海上鋼琴師電影簡介英文版

⑴ 誰能提供一下《海上鋼琴師》的簡介英文版，盡量簡短一些，謝了！

1900, an abandoned baby which is taken care by one of the crews in the ship, Virginia. 1900 was the year which the crew discovered the baby, thus, the boy was named 1900. The crew dies several years later and at that time, 1900 is entirely isolated. He is a genius and he knows how to play the piano without being taught. He gets his own style and wins the applause of passengers. However, he isn』t happy at all. What he is searching for is love and care, yet he cannot find them. In this essay, I will examine how 1900 suffers from loneliness and how he is afraid of changes.

The only companion of 1900 is the piano; he gets used to expressing his feeling via music. Yet, can the piano share with him? Can the music be the tonic for his loneliness? The poor guy has no choices; he was born to be lonely. Maybe it』s his fate. 1900 always wants to attract people by his absorbing performance. Though there is, in fact, nearly no conversation between them, they even don』t know one another. He still wants to be surrounded by the crowd. 1900 doesn』t want to be alone; he enjoys the time being accompanied by people. This can explain why he feels so disappointed, frustrated and he stops playing the piano when the crowd leaves as the destination is reached. 1900 has to become solitary again!

One of the passengers admires his talents very much and tries to talk to him. The farmer shares with him about his misfortune and loneliness. 1900 knows the feeling better than anybody does as he has been suffering for 27 years! He hasn』t disclosed his feeling to others; he just says that he gets a friend sharing the similar situation. It』s a paradox that on the one hand, he wants to speak out his own feeling, which has buried in his heart for a long time, and shares with people; on the other hand, he can』t pluck up his courage to mention his situation in front of people. Maybe it is of no use to tell others or 1900 doesn』t want anyone to sympathize him.

Loneliness makes him afraid of contacting strangers, lack of confidence and shy while communicating with strangers. When there』re two strangers coming to inform him the competition, he runs away and hides himself. Poor 1900 is afraid of being hurt. With no doubt, loneliness adversely affects his personality. On the shipboard, a young, pure, beautiful girl has caught his attention. He loves the girl and wants to send her a gift. He doesn』t know how to initiate the conversation. 1900 practices again and again in the cabinet. He is too timid to send the girl his record. His personality makes him miss a chance. 1900 is very unhappy and breaks the record. Again, he just keeps his mouth shut and never shares with the others. It is obvious that he no longer wants to share, he is too tired to find opportunities to air his feeling.

Changes make 1900 scared, he wants his everyday life remains the same. For 27 years, he stays on board and never treads on land. Although his crews always persuade him to get off, he is reluctant to try. Several months after the girl had left, 1900 suddenly wants to tread on land. His reason is that he wants to listen to the voice of the sea as he can only hear it clearly on land. However, it』s true that he wants to find the girl and expresses love to her. 1900 hides his feeling again. Yet, when he is on the halfway of the ladder that leads to the land, he stops. He stands there to look at the city in front of him. 1900 gives up treading on land and returns to the ship.

1900 can live safely on the ship as he can see the ends of the ship. Many years later, as the ship is too old and it needs to be exploded to pieces. One of the crew knows that he will be still on the ship. He tries to find him. Before his death, 1900 tells the reasons for not treading on land when he』s walking down the ladder. 「 I』m not afraid of what I can see, I』m afraid of what I can』t see」, 1900 is frightened as he can』t see the end of the city. 「 Where is the end of the world?」 Moreover, there』re only two thousand passengers on broad at a time. It』s a fixed number and it will not change. It can explain why 1900 prefers staying on board.

He takes the piano as an example, 「 There are finite keys on the piano」, and he can make 「infinite music」 out of it. However, the world is a piano that is too big for him. There are infinite keys in the world, how can he make music out of it? It implies that there are so many changes in the world; he can hardly face the challenges. 「There are thousands of streets in the city…which one should I choose to die?」 It shows that 1900 is scared by the ever-changing world and he is too tired to choose. He thinks that he can』t adapt to the changes as 「 the world has passed me (him) by」. In addition, fame, fortune, girl can』t make him tread on land. 1900 chooses to die on the ship rather than getting off. It can be seen that how deeply he is afraid of changes. The marvelous life of 1900 makes him become the legend.

