飄電影劇本中英文

1. 電影《飄》中女主人公最愛說的Tomorrow

電影《飄》中女主人公最愛說的Tomorrow is another day有三層意思：

1. Tomorrow is another day。明天又是嶄新的一天 (也有「來日方長」的意味）

2. Tomorrow is another day。 明天有明天的事。（不管怎樣，明天又是新的一天了）

3. Tomorrow is another day。明天又是新的一天。（有明天就有希望/明天還有指望/明天再說/明天還來得及）

什麼是愛？什塵宴么是恨？愛和恨可以象兩條永不相交的平行線，愛和恨也可能只需要一縷陽光就可以消融。珍惜擁有的人是幸福的，因為我們總是並不確切知道我們需要的到底是什麼。太多的人只有在失去的時候，才知道去珍惜。泰戈爾有一句詩我特別喜歡：如果你因失去了太陽而流淚，那麼你也將會失去群星。歷盡滄桑，你要學會忽略過去。因為——tomorrow is another day。

擴展內容：

《飄》是美國作家瑪格麗特·米切爾創作的長篇小說，該作1937年獲得普利策文學獎。

小說以亞特蘭大以及附近的一個種植園為故事場景，描繪了內戰前後美國南方人的生活。作品刻畫了那個時代的許多南方人的形象，佔中心位置的斯嘉麗、瑞德、艾希禮、梅蘭妮等人是其中的典型代表。他們的春賀習俗禮儀、言行舉止、精神觀念、政治態度，通過對斯嘉麗與瑞德的愛情糾纏為主線，成功地再現了林肯領導的南北戰爭，美國南方地區的社會生活。

斯嘉麗·奧哈拉

斯嘉麗是一個復雜、獨特的人物形象，她的最大特點在於女性氣質與男性氣質集聚一身。斯嘉麗漂亮、迷人，而在她的一生中任何時期都不忘利用自己的女性優勢，比如她利用美貌輕易得到男人的青睞，利用女性的柔弱地位博取同情。同時，她也無法逃脫普通女性的狹隘和感性，比如缺乏知識、對事物的冷靜分析和判斷，喜歡幻想、盲目追求得不到的東西、自以為是。

然而正如作品一開始就提到的：她如花一樣令人賞心悅目的外貌和言談是後天培養出來的，而不安分的小手和眼睛是屬於她自己的，是扒兄派與生俱來的天性。作為出生在大庄園里的小姐，斯嘉麗接受的教導給了她文雅的外表，亦步亦趨地遵循淑女風范，骨子裡的反叛火花卻不時的迸發出來，她爬樹、擲石子、拒絕像淑女一樣吃東西，然而由於缺乏知識和精神追求，斯嘉麗的反叛行為不具進步意義，而僅僅是個人性格的自然表現，是抗爭因素在起作用；

她爭強好勝，對得不到的東西抱有強烈的慾望，利用女性氣質得到愛情，內心卻用對男性的強勢態度對此不屑一顧；她冷酷無情，對待孩子從不像一般母親一樣百般呵護，她的柔情只有在利益面前才會流露；她不擇手段，為達目的不顧及他人和道德；她堅強、有魄力，雖然恨梅蘭妮搶走了艾希禮，卻像個男人一樣遵守承諾，在戰火中照顧梅蘭妮，並帶她逃出困境；在新舊時代的更迭之際，她沒有像普通女性一樣甘心被擺布，而是突破傳統，尋求自我價值的實現。

2. 急求電影《飄》的中文簡介

《飄》所講述的是一個以美國南北戰爭為背景的愛情故事。
小說的主人公斯卡雷特·奧哈拉是美國喬治亞州一位富足且頗有地位的種植園主的女兒。
父親傑拉爾德是愛爾蘭的移民。剛到喬治亞州時，傑拉爾德身無分文，靠賭博贏得了塔羅庄
園的所有權。於是就開始在這塊紅色的土地上創業，編織著他的美國之夢。直到43歲的時候，
他才和芳齡15的埃倫--一個東海岸法國移民的女兒--結了婚。傑拉爾德心地善良，但脾
氣暴躁，而年輕的妻子則有著良好的家庭教育和嚴格的道德觀念。她親手操持著整個庄園的
日常事務，甚至還為庄園里的黑奴看病，接生。因此，夫婦倆受到周圍白人庄園主的尊敬，
也深得黑人奴隸的愛戴。女兒斯卡雷特在這種環境中慢慢長大了。

3. 《飄》的最後一句話是什麼

原版最後一句話是:Tomorrow is another day！
翻譯:明天又是新的一天

4. 求英文版飄中的人名，劇情介紹，人物簡介

原著：《飄》（瑪格麗特·米切爾著）
電影：《亂世佳人》（GONE WITH THE WIND）
導演：維克多·弗萊明
主演：費雯麗、克拉克·蓋博、李斯利·霍華德、 奧莉薇·黛·哈佛蘭
類型：劇情 愛情 戰爭
上映：1939年01月15日
地區：美國
時長：238 分鍾
顏色：彩色
對白：英語
出品：米高梅公司

