尋找人工智慧電影英文版

1. 求電影《人工智慧》的英文簡介

AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each indivial theme here, either. That would ruin the movie for you.

"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.

Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.

"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reced natural resources. Mechanical androids have become popular since they require no commodities. Reproction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.

We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.

I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.

Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.

2. 急需電影《人工智慧》和《勇敢的心》的英文劇情介紹

勇敢的心 braveheart
資料一：
Unfortunately, I have yet to find a film of quite this caliber again. Braveheart contains elements of Romance (several heart- wrenching and warming instances), Epic/Action (spectacular scenes), Mystery (can take a few viewings to put it all together), History (albeit romanticised) and of course Drama (perfectly unravelled). This level of uncompromised multi-tasking allows the film to move you to laugh and cry, love and hate or even to think and be taught. I'm trying to avoid the clichés of glowing reviews (almost as bad as entirely negative ones) - but this is one of the few movies that I feel deserves one.

The witty banter between friends/foes/lovers/relatives is, in my opinion, flawless and aids the film's claim as a true classic. The soundtrack is similarly top-notch and encapsulates and refracts the patriotic theme ring several key moments. The political sub-plot and gorgeous scenery also serve as refreshers ring otherwise heavy areas of the story. Perhaps Braveheart's only flaw (but if you share my sentiments it's actually a bonus) is its length so you'll want to prepare a comfy seat and maybe even two pots of tea (complete with cosies!).

I suppose it's also relevant to touch on the historic inaccuracies as I expect this is what people might dislike most about this film. However, "History is written by those who have hanged heroes"; also, the overall sketchiness of such periods coupled with the right of artistic license are enough for me to personally dismiss such thoughts. On that note, I hope you also enjoy what, to me, is the greatest film created (so far).

資料二：
The movie begins in the small town of Elerslie, Scotland. William lives with his father, who is not named in the film, and his older brother Malcolm. William's father and older brother are called to a meeting a few miles from their home where they find the entire nobility of Scotland hanging. Malcolm and his father then go to a battle between the British and their clan, both die tragically. At the funeral William meets his uncle Argyle who fought in the battle with Malcolm and his father. He takes him away to live with him. The scene then cuts to an alt William on his horse. William later runs into a girl he knew before he went to live with Argyle, her name, Murron, we discover that Lords have the right to sleep with brides on their wedding night, so William marries Murron in secret. Murron is the assaulted by a British guard, the guard is killed by William, a fight ensues, and eventually Murron is killed by the lord. This enrages Wallace who then build himself a fine army entering city's and killing all Englishman within. Wallace prepares to move on to Sterling where he prepared for his greatest battle yet, in the forest he realises that he must find a way to beat the heavy cavalry from the ground, he decided to create spears twice as long as men. These were used in the battle to kill the entire heavy cavalry raised at the last minute to kill the on coming horses. Eventually Wallace reaches York, the most important military city he gains control. Williams final battle at Falkirk ends in his betrayal by two nobles, whom he later kills. William is betrayed by the leper father of Robert the Bruce, is captured and refuses to bow down as a loyal subject of the king Edward I, Longshanks. Therefore, instead of mere beheading William Wallace is subject to being Hung, hung within an inch of death. Drawn, being stretched by his ankles and wrists and then having his insides shown to him before he died. Then Quartered, he was beheaded and his head was put on the London Bridge his body was torn into for pieces one sent to each corner of Britain as a warning to the citizens. After Wallace's death we see Robert the Bruce led the battle of Bannockburn the last battle for Scotland's freedom.

資料三：
In 14th Century Scotland, William Wallace leads his people in a rebellion against the tyranny of the English King, who has given English nobility the 'Prima Nocta'.. a right to take all new brides for the first night. The Scots are none too pleased with the brutal English invaders, but they lack leadership to fight back. Wallace creates a legend of himself, with his courageous defence of his people and attacks on the English.

——————————————————————
人工智慧 artificial intelligence A.I
資料一：
In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-procing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real".

資料二：
The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, instry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.

3. 跪求~~!關於機器人的電影的英文簡介

Bicentennial Man

Rating:
Genre: Comedy
Movie Type: Domestic Comedy， Sci-Fi Comedy
Themes: Journey of Self-Discovery， Opposites Attract， Robots and Androids
Director: Chris Columbus
Main Cast: Robin Williams， Sam Neill， Wendy Crewson， Embeth Davidtz， Oliver Platt
Release Year: 1999
Country: US
Run Time: 131 minutes
MPAA Rating: PG
Plot
If a robot spends enough time around humans， can he learn to become one of them？ The Martin family purchases a domestic android as a servant and names him Andrew (Robin Williams). Andrew comes to know the man of the house as Sir (Sam Neill)， his wife as Ma'am Wendy Crewson， and their daughter as Portia (Embeth Davidtz)； before long， the Martins suspect that they do not have an ordinary robot on their hands. Andrew seems capable of expressing emotion and generating original thoughts， and the longer he stays with the Martins， the more strongly these human traits manifest themselves. Over the next 200 years， Andrew becomes less a machine and more a member of the family， until a mechanic (Oliver Platt) tells Andrew that he might be able to turn him into a human being. Based on a short story by renowned science fiction author Isaac Asimov (surprisingly， it's only the second Asimov story to be brought to the screen)， Bicentennial Man was directed by Chris Columbus， who previously worked with Robin Williams on Mrs. Doubtfire. ~ Mark Deming， All Movie Guide.