⑵ 海上鋼琴師英文簡介 簡單一點!

1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship， and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.
Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.
at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.
1900年1月1日起,船員丹尼拿起一abondonded嬰兒鋼琴大廳內的船,他稱之為「1900號嬰兒」。1900年快樂地長大的關懷下和白色謊言的丹尼。在意外死亡,丹尼,1900年來到大廳的機會,他看見了鋼琴第一次。現在,1900年的開始的傳說。
生活就像在船上的乘客,在國外,下車,船上又下車,在這個序列。到1900年,沒有什麼更多關於生活。盡管他住在海里,但是他已經檢查了所有的榮譽,寂寞,增益和秋季的生活的男人在南部周圍的土地。
最後,這個有才華的人走回天空,天堂的。有鋼琴在天堂?爆炸發生時船舶的,1900年發揮他的手在空中,美麗的手指動作為背景音樂流,如果敲門門上天堂。

⑶ 漢譯英～高手幫忙翻譯一個劇情簡介＜海上鋼琴師＞ 謝謝了！ 有追加

Shortly after the Second World War, Max, a transplanted American, visits an English pawn shop to sell his trumpet. The shopkeeper recognizes the tune Max plays as one on a wax master of an unreleased recording, discovered and restored from shards found in a piano salvaged from a cruise ship turned hospital ship, now slated for demolition. This chance discovery prompts a story from Max, which he relates both to the shopkeeper and later to the official responsible for the doomed vessel, for Max is a born storyteller. Though now down on his luck and disillusioned by his wartime experiences, the New Orleans-born Max was once an enthusiastic and gifted young jazz musician, whose longest gig was several years with the house band aboard the Virginian, a posh cruise ship. While gaining his sea legs, he was befriended by another young man, the pianist in the same band, whose long unlikely name was Danny Boodman T.D. Lemons 1900, though everyone just called him 1900, the year of his birth. Abandoned in first class by his immigrant parents, 1900 was found and adopted by Danny, a stoker, and raised in the engine rooms, learning to read by reading horseracing reports to his adoptive dad. After Danny's death in an accident, 1900 remained on the ship. Increasingly lured by the sound of the piano in the first-class ballroom, he eventually became a gifted pianist, a great jazz improvisationist, a composer of rich modern music inspired by his intense observation of the life around him, the stories passengers on all levels of the ship trusted him enough to tell. He also grew up to be a charming, iconoclastic young man, at once shrewd and oddly innocent. His talent earned him such accolades that he was challenged by, and bested Jelly Roll Morton in an intense piano el that had poor Max chewing paper on the sofa in agonies of suspense. And yet for all the richness and variety of his musical expression, he never left the ship, except almost, once, in the aftermath of his infatuation with a beautiful young woman immigrant who inspired the music committed to the master Max discovers in the pawnshop. Max realizes that 1900 must still be on the ship, and determines to find him, and to find out once and for all why he has so consistently refused to leave.

