簡愛英語電影推薦稿

『壹』 初二英語作文 描寫最喜歡的電影 我想寫的是簡愛 要求70詞左右的短文 希望你能幫幫我i~

This is a story about a special woman who has been exposed to a hostile

environment but struggling for her ideal life conreattionously and fearlessly.

It seems to me that many readers 『s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.

Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane』s ecation in Lowwood Orphanage,she didn』t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden』s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn』t want to betray her own priciples.She is Jane Eyer.

The film has finally got a symbolist end.After finding Rochester』s misfortune brought by his original mad wife,Jane chose to stay with him forever.

Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.

It』s our spirit that makes the life meaningful.

『貳』 求一篇英語影評，500字左右，不限電影種類

簡愛 Jane Eyre review by Heather
I was hesitant at first,but now I am truly hooked. As I waited patiently for each hour of more Jane, I grew to admire the way the book was handled. Yes, much of Jane's past is missing, but what is there is captivating. Georgie Henley is scarily mature - more than she has a right to be - and her understanding of young Jane's gravity and passion was wonderfully portrayed.

When Ruth Wilson took the scene, I didn't see at first how she was the unearthly Jane I had read. But it became clearer and clearer, and by far she is the most human and understandable Jane yet. Her face speaks volumes as she says nothing. "That face," comments Toby Stephens' Rochester. It is true. Though we see her silent face many times, we have no problem guessing exactly what she is feeling.

At first, I thought Toby was disappointing. I quite liked the sarcasm of William Hurt in the 1996 version, and Mr. Stephens seemed more brash than sarcastic, more flirting than teasing. But it was the chemistry that quite obviously grew between these two characters that has solidified Toby Stephens as Edward Fairfax Rochester for me. For the first time in a movie version, I realized how much the two had become friends first, and then soul mates.

Two other things were handled extraordinarily. The sex and the scary. From dark corridors and floating candles, burning beds, portraits of mad people and blood dripping, Susanna White got her Gothic right. It is almost a ghost story. This suspense keeps the story from being overly lovey-dovey, and shows a real contrast between the white taffeta-covered aristocracy, and the darkly-clad Jane in Rochester's dim study.

As for the X factor, this is not Jane Austen. Women can have conversations with men alone in rooms. Dark-haired, exotic beauties can sece with a look, cheat with a smile and sin the world round. All of it is not afraid to show up in this version. Rochester and Jane's connection, displayed quite innocently and platonic in some versions, blazes with passion in this. The flashbacks in the final hour of series are some of the steamiest and most emotionally charged parts of this proction.

It's heart-warming, passionate, suspenseful, full of beautiful scenery and costuming; all in all, a whole 4 hours of excellent entertainment. Don't miss out.

『叄』 以電影 《簡愛》寫一篇1000字的電影簡介

簡·愛 Jane Eyre (1934)
導演：
克里斯蒂·卡本納 Christy Cabanne
主演：
Richard Quine
Lionel Belmore
Aileen Pringle
類型：愛情 / 劇情
更多外文片名：
Jane Eyre l'angelo dell'amore
片長：62 min
國家/地區：美國
對白語言：英語
發行公司：Alpha Video Distributors Inc.
上映日期：1934年8月15日 美國

簡·愛 Jane Eyre (1944)
導演：陸或
Robert Stevenson
主演：
奧遜·威爾斯 Orson Welles
瓊·芳登 Joan Fontaine
類型：愛情 / 劇情
更多中文片名：
簡愛
片長：97 min
國家/地區：美國
對白語言：英語
發行公司：ClassicLine
上映日期：1944年2月3日 美國

簡愛 Jane Eyre (1970)
導演：
Delbert Mann
主演：
Susannah York
Jeremy Child
Helen Lindsay
類型：劇情
片長：110 min
國家/地區：英國 / 美國
對白語言：英語
發行公司：British Lion Films Ltd.
上映日期：1970年12月 英國

