㈠ 千與千尋的英文簡介 不要用網上有的 不要用太難的句子 謝謝
Sen to Chihiro no kamikakushi(千與千尋) is the story of a young girl named Chihiro(千尋) who is leaving everything that she knows to move with her family to a new town. On the way to their new home her Father decides to take a shortcut on a dirt road that ends and there is a tunnel, and her parents decide to go through. Scared, Chihiro follows and they find themselves in a small town with many restaurants. With nobody around, Chihiro's parents begin eating and decide to pay later. Chihiro wanders off and approaches a large building where she is told to run away before night by a mysterious young boy. She goes to find her parents who have turned into pigs. As she runs back toward the tunnel she came through she finds water blocking her path. The young boy from the bridge named Haku(白) finds her and helps her into the large building from before, which is a Bathhouse for the Gods of Japan. Chihiro learns she can only stay to help her parents if she finds work at the bathouse, and she must work and find a way to reverse the effects on her parents. This is a story of growing up, and finding ourselves,telling us not to give up when facing difficulties.
㈡ 用英語介紹電影千里千尋,200個單詞左右 帶漢語翻譯
Spirited Away (Sen to Chihiro no Kamikakushi)
Directed by Hayao Miyazaki
Spirited Away is the story of a young girl named Chihiro who is leaving everything that she knows to move with her family to a new town. On the way to their new home her Father decides to take a shortcut on a dirt road that ends and there is a tunnel, and her parents decide to go through. Scared, Chihiro follows and they find themselves in a small town with many restaurants. With nobody around, Chihiro's parents begin eating and decide to pay later. Chihiro wanders off and approaches a large building where she is told to run away before night by a mysterious young boy. She goes to find her parents who have turned into pigs. As she runs back toward the tunnel she came through she finds water blocking her path. The young boy from the bridge named Haku finds her and helps her into the large building from before, which is a Bathhouse for the Gods of Japan. Chihiro learns she can only stay to help her parents if she finds work at the bathouse, and she must work and find a way to reverse the effects on her parents. This is a story of growing up, and finding ourselves.
譯文:
千與千尋(仙至千仞無Kamikakushi)
導演宮崎駿
千與千尋是一個年輕的女孩叫千尋是誰留下的一切,她知道她的家庭與移動到一個新的城市故事。在他們的新回家的路上她父親決定採取一土路兩端,有一條隧道,和她的父母決定要經過一條捷徑。害怕,千尋如下,他們發現有許多餐館小城鎮本身。隨著周圍沒有人,千尋的父母開始進食,並決定後付款。千尋跑開了一個大型建築和辦法,她是說了一個神秘的小男孩跑前宵遁。她去尋找她已經變成了豬變成誰的父母。當她跑回來,她對隧道水來時,她發現她的道路封鎖。從命名的哈庫橋小男孩找到了她,並幫助到從大型建築物前,這是一個日本的神浴室她。千尋得知她只能留下來幫助她找到她的父母如果在bathouse工作,她必須工作,找到一個方法來扭轉她的父母的影響。這是一個成長,並找到自己的故事。
㈢ 用英語介紹一部動畫電影
獅子王
There is a little lion called Ziba whose father is a king .His parents are very kind to him.He has so many pals and lives a happy life .
Unluckily.his father was killed one day .He thought it was his fault and he regreted a lot.
He lost the touch with his family since then.His two pals helped him to lead a new life .
His mother and other family members thought he had died .One day ,his girlfriend met him by accident .She persuadee him to come back to get his kingdom .He first did not take her advisebut then he agreeed with the help of a magical monkey
He returned and he got to know it's his uncle who ended his father'life .He fought against him and he won at last .
He saved his mother and other lions and became king of his tribe .He is lion of great determination and iron will. He is a really Hero!
㈣ 急求三篇英文的電影觀後感大神們幫幫忙
英文影評:千與千尋(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂總動員 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.
㈤ 急!求千與千尋的簡介英文版,越短越好。
Spirited Away (Sen to Chihiro no Kamikakushi)
Sen to Chihiro no kamikakushi is the story of a young girl named Chihiro who is leaving everything that she knows to move with her family to a new town. On the way to their new home her Father decides to take a shortcut on a dirt road that ends and there is a tunnel, and her parents decide to go through. Scared, Chihiro follows and they find themselves in a small town with many restaurants. With nobody around, Chihiro's parents begin eating and decide to pay later. Chihiro wanders off and approaches a large building where she is told to run away before night by a mysterious young boy. She goes to find her parents who have turned into pigs. As she runs back toward the tunnel she came through she finds water blocking her path. The young boy from the bridge named Haku finds her and helps her into the large building from before, which is a Bathhouse for the Gods of Japan. Chihiro learns she can only stay to help her parents if she finds work at the bathouse, and she must work and find a way to reverse the effects on her parents. This is a story of growing up, and finding ourselves.
