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小婦人電影純英文

發布時間:2023-08-10 13:20:24

㈠ 求1994版電影《小婦人》下載鏈接!要英文字幕的!

你好,我是大魚兒愛做夢,用網路網盤分享給你,點開就可以保存,鏈接永久有效^_^鏈接:

提取碼:1v63

㈡ 有什麼電影是根據英語小說改編過來的

英國小說改編

理查三世(英國導演Laurence Oliver根據英國作家莎士比亞的同名戲劇改編)
威尼斯商人(英國導演MICHAEL RADJORD根據英國作家莎士比亞的同名戲劇改編)
仲夏夜之夢(美國導演Michael Hoffman根據英國作家莎士比亞的同名戲劇改編)
羅密歐與茱麗葉(義大利導演Renato Castellani根據英國作家莎士比亞的同名戲劇改編)
羅密歐與茱麗葉(美國導演PHILP KAUFMAN根據英國作家莎士比亞的同名喜劇改編)
羅蜜歐與朱麗葉(澳大利亞導演Baz Luhrmann根據英國作家莎士比亞的同名戲劇改編
殉情記(義大利導演柴伐里尼根據英國作家莎士比亞的戲劇《羅蜜歐與茱麗葉》改編)
哈姆雷特(義大利導演柴伐里尼根據英國作家莎士比亞的同名戲劇改編)
哈姆雷特(英國導演Laurence Oliver根據英國作家莎士比亞的同名戲劇改編)
王子復仇記(冰島導演阿基?考里斯馬基根據英國作家莎士比亞的戲劇《哈姆雷特》改編)
君臣人子小命嗚呼(英國導演TOM STOPPARD根據英國作家莎士比亞的戲劇《哈姆雷特》改編)
德克薩斯旺(德國導演Uli Edel根據英國作家莎士比亞的戲劇《李爾王》改編)
亂(日本導演黑澤明根據英國作家莎士比亞的戲劇《李爾王》改編)
麥克白(英國導演Jeremy Freeston根據英國作家莎士比亞的同名戲劇改編)
麥克白(波蘭導演波蘭斯基根據英國作家莎士比亞的同名戲劇改編的電影)
蜘蛛巢城(日本導演黑澤明根據英國作家莎士比亞的戲劇《麥克白》改編)
亨利五世(英國導演Laurence Olivier根據莎士比亞同名戲劇改編)
亨利五世(英國導演Kenneth Branagh根據英國作家莎士比亞的同名戲劇改編)
亨利八世和他的六個情人(英國導演Naomi Capon,John Glenister根據莎士比亞的戲劇《亨利八世》改編)
都是男人惹的禍(英國導演Kenneth Branagh根據英國作家莎士比亞的名劇《無事生非》改編)
魯賓遜漂流記(美國作家GEORGE MILLER根據英國作家笛福的同名小說改編)
湯姆?瓊斯(英國導演Tony Richardson根據英國作家菲爾丁的同名小說改編)
克拉麗莎(英國導演Robert Bierma根據英國作家理查森的同名小說改編)
小人國歷險記(英國導演CHARLES STURRIDGE根據英國作家斯威夫特的小說《格列佛流記》改編)
傲慢與偏見(英國導演Simon Langton根據英國作家奧斯丁的同名小說改編)
傲慢與偏見(英國導演Joe Wright根據英國作家奧斯丁的同名小說改編)
傲慢與偏見(美國導演Robert Z. Leonard根據英國作家奧斯丁的同名小說改編)
理智與情感(台灣導演李安根據英國作家奧斯丁的同名小說改編)
