⑴ 恐怖電影的英文影評
以下是以下是 電影十三度凶間的影評 擔不是純恐怖片The following are among the film 13 degrees fierce critics fear is not a pure horror film
We exist because we think we exist. We manipulated the dolls have fun in the play, but I do not know whether someone is manipulating us, while we know nothing about. "Matrix" of creativity has been recognized as derived from the film . "13 degrees between fierce," from the outset, the viewer's heart closely, who killed Fuller? Douglas? As they like, a chain, they have created a virtual world, can Who would have thought the game itself is someone else's doll, his cruise in the virtual world, but manipulated by others are unsure. When one day we discovered the truth, we will not fear ... ... the film set suspense, science fiction, murder in one, while infiltration of the reality of human living space and virtual thinking is absolutely unique Feature Movies. This is a large list 羅蘭艾默里克 (Roland Emmerich) making science fiction films, and he directed most of the science fiction film than (Godzilla, what the day after tomorrow), this is one of the most content Department, and most not in effect as the main selling point of the film, said that box office was not successful, but still can not deny the participation of top stars is unsuccessful film, after all, in thinking of those who have gone beyond the director of the explosion of his own m spent a science fiction
This is a self-al awareness regarding human to explore the deep meaning of human existence, science fiction movies, including some of the characteristics of the thriller.
Film began as two lines of subtitles:
"I think, therefore I am.
Reno Descartes 1596-1960 "
Want to come we all know this is a French mathematician and philosopher Descartes's philosophy: "I think therefore I am." This is the story have to say.
Story began in the United States thirty or forty years, an old gentleman wrote a letter, found some things that may lead to fatal disaster, the letter he left a bar bartender, told the bartender Members will have a named person will come to gain the trust of Douglas, then a strange thing happened, the old gentleman had just experienced a similar virtual reality travel in general, return to the reality of 90 years, then suddenly the old gentleman kill, and all the suspects are concentrated in the old gentleman's study
Partners who Douglas.
They are building the virtual world has tens of thousands of independent record of the character most people as real people, in Douglas returned to the system in the old gentleman wanted to be left in the letter, to serve their own cleared when charges, but also found incredible things, bartender secretly open the letter of the old gentleman found his own is the virtual world of virtual characters, although very full and rich emotional life, but he, like other virtual characters, but a bunch of circuits and electronic signals. He was outraged.
The situation continues developing, Douglas found himself in the world is a virtual world, a virtual world technologies to develop their own virtual world only. Even worse, Douglas, and one from the creator of his world's woman of the world fell in love ... ...
I would like everyone reading this is not the film will not help but suspect that our world will not only intelligent beings of some kind of plaything and no more?
But if that is the case, what relationship? If our creator did not come to disturb us, we still had the same crash and lives above the Creator if we can imagine his ability to interfere in our civilization, we can think of some supernatural phenomenon, but Bale . Some day, God fed up to unplug the computer, and I think this is the end of our universe. 我們在操縱著玩偶盡興的玩樂，卻不知是否有人在操縱著我們，而我們卻一無所知。《黑客帝國》的創意已經公認是從本片抄襲而得。《十三度凶間》從一開始就緊扣觀者的心，誰殺了富勒？道格拉斯？像又不像，環環相扣，自己創造了一個虛擬世界，可誰又想得到，自己卻是別人游戲里的玩偶，自己在虛擬世界中游弋，卻又被別人操縱著卻茫然不知。當有一天我們發現了真相，我們會不會恐懼……本片集懸念、科幻、兇殺於一體，同時滲透對人類生存空間的現實與虛擬的思考，絕對是難得的佳片。 這是一部大片導演羅蘭·艾默里克（Roland Emmerich）製做的科幻片，和他導演的大部分科幻片相比（哥斯拉、後天什麼的），這部是最有內涵的一部，也是最不以特效為主要賣點的片子，據說票房並不成功，但是仍然不能說沒有大牌明星的參與就是不成功的片子，畢竟來說，在思想方面者已經超越了他自己導演的爆米花科幻了
這是一部涉及人類自偶意識，探討人類存在意義的有深度的科幻電影，其中也包括了一些驚悚片的特徵。
電影開始是兩行字幕：
「I think, therefore I am.