⑷ 請提供下海上鋼琴師主角蒂姆·羅斯 Tim Roth和導演朱塞佩·多納托雷的英文簡介

Dim · Ross is born in United Kingdom London on May 14 , 1961 , is good at being copied the various accent's example , American being often mistaken as. He had learned dropping out of school after sculpture in Kanboweier art academy, has run after performance cause wholeheartedly. The first breaking is to act as role in United Kingdom telecine "United Kingdom makes " in 1982. Perform film maiden work in 1984 "being subordinate to you he plays a novice killer who just puts up road in 10 ". "Be subordinate to you let him get a series including BAFTA in 10 " having future newcomer award "most. Although persisting in the independent route leaking since Dim · Ross is very antipathetic to commerce film , this way ,this makes him not have the right job , live on extremely destitute line within pretty long a period of time. He had acted as the supermarket employee , had also had made telephone sale promotion, a scene of chaos living. The at last sleeps in Amsterdam the sewer moment he is discovered and brought back United Kingdom by Peter · Green Nawei, play the important thief's in "The Cook , The Thief , His Wife & Her Lover " middle under the leadership of. Be the first afterwards bring to his film with international reputation, comparing with Robert · Aoteman cooperation , reflects all high old age life "all height and mentions an oersted ". Then, his first name contacts with Gary · Aodeman once again having arrived at together. Black comedy "death of N. Rosen · Gelanzi and Jill · Dengsin", being winning speaks highly of enthusiastically. Position afterwards, going ahead because of politics, he has been driven out of United Kingdom. He cooperating with new-fledged Kunding · Talundinuo , has shaken the movie circle black classics in 1992, "dog in the water", Mr in movie. Orange corner is that he has won in independent eminent filmdom reputation and has performed more much a chance. Development of Dim · Ross can be termed as going off smoothly after this , his cooperation director is including and Kunding , Woody Allen , Giuseppe Tornatore , Wim Wenders , Francis · Ford · Kebola etc. , he is insisting on self principle as before , is that the movie fan offers the more and more how classical role and film as a tribute.

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On May 27 , 1956, Tuonaolei is born in Italy Sicily Island Palermo (Palermo) Bageliya town (Bagheria). Seem to have got special caring for of God, little age of Tuonaolei is moved towards already extremely rich natural gift , the first share occupation of him is to serve as a cameraman , what be taken pictures is published appreciation having obtained favourable comment greatly on different film magazine, having also got Pilandeluo (Pirandello Luigi) and Feilibo (De Filippo). That Tuonaolei has participated in them right away when being 16-year-old, two puts up drama , his interest hobby begins to change from patting a photo to shooting a film right away from this , surpasses all talent though one brief documentary start however pat a few, but the body having already demonstrated Tuonaolei is a director's , accomplishes a task with ease and within this one field, Scenarist's head part story of a play has gained the Italy film journalists' association that very year Best Director silver piece man the professor is called in 1985" bringing the award and the Jin Qiu award along being worth expecting the new director award most, writing or painting realistically being few in number also by column for Italy film school upstart director. . Tuonaolei's director life also is furthermore gain senior official position , unusually brilliant henceforth. 1979, is annual the 23-year-old Tuonaolei prepare right away already the Italy country television station RAI television station only having started the long range cooperation , are that they have made large amount of TV program and. On Italy Salainuo photo exhibition (Salerno Festival) in 1982, his director's full-length novel documentary "LE MINORANZE ETNICHE IN SICILIA " has gained Best Documentary Award. The 32-year-old Tuonaolei hold "Heaven movie theatre " second films having led him in 1988, reputation chirps right away already greatly on the whole world movie circle , judging gaining France Cannes film festival tries regiment Grand Prix and 62nd Oscar the best foreign language movie award. Still have 1995 in the afterwards gaining Italy David in glory rewarding Best Director Award and Venice with a photo exhibition judging Oscar the best foreign language movie examining regiment Special Award , in 1998 once again, flatte time of Italy David rewarding the Best Director Award epic with huge work "sea the piano division " , being selected once again Y2K be nominated for "Sicilian beautiful classics short stories of the Tang and Song dynasties legend ", ... Having establish the Tuonaolei position in world movie circle , be uncertain for he wins a movie fan. Tuonaolei has debuted "conceal" hanging changing style in 2006, doubting work , the film has related to many force factor , has initiated a little dispute. Tuonaolei's up-to-date work has been comedy cooperating with Monika · Beiluqi "Bageliya" , he has participated in "the international director in 2008 patting the Beijing " activity.

希望你滿意

⑸ 電影《海上鋼琴師》的英文簡介。

Summary

Actor 1900 ( name ) the entire life is a tragedy. He was a steam ship abandoned in the orphans, were aboard a well-burning stoves for the adoption, however good may not be good, a furnace workers killed, only 8 years old once again become a 1900 orphans. The talent that he learned without teacher to become a pianist, but this makes him naturally to vulgar world deeply ring meaning, he never came ashore from the boat to go, only because New York boundless buildings and the stream never stops flowing. The crowd to his lost. Even if later met a girl fall in love at first sight, he thought over and over again later, or abandoned ashore to find first impulse. He will always remain in the ship, in the end, the only good friend Marx warned him Hulk will be destroyed, he was reluctant to leave, then started from the birth did not leave Virginia number 1900 sympathetic ship in the sea. 1900, this is no birth record, and no proof of identity of people, without leaving a trace on the earth, such as the passage of the notes, invisibly.