機器管家/變人 Bicentennial Man (1999)

導 演:克里斯·哥倫布 Chris Columbus
主 演:羅賓·威廉斯 Robin Williams 山姆·內爾 Sam Neill 艾伯斯·戴維斯 Embeth Davidtz 奧利弗·普萊特 Oliver Platt 海麗·凱特·艾森伯格 Hallie Kate Eisenberg Kevin Tiny Ancell Joe Bellan Merridee Book
上 映:1999年12月13日 ( 美國 )更多地區
地 區:美國 德國 ( 拍攝地 )
對 白:英語
評 分:6.1/10( 7330票 ) 詳細
顏 色:彩色
聲 音:DTS Dolby Digital SDDS
時 長:132 分鍾
類 型:劇情 科幻 愛情
分 級:瑞典:Btl 澳大利亞:PG 英國:PG 阿根廷:13 德國:0 美國:PG 紐西蘭:PG 法國:U

劇情簡介:
這部影片追隨一個機器人的「生活」進行。羅賓·威廉姆斯飾演的機器人安德魯被馬丁一家作為家務機器人購買，他的程序只設置為完成僕人的任務。但沒過幾天他們發現安德魯並不是一個尋常的機器人，因為他開始體驗情感和創造思維。在一個跨越了兩百年的故事裡，安德魯在阻止那些製造他的人銷毀自己的過程中領會了人性的錯綜復雜。
這個機器人，是好萊塢喜劇天王、羅賓威廉斯最新的嘗試。 擅長以溫馨喜感演出取勝的、好萊塢影星，羅賓威廉斯，在新片《機器人》中，飾演的機器人，在經歷兩百年後，終於透過先進科技，變成真正人類的故事。
片中雖然大量使用電腦科技，強化視覺效果，不過影片的賣點，還是集中在人性情感的探討上。羅賓威廉斯在影片中，將再度以感性的內心戲打動觀眾。羅賓威廉斯表示科幻片向來是他喜歡的.

PS:中文介紹並非原英文介紹翻譯。

4. 幫忙找一個影片 想要這個影片的名字

工智能(2001)

英文名：ArtificialIntelligence:AI

中文名：人工智慧/AI人工智慧

導演：(斯蒂文·斯皮爾伯格/史蒂芬·史匹柏StevenSpielberg)

主演：(海利·喬·奧斯蒙特HaleyJoelOsment)(弗朗西斯·奧康納FrancesO'Connor)(山姆·洛巴茲SamRobards)(傑克·托馬斯JakeThomas)(裘德·洛JudeLaw)(威廉·赫特WilliamHurt)

上映：2001年06月26日美國詳細上映地區

地區：美國更多詳細拍攝地

對白：英語

評分：本站評分..6.7/10(117票)詳細

IMDb評分6.9/10(75648票)詳細

顏色：彩色

聲音：DTS-ESDolbyDigitalEXSDDS

時長：146

類型：冒險劇情音樂科幻

分級：馬來群島:U阿根廷：13澳大利亞：M巴西：Livre加拿大：14A芬蘭：K-15法國：U德國：12香港：IIA兒童不宜冰島：12愛爾蘭：12荷蘭：12挪威：15菲律賓:PG-13葡萄牙：M/12新加坡：PG韓國：12西班牙：7瑞典：11瑞士：12瑞士：12英國：12美國：PG-13

加入站內收藏夾查看影評及點評對該電影評分立即高速下載我對本片的評分是:7分我已將該電影收藏到:已看

·外文別名：

A.I.(USA)(workingtitle(promotionaltitle))

A.I.ArtificialIntelligence(USA)(postertitle)

A.I.:ArtificialIntelligence(USA)(alternativespelling)

·劇情介紹

21世紀中期，由於氣候變暖，南北兩極冰蓋的融化，地球上很多城市都被淹沒在了一片汪洋之中。此時，人類的科學技術已經達到了相當高的水平，人工智慧機器人就是人類發明出來的用以應對惡劣自然環境的科技手段之一。

先進的人工智慧機器人不但擁有可以亂真的人類外表，而且還能像人類一樣感知自己的存在。大衛（海利·喬·奧斯蒙特）就是這樣一個有思想、有感情的小機器人，他被一對人類父母所收養，有一個哥哥和一個貼身的夥伴——機器泰德熊。但這些並不能讓大衛滿足，他一直渴望著自己終有一天不再僅僅是個機器人。抱著對這個願望的執著，11歲的大衛踏上了漫長的心路歷程，跟隨在他身邊的，還有另一個善良的機器人喬（裘德·洛）。誰也不知道他們能否完成自己的心願，脫胎換骨成為真正的人，等待他們的只有凶吉難料的對復雜人性的追尋......