Reno Descartes 1596-1960」
想來大家都知道這是法國數學家，哲學家笛卡爾的哲學觀點：「 我思故我在」。 這正是這個故事所要說的。
故事開始於三四十年代的美國，一個年老的紳士寫了一封信，說發現了一些事，可能會招致殺身之禍，他將信留給了一個酒吧的調酒員，告訴調酒員會有一個叫道格拉斯的人會來取信，後來就發生了奇怪的事情，原來老紳士只不過是經歷了一場類似虛擬現實一般的旅行，回到現實的90年代，接著，老紳士突然被殺，而所有的嫌疑都集中在老紳士的研究
夥伴道格拉斯身上。
他們所建造的虛擬世界擁有數以萬記的性格獨立的如同真實人物一般的人，在道格拉斯回到系統中想要得到老紳士留的信，來為自己洗脫罪名的時候，又發現了不可思議的事，調酒員私自拆開了老紳士的信，發現了自己其實是虛擬世界中的虛擬人物，雖然有非常充實的生活和豐富的情感，但他和其他虛擬人物一樣，只是一堆電路和電子信號。他被激怒了。
事態繼續發展著，道格拉斯發現自己的世界也是一個虛擬世界，一個自己發展出虛擬世界技術的虛擬世界而已。更要命的是，道格拉斯和一個來自他的世界的創造者的世界的女子相愛了……
我想每一個人看完這不電影，都會情不自禁地懷疑我們的世界會不會也只是某種智慧生物的玩物而已呢？
但如果是這樣的話，又有什麼關系呢？如果我們的創造者不來打攪我們，我們還是一樣過偶們的生活，造物主如果以他的凌駕於我們所能想像的能力來干涉我們文明進程，我們所能想到的不過是一些超自然的現象罷了。有那麼一天，造物主厭煩了，把計算機的插頭拔掉了，我想這就是我們宇宙的終點了。
我們存在的因為我們認為我們存在。 咒怨影評Grudge film critic
"Grudge" is the Hanyuan who died under the curse, who were doomed to touch, and create new "Grudge" will continue to spread terror death. Tokyo suburbs have a ghastly ghost house, visiting strange Each will be killed or mysteriously disappeared, the legendary owner of a sudden frenzy of big big hair and chopped his wife before committing suicide, 6-year-old son, and never missing, still missing. House of the resentment within the cupola, terrorist emblem set Ken Sui? Visitors. Best female university physiology (Austrian dishes decorated benefits) e to volunteer accidentally entered within a large house, they discovered a mysterious strange boy suddenly appeared but then disappeared. At this point, good start to experience strange reason, everyone around him has also been implicated in the tragic death of more than one by one, the terrorist thing after another, and endless ... ...
Adds the new Japanese family members of terror
Japanese horror cinema in Asia are still to world cinema occupies an important position, "The Ring" and other classic horror films are branded with the Japanese national character inherent in the film. It is this distinctive national characteristics, and it has long been the de facto mode of movement to maintain a considerable distance. The most significant is that it is not Hollywood movies shown over-reliance on technology, but also not easy to film to achieve the goal of easy to understand way of deliberately seeking concise narrative flow, instead, it uses a relatively primitive film language unique to the Japanese film culture, steady and cool to describe the occurrence of ghost stories. Outstanding performance of artistic conception of the building, suspense, foreshadowing, the audience throughout the story are being led by the nose, with the plot development, psychological tension graally increased, unable to stop. Sadako ("The Ring"), Tomie ("Tomie") and other screen images have madness in Asia, make the audience frightened also surprised. "The Grudge" will be in Japan soon as he painted a large high-profile and reputation on the subject as quickly as they spread terror nationwide, the skin was gray stone, with two empty Sadako boys become the classic horror image after another.