⑹ 海上鋼琴師英文簡介。急用。謝謝

The story is told in medias res as a series of flashbacks. Max Tooney, a musician, enters a secondhand music shop just before closing time, broke and badly in need of money. He has only a Conn trumpet, which he sells for less than he had hoped. Clearly torn at parting from his prized possession, he asks to play it one last time. The shopkeeper agrees, and as the musician plays, the shopkeeper immediately recognizes the song from a broken record matrix he found inside a recently acquired secondhand piano. He asks who the piece is by, and Max tells him the story of 1900.
1900 was found abandoned on the four stacker oceanliner SS Virginian, a baby in a box, and likely the son of poor immigrants from steerage. Danny, a coal-man from the boiler room, is determined to raise the boy as his own. He names the boy Danny Boodman T. D. Lemon 1900 (a combination of his own name, the year he was born and an advertisement found on the box) and hides him from the ship's officers. During the early years of his life, 1900 comes across an advertisement for a man with the initials of T.D.; however, on seeing the advertisement and possibly 1900's biological father, Danny decides not to tell 1900 the truth. Sadly, a few years later, Danny is killed in a workplace accident, and 1900 is forced to survive aboard the Virginian as an orphan. For many years, he travels back and forth across the Atlantic, keeping a low profile and apparently learning the languages spoken by the immigrants in Third Class.
The boy shows a particular gift for music and eventually grows up and joins the ship's orchestra. He befriends Max in 1927, but never leaves the vessel. Apparently, the outside world is too "big" for his imagination at this point. But he stays current with outside musical trends as passengers explain to him a new music trend or style, and he immediately picks it up and starts playing it for them.
His reputation as a pianist is so renowned that Jelly Roll Morton, of New Orleans jazz fame, on hearing of 1900's skill comes aboard to challenge him to a piano el. After hearing Jelly Roll Morton's first tune 1900 plays a piece so simple and well known ("Silent Night") that the self-proclaimed inventor of jazz feels mocked. As Morton becomes more determined to display his talent, he plays an impressive improvised tune ("The Crave") that brings tears to 1900's eyes. 1900 calmly sits down at the piano and plays from memory the entire tune that Morton had just improvised. 1900's playing fails to impress the crowd until he plays an original piece ("Enring Movement") of such virtuosity that the metal piano strings become hot enough for 1900 to light a cigarette. He hands it to Morton, who has lost the el.
A record procer, having heard of 1900's prowess, brings a primitive recording apparatus aboard and cuts a demo record of a 1900 original composition. The recorded music is created by 1900 as he gazes at a woman (The Girl) who has just boarded and whom he finds attractive. When 1900 hears the recording, he takes the master, offended at the prospect of anyone hearing the music without his having performed it live. He then tries to give the master to The Girl who inspired it, but is unable to and breaks the matrix into pieces.
The story flashes back to the mid-1940s periodically, as we see Max (who leaves the ship's orchestra in 1933) trying to lure 1900 out of the now-deserted hull of the ship. Having served as a hospital ship and transport in World War II, she is scheled to be scuttled and sunk far offshore. Max manages to get aboard the ship with the recording 1900 made long ago and plays it, hoping to attract 1900's attention. When it does, Max attempts to convince 1900 to leave the ship. But he is too daunted by the size of the world. And feeling that his fate is tied to the ship, 1900 cannot bring himself to leave the only home he has known. In the end, the Virginian blows up and sinks, with 1900 still aboard. Max feels useless that he couldn't save his friend.
The shopkeeper asks Max how the record got into the secondhand piano. Max indicates that he put it there, and the shopkeeper tells him that he wasn't so useless after all. Then, as Max is leaving the store, the shopkeeper gives him the trumpet and says, "A good story is worth more than an old trumpet," and Max walks out as another customer walks in.