影片簡介
《亂世佳人》（GONE WITH THE WIND）是好萊塢影史上最值得驕傲的一部曠世巨片，影片放映時間長達4小時，觀者如潮。其魅力貫穿整個20世紀，因此有好萊塢「第一巨片」之稱。影片當年耗資400多萬美元，歷時三年半完成，其間數換導演，銀幕上出現了60多位主要演員和9000多名配角演員。在1939年的第12屆奧斯卡獎中一舉奪得八項金像獎，轟動美國影壇。這部耗資巨大，場景豪華，戰爭場面宏大逼真的歷史巨片，以它令人稱道的藝術成就成為美國電影史上一部經典作品，令人百看不厭。
1861年南北戰爭爆發的前夕，塔拉庄園的千金小姐斯佳麗愛上了另一庄園主的兒子阿希禮，但阿希禮卻選擇了查爾斯的表妹——溫柔善良的玫蘭妮為終身伴侶。斯佳麗出於妒恨，搶先嫁給了玫蘭妮的哥哥查爾斯。不久，美國南北戰爭爆發了。阿希禮和查爾斯作為徵兵上了前線。查爾斯很快就在戰爭中死去了。斯佳麗成了寡婦， 但她內心卻一直熱戀著阿希禮。
一天，在一次舉行義賣的舞會上，斯佳麗和風度翩翩的商人瑞特相識。瑞特開始追求斯佳麗，但遭到她的拒絕。斯佳麗一心只想著去追求阿希禮，結果也遭到拒絕。
在戰爭中，美國南方軍遭到失敗，亞特蘭大城裡擠滿了傷兵。斯佳麗和妹妹玫蘭妮自願加入護士行列照顧傷兵。目睹戰亂帶來的慘狀，任性的斯佳麗成熟了不少。這時，從前線傳來消息，北方軍快打過來了，不少人家驚惶地開始逃離家園，而斯佳麗的母親和兩個妹妹也患病了，斯佳麗十分想要回去塔拉庄園，回到敬愛的母親身邊。不巧玫蘭妮要生孩子了，斯佳麗只好留下來照顧她。
在北方軍大軍壓境之日，斯佳麗哀求瑞特幫忙護送她和剛生下孩子的玫蘭妮回塔拉庄園。瑞特告訴斯佳麗他不能目睹南方軍潰敗而不去助一臂之力，他要參加南方軍作戰，他留下一把手槍並和斯佳麗擁吻告別。斯佳麗只好獨自勇敢地駕駛馬車回到塔拉庄園，這時家裡已被北方軍士兵搶先洗動一空，母親已在她回到家的前一天病逝，而父親因為受到太大打擊而精神錯亂。
不久，戰爭結束了。生活依然困苦。北方來的統治者要庄園主繳納重稅，斯佳麗在絕望中去亞特蘭大城找瑞特借錢，但得知他已被關進監獄。歸來的途中，斯佳麗遇上了本來要迎娶她妹妹的暴發戶弗蘭克，為了要重振破產的家業，她騙取弗蘭克和自己結了婚。
斯佳麗在弗蘭克經營的木材廠非法僱用囚犯，並和北方來的商人大做生意。此時，瑞特因用錢賄賂而恢復了自由。兩人偶然碰面，再次展開愛恨交織的關系。
弗蘭克和阿希禮因加入了反政府的秘密組織，在一次集會時遭北方軍包圍，弗蘭克中彈死亡，阿希禮負傷逃亡，在瑞特的幫助下回到玫蘭妮身邊。斯佳麗再次成為寡婦。此時，瑞特前來向她求婚，她終於與一直愛她的搞私運軍火和糧食致富的瑞特結了婚。婚後，夫妻二人住在亞特蘭大的豪華大宅。一年後，女兒邦妮出生，瑞特把全部感情投注到邦妮身上。斯佳麗偶然翻閱阿希禮的照片被瑞特發現，終於導致了二人感情的破裂。其後，在阿希禮的生日會前夕，斯佳麗與阿希禮相見時熱情的擁抱引起旁人非議，但玫蘭妮不相信他們之間有曖昧關系。瑞特可不這樣想。
當斯佳麗告訴瑞特她已經再次懷孕時，瑞特懷疑地問那是誰的孩子？斯佳麗在羞怒之下欲打瑞特，卻不慎滾下樓梯引起流產。瑞特感到內疚，決心同斯佳麗言歸於好，不料就在他倆談話時，小女兒邦妮意外墜馬摔死了。與此同時不幸的事也在另一個家庭里發生，玫蘭妮終因操勞過度卧病不起。臨終前，她把自己的丈夫阿希禮和兒子託付給斯佳麗，但要求她保守這個秘密，斯佳麗不顧一切撲向艾希利的懷中，緊緊擁抱住他，站在一旁的瑞特無法再忍受下去，而轉身離去。面對傷心欲絕毫無反應的阿希禮，斯佳麗終於明白，她愛的阿希禮其實是不存在的，她真正需要的是瑞特。
當斯佳麗趕回家裡告訴瑞特，她是真正愛他的時候，瑞特已不再相信她。他決心離開斯佳麗，返回老家去尋找美好的事物，被遺棄的斯佳麗站在濃霧迷漫的院中，想起了父親曾經對她說過的一句話：「世界上唯有土地與明天同在。」她決定守在她的土地上重新創造新的生活，她期盼著美好的明天的到來。
本片在第十二屆奧斯卡金像獎中榮獲八項大獎：最佳影片獎、最佳藝術指導獎、最佳編劇獎、最佳導演獎、最佳攝影獎、最佳女主角獎、最佳女配角獎和最佳剪輯獎。

