⑴ 求電影《剪刀手愛德華》英語影評
Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.
The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world.
這個評的很全面完整，語言也很到位
⑵ 剪刀手愛德華英文版影評
一次心靈之旅——觀《剪刀手愛德華》
看完這個故事，很震撼，還有一點心痛。
這應該是部很老很老的片子了，但對於我，卻是第一次完整地看。它講述了一個離奇而又感人的愛情故事，讓我們一起走進這個故事。
影片在大雪紛飛中開始了，一位老奶奶給小孫女講故事，由此引出了我們的主人公——愛德華。愛德華並沒有直接登場，接下來出場的是派格—— 一位雅芳推銷員，在她推銷商品連續吃了四次閉門羹後，車子反光鏡映出了古堡，於是她造訪了古堡並發現了孤獨生活在此的愛德華，出於對他的同情，派格把他帶回了自己的家。
你一定會奇怪愛德華怎麼會有一雙剪刀手呢？影片逐步為我們揭開答案。實際上愛德華並不是真正意義上的人類，它是由獨居在古堡的類似於科學怪人發明家製造而成的具備一切人類功能的模擬人，剪刀手只是沒裝手前的代替，但也正可悲在這一點，就在發明家要給愛德華安裝手的那一刻，發明家卻突然去世了，只留下了仍然帶著剪刀手的愛德華……不禁想起魯迅的那句名言：悲劇就是把美毀給別人看。
這個故事的大框架和《泰坦尼克號》很像，都是由年老後的女主角講述她年輕時候的愛情，並且都是很感人但結局並不完美的愛情故事，也正由於這不完美，才使得愛情本身變得那麼刻骨銘心。
讓我們繼續著愛德華在派格家的生活。不適應，那是肯定的。穿衣吃飯那些對我們再簡單不過的事對愛德華而言卻是那麼困難，他總是會不小心剪破衣服或者怎麼努力也不能把食物送入口中，還有水床，當他的「手」碰到床時一株水噴射而出時他驚慌的樣子讓人感到很好笑，同時也不免覺得辛酸。讓我高興的是，愛德華的剪刀手在修剪方面有著驚人的魔力，修剪樹木、為狗狗剪毛甚至為人理發，它是如此的神奇。於是愛德華以靈巧異常的剪刀手和溫和的性格博得了人們的歡迎。
在來說說愛德華的愛情。從來到派格家的第一天，愛德華就不由自主地愛上了照片中的漂亮女孩，也就是派格的女兒金。他們的見面是以驚嚇作為開始，然後是愛德華心甘情願的被所愛的人利用去偷東西從而引發了噩運並使愛德華最終不得不返回古堡與愛人分離。而金也在生活中逐漸愛上了善良的愛德華。但這本是一個不能成就的愛情。在偷盜事件之後，在愛德華被金的男友欺負邊走邊發泄之後，這里的居民終於了修女的話：他不是天使，而是個魔鬼，他們再也容不下他了。
愛德華在享受愛情的同時是無比痛苦的，他甚至不能擁抱自己所愛的人，他的剪刀手使他總是在救人時傷害人。影片的結尾，愛德華在冰雪紛飛中用一樽鞭打愛意的冰雕獻給他深愛的女孩。
當女主角依然老去，我們仍然願意相信愛德華還活著，因為漫天的雪就是最好的見證。
或許，沒有結局的結尾是最好的。
該片由Johnny Depp和Winona Ryder主演，獲第四十五屆英國電影學院獎最佳製片導演獎。
我非常喜歡演愛德華的演員，他是個天才！我意外的是，他居然是那個「加勒比海盜」。
感謝該片讓我經歷了一場心靈之旅。
⑶ 鍓鍒鎵嬬埍寰峰崕錛氭嬁鐫鍒娌℃硶鎷ユ姳浣狅紝鏀句笅鍒娌℃硶淇濇姢浣犱輔鑱婅亰鑻辮
銆婂壀鍒鎵嬬埍寰峰崕銆嬫槸涓閮ㄧ敱钂傚•娉㈤】鎵у肩殑鍏呮弧濂囧夠鑹插僵鐨勭數褰憋紝璁茶堪浜嗕竴涓鍚嶄負鐖卞痙鍗庣殑鍗婃垚鍝佷漢錛屼粬鐨勫弻鎵嬭鍓鍒鎵鍙栦唬銆備粬浣忓湪涓涓涓庝笘闅旂粷鐨勫彜鍫′腑錛屽綋琚甯﹀埌鏂囨槑紺句細鍚庯紝涓庝竴涓濂沖╁瓙鐩告亱錛屽嵈鏃犳硶鍦ㄤ竴璧楓
⑷ 有部電影叫剪刀手愛德華,翻譯成英文怎麼說