簡愛 Jane Eyre (1983)
導演：
朱里安·埃米亞斯 Julian Amyes
主演：
提摩西·道爾頓 Timothy Dalton
澤拉· 克拉克 Zelah Clarke
類型：愛情
片長：UK:30 min (11 episodes) / USA:239 min
國家/地區：英國
對白語言：英語
發行公司：CBS/Fox
上映日絕散期：1983年10月9日 英國

簡愛 Jane Eyre (1996)
導演：
佛朗哥·澤菲雷里 Franco Zeffirelli
主演：
朱利安·費羅斯 Julian Fellowes
瓊·普萊懷特 Joan Plowright
夏洛特·甘斯布 Charlotte Gainsbourg
類型：愛情 / 劇情
片長：並悉氏116 min
國家/地區：法國 / 義大利 / 英國
對白語言：英語 / 法語
發行公司：Aquarius TV
上映日期：1996年2月9日 西班牙

推薦96那版

『肆』 英文原版電影《簡愛》劇情介紹：

Bennet, the little squire, had five treasures in her waiting room, and Mrs. Bennet was always worrying about finding her daughter a satisfactory husband.

Bingley, the new neighbor, was a rich bachelor, and he was immediately the target of Mrs. Bennet's hunt. At a ball, Bingley fell in love with Jane, the eldest daughter of the Bennet family, and Mrs. Bennet was ecstatic.

Bingley's good friend Darcy was also at the ball. He was handsome and very rich, and many girls gave him envious glances; but he was very proud that they were not worthy of being his dance partners, including Jane's sister Elizabeth. Elizabeth was so proud that she decided to ignore the arrogant fellow. But before long, Darcy became fond of her lively and lovely manner, and offered to dance with her at another dance. Elizabeth casually agreed to Darcy, but they still had a deep prejudice against Darcy, so they parted unhappily

Bingley's sister was so devoted to the pursuit of Darcy that she found that Darcy intended to be jealous of Elizabeth and decided to block it. And Darcy, who was despised by Elizabeth, despised the vulgarity of Mrs. Bennet and her little daughter, Lydia. At the persuasion of his sister and good friend Darcy, Bingley left without saying goodbye and went to London, but Jane was still deeply in love with him.

小鄉紳班納特有五個待字閨中的千金，班納特太太整天操心著為女兒物色稱心如意的丈夫。
新來的鄰居彬格萊是個有錢的單身漢，他立即成了班納特太太追獵的目標。在一次舞會上，彬格萊對班納特家的大女兒吉英一見鍾情，班納特太太為此欣喜若狂。
參加舞會的還有彬格萊的好友達西。他儀表堂堂，非常富有，許多姑娘紛紛向他投去羨慕的目光；但他非常驕傲，認為她們都不配做他的舞伴，其中包括吉英的妹妹伊麗莎白。伊麗莎白自尊心很強，決定不去理睬這個傲慢的傢伙。可是不久，達西對她活潑可愛的舉止產生了好感，在另一次舞會上主動請她同舞,伊麗莎白不經意間答應了達西，但對達西還是有很深的偏見，所以兩人還是不歡而散．
彬格萊的妹妹一心追求達西，她發現達西有意於伊麗莎白，妒火中燒，決意從中阻撓。而遭到伊麗莎白冷遇的達西也鄙視班納特太太及其小女兒麗底亞的粗俗。在妹妹和好友達西的勸說下，彬格萊不辭而別，去了倫敦，但吉英對他還是一片深情。

《傲慢與偏見》是英國女小說家簡·奧斯汀的創作的長篇小說。
小說描寫了小鄉紳班納特五個待字閨中的千金，主角是二女兒伊麗莎白。她在舞會上認識了達西，但是耳聞他為人傲慢，一直對他心生排斥，經歷一番周折，伊麗莎白解除了對達西的偏見，達西也放下傲慢，有情人終成眷屬。

這部作品以日常生活為素材，一反當時社會上流行的感傷小說的內容和矯揉造作的寫作方法，生動地反映了18世紀末到19世紀初處於保守和閉塞狀態下的英國鄉鎮生活和世態人情。並多次被改編成電影和電視劇。
Pride and Prejudice is a novel written by Jane Austen.
The novel describes the daughter of Bennet, a little squire, who is the second daughter of Elizabeth. She knew Darcy at the ball, but she heard that he was arrogant and had been ostracized from him. After a lot of setbacks, Elizabeth lifted her prejudice against Darcy, and Darcy also let go of his arrogance and married someone.