亂世佳人的人物性格
斯佳麗
一個貓一樣的女人。有著貓一樣的目光，貓一樣的微笑，貓一樣的步伐和貓一樣的敏捷。那麼，這個貓一樣的女人提供給我們是怎樣的一些對待生活、對待愛情、對待困難和挫折的態度和經驗呢？
第一她在困難的時候敢於承擔責任，雖然也有動搖，但最後仍然承擔責任,比如她救了玫蘭妮，她重振塔拉庄園,後來長期扶助阿希禮一家等等。
第二她敢於去愛、無怨無悔，她的整個青春都在愛著阿希禮，沒有回報但她仍沒有放棄努力，直到能力的極限為止。
第三知錯能改，當她最後明白她之前所為是錯誤時，她馬上向瑞特道歉，請求原諒。
總的來說，斯佳麗堪稱巾幗不讓須眉的奇女子，人中龍鳳，難怪瑞特這樣的牛人也拜倒在她的石榴裙下。每次看《亂世佳人》，每次都有不同的收獲。年輕時看，討厭虛榮愛出風頭的斯佳麗，喜歡純潔善良的玫蘭妮，不喜歡油腔滑調的瑞特巴特勒，喜歡溫文爾雅的阿希禮，喜歡南方如畫的景緻和田園牧歌式的生活，不喜歡北方的浮華和放盪。後來看了多次之後，不由得對斯佳麗敬佩起來，原本是一個弱女子，任性而年青，第一次結婚是一時的沖動報復，嫁給了不愛的男孩，讓自己成為了年輕的寡婦。第二次結婚是為了一家人的生存，搶走了妹妹的心上人，肯尼迪。肯尼迪雖然是一個半老頭子，卻不是斯佳麗的對手，面對她的冷酷和無情，他束手無策。最終為了斯佳麗差點遭受的侮辱去報復窮白人而被人擊斃，不幸枉死，卻從未享受過斯佳麗的一點愛。於是斯佳麗再次成為寡婦，而且還是個有錢的寡婦。在那個戰火紛飛的年代，為了答應過阿希禮照顧玫蘭妮的一句承諾，在北軍就要攻佔亞特蘭大的時候，斯佳麗又果斷地替玫蘭妮接生，並找到瑞特沖破重重阻礙和關卡，回到了鄉下老家－－塔拉庄園。在又飢又餓之時，她又遭受了母親病亡、父親痴呆、家裡被劫，一窮二白的多重打擊，她不屈不撓，帶頭種田幹活，喝令妹妹下床摘棉花，並照顧玫蘭妮和小波，支撐一家人的生計，那時她頂多也不過是個二十來歲的小姑娘，本應是個在母親懷里撒嬌的小姑娘。可是面對如此巨大的困難，她沒有選擇逃避，而是勇敢挑起家裡的重擔，以常人難以企及的毅力抗爭命運，每每看到斯佳麗舉著蘿卜向天盟誓，決不願讓家人再受苦挨餓時，我總是覺得拍片導演對光線和背景的運用是那麼巧妙和藝術， 它那麼生動地刻劃了思嘉渴望安定、渴望生存、渴望富裕的強烈而真實的內心情感。我覺得那時的她，已完成了最艱難的嬗變，由一隻醜陋的毛毛蟲破繭而出變成了美麗的蝶，自由而高貴，那時的思嘉就像一個女神－－－渴望富有、並為此能不擇手段的慾望女神。
剛強、堅韌