Edward Scissorhands
劇情介紹
蒂姆·伯頓導演的《剪刀手愛德華》是一部關於機器人的現代童話。它講述一座古堡中住著一位發明家，製造出了各種東西，最後還造出了一個機器人，並給他起名叫愛德華。發明家對這件作品傾注了全部的心血，他甚至教授愛德華人類的禮儀和詩歌，何時微笑何時沉默。然而，沒有等到機器人最後完成，發明家就去世了，留下已有人類心智卻殘留著一雙剪刀手的愛德華獨自在古堡生活。不知過了多少歲月，一位推銷化妝品的中年女子佩格誤闖城堡，發現了形象古怪的愛德華。好心的佩格沒有被愛德華慘白的膚色和張牙舞爪的剪刀手嚇倒，而是憐其孤獨，把他帶回了自己的家。
佩格住在一個色調明麗的小社區里，女鄰居們都喜歡調情、窺探、以及搬弄是非。愛德華的出現，給她們百無聊賴的生活增添了新鮮的刺激，所以大家都對他表現出了極大的友好甚至親昵。當他展露出用剪刀手修剪植物、設計發型的才華，全鎮的人幾乎都為他癲狂了，把他當成了明星一樣的寵兒。但他也有自己的痛苦，那就是愛上了佩格的女兒、美麗絕俗的金。金早已有了男友，而且對這位家庭新成員一直有抵觸情緒。為了金的一個請求，愛德華硬著頭皮潛入金男友父親的豪宅，不慎被警察逮捕後也沒有吐露真相，唯恐連累心上人。雖然他不久由於「沒有判斷是非的能力」被釋放，但周圍的人都把他看成蓄意搶劫財物的危險分子，對他以及佩格全家敬而遠之。在這一過程中，金逐漸看清了男友的丑惡嘴臉，與他決裂，並對愛德華產生了好感。
聖誕夜大雪紛飛，矛盾達到了最高潮，愛德華越想做好事就反而被誤會得越深，全鎮居民都要求驅逐愛德華，甚至連佩格也認為他應該回到古堡中去。在古堡的打鬥中愛德華殺死了金惡毒的男友，金也接受了愛德華不求回報的愛。這是愛情最初的交融，也是最後一次的交融，從此愛德華永遠隱藏進了不為人知的角落，在那裡修剪他的植物、冰雪和愛情……
約翰尼·德普在這部影片里發揮出了他的最佳演技，作為一個機器人，愛德華的面部肌肉是僵化的，幾乎沒有表情，一雙尖利的剪刀手也不利於表達感情，德普卻通過他的眼睛傳遞給觀眾大量的情感信息，襯托在他慘白的臉上反而更加令人難忘。當看到他被誤解時眼中驚恐痛苦的神情時，我覺得自己的心在那目光中慢慢粉碎。女主角《純真年代》中的大美女薇諾娜·賴德，那冰雪中一襲白裙簡直不食人間煙火，正適合這現代童話的夢幻色調。這里講述的與其說是愛德華和金的愛情，不如說是愛德華對金的愛情，他為她獻出一切，直至最後被所有人驅逐，她雖然感動甚而有所回應，但畢竟不能和他在凄涼的古堡里隱藏一生。金的感情再純再真，也是世俗之愛，而愛德華的愛才是不朽的，因此也是不屬於我們這個世界的。
佩格家居住的地方以前是從不下雪的，只有當愛德華出現後潔白的雪花才開始飛揚在那片土地上空。那冰雪，不正是如白紙般純凈的愛德華嗎？他近乎丑怪的外表下呈現出來的才是影片中真正的至美，盡管是以悲傷地流淚（下雪）為代價的。
⑸ 要交假期作業急需六個英文電影，要每個電影的中英文名字，每個電影找出20個經典台詞也要中英文的，
一、泰坦尼克號（Titanic）
一個人一生可以愛上很多的人，等你獲得真正屬於你的幸福之後，你就會明白一起的傷痛其實是一種財富，它讓你學會更好地去把握和珍惜你愛的人。
One may fall in love with many people ring the lifetime. When youfinally get your own happiness, you will understand the previoussadness is kind of treasure, which makes you better to hold and cherish the people you love.
