英文電影影評初中生

⑴ 哈利波特的英文影評60個單詞初一水平

Last week,l saw a flim named Harry Potter .It's a story about a boy called Harry Potter.He was a witch.he had lessons in a magic school.the name of his school is Hogwarts.Harry had a fantastic life in the school with his friends.Their biggest enemy was Lord Voldemort.And they defeated Lord Voldemort in the end.I admire Harry and his friends' courage after I saw the flim.I think it is a wonderful flim.I like it very much.

別怪我……我水準很差……你可以自己改改

⑵ 急急急！！！《穿靴子的貓》 英文影評 初一水平，6個形容詞哦

This film is about a cat and an egg, who have been childhood friends, working together to find the golden goose to repay the town what they robbed years ago.

"Puss in Boots" is an adventure filled with fun and action. It has cute characters and colourful animation for children to enjoy. Puss has a wide variety of facial expressions, some of which are so cute that he is irresistibly cuddly. The songs and dance provide great entertainment too. Alts will find "Puss in Boots" entertaining too, as the plot is filled with proper adventure that is appropriate for both alts and children. The brotherhood subplot is strong and gripping, and provide the emotional elements to make "Puss in Boots" even more credible as a film for the whole family. I enjoyed watching it.

⑶ 4篇英語影評 100字左右

哈利波特影評
Harry Potter is a series of seven fantasy novels written by British author J.K.Rowling.The books chronicle the adventures of the eponymous adolescent wizard Harry Potter,together with Ron Weasley and Hermione Granger,his best friends.The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort,who killed Harry's parents in his quest to conquer the wizarding world,after which he seeks to subjugate the Muggle (non-magical) world to his rule.
後天影評
Today,we watched a movie,the name of this movie was called:The day after tomorrow.What this movie speaks BE:A world happened to become cold affairs in the world,What to broadcast it is an etc.the region temperature nasty play in New York to descend in the movie,is almost each to descend more than ten degree.The sky still descends terrible hail,also having more afraid of of
Tornado,city in New York became to break city for an instant after being cut through by tornado,making the whole city become more without results one.
This really lets the person touch eyes shocking,make the person's heart can't fall calm once in a very long while,although exaggerate very in the movie,but we now not just so:world become warm...So ask the classmates to rise from the do-it-yourself,environmental protection,make our environments more beautiful!
阿凡達影評
Avatar is directed by James Cameron.The two main characters are Jake Sully,played by Sam Worthington,and Neytiri,played by Zoe Saldana.
Clones named Avatars are sent to Pandora Planet to persuade people there to leave the planet so that human beings can exploit a rare mineral.Jake is sent there to control his Avatar.However,he comes across Neytiri and they fall in love with each other.Jake begins to see that nature and the planet should be protected.At last he and the people there work together to defeat human beings and send them back to the earth.
3D technology and the beautiful natural scenery are the two highlights of the film.The message of the film is simple — human beings should protect nature and live in harmony with it.
阿甘正傳影評
Forrest Gump is so unique because of the character Forrest Gump himself,who has a low IQ of only 75.I love that Forrest doesn't lose his innocence and purity throughout the movie,or maybe he just can't but either way,this shows you don't need to be evil or really intelligent to be recognised or successful.It is just a movie,so maybe it doesn't work like that in reality.What that simply means is that the acting and story of this film was incredibly touching on a real level.And in my definition that's what a good movie should be able to do.
譯文：
哈利波特影評
哈利·波特是一系列的書面由英國作家JK羅琳7奇幻小說.這些書紀事同名青少年精靈哈利波特的冒險,與羅恩·韋斯萊和赫敏·格蘭傑,他最好的朋友在一起.中央故事弧關心哈利的對抗邪惡的巫師伏地魔,誰殺死了哈利的父母在他的追求征服魔法世界,之後他試圖征服麻瓜（非魔法）世界他的統治的斗爭.
後天影評
今天,我們看了一部電影,這部電影的名字叫：這部電影講明天就要後的一天：一個世界發生的事情變得冷漠事務,在世界上,什麼廣播它是一個等地區氣溫討厭玩在紐約電影下降,幾乎是每一個下降十餘degree.The天空仍然下降可怕的冰雹,也有更怕的
龍卷風,城市紐約成為打破城市瞬間通過龍卷風被切斷後,使得整個城市變得更加無果之一.
這確實讓人摸眼睛震撼,使人的心臟不能在很長一段時間下降冷靜一次,雖然很誇張的電影,但我們現在不只是如此：世界變得溫暖...所以要求同學從做自己動手,保護環境上升,使我們的環境更加美麗!
阿凡達影評
阿凡達是由詹姆斯·卡梅隆執導.兩位主角都是男主角,由薩姆·沃辛頓扮演,和奈提莉,由佐伊·索爾達娜扮演.
命名的化身克隆被發送到潘多拉星球說服那裡的人離開地球,使人類可以利用一個稀有礦產.傑克被送到那裡控制他的阿凡達.然而,他遇到奈提莉,他們愛上了對方.傑克開始看到大自然和地球應該受到保護.最後,他和那裡的人民一起打敗人類,並將其發送回地球.
3D技術和美麗的自然風光是兩大亮點的電影.影片的信息很簡單 - 人類應該保護自然,和睦相處吧.
阿甘正傳影評
阿甘是字元阿甘自己,誰也只有75一個低智商的,因為如此獨特.我喜歡阿甘並沒有失去他的天真和純潔進了電影,也許他只是不能,但無論哪種方式,這說明你並不需要是邪惡的還是真的聰明到被承認或成功.這只是一部電影,所以也許它不喜歡的工作在現實中.什麼是簡單的意思是,這部電影的演技和故事是令人難以置信的感人的真實水平.而在我的定義,這就是一部好電影應該是能夠做到的.