愛瑪(美國導演Douglas McGrath根據英國作家奧斯丁的同名小說改編)
勸導(英國導演ROGER MICHLL根據英國作家奧斯丁的同名小說改編)
曼斯菲爾庄園(英國導演Patricia Rozema根據英國作家奧斯丁的同名小說改編)
驚情四百年(美國導演科波拉根據英國瑪麗?雪萊的《弗蘭肯斯坦》改編)
霧都孤兒(英國導演大衛?里恩根據英國作家狄更斯的同名小說改編)
霧都孤兒(波蘭導演波蘭斯基根據英國作家狄更斯的同名小說改編)
尼古拉斯?尼克爾貝(英國導演Stephen Whittaker根據英國作家家狄更斯的同名小說改編)
尼古拉斯?尼克爾貝(少爺返鄉)(美國導演Douglas McGrath根據英國作家狄更斯的同名小說改編)
新聖誕頌歌(英國導演DAVID JONES根據英國作家狄更斯的小說《聖誕歡歌》改編)
我們共同的朋友(英國導演Julian Farino根據英國作家狄更斯的同名小說改編)
大衛?科波菲爾(英國導演Simon Curtis根據英國作家狄更斯的同名小說改編)
奧利弗(英國導演卡羅爾?里德根據英國作家狄更斯的小說《奧利弗?退司特》改編)
雙城記(英國導演Jack Conway,Robert Z. Leonard根據英國作家狄更斯的同名小說改編)
化身博士(美國導演John S. Robertson根據英國作家斯蒂文生的同名小說改編)
名利場(印度導演奈爾根據英國作家薩克雷的同名小說改編)
巴里?林登(美國導演庫布里克根據英國作家薩克雷的同名小說改編)
簡愛(美國導演Delbert Mann根據英國作家勃朗特的同名小說改編)
認真的重要性(英國導演Oliver Parker根據英國作家王爾德的同名小說改編)
貴在真誠(英國導演Anthony Asquith根據英國作家王爾德的小說《認真的重要性》改編)
理想丈夫(英國導演Oliver Parker根據英國作家王爾德的同名小說改編)
良家婦女(英國導演Mike Barker根據王爾德的戲劇《溫夫人的扇子》改編)
小王子(美國導演Stanley Donen根據英國作家王爾德的童話改編)
秘密的花園(波蘭導演霍蘭根據英國作家王爾德的童話改編)
莎樂美(西班牙導演紹拉根據英國作家王爾德的同名戲劇改編)
呼嘯山莊(美國導演惠勒根據英國作家艾米莉?勃朗特的同名小說改編)
新呼嘯山莊(美國導演PETER KOSMINSKY根據英國作家艾米莉?勃朗特的《呼嘯山莊》改編)
米德鎮的春天(英國導演Anthony Page根據英國作家喬治?艾略特的小說《米德爾馬契》改編)
親愛的(英國導演約翰?施萊辛格根據英國作家哈代的同名小說改編)
瘋狂佳人(英國導演約翰?施萊辛格根據英國作家哈代的小說《遠離塵囂》改編)
苔絲(波蘭導演波蘭斯基根據英國作家哈代的小說《德伯家的苔絲》改編的電影)
絕戀(英國導演邁克爾?溫特伯姆根據英國作家哈代的小說《無名的裘德》改編)
現代啟示錄(美國導演科波拉根據英國導演康拉德的《黑暗的心》改編)
動地驚天愛戀過(英國導演Mark Peploe根據英國作家康拉德的小說《勝利》改編)
一個貴婦的畫像(紐西蘭導演坎皮恩根據英國作家詹姆斯的同名小說改編)