『伍』 《簡·愛》經典英文段落

《簡·愛》是是一部具有自傳色彩的作品，塑造了一個敢於反抗，敢於爭取自由和平等地位的婦女形象。下面我為大家帶來《簡·愛》經典英文段落，歡迎大家閱讀!

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.

I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.

The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner -- something lighter, franker, more natural, as it were -- she really must exclude me from privileges intended only for contented, happy, little children.

Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with the vast sweep of the Arctic Zone, and those forlorn regions of dreary space, -- that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold. Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introctory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking.

Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and other ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland.

Two days are passed. It is a summer evening; the coachman has set me down at a place called Whitcross; he could take me no farther for the sum I had given, and I was not possessed of another shilling in the world. The coach is a mile off by this time; I am alone. At this moment I discover that I forgot to take my parcel out of the pocket of the coach, where I had placed it for safety; there it remains, there it must remain; and now, I am absolutely destitute.

Whitcross is no town, nor even a hamlet; it is but a stone pillar set up where four roads meet: whitewashed, I suppose, to be more obvious at a distance and in darkness. Four arms spring from its summit: the nearest town to which these point is, according to the inscription, distant ten miles; the farthest, above twenty. From the well-known names of these towns I learn in what county I have lighted; a north-midland shire, sk with moorland, ridged with mountain: this I see. There are great moors behind and on each hand of me; there are waves of mountains far beyond that deep valley at my feet. The population here must be thin, and I see no passengers on these roads: they stretch out east, west, north, and south -- white, broad, lonely; they are all cut in the moor, and the heather grows deep and wild to their very verge. Yet a chance traveller might pass by; and I wish no eye to see me now: strangers would wonder what I am doing, lingering here at the sign-post, evidently objectless and lost. I might be questioned: I could give no answer but what would sound incredible and excite suspicion. Not a tie holds me to human society at this moment -- not a charm or hope calls me where my fellow-creatures are -- none that saw me would have a kind thought or a good wish for me. I have no relative but the universal mother, Nature: I will seek her breast and ask repose.

Some time passed before I felt tranquil even here: I had a vague dread that wild cattle might be near, or that some sportsman or poacher might discover me. If a gust of wind swept the waste, I looked up, fearing it was the rush of a bull; if a plover whistled, I imagined it a man. Finding my apprehensions unfounded, however, and calmed by the deep silence that reigned as evening declined at nightfall, I took confidence. As yet I had not thought; I had only listened, watched, dreaded; now I regained the faculty of reflection.

猜你喜歡：

1. 簡愛的經典英語段落

2. 經典愛情英語段落

3. 簡愛中的經典英文句子

4. 老人與海經典英語段落

5. 關於青春的英語的段落

『陸』 《簡愛》電影的英語影評

Jane Eyre is a first-person narrative of the formative years of the title character, a small, plain-faced, intelligent, and passionate English orphan girl. The plot follows the form of a Bilngsroman, a novel that tells the story of a child's maturation and focuses on the emotions and experiences that lead to his or her maturity. The novel goes through five distinct stages: (1) Jane's childhood at Gateshead, where she is abused by her aunt and cousins; (2) her ecation at Lowood School, where she acquires friends and role models but also suffers privations; (3) her time as governess at Thornfield Manor, where she falls in love with her Byronic employer, Edward Rochester; (4) her time with the Rivers family at Marsh's End (or Moor House) and at Morton, where her cold clergyman-cousin St. John Rivers proposes to her; and (5) her reunion with and marriage to her beloved Rochester at his house of Ferndean. Partly autobiographical, the novel abounds with social criticism and sinister Gothic elements. Jane Eyre is divided into 38 chapters, and most editions are at least 400 pages long