5. 電影《人工智慧》的台詞。

人工智慧精彩對白：
David: Is it a game?
Monica: Yes.
Monica: You won't understand the reasons but I have to leave you here.
David: Is it a game?
Monica: No.
David: When will you come back for me?
Monica: I'm not, David. You'll have to be here by yourself.
David: Alone?
Monica: With Teddy.
David: No. No, no, no! No, Mommy, please! No, no. Please, Mommy.
Monica: They would destroy you, David!
David: I'm sorry I broke myself. I'm so sorry I cut your hair off. I'm sorry I hurt Martin.
Monica: I have to go. I ahve to go! Stop it! I have to go now.
David: Mommy, don't! Mommy if Pinocchio became real and I become a real boy can I come home?
Monica: That's just a story.
David: But a story tells what happen.
Monica: Stories are not real! You're not real! Now, look. Take this, alright? Don't let anyone see how much it is. Look. Don't go that way. Go anywhere but that way or they'll catch you. Don't ever let them catch you! Listen, stay away from Flesh Fairs, away from where there are lots of people. Stay away from all people. Only others like you, only Mecha are safe!
David: Why do you want to leave me? Why? I'm sorry I'm not real. If you let me, I'll be so real for you!
Monica: Let go, David! Let go! I'm sorry I didn't tell you about the world.
Narrator: 289 Those were the years when the icecaps melted e to the greenhouse gases and the oceans had risen and drowned so many cities along all the shorelines of the world. Amsterdam, Venice, New York forever lost. Millions of people were displaced. Climate became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived when most governments in the developed world introced legal sanctions to license pregnancies. Which was why robots, who were never hungry and did not consume resources beyond those of their first manufacture were so essential an economic link in the chain mail society.
fe8 Female Colleague: It occurs to me with all this animus existing against Mechas today it isn't just a question of creating a robot that can love. Isn't the real conundrum, can you get a human to love them back?
Professor Hobby: Ours will be a perfect child caught in a freezeframe. Always loving, never ill, never changing. With all the childless couples yearning in vain for a license our Mecha will not only open up a new market but fill a great human need.
Female Colleague: But you haven't answered my question. If a robot could genuinely love a person what responsibility does that person hold toward that Mecha in return? It's a moral question, isn't it?
Professor Hobby: The oldest one of all. But in the beginning, didn't God create Adam to love him?
David: Mommy? Will you die?
Monica: Well, one day, David, yes, I will.
David: I'll be alone.
Monica: Don't worry yourself so.
David: How long will you live?
Monica: For ages. For 50 years.
David: I love you, Mommy. I hope you never die. Never.
Patricia in mirrored room: I'm afraid.
Gigolo Joe: Of me?
Patricia in mirrored room: Yes.
Gigolo Joe: That I will hurt you?
Patricia in mirrored room: Yes.
Gigolo Joe: I think... you're afraid of letting go. I think you're afraid of happiness. And this is starting to excite me. Are you afraid of seeing the stars... Patricia? I can show you how to reach them.
Patricia in mirrored room: I'm afraid of what you've got under there. May I see what it looks like first?
Gigolo Joe: Is this your first time... with something like me?
Patricia in mirrored room: I've never been with Mecha.
Gigolo Joe: That makes two of us.
Patricia in mirrored room: I'm afraid it will hurt.
Gigolo Joe: Patricia... once you've had a lover-robot you'll never want a real man again. Are these the wounds of passion?
Patricia in mirrored room: Do you hear that music?
Gigolo Joe: You... are a goddess, Patricia. You wind me up inside. But you deserve so much better in your life. You deserve... me.
Gigolo Joe: Miss Bevins, it's Joe, at your service. I've been counting the seconds since last we met. Have you been crying, Samantha? I found a tear.
The Murderer: Hey Joe, what do you know? How many seconds has it been since the last time you two were together?
Gigolo Joe: 255,133.
The Murderer: Goodbye, Sam, and never forget: you killed me first.
Gigolo Joe: I'm in bad trouble.
Gigolo Joe: Are you in trouble? Have you run away from someone?
David: 25 My mother told me to run away.
ef5 Gigolo Joe: Why did she say that?
David: I guess because Henry didn't like me.
Gigolo Joe: Why was that?
David: Martin came home.
David: Martin is Mommy and Henry's real son. After i find the Blue Fairy then I can go home. Mommy will love a real boy. The Blue Fairy will make me into one.
Gigolo Joe: Is Blue Fairy Mecha, Orga, man or woman?
David: Woman.
Gigolo Joe: Woman? I know women! They sometimes ask for me by name. I know all about women. About as much as there is to know. No two are ever alike, And after they've met me, no two are ever the same. And I know where most of them can be found.
David: Where?
Gigolo Joe: Rouge City. Across the Delaware. Too far for our feet. We'll need help to get there. And it's not without peril. We will have to journey towards the moon.
David: Are there many women in Rouge City?