⑺ 急需電影《海上鋼琴師》的100字英文簡介

英文影評

He's a man so brave, that he can play the imaginary piano when exploded with the ship he was born, lived and died in. Yet he's a man so scared, that he cannot face the infinite city life we are living everyday. He's a man so intelligent, that he can play the piano as if he has four arms (or I'd rather say, he has God's arms). Yet he's a man so stupid, that he chose to gone with the wind while he's other choice could be marrying a beautiful woman and having a child. He's a man so perceptive, that he could use his music language to describe exactly others' feelings. Yet he's a man so insensitive that he'd rather disappear after a gentle kiss on his beloved while she's asleep than unburden himself and tell her "ILU".

But one thing is for sure: this man is a real artist--pianist. Only a man like him can dance with the piano in a terrifying storm. Only a man like him can give up the first two bouts of a el, and beat the competitor entirely, convincingly, potently in the last bout. Only a man like him... can have such a beautiful story to tell...

This man is Danny Boodmann T.D. Lemon Nineteen Hundred, who is also known as simply "1900". A man never existed. He has never set foot on land in his entire life. No ID. No passport. No Visa. No parents. No birthday. Nothing in the world belongs to him except his music.

So he played. For the first class guests. For the third class members. For the girl at the window. For the darkness of the night. For the heartbeat of his own. For the sea-- his eternal home.

He had once wanted to get off the ship. To meet his girl and to hear the voice of the sea, as he always wanted to. He hugged friends goodbye and waved and went down. But his pace became slower and slower, and finally stopped. As he described at the end of the movie:

"Nineteen Hundred: All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world... Take a piano. The keys begin, the keys end. You know there are eighty-eight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by. You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. Christ! Did, did you see the streets? Just the streets?There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die... All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way. Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off."

He didn't get off. That's what he said and he did. As I mentioned above, he died with the ship, in the explosion. I believe at this point of the movie, no body can hold their tears back.

By the way, this movie is Directed by Giuseppe Tornatore, who is also the director of Nuovo cinema Paradiso and Malèna. Some people say the legend of 1900 is the director's compromise to Hollywood-style-commercial movie. Well, I know nothing about this kind... It's a excellent movie. Much I could say.

⑻ 急：海上鋼琴師的主人公的英文簡介

給你兩篇,你看可以么

該片的英文譯名是THE LEGEND OF 1900

The Legend of 1900 is an interesting fable from legendary Italian filmmaker Guiseppe Tornatore, maker of Cinema Paradiso and The Star Maker. Based on a monologue by Alessandro Baricco, The Legend of 1900 tells the story of a unique man who never set foot upon dry land. On January 1, 1900, a small baby boy was found abandoned on the Virginian, a transatlantic ship. The crewman who found him names the boy Danny Boodman T.D. Lemon 1900; 1900 for short. 1900 is a true orphan. He knows nothing about his parents or his past. The Virginian is the only thing he knows.

The story unfolds as a series of flashbacks told by a man named Max (Pruitt Taylor Vance, Nobody's Fool, Mumford). In a series of events that seem awkward to the viewer, Max tells various people he meets about his experiences aboard the Virginian with 1900 (Tim Roth, No Way Home, Gridlock'd). The transitions are clunky, causing the story to frequently halt for further exposition before continuing. At a young age, 1900 became a piano prodigy. He entranced people with his ability to play the piano, and mbfounded people with his refusal to leave the ship. 1900 helped Max ease his transition onto the ocean, and the two became friends, playing together in the band. Max details 1900's experiences with love (in a very Titanic-like meeting), and his encounter with Jelly Roll Morton (Clarence Williams III, The General's Daughter, Reindeer Games). Morton is irrationally jealous of 1900 and challenges him to a piano el to determine the better player. Williams glowers through his role, which is interesting but one-dimensional.

Roth plays 1900 as an enigma. He shows emotion only when he is playing the piano. Vance's character is much more annoying. His only purpose is the narrator. Tornatore gives no reason as to why the two become friends, or remain friends for such a long time. 1900 is well liked by the crew, so why is Max the person 1900 confides in the most? The music of The Legend of 1900 was composed by another legend, Ennio Morricone. Morricone composed more than 400 scores over his career, garnering numerous nominations in the process. Morricone's music permeates the movie, rising and falling with the moods of the characters. The proction on The Legend of 1900 is gorgeous. The special effects are great, but here it is a good thing. Long shots of the Virginian do not look quite real, instead it looks almost magical. This is Tornatore's first English film, and although it isn't outstanding, it is a nice effort.

