1. 求外國電影的感人獨白(比如到墓地祈禱,表白) 長約5-10分鍾
推薦美劇《犯罪心理》，幾乎每一集開頭和結尾都是引用古代哲學家的一句經典語句概括本集中心思想的。同理還有《兄弟連》（但不是古語）。
強烈推薦《完美風暴》，我查了一下，從1小時55分鍾開始一直到結束，全是你所要求的那種yy式獨白了，包括臨死前對戀人說的，死後追悼的，長達十幾分鍾！
《阿甘正傳》中也有很多處，但是個人認為這部片子不論是學英語還是搞精神建設，都已經被引用的太濫了……
《肖申克的救贖》，不是很推薦，因為雖然從頭到尾都穿插敘事性的旁白，但是每一段都不是很長。
建議多找找04年以前的片子，個人感覺從04年以後拍的片子中已經很難找到那種大段的抒情式獨白了。再者，目前拍得感人的美國電影幾乎已經摒棄了大段冗長的獨白了（紀錄片除外），但凡拍的深刻的全靠情節出彩，例如《撞車》、《七磅》、《我是傳奇》等等
2. 英語電影經典獨白
瘋狂主婦
mary alice 的經典獨白。
第三季第一集
Every storm brings with it hope.
每聲風暴隨之而來的是希望。
That』s somehow by morning, everything would be made clean again.
不論如何，到了早晨，一切都會變干凈。]
And even the most troubling stains would have disappeared.
即使最頑固的污點也會消失。
Like the doubts over his innocence.
像對清白的疑惑。
Or the consequence of his mistake.
錯誤的結果。
Like the scars of his betrayal
背叛的創傷
Oh the memory of his kiss.
親吻的記憶
So we wait for the storm to pass, hoping for the best.
我們等待著風暴退卻，期待著雨過天睛。
Even though we know in our hearts some stains are so indelible.
即使我們清楚在心中, 有些污點是如此頑固。
Nothing can wash them away.
沒有什麼能將它們清除。
第三季第二季
Have you met the perfect couple, the two soul mates, whose love never dies?
你有沒有遇到過完美的一對,兩個精神伴侶, 他們的愛永恆依舊？
The two lovers, whose relationship is never threatened?
兩個相愛的人，關系從沒有遭到過威脅？
The husband and wife, who trust each other completely?
丈夫和妻子，完全信任對方？
If you haven』t met the perfect couple
如果你沒有遇到過完美的一對
Let me introce you
讓我來為你介紹。
They stand top layer of butter cream frosting
他們站到奶油淇淋上面。
The secret of their success?
他們的成功地秘密？
Well, for starters, they don』t have to look at each other.
對於新婚伴侶，那就是他們不需要正眼看對方。
第三季第三集
We all carry something with us.
我們都在負重前行。
Of course, it』s nice we travel with someone who can help lighten the load.
當然，能結伴而行會很幸福。有人幫助分擔重負。
But usually it』s easier to just drop we』ve been carrying.
但通常拋掉負擔會更簡單。
So we can get home that much sooner.
這樣我們就能早日歸家。
assuming, of course,
設想著，當然
There will be someone there to greet us when we arrive
有人會在家迎接我們歸來。
Why do we clutch this baggage even when we desperate to move on.
為什麼有人仍然抓住行李不放，即使我們不顧一切的向前看。
Because we all know, there is a chance we might let go to soon.
因為我們都知道，有的機會也許我們放棄的太快。
第三季第四集
We all have our reasons for rewriting history.
我們都有要改寫歷史的原因。
Sometimes we need to provide ourselves alibis.
有時候我們需要給自己找一些托辭。
Sometimes we want to hurt someone who has hurt us.
有時我們想要傷害那些曾經傷害過我們的人。
And then there are time we just want to spare ourselves embarrassment.
有時我們只是不想自己困窘難堪。
Of course there are some who feel that to rewrite history is just another way to lie.
當然，有時改寫歷史只是另一種方式去說謊。
But what is history anyway?
但是，歷史究竟是什麼呢。。。。
But a set of lies agree depend?
難道只是一系列的謊言嗎？
第三季第五集
Sabotage, everyone is capable of it. But some go about it more cruelness than the others.
陰謀破壞，每個人都能做，但有些人可以做得更加冷酷。
Like the ones who create vengeance…
像那些渴望復仇的人。。。
Or the ones who hunger for love.
像那些尋覓愛情的人。。。
Or the ones who were determined to burn bridges.
像那些決定一刀兩斷的人。。。
And then there are those who simply wants something…
也有些人的願望簡單而直接。
Something that belongs to someone else
有時候 那屬於其他人。
第三季第六集
There is a place in St. Timothy church where sinners go to confess their sins.
St.Timothy 教堂有處罪人懺悔的地方
And once they are done, they expect absolution
當他們懺悔完，都期待能得到寬恕
But the truth is, not all confessions are worthy of such forgiveness.
但事實上，不是所有懺悔都值得被原諒。
Most who unveil his agendas deserve the condemnation they receive.