三顆翼動的心(英國作家Iain Softley根據英國作家詹姆斯的小說《鴿之翼》改編)
華盛頓廣場(波蘭導演霍蘭根據英國作家詹姆斯的同名小說改編)
歐洲人(英國導演艾弗里根據英國作家詹姆斯的同名小說改編)
金碗(英國導演艾弗里根據英國作家詹姆斯的同名小說改編)
黛絲?米勒(美國導演博格達諾維奇根據英國作家詹姆斯的同名小說改編)
戀愛中的女人(英國導演拉塞爾根據英國作家勞倫斯的同名小說改編)
查泰萊夫人的情人(英國導演拉塞爾根據英國作家勞倫斯的同名小說改編)
查泰萊夫人的情人(法國導演Just Jaeckin根據英國作家勞倫斯的同名小說改編)
達羅威夫人(荷蘭電影導演格瑞斯根據英國作家伍爾芙的同名小說改編)
美麗佳人奧蘭多(英國導演薩莉?波特根據英國作家伍爾芙的小說《奧蘭多》改編)
看得見風景的房間(英國導演艾弗里根據英國作家福斯特的同名小說改編)
霍華德庄園(英國導演艾弗里根據英國作家福斯特的同名小說改編)
墨里斯(英國導演艾弗里根據英國作家福斯特的同名小說改編)
印度之行(英國導演大衛?里恩根據英國作家福斯特的同名小說改編)
一九八四(英國導演米切爾?雷德福根據英國作家奧威爾的同名小說改編)
動物庄園(英國導演JOHN STEPHENSON根據英國作家奧威爾的同名小說改編)
隱形人(英國導演James Whale根據英國作家威爾斯的同名小說改編)
沉默的美國人(紐西蘭導演PHILLIP NOYCE根據英國作家格林的同名小說改編)
戀情的終結(愛爾蘭導演尼爾?喬丹根據英國作家格林的同名小說改編)
蝴蝶夢(英國導演希區柯克根據英國作家達夫妮?杜穆里埃的《呂蓓卡》改編)
聖誕快樂,勞倫斯先生(日本導演大島渚根據英國作家勞倫斯?包斯特的同名小說改編)
發條橙子(美國導演庫布里克根據英國作家伯吉斯的同名小說改編)
星期六晚上和星期天早上(浪子春潮)(英國導演賴茲根據英國作家西利托的同名小說改編)
蠅王(英國導演PETER BROOK根據英國作家戈爾丁的同名小說改編)
蠅王(英國導演Harry Hook根據英國作家戈爾丁的同名小說改編)
法國中尉的女人(英國導演賴茲根據英國作家福爾斯的同名小說改編)
無可救葯愛上你(英國導演Neil LaBute根據英國作家拜厄特的小說《佔有》改編)
魔戒三部曲(紐西蘭導演彼得?傑克遜根據英國童書作家托爾金的同名小說改編)
納尼亞傳奇(紐西蘭導演Andrew Adamson 根據英國作家C.S. 劉易斯的同名小說改編)
小飛俠彼得?潘(美國導演P.J. Hogan根據英國作家J?M?巴里的童話《彼得?潘》改編)
哈利?波特:神秘的魔法石(美國導演克里斯-哥倫布根據英國童書作家J.K. 羅琳的同名小說改編)
哈利?波特與密室(美國導演克里斯-哥倫布根據英國童書作家J.K. 羅琳的同名小說改編)
哈利?波特3:阿茲卡班的囚徒(墨西哥導演阿方索?卡隆根據英國童書作家J.K. 羅琳的同名小說改編)
戲夢巴黎(義大利導演貝爾托魯齊根據英國作家吉爾伯特?阿代爾的小說《夢想家》改編)
水泥花園(英國導演伯金根據英國作家伊恩?麥克尤恩的同名小說改編)
布盧姆(英國導演SEAN WALSH根據愛爾蘭作家喬依斯的小說《尤利西斯》改編)
安吉拉的骨灰(英國導演帕克根據愛爾蘭裔美國作家弗朗克?麥科特的同名自傳改編)