⑷ 英文影評 200字

英文影評如下：

The legend of 1900During this spring festival ，I saw several English movies .But 《The legend of 1900》gave me a deep impression .

When 1900 was a baby, he was abandoned in the ship. Since then, he never left the ship. His talents on piano made him welcome.

After defeating the black jazz musician, he became more popular. But he was so afraid of getting off the ship that he gave up his love for a girl.

His friend Max wanted to persuade him to leave the ship because the ship would be exploded. It did not work. A tragedy could not be avoided.

翻譯：

1900年的傳說在這個春節期間，我看了幾部英語電影。但是《1900年的傳奇》給我留下了深刻的印象。

1900年還是個嬰兒時，他被遺棄在船上。從那以後，他再也沒有離開過這艘船。他的鋼琴天賦使他受到歡迎。

擊敗黑人爵士音樂家後，他變得更受歡迎。但是他太害怕下船了，以至於放棄了對一個女孩的愛。

他的朋友馬克斯想說服他離開船，因為船會爆炸。沒用。悲劇是無法避免的。

⑸ 三篇用英文寫的英語電影影評（主要內容、角色、演員的介紹，對它的評價）初一水平100左右 不要太長 有中文

hello,everyone. （大家好）

. very glad to be here.（非常高興能來到這里給大家發言）

my name is ###, and i am ** years old.（我的名字是＃＃＃，今年××歲了）

now i am a ___school student.（我現在是一名……學生）

my favourite subject is English . and i like sports very much . （我最喜歡的科目是英語，而且我很喜歡運動）

English brings lots of fun . and sports makse me happy .（英語帶給我很多樂趣，而且運動使我快樂）

i like this sentence:「 nothing is impossible。」（我最喜歡的一句話就是：一切皆有可能。）

so i always try my best to do everything well,and never give up easily.(所以我每一次總是盡力做好每一件事情，從來都不輕易說放棄）

so this is me ,i hope to make friends with you all.（這就是我，我希望和大家都能成為朋友。）

thank you for listening!（謝謝大家的聆聽！）

⑹ 求2篇初中水平的英文影評！！急！！

1、Film Review 影評（功夫熊貓）
My favorite moive is 《KongKu Panda》. It was a story about a panda named Po, who wanted to be a Kongfu warrior. One day he was chosen by chance to be Dragon warrior to fight against a bad guy. But the master thought he was not qualified, because he did know about KongFu, and tried to make him quit. Through his hardworking, he finally defeated the bad guy and became the Dragon warrior.
The film is so interesting and also has profound meaning. It tells the old and classic story about not giving up and believing in yourself. It is also very interesting to find out that the film is full of the Chinese elements and take them into account. The fat panda itself is the behalf of our country. And the music and lines in the moive is also very wonderful to represent the Chinese culture. It seems that Hollywood knows us better. The best line for me is Master Wugui's saying "Yesterday is a history, tomorrow is a mystery, but today is a gift, that is why it is called present."
2、Harry Potter （哈利波特）
I always enjoyed all the movie about Harry Potter. I must disclaim that I am a huge fan of J.K. Rowling's Harry Potter. I think the movie is really fascinatng. Harry Potter is a boy who has sorcery.He is very brave and firm. All the movies have many features. For example, the fourth movie 's circs is intense.But the fifth movie is very boring.Don ' t go to see it if you have time.
3、THE LEGEND OF 1900.（1990海上鋼琴師）
today i saw a movie named THE LEGEND OF 1900.
it touched me so much that i narrowly began crying.
the movie is about a man who was born on the ship and played piano on it till the time the ship was destroyed and he himself died.the lonely man played piano throughout his life and he only had one friend,but that is a real friend.he once fell in love with a girl,but he did't own the courage to express his feeling.the movie is so great for it build a character who deeply touched everybody who watched the film.and the actor performance is also very natural.
it is a good film which is worth watching,so i hope every one can go to see the film and feel the heart of the man in the film.
哈，樓主看是否ok?至於中文翻譯，可以用在線翻譯器翻譯一下，希望能幫上忙哦~~~~

⑺ 請各位英語高手用英文幫我寫四篇電影影評

1. 虎膽龍威（DIE HARD)：

What makes Die Hard the all-time classic it has rightfully become was the lack of extravagance and fantasy: there were no decades-old war grudges, no jungle action, no superhuman powers and only the occasional physics-defying stunts we are usually overloaded with. The characters in this film were regular people, with regular jobs and regular attitudes, confronted with an extraordinary situation, responding as most regular people would, by doing things which go beyond what they would "regularly" consider. Each character's backstory is one that could easily be ours if we were born in their shoes, and we all know at least one or two people like someone from the film. These are the people we live with, work with, and interact with, and the film captured them perfectly. This realism makes it very easy for the audience to believe that it too could have been caught at that party and had to face the situation.