二、飛屋環游記（Up）
幸福，不是長生不老，不是大魚大肉，不是權傾朝野。幸福是每一個微小的生活願望達成。當你想吃的時候有得吃，想被愛的時候有人來愛你。
Happiness is not about being immortal nor having food or rights in one』s hand. It』s about having each tiny wish come true, or having something to eat when you are hungry or having someone』s love when you need love.
三、剪刀手愛德華（The Story of Edward Scissorhands）
我愛你不是因為你是誰，而是我在你面前可以是誰。
I love you not for who you are, but for who I am with you.
四、藍莓之夜（My Blueberry Nights）
一個人總要走陌生的路，看陌生的風景，聽陌生的歌，然後在某個不經意的瞬間，你會發現，原本是費盡心機想要忘記的事情真的就那麼忘記了。
One is always on a strange road, watching strange scenery and listening to strange music. Then one day, you will find that the things you try hard to forget are already gone.
五、初戀50次（50 First Dates）
年輕的時候會想要談很多次戀愛，但是隨著年齡的增長，終於領悟到愛一個人，就算用一輩子的時間，還是會嫌不夠。慢慢地去了解這個人，體諒這個人，直到愛上為止，是需要有非常寬大的胸襟才行。
When you are young, you may want several love experiences. But as time goes on, you will realize that if you really love someone, the whole life will not be enough. You need time to know, to forgive and to love.All this needs a very big mind.
六、分手信（Dear John）
離開我就別安慰我，要知道每一次縫補也會遭遇穿刺的痛。
If you leave me, please don』t comfort me because each sewing has to meet stinging pain.
七、英國病人（The English Patient）
一段不被接受的愛情，需要的不是傷心，而是時間，一段可以用來遺忘的時間。一顆被深深傷了的心，需要的不是同情，而是明白。
An unacceptable love needs no sorrow but time- sometime for forgetting.A badly-hurt heart needs no sympathy but understanding.
八、天使愛美麗（Amelie from Montmartre）
有誰不曾為那暗戀而痛苦？我們總以為那份痴情很重，很重，是世上最重的重量。有一天，暮然回首，我們才發現，它一直都是很輕，很輕的。我們以為愛的很深，很深，來日歲月，會讓你知道，它不過很淺，很淺。最深和最重的愛，必須和時日一起成長。
Is there anyone who hasn』t suffered for the secret love? We always think that love is very heavy, heavy and could be the heaviest thing in the world. But one day, when you look back, you suddenly realize that it』s always light, light. We all thought love was very deep, but in fact it』s very thin. The deepest and heaviest love must grow up with the time.
九、冷山（Cold Mountain）
在自己面前，應該一直留有一個地方，獨自留在那裡。然後去愛。不知道是什麼，不知道是誰，不知道如何去愛，也不知道可以愛多久。只是等待一次愛情，也許永遠都沒有人。可是，這種等待，就是愛情本身。
We shall always save a place for ourselves, only for ourselves. And then begin to love. Have no idea of what it is, who he is, how to love or how long it will be. Just wait for one love. Maybe no one will come out, but this kind of waiting is the love itself.