Gigolo Joe: As there are stars at night.
David: How do we find just one?
Gigolo Joe: We will ask Dr. Know. There is nothing he doesn't. Exactly what name do you give this woman?
David: She is just Blue Fairy.
Gigolo Joe: Blue Fairy. In the world of Orga, blue is the color of melancholy. Yet the services I provide will put a blush back on anyone's cheek. I will change the color of your fairy for you. She will scream out: 'Oh yes! Oh God! Oh, yes! Oh, God! Oh, God!' She will make you a real boy for I will make her a real woman and all will be right with the world because you held my hand and saved my brain so that once again my customers my ask for me by name: 'Gigolo Joe, what do you know?'
Gigolo Joe: There are girls your age that are just like me. We are the guiltless pleasures of the lonely human being. You won't get us pregnant or have us to supper with mommy and daddy. We work under you, we work on you and we work for you. Man made us better at what we do than was ever humanly possible.
David: I like your floor.
David: Please make me a real boy?
David: My brain is falling out.
Gigolo Joe: When you become a real boy, remember me to the ladies when you grow up.
Gigolo Joe: I *am*.
[Being taken into custody]
Gigolo Joe: I was!
Professor Hobby: You are a real boy. At least as real as I've ever made one.
Monica: David, this is your new toy.
Teddy: I am *not* a toy!
Gigolo Joe: 27b She loves what you do for her, as my customers love what it is I do for them. But she does not love you David, she cannot love you. You are neither flesh, nor blood. You are not a dog, a cat, or a canary. You were designed and built specific, like the rest of us. And you are alone now only because they tired of you, or replaced you with a younger model, or were displeased with something you said, or broke. They made us too smart, too quick, and too many. We are suffering for the mistakes they made because when the end comes, all that will be left is us. That's why they hate us, and that is why you must stay here, with me.
fb5 Gigolo Joe: They ask for me by name. Gigolo Joe, What do you know?
Gigolo Jane: Hey Joe, what do you know?
Gigolo Joe: Hey Jane, how's the game?
Dr. Know: Come away O human child / To the waters and the wild / With a fairy hand in hand / For the world's more full of weeping / Than you can understand.
David: I never had a birthday.
Monica: Cirrus, Socrates, particle, decibel, hurricane, dolphin, tulip.
Gigolo Joe: You are a goddess, Patricia. You wind me up inside. But you deserve much better in your life. You deserve... me.
Gigolo Joe: I know women! They sometimes ask for me by name. I know all about women. About as much as there is to know. No two are ever alike, and after they've met me, no two are ever the same!
Lord Johnson-Johnson: He who is without "sim", cast the first stone.
David: What's for dinner tonight?
Monica: You know you don't eat.
David: Yes. But I like sitting at the table.
David: Mommy... I'm sorry I broke myself.
Monica: I can't accept this! There is no substitute for you own child!
Dr. Know: Starving minds, welcome to Dr. Know! Where fast food for thought is served up 24 hours a day, in 40, 000 locations nationwide. Ask. Dr. Know - there's nothing I don't.
[Finding a of himself in Hobby's office/library]
David: Is this the place they make you real?
David 2: This is the place they make you read.
Professor Hobby: My son was one of a kind. You're the first of a kind.
Gigolo Joe: I'm in bad trouble.
Gigolo Joe: All roads lead to Rouge.
David: Is 50 years a long time
Teddy: I don't think so
Gigolo Joe: In this day and age, David, nothing costs more than information.
Junky Mecha: Would you be so kind and shut down my pain receivers?
Gigolo Joe: Many a mecha has gone to the end of the world... never to come back! That is why they call the end of the world 'MAN-hattan'.
Gigolo Joe: They hate us, you know... The humans. They'll stop at nothing.
Gigolo Joe: e7 She will make you a real boy for I will make her a real woman and all will be right with the world, because you held my hand and saved my brain. So once again my customers may ask for me by name: 'Gigolo Joe, wha'd'ya know'!
f56 [Joe starts dancing]
David: Why do you do that?
Gigolo Joe: That's just what I do.
David: My mommy doesn't hate me! Because I'm special! And unique! Because there's never been anyone like me before, ever! Mommy loves Martin because he is real, and when I am real Mommy's going to read to me and tuck me in my bed and sing to me and listen to what I say and she will cuddle with me and tell me every day a hundred times a day that she loves me!
David: I can never go to sleep... but I can lay quietly and not make a peep.
Female Colleague: If a robot could genuinely love a person, what responsibility does that person hold toward that mecha in return? It's a moral question, isn't it?
Professor Hobby: The oldest one of all. But in the beginning, didn't God create Adam to love him?
Monica: I do love you, you know.
[whispers]
Monica: I have always loved you.
Professor Hobby: The greatest single human gift - the ability to chase down our dreams.
Gigolo Joe: I am... I was.