Die Hard took the action genre in a new direction, adding a human touch and bit of reluctance to their invulnerability, while also showing them (as Spider Man would do so as well later on) as people who are much better at making others' personal lives work out than they are with their own.

Even if you haven't seen Die Hard, you've seen its legacy in many other films since. The formula was a brilliant one, and this was its birth.

2. 鐵血戰士（PREDATOR)：

Huge guns, Huge tough guys, macho dialogue, funny banter, One liners and an Alien. John McTiernan's 1987 classic 'Predator' is a action fans dream and a true guys film. What's not to like? Quick setup. Dutch (Arnold Schwarzenegger) and his team of bad-asses are sent to the South American jungles to rescue a group of POW's from an enemy hideout. Simple enough, but that's before they start getting picked off by a hunter from another planet. The rest of the movie relies on suspense, an over the top macho atmosphere and a entertaining team.

John McTiernan's style of creating a believable atmosphere shines out through the characters and dialogue. Every member of the rescue team is memorable and likable e to their humorous dialogue and over the top macho-ism. Dutch chomping on cigars, Blain wielding a mini gun, Mac shaving with his own sweat and Billy's huge knife are all examples of the manliness portrayed in the film.

The Predator is great in its first portrayal, brought to life thanks to Stan Winston's incredibly lifelike effect. His gadgets and weaponry stay cool and interesting right until the end. One of the things that make the film interesting is watching the team come up with new ways to kill this creature that's picking them off like flies.

The film is filled with memorable quotes and scenes that will linger in your mind any time you think of masculinity. Any fan of action or Schwarzenegger will know this is a must see and one of the quintessential 80's flicks.

3. 青春年少（RUSHMORE）：

Rushmore is an extremely well written movie about obsessive love.

The acting is a quality of Rushmore that contributes greatly to its appeal. I've seen a lot of Bill Murray movies, an I've always had a high opinion of him. Saying that Bill Murray is good in a movie usually means that he was really funny (which, with a few exceptions, goes without saying). In this film, though, there is something more to his performance. With his facial expressions alone capturing the tortured soul of Mr. Blume accompanied by his impeccable comic timing, Murray is plainly terrific. Jason Schwartzman is also outstanding as Max, although his appearance shows more years than the mere 15 he is supposed to be. Olivia Williams is subtle and extremely effective as the British object of affection. Finally, in a key role as Max's chapel partner, Dirk Calloway, Mason Gamble (from Dennis the Menace), convey's his bitterness and anger with such acuity and humor that one can't imagine that there he is actually acting in front of a camera.

The humor of Rushmore is so delightfully offbeat, hilarity sometimes being found in such places as silent pauses with the camera directed right at the actor's face, that it might not be for every taste (but be sure to give it a try first). In fact, everything about this movie is different. I've seen this film twice and from the surreal use of really vivid colors to the quick-paced direction by the obviously very talented Wes Anderson, it seems destined to have cult status in the future. Finally, I would like to mention the soundtrack, a compilation of primarily British "invasion" rock (along with a brilliant original score), for it almost perfectly captures the spirit and life of this amazing achievement.

4. 死亡證據（DEATH PROOF)：

Like classic directors invented the western imagery, Tarantino recreates a world of vinyl jukebox, groovy cars and adventurer-girls that only exists as an illusion. The girls, low-middle class , behaves with an independence that many housewives would envy and they are clearly inspired in the Russ Meyer pictures. But they are real, even one of the girls is credited as 'herself'.

The famous Tarantino's dialogs are a hit-and miss in this one. Sometimes they seem forced, others they flow naturally, the sheer pleasure of conversation, and they help to make the movie a lightweight experience, that could keep on running. I said that the world exists only as an illusion, but that doesn't apply to the objects (the cars, the jukebox). Tarantino is like an antiquarian that doesn't want to see his beloved treasures getting st.

Did I mention the virtuosity? The cinematography is ostentatious and generous, showing colorful scenarios. They don't try to be pervasive, on the contrary it is a "Hey, look what I'm doing" way all the time, and it works.

My only complaint is that I'm sure I'm gonna see a few semi-obscure movies from the 70s and think: "I've seen this before somewhere..." It is time for QT to do something that could be described as 'original'. Only Pulp Fiction fits in that category.

⑻ 急求三篇英文的電影觀後感大神們幫幫忙

英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.