或者

1900 on the first day, and from Europe and the United States both of the cruise Virginian, adding to cruise coal workers in the first Danny Boodman, to pick up resie from the rich things, but the accident was found in a piano abandoned newborns, packed in a lemon TD empty cardboard boxes. Since that "TD" is the acronym represents Thanks Danny, then Danny the ridicule of other workers, independent of the infant care, and to commemorate this special day, he named : 1900
Sea born 1900, is in a land which never existed, no relatives, no domicile, nor nationality, he is the cradle of the sea, and he also as Virginian of the pier and berthing graally grow up. However suffer, a maritime accidents, resulting in the dependency 1900 accident killed Danny, fortunately miracle like that day at the people on board were beautiful sculptures are up, and move to Tibet, has been without a teacher since 1900 with the former ecstasy in the piano music of, moving melodies touched everyone, then, 1900 started playing the piano at sea journey, and attract more and more tourists are attracted by : :

http://..com/question/73186185.html?si=5

http://..com/question/6587757.html?si=1

⑼ 海上鋼琴師講述的故事是什麼

《海上鋼琴師》是由朱塞佩·托納托雷執導，蒂姆·羅斯、比爾·努梅蘭恩尼·蒂埃里主演的劇情片。該片於1998年10月28日在義大利上映。下面是我給大家整理的電影海上鋼琴師簡介，供大家參閱!

電影海上鋼琴師基本信息

《海上鋼琴師》是由朱塞佩·托納托雷執導，蒂姆·羅斯、比爾·努梅蘭恩尼·蒂埃里主演的劇情片。該片於1998年10月28日在義大利上映。

頃敏該片講述了一個被命名為“1900”的棄嬰在一艘遠洋客輪上與鋼琴結緣，成為鋼琴大師的傳奇故事。電影是由亞歷山卓·巴利科根據1994年的劇場文本《1900：獨白》改編而成。

電影海上鋼琴師劇情簡介

1900年，一個被人遺棄在蒸氣船上的孤兒(蒂姆·羅斯飾)被船上一位好心的燒爐工(比爾·努恩飾)收養，取名為“1900”。然而好人不得好報，燒爐工在一次意外中死亡，只有幾歲大的1900又再度成為了孤兒。過人的天賦使他無師自通成了一名鋼琴大師，但宿命也令他天然地對紅塵俗世深懷戒意，他從不敢離船坦州上岸去，只因紐約無際的高樓和川流不息的人群令他沒有安全感。從此，1900展開了在海上彈奏鋼琴的旅程，吸引了愈來愈多慕名而來的旅客。而麻煩也接踵而至。

電影海上鋼琴師幕後花絮

拍攝花絮

片中挑戰1900的那位爵士樂鋼琴家，歷史上確有其人，他就是傑利·羅爾·莫頓，《The Crave》本來就是他的作品，其父克拉倫斯也是早期爵士樂的重要人物之一，據說是第一位在譜子上使用爵士樂這個字眼的人。

電影中的弗吉尼亞號在歷史上確有其船，1904年出廠，1954年左右被廢棄。它還與泰坦尼克號有關，據說沉船時弗吉尼亞號就在附近能接收到無線信號的地方。

片中輪船的外觀設計靈感來自於盧西塔尼亞號及其姐妹茅利塔尼亞號。1900彈鋼琴的舞廳有著跟茅利塔尼亞號相似的圓形屋頂。

拍攝《海上鋼琴師》使蒂姆平生第一次訪問義大利，之前甚至沒有看過《雀信枝天堂電影院》，說服他的並不是托納多雷，而是那部獨白劇《1900：獨白》，這個講述無名鋼琴家的虛構故事深深打動了他。