『柒』 簡愛電影英文簡介/介紹。求幫忙。暑假內回答。

一、《簡愛》是英國小說阿基夏洛蒂•勃朗特的作品，刻畫了一個女性的成長歷程。就讓我們一起重溫這部經典，來看看《簡愛》的英文簡介。 Jane Eyre is a novel by English writer Charlotte Brontë. It was published in London, England, in 1847 with the title Jane Eyre. An Autobiography under the pen name "Currer Bell". The Penguin edition describes it as an "influential feminist text" because of its in-depth exploration of a strong female character's feelings. 《簡愛》是英國小說作家夏洛蒂•勃朗特的作品，1847年在英國倫敦出版，書名定為自傳《簡愛》，以筆名「庫瑞爾•貝爾」署名。Penguin出版社的版次將小說譽為「具有影響力的女權主義文本」，因為小說深入探索了女主角的強烈情感。 The novel merges elements of three distinct genres. It has the form of a Bilngsroman, a story about a child's maturation, focusing on the emotions and experiences that accompany growth to althood. The novel also contains much social criticism, with a strong sense of morality at its core, and finally has the brooding and moody quality and Byronic character typical of Gothic fiction. 小說融合了三截然不同的寫作風格。小說文本是教育小說，講述了一個小孩的成長過程，聚 焦陪伴孩子成長到成人的情感和經歷。小說同樣含有不少社會批判的內容，強烈的道德感尤為突出。最後，小說還有哥特式小說特點，婉約曲折，人物嘲諷而浪漫。 It is a novel often considered ahead of its time e to its portrayal of the development of a thinking and passionate young woman who is both indivialistic, desiring for a full life, while also highly moral. Jane evolves from her beginnings as a poor and plain woman without captivating charm to her mature stage as a compassionate and confident whole woman. As she matures, she comments much on the complexities of the human condition. Jane also has a deeply pious personal trust in God, but is also highly self-reliant. Although Jane suffers much, she is never portrayed as a damsel in distress who needs rescuing. For this reason, it is sometimes regarded as an important early feminist (or proto-feminist) novel. 這部小說被認為走在時代的前面，因為小說刻畫了一個有思想、有熱情的年輕女子，她熱衷個人主義，期望完整的生活，同時有著高尚的道德操守。簡愛從一個清貧而平凡無奇的姑娘演變成一個富有同情、充滿自信的完整女性。隨著她的成熟，她開始對人性的復雜表達自己的見解。簡愛極度忠誠於上帝，但又非常獨立自主。雖然簡愛經歷許多苦難，她給人的印象從來不是一個需要救贖的可憐姑娘。因為這些原因，這部小說被認為一部重要的早期女權主義（或原始女權主義）小說。

或長一點的
Jane Eyre, is a poor orphan with a joyless life as a child in the opening chapters. Her wealthy aunt, the widowed Mrs. Reed, is bound by a deathbed promise to her husband to raise his orphaned niece, Jane. However, she and her children are unkind to Jane, never failing to emphasize how she is below them. Jane's plain, intelligent, and passionate nature, combined with her occasional "visions" or vivid dreams, certainly do not help to secure her relatives' affections.

When tensions escalate, Jane is sent to Lowood, a boarding school run by the inhumane Mr. Brocklehurst. She is soon branded a liar, which hurts her even more than malnutrition and cold, but Miss Temple, the teacher Jane admires, later clears her of these charges. She also finds her only friend in Helen Burns, who is very learned and intelligent, has a patient and philosophical mind, and believes firmly in God. Helen is often singled out for punishment by a teacher, Miss Scatcherd, who claims she is a bad child because she is disorganized, incompetent, and often late. Helen accepts these faults, and teaches Jane to accept discipline in order to improve her fiery temper and character. While Jane responds to the injustices of the world with a barely contained burning temper, Helen accepts earthly sufferings, including her own premature death from consumption (now known as tuberculosis), with calmness and a martyr-like attitude.