美國小說改編

紅死病的面具/阿瑟家的崩潰/邪靈復活(美國眾導演根據美國作家愛倫?坡的小說改編)
紅字(情歸何處)(德國導演文德斯根據美國作家霍桑的同名小說改編)
紅字(愛爾蘭導演尼爾?喬丹根據美國作家霍桑的同名小說改編)
白鯨記(美國導演休斯頓根據美國作家麥爾維爾的同名小說改編)
頑童歷險記(美國導演MICHAEL CURTIZ根據美國作家馬克吐溫的小說《哈克貝里?費恩歷險記》改編)
百萬英磅(英國導演尼姆根據美國作家馬克?吐溫的同名小說改編)
純真年代(美國導演馬丁?斯克塞斯根據美國作家華頓的同名小說改編)
小婦人(美國導演GEORGE CUKOR根據美國作家奧爾科特的同名小說改編)
小婦人(英國導演PADDY RUSSELL根據美國作家奧爾科特的同名小說改編)
小婦人(澳大利亞導演阿姆斯壯根據美國作家奧爾科特的同名小說改編)
亂世佳人(美國導演Victor Fleming根據美國作家米切爾的小說《飄》改編)
大地(美國導演SIDNEY FRANKLIN根據美國作家賽珍珠的同名小說改編)
最後的大亨(美國導演卡贊根據美國作家菲茨傑拉爾德的小說《了不起的蓋茨比》改編)
大亨小傳(英國導演Jack Clayton根據美國作家菲茨傑拉爾德的小說《了不起的蓋茨比》改編)
老人與海(美國導演JUD TAYLOR根據美國作家海明威的同名小說改編)
戰地春夢(美國導演Charles Vidor根據美國作家海明威的小說《永別了,武器》改編)
鼠與人(美國導演Gary Sinise根據美國作家斯坦貝克的同名小說改編)
憤怒的葡萄(美國導演福特根據美國作家斯坦貝克的同名小說改編)
伊甸園之東(美國導演卡贊根據美國作家斯坦貝克的同名小說改編)
救生艇(英國導演希區柯克根據美國作家斯坦貝克的同名小說改編)
淑女,盪婦,情人(英國導演約翰?施萊辛格根據美國作家韋斯特的《蝗災之日》改編)
馬嘴(英國導演尼姆根據美國作家Joyce Cary的同名小說改編)
馬爾他之鷹(美國導演休斯頓根據美國作家哈米特的同名小說改編)
殺死一隻知更鳥(美國導演羅伯特?馬利根根據美國作家哈伯?李的同名小說改編)
沉淪(郵差總按兩次鈴)(義大利導演維斯康蒂根據美國作家詹姆斯?凱恩的同名小說改編)
郵差總按兩次鈴(美國導演Tay Garnett根據美國作家詹姆斯?凱恩的同名小說改編)
慾望號街車(美國導演卡贊根據美國作家威廉斯的同名戲劇改編)
朱門巧婦 (美國導演RICHARD BROOKS根據美國作家威廉斯的劇本《鐵皮屋頂上的貓》改編)
推稍員之死(德國導演斯隆多夫根據美國作家阿瑟?米勒的同名戲劇改編)
激情年代/煉獄(美國導演NICHOLAS HYTNER根據美國作家阿瑟?米勒的戲劇《熔練》改編)
國王的全班人馬(一代奸雄)(美國導演ROBERT ROSSEN根據美國作家沃倫的同名小說改編)
紅粉佳人(美國導演 FRED ZINNEMANN根據美國作家瓊斯的小說《從這里到永遠》改編 )
細紅線(美國導演馬利克根據美國作家瓊斯的同名小說改編)
聖路易斯雷大橋(愛爾蘭導演Mary McGuckian根據美國作家桑頓?威爾德的同名小說改編)
蒂凡尼的早餐(美國導演Blake Edwards根據美國作家Truman Capote的同名小說改編)
亨利和瓊(美國導演考夫曼根據美國作家阿娜伊斯?寧的同名小說改編)
第二十二條軍規(美國導演MIKE NICHOLS根據美國作家海勒的同名小說改編)
赤裸的午餐(加拿大導演克羅寧伯格根據美國作家巴特勒的同名小說改編)
短片集(美國導演阿爾特曼根據美國作家卡佛的短篇小說改編)
冠軍的早餐(美國導演Alan Rudolph根據美國作家馮尼格的同名小說改編)
第五號屠宰場(美國導演希爾根據美國作家馮尼格的同名小說改編)
母親之夜(美國導演KEITH GORDON根據美國作家馮尼格的同名小說改編)
紫色(美國導演斯皮爾伯格根據美國作家沃克的同名小說改編)
蘇菲的抉擇(美國導演ALAN J PAKULA根據美國作家威廉?斯泰倫的同小說改編)
大魚(美國導演蒂姆?伯頓根據美國作家丹尼爾?華萊士的小說《Big Fish: A Novel of Mythic Proportions》改編)
人性的污點(美國導演ROBERT BENTON根據美國作家羅思的同名小說改編)
冷山(加拿大導演明格拉根據美國作家查爾斯?弗雷澤的同名小說改編)
時時刻刻(英國導演Stephen Daldry根據美國作家坎寧安的同名小說改編)
冰風暴(中國台灣導演李安根據美國作家裡克?穆迪的同名小說改編)
斷背山(中國台灣導演李安根據美國作家安妮?普魯克斯的同名短篇小說改編)