6. 電影《人工智慧》英文名

《人工智慧》（英文名《A.I.: Artificial Intelligence》）
斯皮爾伯格繼承大師庫布里克遺志，拍攝了這部未來派的科幻史詩影片，裘迪勞和第六感小神童奧士文的機器人造型頗為神奇。
故事發生在二十一世紀，地球因溫室效應而令冰山溶化，許多沿海城市被水淹沒，人類只有依靠電腦的人工智慧來維持生命，同時人類也應用具有人工智慧的機器人作各種不同的用途。在其中的一個家庭，一對人類父母收養了小機器人大衛（凱利祖奧士文）作為他們的兒子，給他真人一樣的生活。而大衛在人類中長大，開始了一段非比尋常的心路歷程…
本片是導演監制於一身的斯皮爾伯格根據電影大師史丹利庫布里克生前所留下的八十頁劇本改編而成的。影片的故事有點兒象童話皮諾曹的現代科幻版，和2年前羅賓威廉斯的《兩百年人》（Bicentennial Man）也有幾分相似。而片名 A.I. 是 Artificial Intelligence 的縮寫，就是人工智慧的意思，影片的全名也應該是 A.I.: Artificial Intelligence。
斯皮爾伯格自98年的《拯救大兵瑞恩》後就一直在猶豫他的下一部作品，他手頭的計劃包括《藝妓回憶錄》(Memoirs of a Geisha)、《印地安那瓊斯第四集》(Indiana Jones 4)和《少數派報告》(Minority Report)等。但由於和他有20年交情的庫布里克於1999年突然去世，《大開眼界》(Eyes Wide Shut)在無奈中帶著一絲遺憾成了大師的絕響，而大師生前最後一個計劃也就是本片《A.I.》暫時擱淺，這一突變使得斯皮爾伯格把本片列入了他的計劃之中。
斯皮爾伯格於去年初決定繼《侏羅紀公園》後再度挑戰科幻題材的影片，其中包括向老友致敬的這部《A.I.》和湯姆克魯斯期待多時的《少數派報告》，兩部影片到底誰先勝出一度成了影迷茶餘飯後的最佳話題。經過數度周折，斯皮爾伯格最終選擇了這部他從未嘗試過的未來派風格的科幻史詩影片《A.I.》。(以上均為網路轉載）
對本部科幻經典的一切評價都顯得蒼白空洞，個中寓意萬千，只可自己身受。