雖然蒂姆·羅斯本來不會彈鋼琴，但經過拍片前半年的魔鬼特訓後應該是學會了。片子里對1900彈琴時手部的拍攝鏡頭充分說明了那是蒂姆·羅斯自己的手(他的手指不長)。要知道做到“形似”對初學者來說已經是很不容易了。

由於中途曾一度中止，劇組花了110天的時間用於拍攝。在羅馬搭建了19處外景，奧德薩11處。45名演員。75名工作人員。10000名群眾演員。2500套服裝。弗吉尼亞號使用的是一艘165米長的俄國退役般艇。

在烏克蘭時，由於環境惡劣，語言不通，對劇本的分歧，加之兩人脾氣都不好，蒂姆與托納托雷一度只在萬不得已時才同對方講話，劇組移師羅馬以後，他們的關系融洽了許多：旁觀者描述他們像好朋友一樣親密。

飾演令1900鍾情的女孩的梅蘭妮·蒂埃里是一名模特，多次出現在《Vogue》等雜志上，出演本片時她只有16歲。

包括紐約、南安普敦、那不勒斯等港口的外景，都是在羅馬搭建而成的。

最後在錄音合成時採用的大部分實際音響出自鋼琴家締尤特布塔。

該片耗資2千萬美元，遠遠超出了當時在義大利拍片的平均水平。

該片在義大利公映時長達3小時。最初，它的海外放映版已被托納多雷剪掉22分鍾，但該片的海外發行商Fine Line公司，仍堅持電影應該再刪改得戲劇化一些，並不顧《伯爾尼公約》關於“電影的最終剪緝權屬導演”的規定，威脅說否則將不會發行此片，包括各大電影節上的放映;它們要求至少再刪掉40分鍾。

該片原定在柏林電影節參展時長度為2小時45分鍾，托納多雷堅持自己的看法，不一惜一切代價也不刪戲，為此他錯過了這屆柏林影展。

穿幫鏡頭

46分鍾左右，又一批乘客到達美國後，一個老頭上來和1900聊天。聊了一段時間後，特寫顯示他手中的煙灰只有一小節，下兩個鏡頭(大概也就2秒左右)，那煙灰已經變成很長一段。

與傑利·羅爾對決時，傑利·羅爾在第三次彈奏完以後站起來時把鋼琴的凳子往後推了一段距離，下一個鏡頭凳子卻出現在了原位。

電影海上鋼琴師影片評價

《海上鋼琴師》的情節如同碧海潮生，高潮一浪接著一浪。在狂風暴雨中一邊任鋼琴自由滑動一邊彈奏，小孩子無師自通的演奏震驚滿船的人，這些只不過是大師的鋪墊罷了。自稱“爵士樂祖師”的傑利上船與1900比賽鋼琴，激動人心的程度簡直可以和最激烈的槍戰相媲美。 (新浪評)

《海上鋼琴師》的精神內核無疑是純真與自由：天賦秉異的1900就是這樣的象徵，他放盪不羈、不為世俗所動，只因演奏是他畢生所愛，他不必下船隻要一直沉浸在音樂中就得到了最純碎的快樂。就像節目所說：這部影片就是獻給那些始終嚮往單純、遠離喧囂的人。純真是他們固有的屬性，不會因為時間而改變。

⑽ 由朱塞佩·托納多雷執導的電影《海上鋼琴師》，講的是什麼故事

這是一部浪漫又離奇的電影，故事發生在一艘滿載移民的船上。主人公的名字是1900。他是一個被父母遺棄在游輪上的孤兒，丹尼是一個船上的工人，收養了他，因為那一年是1900年，丹尼給他起名叫1900，他是在一艘游輪上長大的。然而，好景不長，丹尼在工作中意外去世，8歲的1900又成了孤兒。原來，警察想把1900送到孤兒院，但聰明的1900藏了起來。

許多年後，當第二次世界大戰終於結束時，這艘游輪由於年久失修，很快就被炸毀了。馬克思沖到碼頭，在一艘廢棄的游輪上放了一張熟悉的唱片。原來這是1900拋棄的歌。馬克思邀請1900上岸，但1900無法接受這片廣袤的土地，很難離開這個獨特的家園，他拒絕了。最後，郵輪在海中引爆，1900和郵輪一起葬身海中。