無論是面對戰爭的廢墟和硝煙、母親和父親的去世、生活的貧窮艱難還是女兒的夭折，在和她承受同樣的痛苦和艱難的人們當中，她都是最剛強、最堅韌的一個和最先從痛苦和艱難中走出來的一個。當斯佳麗面對著已是滿目傷痕泰勒庄園時，她的堅韌和剛強令她這個家中的長女擔起家長的重擔。在影片的末尾，她還堅定地告訴我們：Tomorrow is another day。
虛榮
這應該是一個貶義詞了，可是，斯佳麗的虛榮心似乎格外的可愛，在她的身上，虛榮似乎也變成了褒義詞。有位名模曾說：「女孩子總是要有一點虛榮心的，無論這虛榮心表現在什麼方面。」當斯佳麗扯下母親唯一的遺物——窗簾，無論如何也要用它做一件漂亮的衣服，還將它披在身上憧憬著新衣服的樣子時，她的虛榮心使她成了一個看起來不孝的女兒，但她的這種做法（也就是她的虛榮心）是當時拯救全家的唯一出路。由虛榮心而使全家人都有了生存下去的希望，這樣的虛榮心也不應該算是值得摒棄的。
貪婪
這總應該是個貶義詞了。但是，斯佳麗的貪婪不僅是有情可原的，在某種程度上來講還是難能可貴的。戰後的泰勒庄園在北方軍的控制之下，母親的去世和父親的崩潰使斯佳麗——家中的長女擔起了「家長」的重擔。斯佳麗一家人過著艱辛的生活。戰爭使她貧窮，貧窮繼之以飢餓。然而最可怕的是無錢交稅險些失去生活來源的土地，為了借錢交稅，斯佳麗勾引了妹妹的情人，繼而當起了一家小店的老闆娘。在經歷這一切後，她明白了她所處的是一個什麼樣的社會以及在這個社會中錢的重要性。所以，當她擁有了當前她所需要的錢之後，她自然會想擁有更多的錢。在她追求「更多的錢」的過程中，她表現出了一個早期資本主義的資本家所必須具有的優秀品質——貪婪。
殘忍與自私
這兩個詞無論用在什麼人身上似乎都應該是表貶義的詞語，特別是以溫和、善良為美德的女性。但是，斯佳麗的殘忍與自私在某種適度上卻是值得褒揚的。首先，在社會轉型的時期，人的觀念需要從傳統的觀念轉變成為新型的、與社會發展相適應的觀念。不能在第一時間內轉變觀念的人就失去了領導時代的主動權。斯佳麗就是一個在第一時間內轉變觀念，接受了新的社會和社會制度、新的價值觀念、新的生活方式，並且成為了一個小資本家的女人，在這一點，她是非常了不起的。而且，在剛剛建立了資本主義制度時，自私和殘忍對於一個資本家來說是生存和發展的關鍵。在資本主義社會，對世界的博愛已經是阻礙資本的自身生存和發展的一個因素，此時，自私與殘忍就成了強者的優點。
美麗
斯佳麗為我們提供了一種對待愛情的態度。她美麗，但她只是適當地運用她的美麗來得到她所喜愛的東西，從來不用自己的美貌來玩弄愛情，無論是自己的還是他人的愛情。斯佳麗是美麗的，但美麗不是擁有愛情的必備條件——你可以沒有斯佳麗那樣美麗動人，但你也有權利去追求屬於自己的愛情。
綜上所述，我們得出了這樣的一個結論：
斯佳麗，貓一樣的女人，剛強的、堅韌的、虛榮的、貪婪的、殘忍的、自私的女人，女人的典範。