望及時採納！

7. 求一篇介紹關於機器人電影的英文簡介

變形金剛 （英文簡介，你去網上搜查）

8. 看AI的感想，英文

A
Ah bon? 真的嗎？
A l'œil 免費。Dîner à l'œil .
Avoir la pêche 有了活力！有了干勁！ J'ai la pêche! 我有了干勁！
Avoir une bonne fourchette, être une bonne (une belle ) bourchette 都是來形容食量很大，胃口大
Avoir la tête dans le cul 形容 打不起精神來 由於睡眠不足。
Avoir la tête dans le pâté. 形容 感覺還沒睡醒。
Arrete ton baratin! 別再花言巧語了!
A qui le dites-vous 你以為我不知道
à la tienne ！祝你健康！
Aussitot dit, aussitot fait 說干就干

B
Bonne journée; Bon courage; Bon week-end； Bonne chance , Bonne continuation; Bon travail etc. 在道別的時候，法國人總會加上一句祝福的話，根據對話人的不同，提出相應祝福，表示 關心和友好。
Bon ben...... 口語，看語氣推測意思，呵呵
Bien sûr 當然
Bravo ! 好！ 妙！ 特別用在觀看演出時，觀眾對節目的熱烈贊成！
Bla-Bla 通常指高談闊論，長篇大論的廢話
Bordel 亂七八糟 Attends une seconde, je range un peu mon bordel. Bordel ！也用來表示 憤怒！ 生氣！
BIBI － 我，鄙人。 C'est bibi qui a fait ça. 是我做的.
C
Chouette ！真漂亮啊！
Ciao！是義大利語的再見，但法國人經常說，用於朋友之間。
Con,Conne n.愚蠢,笨蛋 adj.愚蠢,讓人遺憾 C'est con, ce qui t'arrive. n.(粗語)陰戶。強調它不是conard,e(connard,e) 的縮寫！（conard,e 指傻瓜，笨蛋，獃子）
Chiant,e 使人很煩惱，討厭，令人不快，掃興。
Chapeau ! : Bravo !
Chiche: 表達一種不在乎，蔑視的態度。Chiche que je bois tout ! 我都能喝！另外別人激你，懷疑你做某事能力時，你可以這樣回答： Chiche ! Tu n'iras pas ! - Chiche !
Ça va? 熟人見面必說之語，ça va?Oui, et toi?ça va merci!
C'est comme ça! 孩子經常問："Pouquoi?"（為什麼？）家長回答："C'est comme ca!"（就是這樣，不為什麼）對於不好解釋的問題，法國人常常這樣說，有時也是一種無奈。
Ça y est! Ça y a été! 都是指事情完成了，進展的順利，只是時態不同。
ça m'étonne ! 和 ça ne m'étonnne pas ! 的區別。
au présent, 或者講述過去的事時：Ça m'étonne! 有點像 je ne le pense pas! 我不覺得！我可不認為！ça ne m'étonne pas！和上面表示的意思相反，是表示你想得和對方一樣，或者說對方說的你已經預料到了。翻的拗口點就是：我沒有不這么覺得哦！如果是講述即將發生的事情，則要用：Ça m'étonnerait ! ça ne m'etonnerait pas!
Ce n'est pas grave！不要緊
Ce n'est pas la peine 不需要，沒用。
C'est vrai? 真的么？跟中文作用相同，表示驚奇或懷疑。
C' est nickel = Impeccable 不錯！很好！
C'est normal 這很正常
C'est génial! Excellent ! C'est magique ! Superbe! Bravo! 一系列用與吹捧的詞。
C'est terrible! 是說"確實不咋樣" 直譯"太可怕了!" 但是法國人更喜歡用這句表達相反的意思,就是"太棒了!" 加個否定詞就是"不怎麼樣"。
C'est à se tordre 真笑死人。
C'est marrant... ,C'est rigolo... 滑稽的，好笑的。
C'est dans la poche ！指事情成功了，事情解決了！
C'est vraiment...... 這真是......
C'est parti ! ......開始！
C'est pareil au même. 這是一回事。
C'est chinois ！這很難理解！
C'est le jour et la nuit. 天壤之別。
C'est juste mon affaire. 這正是我想要的。
Ce ne sont pas tes oignons. ça ne te regarde pas.
Ca dépend! Voila! Quoi de neuf? 意思是，有什麼新鮮事么？朋友之間（尤其是年輕人）見面經常這樣說，相當於問，最近怎麼樣？
ça caille = il fait froid 這么冷！
ça gne (dans l'huile) = ça va, ça marche ,bien 問候語
ça craint 令人不快，讓人煩惱
ça n'a pas loupé 事情就像預料中那樣。
ça ne prend pas 我不相信。
Ça m'est égal. 對我來說無所謂
Comme ci comme ça 馬馬虎虎，還可以
Comme dit l'autre.
comme une lettre à la poste 輕松地，毫無障隘地
Cash 現金。這個單詞是英文，但法國人也常用它 payer cash 付現金。
coincer la bulle 什麼事也不做 ne rien faire
casser la tête, les oreilles 由於太大的雜訊而煩躁
casser les pieds 使惱火，使厭煩
D
D'accord 表示同意，也經常說啊
Demain c'est un autre jour. 法語版"飄"。
Doucement! 法國人比較常用的口頭禪，意思是慢點，小心，別毛手毛腳，溫和一些。
D'un jour à l'autre. 隨時隨刻
Dégueulasse ! Dégoûtant. 讓人惡心，令人厭惡，卑鄙下流。
Déconner 胡說八道。Tu déconne.
Dégage ! Dégage toi. 靠一邊去。
E
Et voila. 你說對了，或者表達對了他想說的；他幫你作好了一件事情或者給你帶來了什麼東西。
Et alors？意思根據具體情況了，一半最多是用來嘆氣的或者過渡拉什麼的， 沒什麼意思；當你講述一個事情，他想知道下文的時候會這么問， 類似於 然後呢？或者有 SO WHAT 是那又怎麼樣呢？
En effet 實際上。
Enten! 一言為定
Enfin bref ! 好吧，總之。
en deux mots 三言兩語 expliquer la chose en deux mots .簡要的把事情解釋清楚。
Et que ça saute ！快點！
Être aux cent coups 非常擔心，焦急不安！
Être , mettre dans le coup！ 加把勁！加油干！
Entre quatre yeux 面對面。
F
Flic 警察
Fainéant,e qui ne veut rien faire. 懶人，無所事事的人！
Faire gaffe! 小心! 當心!! 意思與 faire attention 是一樣的.口語常說Attention!! 或者Fais gaffe!
Faire sauter qqn 讓某人丟掉飯碗，工作。