千尋一家搬家,因為途中迷路,千尋和父母誤闖入了一個人類不應該進入的靈異小鎮。在這個小鎮,千尋父母由於貪吃遭到懲罰變成了豬。為了拯救父母,在「白龍」的幫助下,進入澡堂成功獲得了一份工作。在澡堂工作的過程中,千尋從一個嬌生慣養,什麼活都不會做的小女孩,逐漸成長,變得越來越堅強能幹;同時,她善良的品格也開始得到了澡堂中其他人的尊重,而她和白龍之間也萌生出一段純真的感情。
㈥ 求千與千尋的英文影評
Sen to Chihiro no kamikakushi is the story of a young girl named Chihiro who is leaving everything that she knows to move with her family to a new town. On the way to their new home her Father decides to take a shortcut on a dirt road that ends and there is a tunnel, and her parents decide to go through. Scared, Chihiro follows and they find themselves in a small town with many restaurants. With nobody around, Chihiro's parents begin eating and decide to pay later. Chihiro wanders off and approaches a large building where she is told to run away before night by a mysterious young boy.
She goes to find her parents who have turned into pigs. As she runs back toward the tunnel she came through she finds water blocking her path. The young boy from the bridge named Haku finds her and helps her into the large building from before, which is a Bathhouse for the Gods of Japan. Chihiro learns she can only stay to help her parents if she finds work at the bathouse, and she must work and find a way to reverse the effects on her parents. This is a story of growing up, and finding ourselves.
這是當時做的一篇課前演講的用過的...不過具體當時忘了是從那找的了...
㈦ 千與千尋 英語簡介
Chihiro, a 10-year-old girl, moved from the city to the countryside with her parents.
10歲的少女千尋與父母一起從都市搬家到了鄉下。
Unexpectedly, on the way to move, the family had an accident.
沒想到在搬家的途中,一家人發生了意外。
They entered the strange world controlled by the soup house owner, the devil girl, where the people who did not work would be turned into animals.
他們進入了湯屋老闆魔女控制的奇特世界——在那裡不勞動的人將會被變成動物。
Chihiro's father and mother turned into a pig because of greedy food. In order to save his father and mother, thousand search had gone through many hardships.
千尋的爸爸媽媽因貪吃變成了豬,千尋為了救爸爸媽媽經歷了很多磨難。
During that time, she met White Dragon, a clever and ruthless teenager. After experiencing many things, Chihiro finally rescued his father and mother and rescued White Dragon.
在期間她遇見了白龍,一個既聰明又冷酷的少年,在經歷了很多事情之後,千尋最後救出了爸爸媽媽,拯救了白龍。
(7)用英文推薦電影千與千尋擴展閱讀
角色介紹
1、荻野千尋
配音:柊瑠美
簡介:千尋是一個瘦小的十歲小女孩。在搬遷的路上,誤入鬼怪神靈休息的世界,他在好心人的指點下在湯婆婆那裡工作,最後幫助白龍想起了自己的名字,解除身上的咒語。
2、賑早見琥珀主
配音:入野自由
簡介:人類世界的琥珀川河神,真身是白龍。因為琥珀川河流被掩埋而無家可歸,來到湯屋在湯婆婆門下學魔法,成為湯婆婆的弟子,並忘記自己的名字,被稱為「小白」。
3、湯婆婆
配音:夏木真理
簡介:澡堂「湯屋」的主管,同時也是鎮上的管理人。她還經常會化身為黑翅膀的大鳥出門巡視,命令凡是不工作的人都要變成豬被吃掉,而為她工作的人都會被拿掉名字,一旦記不起來,就永遠都離開不了她的澡堂了,然而,她對澡堂的客人卻是百依百順,笑臉相迎,每天都在房間里數錢記賬。
4、錢婆婆
配音:夏木真理
簡介:湯婆婆的雙胞胎姐姐,她們都長得一樣,連手上帶的戒指都是一樣的。錢婆婆要千尋交出白龍,千尋把印章交還給她,並且代替白龍向錢婆婆道歉,之後錢婆婆原諒了白龍的所作所為,還送了千尋一個頭繩護身符。
㈧ 求一篇《千與千尋》的英文簡介
我來給你一篇,比較權威的,情節, 觀後感, 分析都有了,如下:
Ten-year-old Chihiro and her parents are moving to a new town, much to Chihiro's displeasure. While driving, they get lost and her father decides to take a shortcut down a mysterious forested pathway. After a short but bumpy drive, the family comes to a stop at what seems to be an abandoned theme park. Curious, the father leads his family through a tunnel and explores the park, finding a deserted town and a stall full of freshly-cooked food. The parents greedily help themselves while Chihiro refuses to eat. As Chihiro's parents are eating, she wanders off and meets a boy named Haku. Haku seems to be familiar with Chihiro and warns her to escape with her parents; she returns to find they have turned into pigs, and that the way back has become a deep river. Spirits appear and go about the park. Haku secretly takes Chihiro to a large bathhouse to avoid alerting the spirits to her presence. Haku then tells her that she must get a job from the boiler man, Kamajii until he can help her recover her parents and escape.