㈢ 有沒有薇諾娜瑞德電影版本小婦人的英文對白

精彩對白[Meg has twisted her ankle and Laurie took her home in his carriage]
Amy: He put snow on your ankle? With his own hands?
Marmee: I won't have my girls being silly about boys. To bed! Jo dear.
Amy: Everything lovely happens to Meg.
Meg: [Sarcastically] Oh yes, indeed.
Laurie: Hello! Jo! Come over here. You too, Meg. It's ll as tombs around here.
Amy: We bear our souls and tell the most appalling secrets.
Jo March: He's ll as powder, Meg. Can't you at least marry someone amusing?
Beth: I feel stronger with you close by.
Jo March: Well, of course Aunt March prefers Amy over me. Why shouldn't she? I'm ugly and awkward and I always say the wrong things. I fly around throwing away perfectly good marriage proposals. I love our home, but I'm just so fitful and I can't stand being here! I'm sorry, I'm sorry Marmee. There's just something really wrong with me. I want to change, but I - I can't. And I just know I'll never fit in anywhere.
Amy: We'll all grow up one day, Meg. We might as well know what we want.
Jo: If only I could be like father and crave violence and go to war and stand up to the lions of injustice.
Younger Amy March: Do you love Laurie more than you love me?
Jo: Don't be silly! I could never love anyone more than I love my sisters.
Jo: If I weren't going to be a writer I'd go to New York and pursue the stage. Are you shocked?
Laurie: Very.
Jo: Now we are all family, as we always should have been.
Marmee: I am going to write this man a letter.
Jo: A letter. That'll show him.
Jo: I go around throwing away perfectly good marriage proposals!
Jo: What's going to happen?
Friedrich: The inevitable.
Marmee: Feminine weaknesses and fainting spells are the direct result of our confining young girls to the house, bent over their needlework, and restrictive corsets.
Dr. Bangs: There is nothing I can do. If I bleed her, it would finish her. Best to send for the mother.
Laurie: Forgive me. I have already done so. Mrs. March arrives on the train this night.
Jo: Will we never all be together again?
Amy: I don't wanna die. I've never even been kissed. I've waited my whole to be kissed, and what if I miss it?
Laurie: I tell you what. I promise to kiss you before you die.
Friedrich: Jo. Such a little name for... such a person.
Friedrich: But I have nothing to give you. My hands are empty.
[entwines her hands with his]
Jo: Not empty now.
Laurie: I have loved you since the moment I clamped eyes on you. What could be more reasonable than to marry you?
Jo March: We'd kill each other.
Laurie: Nonsense!
Jo March: Neither of us can keep our temper-...
Laurie: I can, unless provoked.
Jo March: We're both stupidly stubborn, especially you. We'd only quarrel!
Laurie: I wouldn't!
Jo March: You can't even propose without quarreling.
Marmee March: Oh, Jo. Jo, you have so many extraordinary gifts; how can you expect to lead an ordinary life? You're ready to go out and - and find a good use for your talent. Tho' I don't know what I shall do without my Jo. Go, and embrace your liberty. And see what wonderful things come of it.
Beth: I'm so full of happiness, that if Father was only here, I couldn't hold one drop more.
Amy: You don't need scores of suitors. You need only one... if he's the right one.
Laurie: I'm quite taken by that one.
Jo: That's Meg!
Laurie: Meg.
Jo: That's my sister. She's completely bald in front.
Friedrich Bhaer: You must write from the depths of your soul!
John Brooke: Over the mysteries of female life there is drawn a veil best left undisturbed.
Laurie: Someday you'll find a man, a good man, and you'll love him, and marry him, and live and die for him. And I'll be hanged if I stand by and watch.
Beth: I know I shall be homesick for you even in Heaven.
Amy: Do you love Laurie more than you love me?
Jo: Don't be silly! I could never love anyone more than I love my sisters.
Josephine 'Jo' March: I won't have a sister who is a lazy ignoramus.
Josephine 'Jo' March: You plastered yourself on him!
Meg March: It's proper to take a gentleman's arm if it's offered!