Fais comme chez toi !
G
Griller un feu rouge 闖紅燈
Grand-chose s'emploie avec une négation:
Il n'y pas grand-chose de nouveau. C'est pas grand-chose.
Il n'a pas fait grand-chose aujourd'hui.
I
Il n'y a pas de feu au lac！ 湖裡面不著火。實際上這句話來源於瑞士，在日內瓦有個著名的湖，，瑞士人不喜歡匆匆忙忙，所以他們經常這樣說。沒有火燎屁股的急事，慢慢來。還有一種說法：Prend ton temps. 表示不用著急。
Il bondit de joie 他高興的跳了起來，可以不用 il est très content.
(Il n' ) y a pas photo ！通常指別的東西或事無法與之比較。令人驚奇！
Il s'en faut de beaucoup. 還差的遠呢，還差的多呢
(Il) y en a marre: ça suffit
J
Je me sauve！ 不是說自己拯救自己，意思是我得趕快走了。
je m'en vais 我要走了 人家不知道我去哪 。 j y vais 我去那裡了，人家知道我去哪。
je m'en fou 直譯為"關我鳥事"
Je m'en souviens comme si c'etait hier. 我對此事記憶猶新
Je vais faire de mon mieux. 或 Je vais faire de mon pouvoir. 我將盡力而為
Je t'aime à mourir. 這可算毒誓了，愛你到死!
Je suis fou de ... 不要老說 j'aime...，太俗，用用這個對什麼瘋狂的句型吧!
Je ne peux trouver le sommeil. 我失眠了
J'en ai marre ＝j'en ai ras le bol 我厭倦這些了!
J'ai bien capté = J'ai compris
Je glande / J'ai glandé 我啥都沒干無所事事來著.常用於不幹活光坐著聊天偷懶的上班族
K
K.O 疲勞，很累。je suis K.O. 我累的不行了！
L
La vache 與vachement Vache 這個詞法國人用的非常多。比如看到令人驚嘆的人或物，人們會感嘆一聲：HOh la vache! ,C'est vachement bien!
Laissez tomber 意思是別管它，不要緊。生活中很多東西是要忽略而過的，法國人經常這樣說，用於安慰 別人或者告訴自己：Laisser courir 隨它去， 隨其自然；La classe ！對那些優雅，高雅的東西的贊美詞！La sauter 沒吃飯，餓了。
Le gratin 上流社會，名流人士。
Louper 沒有成功，做糟。
M
Machin 通常指些人或東西。當我們一時想不起或不知道其名的人或物時就用Machin來代替。Passe moi le machin ！把那個東西遞給我。
Mon ange, ma puce, mon coeur, mon chat, ma pauvre, mon cheri... 對心愛人的稱呼，總是變幻無窮，親昵的叫法，表示感情的深厚。
Merde! 雖不雅觀，但不管男女老少，哪個階層的人都說，可以演算法國國罵。
Ma poule ! 法國男人對自己的妻子或者對別的女人，特別是年輕的姑娘的昵稱:"Ca va, ma poule ?"
mais oui 對啊
mouchard,e 通常指 告密者，打小報告的人。
Môme. 小孩，小傢伙。T'es môme.
N
Nom de Dieu ！Nom d'un chien ！ 倒霉! 糟糕! 該死 ！
ne t'en fais pas : 別擔心。
Noël au balcon, Pâques au tison 冬暖，春必寒.
N'importe quoi ! Il fait n'importe quoi.
O
Ouf 瘋了！就是fou反過來
Oh la la la ...... 哎呀呀......
On (ne) sait jamais! 意思是什麼事情都有可能發生，一切都會改變，人們不能預見未來。
On s'en va 我們走吧 強調我們離開這里 On y va 強調我們離開這里去那裡
On fait la revance . 就是再玩一局。如果兩個人玩, 然後一個人輸了
就可以說:On fait la revance
Où avais-je l'esprit 我腦子哪裡去了 (忘記或者沒注意到時)
On mange chez toi(moi) ou on mange chinois。
P
Patate = Pomme de terre , 還有 Bête 的 意思。
Pauvret, te. Oh , le pauvret !
Pénible 難以打交道，令人難以忍受 Il est pénible !
Pas mal 不錯 ！
Prend ton temps. 表示不用著急。
Pourquoi pas？為什麼不？對於別人的建議和看法，法國人經常這樣回答。他們常常把事情往好的方向想，也是對別人看法的尊重。
Pas de souci 不必操心，不用煩惱
Prendre la tête 發怒，惱火 ça me prend la tête。讓我生氣，惱火。
Perdre la boule 發瘋，失去理智。
Pourquoi pas ？ 為什麼不呢？
par contre 另一方面或者是類似的意思。
Prendre l'air 出去散步，呼吸新鮮空氣。
Petit à petit 漸漸的，逐漸
prendre une cuite 喝醉了，喝多了
Prendre la mouche : se facher 生氣， 發怒
Q
Qu'est ce qu'il barbouille 他在胡扯些什麼？
R
Rira bien qui rira le dernier 笑到最後的笑得最好
S
Si tu veux/Si vous voulez. 字面意思：如果你（您）願意。有的時候其實只是一種禮貌用語，並沒有實在意義。法國人對他人的意見很尊重，即使提出自己的建議，也要加這么一句，表示並不強迫別人。有的時候表示委婉的拒絕，也會用到它，不過意思不強烈，說話人也在猶豫。這是一種把主 動讓給別人的方法，日常生活經常用到和聽到。
Se casser la tête 想方設法做...，為...絞盡腦汁
Savoir (ne pas savoir) par quel bout la prendre 找到解決問題的辦法。
se fait mauvais sang = être très inquiet
T
Tchin tchin ！乾杯
Tu va bien? = ça va? tu es bien passe? 你過得還好吧？
Tout à fait 完全正確，就是 pas tu tout 一點都不
Tant pis pour toi! 算你倒霉。沒有太大的惡意，有的時候半開玩笑地說。場合不定，比如"Moi j'aime bien le vin.Si tu n'aime pas, bien, tant pis pour toi!" 此外，
Tant pis 糟糕！ Tant mieux 太好了！也是法國人的口頭禪，表達個人感想。
Tu parles ! 你開什麼玩笑 或者 你倒說得好 有點輕蔑、挖苦的意思
Tomber dans les pommes 昏倒，昏厥
Tu peux courir ！你是痴心妄想！你在做無用工！
Tu es un gros zéro. 你是一個大白吃
Tu iras dormir moins bête ce soir 轉意：你又學了點東西。
Tant bien que mal 比差強，好歹
Ta gueule ! 住嘴！閉嘴！
Tête-bêche : 頭對腳，腳對頭；一順一倒的