With the help of the six-armed boiler room master Kamajii and a bathhouse servant girl named Lin,[2] Chihiro is able to convince Yubaba, the elderly Witch and owner of the bath house, to give her a job; in exchange, Chihiro is forced to give up her name so that Yubaba may keep her in service for eternity. Yubaba gives her new servant the name "Sen(千)," which is derived from "Chihiro(千尋)" by removing the second character and using the alternate reading of the first. Chihiro eventually learns that Haku is similarly indebted to Yubaba. Chihiro is put to work alongside Lin, helping to bathe and serve the most difficult spirits in the bathhouse. Chihiro is able to successfully bathe a "stink spirit" (later revealed to be a river spirit who had been heavily polluted), who rewards Chihiro for her service with a magic medicine made from special herbs.
Chihiro discovers Haku's true form, a dragon, and he is later attacked in this form by shikigami in the form of paper birds controlled by Zeniba, Yubaba's twin sister. Haku had stolen and swallowed Zeniba's seal under orders from Yubaba, which has a spell on it that gave Haku internal bleeding and lacerations. Chihiro tries to help Haku recover from his injuries using the medicine given to her by the river spirit, which acts as an emetic to the dragon, causing him to vomit, and thus recovering Zeniba's sigil and squashing a peculiar black slug that had been attached to it. Haku remains comatose, so Chihiro decides to travel to Zeniba's home to return the seal, hoping to break her curse over Haku. Chihiro sets out on a train ride across the spirit world, along with a wraith-like spirit called No-Face, who terrorized the bathhouse and tried to earn the affection of Chihiro, Yubaba's pet raven (who has been turned into a small, fly-like creature by Zeniba), and Boh, Yubaba's gigantic infant son whom Zeniba had transformed into a mouse.
The group arrives at Zeniba's house to find that Zeniba is friendlier than expected. She explains that the seal spell has been broken by Chihiro's love and caring and that the black slug Chihiro has squashed was a curse placed on Haku by Yubaba to control him. Zeniba and Chihiro's friends make Chihiro a special hairband to show her that her friends are with her, as well as for protection, and No-Face is offered to stay at Zeniba's home as her assistant. Haku, now recovered, shows up to return Chihiro to the bathhouse, explaining that Yubaba will return Chihiro's parents to normal and allow all three of them to leave in exchange for returning Boh. As they travel on Haku's dragon form, Chihiro realizes that Haku is the same river spirit that saved her as a small child when she fell into the Kohaku River, and the realization helps to break Yubaba's control on Haku completely.
At the bathhouse, Yubaba reveals that Chihiro must pass one more task as part of Haku's deal: identify which pigs in the huge herd are her parents. Chihiro passes the test, as she states that none of them are her parents, and Yubaba is forced to let her and her family go. Haku escorts her to the entrance of the spirit world, telling her that her parents are waiting on the other side, but not to look back or else the deal will be broken. Chihiro rejoins her parents, and the family returns to their car (now sty and covered with fallen leaves and branches, looking as though a long time has passed) and continues to their new home. Zeniba's hair band is still in Chihiro's hair, proving her adventure to be true. In the English adaptation, the film ends as Chihiro's parents tell her that they understand her worry, to which she replies that she thinks she'll do fine. This is a change from the Japanese original, which leaves Chihiro in silent thought as the car drives away, reflecting on her adventure.