含desigh的英文電影片段

① 急求電影{贖罪}的英文簡介!

贖罪英文劇情介紹：

In the summer of 1935, 13-year-old Briony Tallis observes a flirtation between a servant's son, Robbie, and her older sister, Cecilia, that she childishly misconstrues. Briony's misunderstanding leads to a terrible crime whose consequences follow them through World War II.

② 一段經典的英文電影獨白

電影返老還童又名本傑明巴頓奇事

Benjamin Button: Sometimes we're on a collision course, and we just don't know it. Whether it's by accident or by design, there's not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she'd stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who'd stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn't been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater.
本傑明·巴頓：有些時候我們就活在即將發生沖撞的軌道上，渾然不知。無論它是意外發生的還是蓄謀已久的，對此我們都無能為力。一個住在巴黎的女人正在去購物的路上，但是她忘記拿她的大衣，便回去取了。當她去拿衣服時，電話鈴響了，所以她停下來去接電話，並聊了幾分鍾。就在那個女人打電話的時候，黛西就在為巴黎大劇院的演出而排練。就在她排練時，那個女人打完了電話，離開了屋子去叫一輛計程車（但錯過了一班）。現在一個計程車司機由於這班工作完的比較早，便停下來去喝杯咖啡，與此同時黛西還在排練。這個提前完成了這趟工作喝了杯咖啡的計程車司機，接了那個錯過一班計程車的去購物的女人。計程車被迫因為一個橫穿道路的人急停了一下，因為一個男人比原來上班的時間晚起了五分鍾，由於他忘記了上好鬧鍾。而就在那個晚起的，忘記上鬧鍾的男人過馬路時，黛西也完成了排練，正在沖澡。而就在黛西洗澡的時候，那個計程車司機在精品店外，等那個女人去拿她的商品。那個商品還沒有被服務員提前包裝好，因為昨天晚上那個服務員剛剛和男朋友分手，把這件事情忘的一干二凈。當商品被包好後，那個女人回到車上，車租車又被一輛運貨車擋了一下，此時此刻黛西也梳妝完畢。在運貨車離開後，計程車終於可以行駛了。當黛西最後一個打扮完後，便等待她其中一個鞋帶斷了的朋友。就在計程車停著等候紅綠燈時，黛西和她朋友從劇院出來了。
Benjamin Button: And if only one thing had happened differently: if that shoelace hadn't broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn't broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn't stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would've crossed the street, and the taxi would've driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone's control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
本傑明·巴頓：如果只有那麼一件事情，並沒有按原來發生的話，如果那個鞋帶沒有斷掉；或者如果那輛貨車提前幾分鍾開走；如果那個商品早早就被包裝好，因為她沒有和他的男朋友分手；如果那個男人的鬧鍾提前上了五分鍾；如果那個司機沒有停下來去喝杯咖啡；如果那個女人沒有忘記她的大衣，而坐上了早一班的計程車，黛西和她的朋友就將穿過馬路，計程車也只會擦肩而過。但是生活就是這么不可預測，在一系列的交錯層疊的人與事中，沒有誰能掌控它們，而計程車沒有碰巧開過去，那個司機也有些精力不集中，那個計程車還是撞到了黛西，她的腿被撞傷了。

希望能幫到你哦~~

③ 求電影《風中奇緣》的英文介紹，急用啊

When Pocahontas originally came out, Disney's wave of recent hits came to a crashing halt. The film was labeled as racist or at least insensitive to Native Americans and the goodwill that Disney had established with its audiences quickly evaporated. You could say they have never been the same since.

The "fearsome foursome" that is The Little Mermaid, Beauty and the Beast, Aladdin, and the Lion King has no equal, except perhaps the last four Pixar movies. Pocahontas is not, unfortunately in that "club" and never will be. Disney spent the next four to five years trying to recreate the "magic" with films like Hunchback, Hercules, Mulan, and Tarzan. Unfortunately, none of those films had the surprise and "good feeling" of the earlier Disney hits, and except for maybe Mulan, none of those films, as films, were as good either. And although Pocahontas is and was the point where the schizm occurred, in retrospect, it's a pretty damned good movie. So what went wrong?

First, it wasn't the Lion King. They could have put out something "safe" after the Lion King, and it still probably would have paled in comparison to what was then a great big giant behemoth of a movie. That movie earned over THREE HUNDRED MILLION in its theatrical run in 1994 - not as common then as it is now - thing was a juggernaut. Pocahontas, following on the heels of this bad boy, was not going to live up to expectations.

People blamed the fact that it was about PEOPLE and not animals, and that it was based on ACTUAL history rather than a fairy tale. THEN they blamed the fact that the history part of it was botched and that the film's portrayal of Native Americans was at best insensitive, racist at worst.