Josephine 'Jo' March: If lack of attention to personal finances is a mark of refinement, then I say the Marches must be the most elegant family in Concord!
Josephine 'Jo' March: Does he have a noble brow? If I were a boy I'd want to look just like that.
Jo March: I find it poor logic to say that women should vote because they are good. Men do not vote because they are good; they vote because they are male, and women should vote, not because we are angels and men are animals, but because we are human beings and citizens of this country.
Mr. Mayer: You should have been a lawyer, Miss March.
Jo March: I should have been a great many things, Mr. Mayer.
Friedrich: Your heart understood mine. In the depth of the fragrant night, I listened with ravished soul to your beloved voice. Your heart understood mine.
Jo: At night my mind would come alive with voices and stories as real to me as any in the real world. I gave myself up to it, longing for transformation.
Jo: [as Jo and Laurie dance awkwardly at Belle Gardner's ball] I'm sorry! Meg always makes me take the gentleman's part at home! It's a shame you don't know the lady's part!
Younger Amy March: Butter! Oh isn't butter divinity? Oh god thank you for this breakfast.
Younger Amy March: We've been expectorating you for hours!
Younger Amy March: Well, it's not like being stuck with the dreadful nose you get. One does have a choice to whom one loves.
Younger Amy March: One periwinkle sash...
[clears throat]
Younger Amy March: Advertisements. One periwinkle sash belonging to Mr. N. Winkle has been abscondated from the wash line... which gentlemen desires any reports leading to its recovery.
Amy: Jo, how could you, your one beauty!
Jo: Imagine, giving up Italy to come live with that awful old man.
[Meg tsks]
Meg: Oh Jo, please don't say awful; it's slang.
Amy: Have you heard from Jo? She has befriended a German professor.
Laurie: I envy her happiness. I envy his happiness. I envy John Brooke for marrying Meg. I hate Fred Vaughn. And if Beth had a lover I would despise him too. Just as you have always known that you would never marry a pauper, I have always known that I belong to the March family.
Amy: I will not be loved for my family...
Beth: If God wants me with Him, there is none who will stop Him. I don't mind. I was never like the rest of you... making plans about the great things I'd do. I never saw myself as anything much. Not a great writer like you.
Jo: Beth, I'm not a great writer.
Beth: But you will be. Oh, Jo, I've missed you so. Why does everyone want to go away? I love being home. But I don't like being left behind. Now I am the one going ahead. I am not afraid. I can be brave like you.
Beth: [hearing Jo crying] Are you thinking about father?
Jo March: [whimpering] My hair!
Amy March: [after hearing of Jo's need to get away from Laurie] Aunt March is going to France.
Jo: FRANCE? Oh! That's ideal! I'd put up with anything to go!
Amy March: [hesitates] No, she has asked me to accompany her.
[Jo has been to visit Aunt March to try and get money for a train ticket]
Marmee: 25? Can Aunt March spare this much?
Jo: I couldn't bear to ask.
[she takes off her hat, everyone gasps - she's got short hair]
Jo: I sold my hair.
John Brooke: Mr. Laurence! One doesn't shout at ladies as if they were cattle. My apologies!
Jo: Teddy, please don't ask me.
Friedrich: [having read Jo's latest book] There is *nothing* in this of the woman I am privileged to know.
Younger Amy March: [Jo is curling Meg's hair] What's that smell? Smell's like feathers.
Jo: Aaahh!
Meg: You've ruined me!
Marmee: [reading a letter] "Aunt March is weak and would not survive a sea voyage. Amy must bide her time and return at a later date".
[sighs]
Marmee: Just as well.
[after Meg has given birth to twins]
Meg: Oh, Marmee, I can't believe you did this four times.
John Brooke: Yes, but never two at once, my darling.
Friedrich Bhaer: I am going to the west. They need teachers and they are not so concerned about the accent.
Jo March: I don't mind it either.