十、兩小無猜（Love Me If You Dare）
好的愛情是你通過一個人看到整個世界，壞的愛情是你為了一個人舍棄世界。
Good love makes you see the whole world from one person while bad love makes you abandon the whole world for one person.
⑹ 剪刀手愛德華影評英文 600字 最好有中英文對照，原創，謝謝啦，很急，下禮拜就要交了
這是一個悲傷的電影，從一開始就註定是一個悲劇。我並不常常喜歡用註定這個詞，或者是be destined
to.但是你看，自從Edward走出古堡，一切就只能以悲劇收場。一切都充滿隱喻，直到我看到最後Edward用剪子剪碎身上的衣服，這多像一個完滿的隱喻。
我不知道導演想要表達的是什麼，但是我在裡面看到的是滿眼的蒼涼，好像一整片荒漠一樣的世界。容不下一個簡單的純粹的Edward。
Edward有一個熱鬧的到來，眾人的目光，熱切而灼人。Edward為別人修整莊園，為別人剪出可種不可思議的發型，他不收錢，他也從來都不為了什麼，他只是單純的喜歡，只是單純的想要這樣做而已，用他的剪刀手，好像這就應該是他生來的使命。
熱鬧的聚會，排隊等候的人群，他以為自己就這樣讓所有的人開心，所有的人滿意，讓所有的人接受自己了。當他聽著各種各樣的恭維或諷刺，當他的剪刀手上穿著各種各樣的蔬菜站在燒烤架旁邊，當他在人群里勉強的裝出很燦爛的微笑。陽光很燦爛，天空很藍。他以為一切都很美好。
可是大家是不能理解的，在這個世界上生活得太久的我們只會以我們的自以為是去看他，把他當作一個天才或者一個怪胎，可是不是的，他什麼名號也當不起，他只是一個最最純凈的靈魂而已。
他不懂得人世間的利害關系，也不懂得人世間的親情友情愛情，他不知道該怎樣愛該怎樣關懷，當他舉著自己明晃晃的剪刀手的時候，他的無助和慌亂，我也只能在屏幕前心疼得不知所措而已。
這就是他的愛，被劃傷的Kevin，被劃傷的Kim，傷痕累累的自己。
他不知道什麼是愛。他只是知道Peggy如果有一個專櫃的話一定會很開心，他只是知道輕輕地對Kim說Because you asked me
to.眼神清澈。
這就是一切了，他還能怎樣呢？他沒有資本愛，沒有未來，他能說的不是I love you, too.而只是，I
can』t.只能是一句goodbye.
It』s reality.
現實就是這樣了，有些東西是註定不能在這樣的社會里生存下去的。Edward能怎樣呢？他還不是只能怯畏的舉起自己的剪刀手。他能見剪出漂亮的發型，剪出精美的園藝，剪掉自己身上的衣服，可是他卻始終剪不掉，剪不掉別人對他的誤解，剪不掉和這整個世界的格格不入，剪不出夢想的形狀。
Edward在電視里接受采訪的時候，有觀眾問if you had regular hands, you
would be like anyone else. Peggy幫他回答說，No matter what, Edward will always be
special.
但是我想也許不是的，Edward is
special只是因為他有一雙丟不掉的剪刀手，而我們在成長的過程中往往這樣輕易的放棄，放棄自己曾經傻傻地執著的堅持的東西，放棄童年的夢想，丟掉自己的不被世人接受的剪刀手，然後再也剪不出那些神奇的形狀。
所以沒有剪刀手的Edward就不再是Edward 了。
我想Edward自己也是知道的，不然在聽到這樣的問題的時候，if you had
regular hands, you would be like anyone else.這樣被認定為尖銳的問題的時候，他不會只是淡淡地說一句Yes, I
know.