I'll grant you that making Pocahontas' mentor a talking tree and having her learn English "instantaneously" because she listened to her heart is a wee bit ridiculous, but racist? Come on. The message of the film - that love can conquer hate - is anything but racist and if anything, the film shows the "Indians" in a more human light than the English, who are their usual, stereotypical pig-headed selves.

Here's what else is good about the movie: The SONGS. Remember 'Colors of the Wind'? Could there be a better song about reconnecting with nature and valuing the earth more? We NEED this song right now, especially, with the world seemingly sliding ever more into a consumerist "bliss," what better than to see some beautiful chick running through the forest teaching that rugged white man how to value LIFE? And what the hell is wrong with that I ask?

And what about some of the other songs? The one about the RIVER BEND and making choices - good stuff. And the whole montage ending song that repeats SAVAGES SAVAGES BARELY EVEN HUMAN from both sides - showing that BOTH SIDES misunderstand each other. It gives me chills when Pocahontas is running and you see the war superimposed behind her and she sings "HOW LOUD BEAT THE DRUMS OF WAR!" - makes me want to cry! Don't we need this now I ask you?

But, by far the best thing about this movie is - the animation. It is absolutely GORGEOUS. The design for this film is sumptuous, with mostly blues and a seamless style that never gets in the way and illustrates the action (and the feminine nature of the film) so beautifully. Compared to the dreck that is the HUNCHBACK - that film is ugly as sin - and the absolute HIDEOUSNESS of Hercules - the animation in that is strictly straight-to-video, Pocahontas absolutely ROCKS. Only Mulan, with its chirpy story and colorful style match up to the grandeur of this one.

While Pocahontas didn't have the grand ending that the Lion King had (it was a downer, remember?), the story bucks tradition by making it about people instead of animals, and its' message outweighs the "historically inaccurate" complaint. What movie IS historically accurate? Disney took a chance with this one and they got BURNED, which is why they went back to doing "safe" crap like Hunchback, which tanked anyway. They should have done the SCARLET LETTER or something like that - really start pissing people off. How about the MARQUIS DE SADE? There's some history for you!

Watch Pocahontas again without the weight of expectations. You'll be surprised by how good it really is.

④ 電影《音樂之聲》的英文介紹（150字內）

This film is a triumph in all departments. Every aspect, from the cinematography to the acting, the sets to the costumes, the music, choreography, script, is top notch. While the film is family friendly and has a sweet story, it is constantly amazing the way people attack it as saccharine and sugary. This can certainly be said of the stage show, but the movie version has been carefully proced to provide a more well-rounded vision. Ernest Lehman worked wonders with the underdeveloped and unremarkable dialogue of the play. He inserted so many moments of wit, humor, romance and poignancy that are nowhere in sight in the original. the art directors purposefully chose muted settings and colors. Each of the actors bent over backwards to provide a brilliant performance. Andrews is already down in history for the performance of a lifetime (and a voice to match), but Plummer is not to be forgotten. Not only is he regal and handsome, but his decision to play the Captain as a complex, sophisticated man with a sly dose of sarcasm was wonderful. His steely, stern persona is eventually melted down by the irrepressible Andrews to great effect. Every supporting performance is also delivered with the right amount of appeal, humor or menace as called for in the script. However, the one that takes the cake....that amazes each time, is the slinky, catty, toweringly glamorous Parker as Baroness Schraeder. Wisely, her songs were cut, further separating her from all the glee around her, so that she could whip out such zingers as "Why didn't you tell me....to bring along my harmonica?" or when she's told that Andrews may not make a great nun, "If you need anything, I'd be happy to help you." The character is given a much more polished and integral position in the film versus the stage and virtually every line of her dialogue (unlike in the play) is a howler. Though Wood was lovely in her role as the Mother Abbess, it was Parker who should have gotten an Oscar nod....and WON! Every expression, every syllable, every glance belies the decades of experience Parker gained as a leading lady ring the 40's and 50's. Her clothes by Dorothy Jeakins are awe-inspiring. This type of film-making is GONE. The location photography, the simplicity of story and design, the sheer good-spiritedness of it all...they just can't do this anymore. Thankfully, there's this flawless gem to turn to when one just want to feel good. But saccharine? No..... Compare this to other beloved musicals with their garish colors and sugary story lines ("Seven Brides...", "Singin' in the Rain", "...Molly Brown", "The Music Man", to name just a few...) They are all highly enjoyable, but are hardly less sweet than this! Just one word.....Nazis!! Though virtually everyone knows the outcome, there is still genuine suspense at the climax of "The Sound of Music". The film has it all.

⑤ 背景音樂是design in malice 一條大蛇在空中抬頭飛走 是什麼電影

游戲：《戰神》（God of War，又譯作「戰神4」）