U
une nuit blanche 一夜沒睡
un coeur d'artichaut 花心
Un tout petit peu 一點點兒，一丁點兒。
Y
Y êtes-vous? - J'y suis : 你懂了嗎，（或者說找什麼東西）找到了嗎--明白了，懂了，找到了。comme "j'ai bien capté".

Z
Zut 見鬼， 該死，倒霉

9. 對寫英語作文有幫助的英文電影

101 Dalmatians 101 斑點狗
2001: A Space Odyssay·1968 2001太空漫遊
A Clockwork Orange·1971 發條橘子
A Place in the sun·1951 郎心如鐵
A Streetcar Named Desire·1951 慾望街車；慾望號街車
A Walk in the Clouds 雲中漫步
A.T. 人工智慧
Ace Ventura 神探飛機頭
Air Force One 空軍一號
Alien 異形
All About Eve·1950 彗星美人
All Quiet on the Westernfront·1930 西線無戰事
Amadeus·1984 阿瑪迪斯; 莫扎特
American Beauty 美國麗人
American Graffiti·1973 美國風情畫(美國往事)
An American in Paris·1951 花都舞影(一個美國人在巴黎)
Anna and the King 安娜與國王
Annie Hall·1977 安尼·霍爾；安尼荷爾
Apocalypse Now·1979 現代啟示錄
Basic Instinct 本能
Beauty and the Beast 美女與野獸
Ben-Hur·1959 賓漢(賓虛)
Black and White 黑與白
Bonne and Clyde·1967 我倆沒有明天；雌雄大盜
Brave Heart 勇敢的心
Bringing up Baby·1938 育嬰奇譚
Broken Arrow 斷箭
Butch Cassidy and the Sundance Kid·1969
Casanblanca·1943 北非諜影；喀桑布蘭卡
Charlie's Angels 霹靂嬌娃
Chicken Run 小雞快跑
China Strike Force 雷霆戰警察
Chinatown·1974 唐人街; 中國城
Citizen Kane·1941 大國民；公民凱恩
City Lights·1931 城市之光
City of Angels 天使之城
Close Encounters of the Third Kind·1977 第三類接觸
Crouching Tiger, Hidden Dragon 卧虎藏龍
Dances With Wolves 與狼共舞
Dances with wolves·1990 與狼共舞
Deep Impact 慧星撞地球
Die AkTE 塘鵝暗殺令
Dinosaur 恐龍
Doctor Zhivago·1965 日瓦格醫生
Double Indemnity·1944 雙重保險
Dr. Strangelove·1964 奇愛博士；密碼114
Duck soup·1933 鴨羹
E.T. The Extra-Terrestrial·1982 外星人
Easy Rider·1969 逍遙騎士；迷幻車手
Enemys at the Gates 兵臨城下
Entrapment 偷天陷阱
Faceoff 變臉
Fantasia·1940 幻想曲
Fargo·1996 冰血暴風；雪花高城
Final Fantasy 最終幻想
First Blood 第一滴血
Forrest Gump·1994 阿甘正傳
Frankenstein·1931 科學怪人
From Here to Eternity·1953 紅粉忠魂未了情
Giant·1956 巨人
Gladiator 角鬥士
Gone with the Wind·1939 亂世佳人；飄
good fellas·1990 四海好傢伙
Guess Who's Coming to Dinner·1967 誰來晚餐；誰來付宴君且猜
Hard Target 終極標靶
High Noon·1952 日正當中；龍城殲霸戰
Hollow Man 空心人
Independent Day 獨立日
It happened One Night·1934 一夜風流
It's a wonderful life·1946 風雲人物
Jaws 大白鯊
Jaws·1975 大白鯊
Jeepers Creepers 驚心食人族
Jurassic Park 侏羅紀公元
King Kong·1933 大金剛
Lawrence of Arabia·1962 阿拉伯的勞倫斯；沙漠梟雄
Lion King 獅子王
Lost World 失落帝國
Lotus Lantern 寶蓮燈
M*A*S*H·1970 外科醫生；風流醫生（軍醫？）俏護士
Matrix 黑客帝國
Meet Parents 拜見岳父大人
Midnight Cowboy·1969 午夜牛郎
Modern Times·1936 摩登時代
Moulin Rough 紅磨坊
Mr. Smith Goes to Washington·1939 史密斯先生上美京
Mutiny on the Bounty·1935 叛艦喋血記
My Fair Lady·1964 窈窕淑女
Network·1976 熒光屏後
North by Northwest·1959 北西北
Notting Hill 諾丁山
On the waterfront·1954 岸上風雲；碼頭風雲
One Flew Over the Cuckoo's Nest·1975 飛躍杜鵑窩；飛越瘋人院
Patton·1970 巴頓將軍
Pearl Harber 珍珠港
Perfect Storm 完美風暴
Planet of the Apes 人猿星球
Platoon·1986 前進高棉；野戰排
Pretty Woman 風月俏佳人
Psycho·1960 驚魂記
Pulp Fiction·994 黑色追緝令(庸俗小說)
Raging Bull·1980 蠻牛
Raiders of the Lost Ark·1981 法櫃奇兵
Ransom 贖金風暴
Rear Window·1954 後窗
Rebel Without a Cause·1955 善子不教誰之過；阿飛正傳
Rocky·1976 洛基第一集
Romeo Must Die 致命羅密歐
Runaway Bride 落跑新娘
Rush Hour 尖峰時刻
Saving Private Ryan 拯救大兵瑞安
Scent of A Woman 女人香
Schindler's List 辛德勒的名單
Schindler's List·1993 辛德勒的名單；辛德勒名單
Shakespeare in Love 莎翁情史
Shane·1953 原野奇俠
Shanghai Noon 上海正午
Singing in the Rain·1952 萬花嬉春；雨中曲
Six Days and Seven Nights 六天七夜
Snow White and the Seven Dwarfs·1937 白雪公主
Some Like It Hot·1959 熱情如火
Space Jam 空中大灌籃
Spy Kid 超級小特務
Stagecoach·1939 驛馬車
Star Wars 星球大戰
Star Wars·1977 星際大戰；星球大戰
Stuart Little 精靈鼠小弟
Sunset Bouevard·1950 日落大道
Swordfish 劍魚行動
Taxi Driver·1976 計程車司機；的士司機
The 6th Day 第六日
The African Queen·1951 非洲皇後
the Apartment·1960 公寓春光；桃色公寓
The Best Years of Our Lives·1946 黃金時代
the Birth of a Nation·1915 國家的誕生
The Bone Collector 神秘拼圖
The Bridge of Madison Country 廊橋遺夢
The Bridge on the river Kwai·1957 桂河大橋；桂河橋
The Deer Hunter·1978 越戰獵鹿人
The English Patient 英國病人
The French Connection·1971 霹靂神探(法國販毒網)
The Fugitive 亡命天涯
The Godfather Part II·1974 教父第二集
The Godfather·1972 教父第一集
the gold rush·1925 淘金記
The Graate 畢業生
The Grapes of Wrath·1940 怒火之花
The Green Mile 綠色奇跡
The Jazz singer·1927 爵士歌手
The Long Kiss Goodnight 特工狂花
The Maltese Falcon·1941 梟巢喋血戰
The Manchurian Candidate·1962 諜網迷魂
The Mask 變相怪傑
The Mummy Returns 木乃伊
The Patriot 愛國者
The Philadelphia Story·1940 費城故事
the Searchers·1956 搜索者
The Silence of the Lambs·1991 沉默的羔羊
The Sound of Music·1965 真善美; 音樂之聲; 仙樂飄飄處處聞
The Terminator 魔鬼終結者
The Third Man·1949 黑獄亡魂；第三者
The Treasure of the Sierra Madre·1948 碧血金沙
The wild Bunch·1969 日落黃沙
The wizard of Oz·1939 綠野仙蹤
To Kill a Mockingbird·1962 梅崗城故事
Tomb Raider 古墓麗影
Tomorow Never Dies 明日帝國
Tootsie·1982 窈窕淑男(寶貝)
Top Gun 壯志凌雲
Toy Story 玩具總動員
Traffic 毒品網路
True Lies 真實的謊言
Twister 龍卷風
Unforgiven·1992 殺無赦
Vertical Limit 垂直極限
Vertigo·1958 迷魂記
Waterloo Bridge魂斷藍橋
Waterworld 未來水世界
West Side Story·1961 西城故事；西區故事；夢斷城西
Witness 目擊者
Wuthering Heights·1939 咆哮山莊；呼嘯山莊
X-Files X 檔案
X-Men X 戰警
Yankee doodle Dandy·1942 勝利之歌