"The Grudge" in the Hollywood screening of a large number of film companies have won the favor, "Spider-Man" director Sen. Remy is claimed that: "I have never seen such a horror movie! Shimizu's horror is not too aggressive Sung, and his unique style of exception; the Hollywood horror film has never reached the level of such state, terrorist Jingxia De viewers no breathing space. "
Shimizu Chong horror film new directors
Shimizu Sung was born in 1972 in Japan, Kinki University, majoring in drama and the arts after graation went to Kyoto alone in the theater as part-time, began writing their own script. , He continued to participate in a number of independent films and theater work. In 1995, his play "sleeping man" when the clothing assistant. He then moved to Tokyo to work as a number of television and video proction freelance assistant director. In 1997 he became assistant director ring the first class admitted to the Tokyo Film School. In 1998 graated from a three-minute video, brought him a golden opportunity, in "The Ring" screenwriter Takahashi foreign and "provoke a ghost loop," the director Blackpool clear height of referrals, he is involved in terrorist Kansai TV play " strange school on G ", fame.
In 1999, Shimizu haunting Video Edition to create two "Grudge" and "The Grudge 2" and popular in Japan released a video released just sold, Who knows just introced in Japan had been startled audience, horror stories of the extent caused by temporary , while the national hot even been highly praised. Chong for clean water, "The Ring" in the Tian Xiufu Japanese horror master evaluation is: "water people I know worship is one of the most stringent, especially for himself. When I saw him on television virgin works it was that piece of the atmosphere of terror and scare scenarios and a unique ending big surprise, he is definitely a master of Japanese horror film. "
⑵ 找一部電影。大概情節是有幾個人去挖別人的墳墓想找什麼東西，有個人悄悄帶回了個骷髏頭，惹來了鬼的追...
答案找到了，是墓地狂舞。
⑶ 關於數學的歐美電影推薦一下，能免費看的
我的天才寶貝 （錦綉童年）Little Man Tate (1991)
《心靈捕手》
數學有關的電影
1) 中文名稱：死亡密碼
英文名稱：π
別 名：3.14159265358(USA)
發行時間：1998年07月10日
科幻驚栗手法描寫一名天才數學家觸目驚心的經歷。才華蓋世的數學家馬斯在過去十年來，發現股票市場在混亂波動背後原來由一套數學模式操控，於是致力研究尋出該數學模式。沒想到，主宰金融市場的一家華爾街財團，以及不擇手段要釋破聖經密碼的一個卡巴拉宗教組織均同時派員追緝他，馬斯既要保護一己安全，同時亦要盡快找出這些影響世界金融市場的密碼。
2）中文名稱：美麗心靈
英文名稱：A Beutiful Mind
發行時間：2001年出品 (Universal Pictures, USA)
故事的原型是數學家小約翰-福布斯-納什(Jr.John Forbes Nash)。英俊而又十分古怪的納什早年就作出了驚人的數學發現，開始享有國際聲譽。但納什出眾的直覺受到了精神分裂症的困擾，使他向學術上最高層次進軍的輝煌歷程發生了巨大改變。面對這個曾經擊毀了許多人的挑戰，納什在深愛著的妻子艾麗西亞(Alicia)的相助下，毫不畏懼，頑強抗爭。經過了幾十年的艱難努力，他終於戰勝了這個不幸，並於1994年獲得諾貝爾獎。
3）中文名稱：心靈捕手
英文名稱：Good Will Hunting
別 名：驕陽似我
發行時間：1997
一個麻省理工學院的數學教授，在他繫上的公布欄寫下一道他覺得十分困難的題目，希望他那些傑出的學生能解開答案，可是卻無人能解。結果一個年輕的清潔工 (麥特戴蒙飾)卻在下課打掃時，發現了這道數學題並輕易的...