After a serious typhoid fever epidemic occurs simultaneously with Helen's death, the conditions in Lowood improve and Jane slowly finds her place in the institution, eventually becoming a teacher. When Miss Temple marries and moves away, Jane decides to change careers. She is desperate to see the world beyond Lowood and puts out an advertisement in the local paper, soon securing a position as governess in Thornfield Hall.

At first, life is very quiet with Jane teaching a young French girl, Adèle, and spending time with the old housekeeper, Mrs. Fairfax. But everything changes when the owner of the manor—brooding, Byronic, fiery Edward Rochester—arrives. Though on rough footing at first, he and Jane slowly become acquainted with and grow to respect each other. Mr. Rochester creates an elaborate set-up by seemingly courting a proud local beauty named Miss Blanche Ingram until Jane cannot bear it any longer. Mr. Rochester then admits that his courtship of Miss Ingram was a ruse to arouse Jane's jealousy and that it is she whom he truly loves. His feelings are returned, and they become engaged despite their differences in social status, age, and experience. Jane is young and innocent at nineteen years old, while Rochester is nearly forty—worldly, and thoroughly disillusioned with life and religion. Jane is determined to stay modest, plain, and virtuous, and Rochester is almost equally determined to offer her expensive presents and finery. The former has the moral high ground, though, and the weeks before the wedding are spent mostly as she wishes.

The wedding ceremony is interrupted by a lawyer, who declares that Mr. Rochester is already married. His mad wife Bertha Mason, a Creole from Jamaica whom his family forced him to marry, resides in the attic of Thornfield Hall, and her presence explains all sorts of mysterious events that have taken place ring Jane's stay in Thornfield. Mr. Rochester offers to take her abroad to live with him, but Jane is not willing to sacrifice her morals or self-respect for earthly pleasures, let alone accept the status of mistress, even though Rochester insists Jane will break his heart if she refuses him. Torn between her love for Rochester and her own integrity and religion, Jane flees Thornfield in the middle of the night, with very little money and nowhere to go.

She wanders for a few days and finally finds safe haven, under an alias, with a vicar, St. John Rivers, and his two sisters. They bond, and in e course Jane is given a position as village schoolteacher. Later, St. John learns Jane's true identity, and, by an incredible coincidence, it transpires that he and his sisters are actually her cousins. Additionally, Jane conveniently inherits a large sum of money from an uncle who lived abroad. The cousins are left without inheritance because of an old family feud, but she promptly splits the money so that all four of them are now financially secure. This gives St. John the means to pursue his true calling, to go to India as a missionary, but not without proposing marriage to Jane in order for her to accompany him. Though this is her opportunity to choose a husband of high morals, she knows St. John does not truly love her. Contrary to her protest, he insists they must be married if they are to go to India. Jane nearly succumbs to his proposal, but at the last minute, in another supernatural episode, she hears Rochester's voice calling her in the wind, and feels the need to respond to it.

Jane immediately travels to Thornfield Hall, only to find it destroyed by a fire and abandoned. She learns that Mr. Rochester lost a hand, an eye, and sight in the other eye as a result of an unsuccessful attempt to save Bertha from the flames, of which she was the cause. Upon acquiring the knowledge of his location, at a country manor called Ferndean, she sets off for it. She and Mr. Rochester reconcile and marry, for he has adopted love and religion. She writes from the perspective of ten years after their marriage, ring which she gave birth to a son and Mr. Rochester gained part of his sight back. Jane's long quest to find love and a sense of belonging is finally fulfilled. The book ends with a look at the noble missionary death of St. John Rivers far away in India, most likely representing the righteousness of the path Jane did not take.

『捌』 急求 《簡 愛》的英文簡介！！英語高手都幫幫忙`感激不盡~

Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
However, there is great kindness and warmth in this epic love story, which is set against the magnificent backdrop of the Yorkshire moors.