㈣ 我能幫我找一篇1994年《小婦人》的觀後感呢要英文的,1500詞~啊,萬分感謝

I』ll miss the little women
Pure from the movie this form to see, 94 version of "little woman" (not seen it in the original) can and 2005 edition "pride and prejudice" and shelves WeiNuoNa, rhett, Joe has become almost Keira version of Elizabeth past, see nearly novelist thought wall Keira from posters came down, I'm a little dizzy, some consistent tone, some similar atmosphere, think carefully, it is two different story
Beginning March home four sisters to neighbors Laurie are born yearning heart. Story progressed Meg married Laurie mentor, two people are truly in love, this is one of the first to happiness, should also be the most successful the perfect couple. Joe is the author of personal incarnate, for ideals, and resolutely abandoned knowable results of love Laurie, she know this isn't she wanted, he left home pursue the outside world, until destined to man appeared, but I was still smarting from professor yu uncle some age... The ultimate again around a circle returned home, because this origin of Bath of disease, Bath like ship under the anchor, only she will keep the ship, waiting for them, that a box of regression memories of the past days, is triggered Joe inspiration, I find myself sparks, The sentence "why do you want to leave", is a unanswered questions. Amy should be lucky a clearly defined objectives become beauties the lady, she got it, and your growth changes, eventually got Laurie love, my conclusion is never say that what matter is certainly not going to happen
WeiNuoNa, rhett's performance was excellent, see the surprised feeling before four hundred years "she is just a beautiful, here she and Joe directness, those abstruse black eyes, full of faith for a future life, know yourself, the firm faith to pursue Johnny Depp (to know and Damon had fell into this'm double eyes), As for the family, and sell long hair, with short hair cushite in, I was shock, this is a won the best actress Oscar nomination. Why not WeiNuoNa slightly regret now have bestseller, only the severe competition exclamation
Laurie Christian, bell then although still very young, but dedicated I think after into after the second good performance and from pure feeling to romantic, let me have to look again and again on him that he forgot the batman, he is the man, made a knockout. Just sino-italian little sister's speed too over it, Amy grew up actor is accord with the character itself is full of artistic breath, endowed with noble state, but in my opinion is not enough jing is colourful, once so deep love Joe...
Amy's exploratory wattenberg, DengSi te, knew she was child stars, meet here. See little spider female has star temperament, the literal lines listen from her mouth out is so natural, Assyria performance. Don't selous The relevant nose joke, should be out of plot considerations, and the very real appropriate her then that little nose
Now look at 94 movie, the picture is backward, but a layer have obscured rendering, again and conform to the entire movie atmosphere, this is a suitable for women to see the film.
In the 18th century England, America in the 19th century, Jane Austen, Louis sand, mei, Alcott, two from different countries outstanding female tandem nursing brought us two classic, for love, for the pursuit of truth, are fighting for freedom warriors.
Regret a bit so late see "little women" this film, congratulating ultimately have not missed

不好意思第一次沒看清楚要英文的。

㈤ 《小婦人》英文是什麼

Little Women。

該片根據路易莎·梅·奧爾科特的同名小說改編,以美國南北戰爭為背景,講述19世紀美國新英格蘭地區的一個普通家庭四個姐妹之間的生活。

2020年,在第92屆奧斯卡金像獎中,該片獲得最佳服裝設計獎。

影片介紹:

影片延續小說長期堅持的價值觀——勇氣、善良、脆弱中的力量。導演在故事的講述上做了大膽選擇,她的改編不同於任何一個前作,尤其是最後的結局超越了任何版本。

這部富有創意的改編作打破了《小婦人》的世界,為女性的故事賦予了更大的意義。是一部有現代智慧的經典之作,時而的心碎也會陣陣放聲大笑。

格蕾塔·葛韋格讓一個舊故事煥然一新,這是一種最佳意義上的改編。把這部影片拍得引人入勝、慷慨激昂,為這部經典小說進行了一次豐富溫暖、有厚重感又熱情洋溢的新改編。

格蕾塔·葛韋格為觀眾重塑了這部備受喜愛的經典美國文學作品。影片通過靈活的攝影和剪輯,展現年輕人的活力,以及伴隨著年輕人長大而來的緊迫感。這部迷人的電影會有一個很長的保質期。

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