我們每一個人，都曾經是一個小小的Edward，有一雙大大的剪刀手，它不常常受我們的控制，它笨拙得不能握手，它有時會傷害別人，可是它也是一雙神奇的剪刀手，它剪得出這世界上最美的形狀，剪得出大雪紛飛。
後來呢？
後來我們在流言蜚語里成長，穿上襯衫，穿上褲子，穿上別人的期望。我們裝模作樣的成長，丟掉自己的剪刀手，為了生存，和大家變得一樣。
我們有了一雙真的手，我們用這雙手和自己不喜歡的人握手擁抱，玩弄各種各樣我們新學會的花樣。不用顧忌，不用謙恭的小心翼翼，不用溫順的微笑。
成長真是一個疼痛的社會化過程。
可是你還記得自己曾經的那個Edward嗎？他小小的脆弱的身子，他不小心劃在自己身上的傷痕，他安靜的眉眼，他的簡單倔強，橫沖直撞，他率性而為，他有時不小心傷害別人，他常常懵懂又無助。
你還記得嗎？你心裡還有一點點他的影子嗎？
結局只能是這樣，要不然就像我們一樣，丟掉自己的剪刀手，丟掉那一部分不能被人接受的自我，要不然，就像Edward，用自己的剪刀手剪碎身上的衣服，扔掉所有的光環和傷害，剪掉這個世界強加給你的與自己格格不入的一切外殼，然後逃走。
你還記得自己心中的那個小小的Edward嗎？陽光的背後，你的腳下Edward小小的怯懦的影子就這樣一點一點被吞沒了。
⑺ 關於《剪刀手愛德華》的英語影評，
Once upon a time, an inventor lived in an old castle isolated on top of a hill. He created many ingenious devices and one day, he decided to create a man whom he call Edward. The good-natured scientist took care of him like if he was his own son, but he was old and died before he could complete him. Left all alone with scissors instead of human hands, Edward remains in the castle until he is befriended by Peg, a woman from the neighbouring town who feels pity for his loneliness and decides to bring him to her home. His difference quickly becomes an obstacle which prevent him from being fully accepted as a member of society. Soon, the unsuspecting Edward, becomes the focus of much gossip and awakes either curiosity, hilarity, anger or fear amongst the whole neighbourhood. Also, his innocence and good nature make him an easy victim for the unscrupulous. His artistic talent are exploited by all. And as he falls in love with Peg's daughter, she abuses his kindness and tricks him into helping her and her boyfriend burglar a house. His initial naivety leaves place to feelings of frustration, reject and revolt at people's ways. Edward also comes to realise, that he can be dangerous to others, that he is unable to even touch others without inadvertently harming them because of the sharpness of the blades he has instead of hands. Soon false rumours start spreading. People begin to fear him and wish him away. This is a wonderful tale about love and kindness, but also about rejection and estrangement. It shows the limits of people's tolerance for what is different from them and how strangers, those who stray from the norm, commonly named 'misfits', awake mockery or fear from a society which will use them and ultimately reject them, thus breaking their innocence and goodness. Though a harsh satire of people's vices, such as deceit, gossip, jealousy, hypocrisy, as well as a tragic witness to the pain and frustration linked to being unable to be accepted as one is by others, the tone is still infused with an ever constant sweetness, gentleness and innocence. The acting is impeccable. Depp's performance as Edward is truly touching and Keaton and Price's characters are full of gentleness. Their good-nature shows humanity at its best while some other characters efficiently show its least pleasant aspects. The photography is quite beautiful and is thematically based on a strong contrast between Edward's universe, the dark noiseless castle, strongly influenced by the gothic visual style, with the town, filled with bright colours and voices. The apparently gloomy castle is in fact a shelter from the seemingly happy outside world, which is in fact, much darker and sinister underneath its bright colours. The music is simply great, Danny Elfman being one of the most talented contemporary composer. His style is at times moving, soft, wild, silly, weird and crazy. He has worked on many musical soundtracks since, but this one is probably the most beautiful he ever created.
⑻ 能否介紹一部關於機器人的英文電影
機械公敵
機器人管家
人工智慧