個人與他註定的另一半，兩者的味道會完全中和，因此就是鼻子最靈敏的聞香師也聞不出來。所以那時，貝拉和愛德華的命運已經交織在一起，糾纏著直至生死邊緣。
我喜歡愛德華試圖掩蓋自己內心的表情，他努力尋找著合適的言語：「I feel very protective of you．」用一種固執的眼神看著眼前這個柔弱的人類。很簡單，但是讓人心動。那麼困惑，他試探著表達：「I don't have the strength to stay away from you anymore．」他冰冷的手，確是最溫暖的一顆心，只是他不知該把它如何裸露在這個不夠友好的世界。
貝拉發現愛德華的秘密的進程似乎有些過快，連愛上他都是那麼迅速，難道是為了顯示他身上承擔的最漫長的時光。當貝拉念出他的身份，他像個悲傷而焦躁的野獸，嚇唬她，稱自己為monster，顯示自己的力量，只是想要避免未來可能的傷害。貝拉的一句「I trust you」像清晨的柔光照亮那蜷縮在陰影中的畏懼的他。被主動的接近，被關懷，被融化。
陽光不會直射的草地，碎花叢生，她和他躺在彼此的世界中，沒有戒備，沒有阻隔。
之後的故事似乎有點可愛，從來沒有用過廚房為了貝拉現學義大利菜的庫倫家族，管自己叫做vegetarian的吸血鬼們，簡直如人猿泰山般在叢林之間穿梭的愛德華，只有在雷雨天才可以痛痛快快打一場棒球，節奏舒緩輕巧。
之後兩派吸血鬼為貝拉的爭斗不想多說，只是不夠強大但速度夠快的愛德華到達受傷的貝拉身邊，竭盡全力救她時讓我揪心了一下。有那麼一個機會，貝拉可以成為一個配得上那漫長生命的生物，但愛德華沒有允許。最終的舞會上，璀璨的群星環繞著他們，愛德華只在貝拉的脖子上留下了一個深深地吻。這樣不夠么？和我幸福的過一輩子？
可是人啊，那麼的貪婪，希望可以占據那沒有盡頭的時間，永遠永遠陪著你，是的，在你面前那麼脆弱的卑微的轉瞬即逝的我，如何才能成為你的生命？如果是我，我要選擇成為你黑暗世界裡的陪伴，不需要城堡，也不要白馬，只要能夠凝視著你金棕色的眼眸，我只是不想從裡面讀出孤獨的字樣



8. 英文電影影評100字

《阿凡達》影評：

Avatar is directed by James Cameron.The two main characters are Jake Sully,played by Sam Worthington,and Neytiri,played by Zoe Saldana.

Clones named Avatars are sent to Pandora Planet to persuade people there to leave the planet so that human beings can exploit a rare mineral.Jake is sent there to control his Avatar.

However,he comes across Neytiri and they fall in love with each other.Jake begins to see that nature and the planet should be protected.At last he and the people there work together to defeat human beings and send them back to the earth.

3D technology and the beautiful natural scenery are the two highlights of the film.The message of the film is simple—human beings should protect nature and live in harmony with it.

譯文

《阿凡達》由詹姆斯·卡梅隆執導，兩個主要角色是山姆·沃辛頓飾演的傑克·薩利和佐伊·薩爾達納飾演的奈提莉。

名為阿凡達的克隆人被送往潘多拉星球，勸說那裡的人們離開這個星球，這樣人類就可以開采一種稀有礦物。傑克被送往那裡控制他的阿凡達。

然而，他遇到了奈提莉，他們相愛了。傑克開始意識到大自然和地球應該得到保護。最後，他和那裡的人們一起努力打敗人類，把他們送回地球。

3D技術和美麗的自然風光是這部電影的兩大亮點。電影傳達的信息很簡單——人類應該保護自然，與自然和諧相處。

9. 一篇英文電影影評,100字,

獅子王:
Out of all the Disney movies I've seen,The Lion King is one of the most remarkable films of all time.The story was touching,the characters were unbelievable,and the music was beautiful.The actors were chosen rightly for their characters and their personalities.Though some of the scenes my be too intense and disturbing for younger children,it is still an outstanding movie.It's a great movie to share with the whole family.You'll laugh,you'll cry,you'll be amazed!It's a classic for years and years to come.