瑞特
我必須承認，對我來說，《亂世佳人》的吸引力之所以這么大，和克拉克蓋博主演的瑞特巴特勒絕對有關系。
當然，斯佳麗眯著那雙像貓那樣的綠眼，迷人而妖媚，同樣也讓人傾倒。她是個讓女人都能為之神魂顛倒的女人，她自私、冷酷、無情、聰明、不擇手段、堅強，卻不乏善良、美麗、脆弱；她是一個高不可攀的女神，讓許多女人都夢想著能像她那樣，集財富、美貌、能幹、堅強於一身，讓瑞特那樣的男人能夠為她而傾倒。至少我曾經就那樣想過。但我認為，瑞特給我們這些女性觀眾帶來的卻更多是對愛情和婚姻的甜美幻想，他是那麼瀟灑倜儻，那麼玩世不恭，那麼自信過人，富有並充滿了成熟男人的魅力，該是多少女性心目中的偶像啊。
在這里，簡單回閃思嘉和瑞特相遇、相識、相愛的幾個片段，就能讓人對瑞特愛我所愛，堅持自兒，富有個性的男性魅力印象深刻：
片段一：瑞特第一次見到斯佳麗是在十二像樹園的燒烤會上。斯佳麗向所有的男士賣弄風情，卻發現瑞特正注意她，斯佳麗向身邊的女伴抱怨說：「他看我的樣子，就像我沒穿衣服」可見瑞特給人的感覺不是溫文爾雅，富有紳士風度，對世事的有種別人所不具備的強大洞察力和影響力，表明了他與一般的南方男人不同點：現實、大膽而富有進攻性，當他躲在書房裡偷聽斯佳麗大膽地向阿希禮表露愛慕，但因遭到婉拒，她氣急敗壞地搧了阿希禮一個耳光，並砸碎了一個小花瓶時，他吹了一個口哨，於是他被斯佳麗指責為不是一個紳士，而他同時也反唇相譏斯佳麗不是一個真正的淑女，讓斯佳麗氣極。倆人第一次相見就是一次愛情的交鋒。
片段二：斯佳麗因查爾斯病亡到亞特蘭大散心，正在服喪的她，十分渴望能再度飛旋於舞池中，表現了她在內心裡對無拘無束、自由生活的嚮往和憧憬。是瑞特看出了她的心思，並出重金替她撬開了那個壓抑而沉悶的社會道德囚籠，使她走上了和別的南方女人最不相同的命運之路。這正是斯佳麗反叛舊的社會道德標准邁出的關鍵性一步，而這一步，如果沒有瑞特暗中巧妙的支持和安排，斯佳麗是決不會踏出的。如果沒了這關鍵一步，那麼日後那個能幹、要強、並獨當一面的亂世佳人---斯佳麗就決不會存在了！
片段三：瑞特為了幫助斯佳麗重返故里，拚死弄了一匹身負重傷的老馬，並幫助她把玫蘭妮抱到馬車上，同時一路歷經辛苦，並在即將要到達的時候，瑞特看到許多南方兵前仆後繼，視死如歸，深感震撼，並決定上戰場，為保衛家園盡一份力。這時可以看出，為了心愛的女人，他能出生入死； 同樣，面臨家園被毀之境，他也是一個熱血之人，導演在這里才向我們描繪了一個深藏在平日玩世不恭外表下，也具有一顆為榮譽甘灑熱血之心的典型南方男性的形象。在這里我們看到，雖然瑞特平日里非常精明、現實，但他骨子裡其實還是一個南方人。
片段四：瑞特在經歷了喪女之痛和斯佳麗在精神上的背叛後，面對玫蘭妮的之死，對一切都灰心失望至極，回家收拾行李，返回自己的故鄉，查爾斯頓。當愚蠢的斯佳麗最後發現自己已深愛瑞特時，才發現已最終失去了自己最心愛的人。瑞特最後走得十分乾脆，讓斯佳麗深感懊悔。直到這里，我們才聽到那顆曾經為愛而柔軟的心破碎的聲音，同時也因為破碎而對斯佳麗變得「冷酷無情」，這里的瑞特才讓我們感覺到，這個男人敢愛敢恨，處理事情十分乾脆利落，極富男性魅力。
再說說阿希禮和美蘭妮，他們是相似的，具備南方的一切美德，有知識，有文化，有思想，有修養。
美蘭妮基本上是完美的，她善良，仁慈又不乏勇氣，斯佳麗摘棉花時，她想幫忙，斯佳麗殺人時她也幫忙，除了瑞特，她是斯佳麗的另一個支持者。我想電影編劇一定喜歡美蘭妮，他把她更神化了，連捐出結婚戒指這件事都把帶頭者從斯佳麗改成了美蘭妮。我做過小范圍的調查，先看書的基本都喜歡斯佳麗，而先看電影的則喜歡美蘭妮。我覺得美蘭妮太好了，好得不真實，而斯佳麗是有血有肉的，是真實的，有缺點也有優點。
阿希禮是真實的，他是個活在過去的人，時世變遷，他不想面對，他是缺乏勇氣的。他不愛斯佳麗，又不說不愛她。斯佳麗走投無路找他時他只給了她庄園的紅土，後來知道斯佳麗賣了自己，他說他該去搶劫，他也只是說說吧，估計不會去的，這一點，他確實不如拖這軍刀想幫斯佳麗對付逃兵的美蘭妮。
亂世佳人里的人物都是完美的，如果沒有美蘭妮的淑女風范，怎能體現出斯佳麗的桀驁不遜。沒有阿希禮的懦弱，怎能體現出瑞德的風范呢。
斯佳麗的奶媽.瑪格麗特
溫暖，可靠，安全。象母親一樣時刻保護她的孩子斯佳麗。
理智，聰明，現實而且冷靜，帶一些黑人的狡猾。她懂斯斯佳麗，支持她，愛她，雖然沒有多說什麼，但是她一直是斯佳麗的靠山，堅強有力。
忠誠，固執，可愛。對自己的寶貝，那是不顧一切的去保護；雖然只是一個家奴，但她有自己所要維護的處事原則。
黑人奶媽的形象刻畫的非常成功。 由此扮演黑媽的演員哈蒂·麥克丹尼爾(Hattie McDaniel）戰勝了奧麗維亞(美蘭妮)獲得了第十二屆奧斯卡最佳女配角獎，據說是歷史上第一個獲得奧斯卡獎的黑人。哈蒂將其特有的幽默感注入奶媽瑪格麗特一形象中，台詞念得完美無缺，與斯佳麗的扮演者費雯麗配合默契，猶如綠葉扶紅花，結果兩人雙雙獲獎。由於奶媽一角的成功，哈蒂後來幾乎壟斷了銀幕上所有的黑人保姆角色，在許多影片里可以看到她那肥胖、溫順、饒舌的形象。