4）中文名稱：費馬最後定理
英文名稱：Fermat's Last Theorem
發行時間：2005年
本片從證明了費瑪最後定理的安德魯?懷爾斯 Andrew Wiles開始談起，描述了 Fermat's Last Theorm 的歷史始末，往前回溯來看，1994年正是我在念大學的時候，當時完全沒有一位教授在課堂上提到這件事，也許他們認為，一位真正的研究者，自然而然地會被數學吸引，然而對一位不是天才的學生來說，他需要的是老師的指引，引導他走向更高深的專業認知，而指引的道路，就在科普的精神上。
5）中文名稱：笛卡兒
英文名稱：Decartes
發行時間：2006年
勒奈·笛卡爾（René Descartes，常作笛卡兒，1596年3月31日生於法國安德爾-盧瓦爾省笛卡爾-1650年2月11日逝於瑞典斯德哥爾摩），法國哲學家、數學家、物理學家。他對現代數學的發展做出了重要的貢獻，因將幾何坐標體系公式化而被認為是解析幾何之父。他還是西方現代哲學思想的奠基人，是近代唯物論的開拓者提出了「普遍懷疑」的主張。他的哲學思想深深影響了之後的幾代歐洲人，開拓了所謂「歐陸」哲學。
6)中文名稱：牛頓探索
英文名稱：Newton's Dark Secrets
發行時間：2005年
1643年1月4日，在英格蘭林肯郡小鎮沃爾索浦的一個自耕農家庭里，牛頓誕生了。牛頓是一個早產兒，出生時只有三磅重，接生婆和他的親人都擔心他能否活下來。誰也沒有料到這個看起來微不足道的小東西會成為了一位震古爍今的科學巨人，並且竟活到了85歲的高齡。
7)中文名稱：博士熱愛的算式/博士的愛情方程式
英文名稱：Hakase No Aishita Sushiki
發行時間：2006年
電影導演：小泉堯史
語言：日語
一次交通意外，令天才數學博士只剩下80分鍾的記憶，時間一到，所有回憶自動歸零，重新開始。遇上語塞的時候，他總會以數字代替語言，以獨特的風格和別人交流。他身上到處都是以夾子夾著的紙條，用來填補那隻有80分鍾的記憶。這次，新來的管家杏子帶著10歲的兒子照顧博士的起居，對杏子來說，每天也是和博士的新開始。博士十分喜愛杏子的兒子，並稱呼他作「根號」，因為根號能容納所有人和事，他讓母子倆認識數學算式內美麗且光輝的世界。因為只有短短80分鍾，三人相處的每一刻都顯得非常珍貴。
8) 中文名稱：阿基米德的秘密
英文名稱：Infinite Secrets: The Genius of Archimedes
發行時間：2005年
阿基米德(Archimedes，約公元前287～212)是古希臘物理學家、數學家，靜力學和流體靜力學的奠基人。除了偉大的牛頓和偉大的愛因斯坦，再沒有一個人象阿基米德那樣為人類的進步做出過這樣大的貢獻。即使牛頓和愛因斯坦也都曾從他身上汲取過智慧和靈感。他是「理論天才與實驗天才合於一人的理想化身」，文藝復興時期的達芬奇和伽利略等人都拿他來做自己的楷模。
9）中文名稱：伽利略:為真理而戰
英文名稱：Galileo's Battle For The Heavens
發行時間：2006年03月
基於達娃·索貝爾(Dava Sobel)的暢銷傳記《伽利略的女兒：科學、信仰和愛的歷史回憶》改編而成，向我們展示了偉大科學家伽利略的人生軌跡和追求真理的道路。
10）中文名稱：阿蘭·圖靈
英文名稱：Alan Turing
發行時間：2005年
阿蘭·圖靈（Alan Turing）這個名字無論是在計算機領域、數學領域、人工智慧領域還是哲學、邏輯學等領域，都可謂「擲地有聲」。圖靈是計算機邏輯的奠基者，許多人工智慧的重要方法也源自這位偉大的科學家。他在24歲時提出了圖靈機理論，31歲參與了Colossus（二戰時，英國破解德國通訊密碼的計算機）的研製，33歲時構思了模擬系統，35歲提出自動程序設計概念，38歲設計了「圖靈測試」，在後來還創造了一門新學科—非線性力學。雖然圖靈去世時只有42 歲，但在其短暫而離奇的生涯中的那些科技成就，已讓後人享用不盡。人們仰望著這位偉大的英國科學家，把「計算機之父」、「人工智慧之父」、「破譯之父」等等頭銜都加冕在了他身上，甚至認為，他在技術上的貢獻及對未來世界的影響幾乎可與牛頓、愛因斯坦等巨人比肩