5. 求一段經典的雙字幕的英文電影對白片段

1.這個電影對白是從《亂世佳人》（又名《飄》）中精心挑選出來的，不僅有生動感人的故事情節，而且淺顯易懂。 《亂世佳人》改編自美國女作家Margaret Michel的長篇小說Gone With The Wind，影片堪稱美國電影史上的一部經典作品，在1939年第12屆奧斯卡中囊括最佳影片、最佳導演、最佳女主角、最佳女配角、最佳改編劇本獎等8項大獎而首創紀錄。 Mr.O』Hara: What difference does it make whom you marry So long as he』s a Southerner and thinks like you. And when I』m gone I leave Tara to you. Scarlett: I don』t want Tare plantations don』t mean anything when. Mr.O』Hara: Do you mean to tell me Katie Scarlett O』hara that Tara.that land doesn』t mean anything to you Why land』s the only thing in he world worth working for worth fighting for worth dying for because it』s the only thing that lasts. Scalett: Oh Pa. You talk like an Irishman. Mr.O』Hara: It』s proud I am that I』m Irish and don』t you be forgetting Missy that you』re half-Irish too. And to anyone with a of Irish blood in them.why the land they live on is like their mother. Oh but there there. Now you』re just a child. It』ll come to you this love of the land. There』s no getting away from it if you』re Irish. 奧哈拉先生：你嫁給誰又有什麼關系呢？只要他是南方人，並且和你合得來。等我死了，我會把塔拉庄園留給你的。 斯佳麗：我不要塔拉庄園。農場又沒什麼用…… 奧哈拉先生：凱蒂·斯佳麗·奧哈拉，你是說，塔拉……這片土地對你沒什麼用處？知道嗎？土地是世界上惟一值得勞作、值得戰斗、值得為它而死的東西，因為它是惟一永存的。 斯佳麗：哦，爸爸，你說話的樣子像個愛爾蘭人。 奧哈拉先生：作為一名愛爾蘭人，我很自豪。難道你忘記了，姑娘，你也有一半是愛爾蘭血統。對於那些身體中即使只流著一滴愛爾蘭血液的人來說，他們居住的土地就是他們的母親。喏，就在那兒，那兒。現在你只是個孩子，你將來會明白這種對土地的熱愛的。只要你是愛爾蘭人，你就無法逃避這種愛。 2.肖申克的救贖經典對白 Fear can hold you prisoner, hope can set you free. A strong man can save himself, a great man can save another. 懦怯囚禁人的靈魂,希望可以令你感受自由。強者自救,聖者渡人。 Prison life consists of routine, and then more routine. 監獄生活充滿了一段又一段的例行公事。 These walls are kind of funny like that. First you hate them, then you get used to them. Enough time passed, get so you depend on them. That's institutionalized. 這些牆很有趣。剛入獄的時候,你痛恨周圍的高牆;慢慢地,你習慣了生活在其中;最終你會發現自己不得不依靠它而生存。這就叫體制化。 I find I'm so excited. I can barely sit still or hold a thought in my head. I think it the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope. 我發現自己是如此的激動,以至於不能安坐或思考。我想只有那些重獲自由即將踏上新征程的人們才能感受到這種即將揭開未來神秘面紗的激動心情。我希望跨越邊境，與朋友相見握手。我希望太平洋的海水如同夢中一樣的藍。我希望。 I guess it comes down to a simple choice: get busy living or get busy dying. 人生可以歸結為一種簡單的選擇:不是忙著活,就是忙著死。 There's not a day goes by I don't fell regret. Not because I'm in here, or because you think I should. I look back on the way I was then, a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try and talk some sense to him, tell him the way things are. But I can』t. That kid's long gone and this old man is all that's left. I got to live with that. Rehabilitated? It's just a bullshit word. So you go on and stump your form, sonny, and stop wasting my time. Because to tell you the truth,I don't give a shit. 我無時無刻不對自己的所作所為深感內疚,這不是因為我在這里(監獄),也不是討好你們(假釋官)。回首曾經走過的彎路,我多麼想對那個犯下重罪的愚蠢的年輕人說些什麼,告訴他我現在的感受,告訴他還可以有其他的方式解決問題。可是,我做不到了.那個年輕人早已淹沒在歲月的長河裡,只留下一個老人孤獨地面對過去。重新做人?騙人罷了!小子,別再浪費我的時間了,蓋你的章吧,說實話，我不在乎。 Some birds aren't meant to be caged, that's all. Their feathers are just too bright... 有的鳥是不會被關住的，因為它們的羽毛太美麗了！

記得採納啊

6. 飄（亂世佳人）英文電影劇本，中英對照

我也非常想要，[email protected]
非常感謝

7. 飄的英文賞析

AbstractThis present paper concentrates on an analysis of the characters of the heroine: Scarlett in the novel <Gone with the wind>.Her characters can be analyzed by two aspects: the positive characters such as strong will and courage, honesty and keeping promise ; and the demerits in her characters, such as selfishness and coldness, abjection etc. To support the thesis, the paper is divided into five parts. The first part gives a brief introction to both the author and the novel. The second part makes an analysis of the positive characters of Scarlett. The third part makes an analysis of the demerits in Scarlett』s characters. The fourth part gives the reasons for the formation of Scarlett』s characters. The fifth part is the conclusion, restating the thesis of the paper.Key Words: Scarlett; Weakness of characteristic; Strength of characteristic; Personality formation I. Introction1.1 A brief Introction to the authorMargaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949), popularly known as Margaret Mitchell was an American author. She was born in a prominent Atlanta lawyer』s family in Atlanta. The time Mitchell grew up was under the environment of Civil War, she heard a lot of burning of the city, the use of the family house as an army hospital, and the sufferings of the family and their friends ring the post-war reconstruction period. Margaret started writing Gone with the Wind in 1926, which is the next year she married John Marsh. The aim of her writing is to write a defensive, chauvinistic account of the South』s war. The whole process of writing lasted almost 10 years. The novel Gone with the Wind was published in 1936, and won the Pulitzer Prize in 1937. The novel is one of the most popular books of all time, selling more than 28 million copies. An American film based on this novel was released in 1939, which is one of the highest-grossing film in the history of Hollywood, and received a record-breaking number of Academy Awards.[Note1] Mitchell drew upon her encyclopedic knowledge of the Civil War and dramatic moments from her own life, and typed her epic novel on an old Remington typewriter. She originally named the heroine "Pansy O'Hara", and Tara was "Fontenoy Hall". She initially considered naming the novel Tote The Weary Load or Tomorrow Is Another Day .[Note 2] Mitchell wrote for her own enjoyment and with solid support from her husband. In 1949, crossing a street to go to a theater, Margaret Mitchell was killed by a drunken driver.1.2 A brief Introction to the novelThe story of Gone with the Wind revolves around Scarlett O』Hara, who is daughter of Irish landowner Gerald, and who has made the plantation Tara into one of Georgia』s finest. In this novel, Scarlett is in love with Ashley Wilkes, who marries his cousin Melanie. As the civil war begins, Scarlett bears the responsibility to protect her family and the pregnant Melanie. During the time she stays in Atlanta with relatives, she faces Sherman』s army and delivers Melanie』s baby as the city was in danger. During the after-war reconstruction period, Scarlett practically does business with the Yankees and so prospers and restores the fortunes of Tara. In this novel, she marries 3 times with purposes —firstly she married with Charles Hamilton to spite Ashley, a second time to pay off Tara』s postwar taxes, and the third time for fun. Her third husband, Rhett Butler, engages in lucrative deals with the Federal Army from the start of the conflict and right through Reconstruction. He was angry about his wife』s love for Ashley and selfish disengagement from him and their daughter, Bonnie Blue, who dies in a riding accident. The novel ends with Scarlett realizing how much she loves Rhett and resolving to get him back—by returning to her beloved hometown Tara to plan her strategy.II. An analysis of the positive characters of Scarlett2.1. Scarlett』s integrity to promise Scarlett』s integrity to promise is evidenced by what she does ring the war; she tries her best to look after Ashley』s wife and son, only because she loves Ashley and has promised him to take care of Melanie. Before Ashley leaves to fight for the South, he asked Scarlett to take care of his wife-Melanie. Scarlett agreed and carried her promise till the end of this story. Even though she is in love with Ashley, and jealous on Melanie, she always looks after her and her baby. After Ashley left, the Yankees finally begin their siege of Atlanta, the city evacuates. Melanie and Scarlett remain behind to leave the dangerous place as Melanie is pregnant and about to give birth. After attempts to get help, Scarlett delivers Melanie's baby herself. When they return back to Tara, Scarlett still constantly offers help to Melanie and her child. Even after Ashley returned back to Tara, Scarlett still offers help to his and her family. It is not only because she loves Ashley, but also because she wants to keep her promise, which she made long time ago. 2.2. Scarlett』s loyalty to loveScarlett』s loyalty to love is evidencedattractive to Scarlett, because he is a mystery to Scarlett; she is always trying to get to know Ashley』s real feelings. The things about Ashley, which she could not understand, make her love him more. They know each other since their childhood, Scarlett and Ashley always play together. She has seen him come and go and never gives him a thought, and Ashley has never seemed so very attractive to her at the early stage. Scarlett fell in love with Ashley since 「that day two years ago when Ashley, newly home from his three years』 Grand Tour in Europe, hand called to pay his respects, she had loved him.」 That year she is only 16, she is so attracted and falls in love with him until she is 28. She turns to see Ashley to be that authority figure, which she always respects and loves, but he is not able to be one for her. Her so-called love for Ashley is a kind of child』s love, because he is someone that denied her, so that makes her want it more. 「Even now, she could recall each detail of his dress, how brightly his boots shone, the head of a Mesa in cameo on his cravat pin, the wide Panama hat that was instantly in his hand when he saw her.」 However, Ashley does never show love to her, even though he knows clearly that she loves him, 「And yet- and yet – she knew he loved her. She could not be mistaken about it. Instinct stronger than reason and knowledge born of experience told her that he loved her. Too often she had surprised him when his eyes were neither drowsy nor remote, when he looked at her with a yearning and a sadness, which puzzled her. She knew he loved her.」 In fact, Ashley does not love her, but he chooses to keep a vague relationship with her. Although Scarlett knows Ashley does not love her, still wants Ashley to marry her at that time and wishful thinking to be his wife. She even encourages him to run away with her, which is always a nice dream to Scarlett. 2.3. Scarlett』s courageScarlett』s courage can be seen from what she does to protect her family and her second marriage to Frank. When Scarlett return Tara, the Tara's former overseer, Yankee Jonas Wilkerson, newly a Scallywag, raises the taxes on Tara to force the O'Haras out so that he and his wife can live there. In order to save Tara, Scarlett goes to Atlanta and gets Rhett to give her the money to pay the taxes. She soon finds out Rhett is in jail and unable to help her. She then runs into Frank Kennedy, who is a successful storeowner. Frank, is unable to resist Scarlett's charms, marries her and gives her the tax money. In all, her courage makes her to marry her second husband, Frank, in order to protect Tara, where her family is. 2. 4. Scarlett』s strong willScarlett』s strong will is reflected when she return back to Tara. At that time, Scarlett finds the house in Tara in ruins, the crops burned, most of the slaves run off, her mother dead, her father demented, and her two sisters sick with typhoid. Some of her npillaging of the Yankees and they share with her all that is possible. Therefore, Scarlett forces her family and the slaves to tend fields and pick cotton. During that reconstruction period, a lone Yankee soldier arrives looking to loot and assault Scarlett, she shoots him. In all, the Scarlett』s strong will makes her to do anything to protect Tara and herself. Scarlett has a practical nature and willingness to step on anyone who doesn't have her family's best interests at heart, including her own sister. For example, in her mind, and the circumstances appear to support her thinking, there simply was no choice if they were to keep Tara. Encouraged by her strong willingness to protect Tara, she had to steal and marry Frank Kennedy herself. In fact, what people hate most about her literally enabled her to save the family.2. 5. Scarlett』s strong sense of responsibilityScarlett has a strong sense of responsibility. During the war, she volunteers to take care of the wounded in Atlanta. She has a strong sense of social responsibility, similar as many white women; she takes an active and ecated part in the movement to separate the South from the North. To Scarlett, protecting south means to protect her family and the plantation. Atlanta is completely lost from South after Sherman』s campaign. Many people in Atlanta desert their lands and families and escape to other places. Scarlett』s sense of responsibility could be seen from her loves to family and the whole of Tara. Tara is her land and her backbone; she stays and tries her best to preserve Tara no matter what it costs. Moreover, her responsibility can be seen from how she keeps with her promises. Although she agrees to take care of Melanie because she is in love with Ashley and she does not want to upset him, but she eventually does all her best to keep this promise. 2.6. Scarlett』s pursuit of independenceScarlett is an independent woman to some extent. It can be shown when she returns Tara. She starts her business and practice usury, run timber mill, and illegally employ Negroes. Even though she is abused by the southern royalty to be greedy, selfish, shameless, cruel and cold, she is an adventure, an upstart and a great heroine who has survived in the war. In fact, all the people in Tara including the Ashleys are living on Scarlett』s shoulders. Without her help, Melanie and her child would be dead in the war. Without Scarlett to be an evil, Melanie could not be respected as an angel. Therefore, Scarlett is the real respectable person because of her independence and strong characteristic. It might be arguable that Scarlett is not a fully independent woman at first, because she is a spoiled girl at first, and then she relied on men to get through the challenges in her life. However, eventually after she goes back to Tara, she becomes an independent woman, she owns her business and she looks after her family and other people in Tara with h III. An analysis of Scarlett』s demerits in her characters3.1. Scarlett』s selfishness and coldnessScarlett』s selfishness and coldness could be reflected from her attempts to get Ashley in any mean. Against the background of war, Scarlett stays in Atlanta and enjoys the company of Rhett; on the other hand, she continues to carry a torch for Ashley. She does not really care about how Melanie feels about her relationship with Ashley, and she is willing to destroy Melanie』s marriage. The day Ashley leaves, Scarlett once again reveals her feelings to him, hoping Ashley will also break down and allow he to tell Scarlett that he loves her too. Ashley makes Scarlett promise that she will look after Melanie and see his family through the upcoming crisis in his absence. Scarlett blindly agrees to his promise. As Ashley intends to leave, Scarlett clings to him desperately and they share a passionate, forbidden embrace. From an ethical point of view, it is not right to destroy anybody else』s family, particularly Melanie is her relative. However, she still does it because she is selfish, she does not care the consequence, she just want to get love from Ashley 希望小弟轉載的能幫上忙