大多數人，秘密計劃敗露了得到應有的譴責。
Most who disclose revengeful motives marry the punishment that follows.
大多數人 報復動機暴露了得到隨之而來的懲罰
Only the truly repentant at any right at all expect a second chance.?
只有真心悔過，才有權利獲得第二次機會。
Were just why it』s best to think twice before you confess.
這就是為什麼最好在你懺悔前先三思而後行…
Especially if you don』t know what it is you』re confessing to.
尤其是如果你不知道你在懺悔什麼
第三季第七集
Lynette Scavo had a dream that night.
Lynette Scavo 那天晚上做了個夢
It was one she had many times before.
一個她曾經做過多次的夢。
「hey, Mary Alice. Are you ok?
Yes, thank you. I』m fine
Ok, I』ll see you later」
But this night, something changed
但是這個夜裡，有一些變化
「no, you not, I can tell.
不，你不好，我看的出來。
Please…tell me what』s wrong
求你了， 告訴我哪裡出問題了。
Let me save you.
You can』t.
Why not?
Sweetie, we can』t prevent what can』t predict.
親愛的，我們不能預防我們所不能預知的
Isn』t there anything I could do?
有什麼是我能做的么？
Yes, yes. You can enjoy this beautiful day.
你可以享受這美麗的一天。
We get so few of them.
我們很少有這樣的一天
This was the last time Lynette would ever dream of me.
這是最後一次Lynette夢見我
And for her sake, I』m grateful.
對於她的悲傷，我很感激。
第三季第八集
There are so many things we wish we could tell the young
有太多的事情我們想要告訴孩子們
We』d like to persuade them not to grow up so fast
我們想說服他們，不要這么快就長大。
But they won』t listen.
但他們聽不進去。
We want to tell them the beauty face but they refuse to believe it.
我們想告訴他們，花容總有凋謝的一天，但他們拒絕相信。
We worn them that their actions will have consequences, but still they defy us.
我們警告他們，他們的所作所為會有後果，但他們仍然不予理睬。
Suddenly the young can began to understand the world is a dangerous place.
終有一天，孩子們會意識到這個世界是危險的
So it』s up to us to do anything we can to protect them
所以我們要做的就是，盡一切可能來保護他們
Absolutely anything
當然，不惜一切代價。
第三季第九集
Dangerous men walk among us.
危險的人在我們之中潛伏。
And we can』t always be sure who they are or what secret they hide.
我們不是總能肯定他們是誰，或者他們隱藏著怎樣的秘密。
But once our suspicious are confirmed
但是最可怕的疑慮得到證實。
We can take action.
我們就可以採取行動。
Once their agenda were revealed
一旦他們的行事議程被揭露。
We can take steps to protect ourselves and those we love.
我們就能採取措施保護自己和我們愛的人。
Yes, dangerous men can cause great harm
是的，危險的人會造成巨大的傷害。
But sometimes the greatest dangerous they pose is to themselves.
但是人有時候他們所做有最危險的事, 是對他們自己做的。
3. 求簡單的英語電影獨白片段
《海上鋼琴師》
「陸上的人喜歡尋根問底，虛度了大好光陰。冬天憂慮夏天的姍姍來遲，夏天則擔心冬天的將至。所以他們不停四處遊走，追求一個遙不可及、四季如夏的地方—我並不羨慕。」
Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living dread of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me.
「我是在這艘船上出生的，整個世界跟我並肩而行，但是，行走一次只攜帶兩千人。這里也有慾望，但不會虛妄到超出船頭和船尾。你用鋼琴表達你的快樂，但音符不是無限的。我已經習慣這么生活。」
「I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.
「你把我推到舷梯上然後扔給我一架有百萬琴鍵的鋼琴，百萬千萬的沒有盡頭的琴鍵，那是事實，max，它們沒有盡頭。那鍵盤是無限延伸的。然而如果琴鍵是無限的，那麼在那架琴上就沒有你能彈奏的音樂，你坐錯了地方，那是上帝的鋼琴。」
「You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. 」
4. 求外國電影里 長一點的獨白片段
長一點的獨白只有去電影<哈姆雷特>里找了,有一段比較經典,中英文都給你,慢點讀應該有5分鍾吧
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them. To die: to sleep;
No more; and by a sleep to say we end
The heart-ache, and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: aye, there's the rub;
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveler returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
中文:
生存或中行毀滅, 這是個必答的問題
是否應默默的忍受坎苛命運之無情打擊,
還是應與深如大海之無涯苦難奮然為敵,
並將其克服。
此二抉擇, 就竟是哪個較茄毀崇高?
死即睡眠, 它不過如此!
倘若一眠能了結心靈之苦楚與肉體之百患,
那麼, 此結局是可盼的!
死去, 睡去...
但在睡眠中可能有夢, 啊, 這就是個阻礙:
當我們擺脫了此垂死之皮囊,
在死之長眠中會有何夢來臨?
它令我們躊躇,
使我們心甘情願的承受長年之災,
否則誰肯容忍人間之顫培備百般折磨,
如暴君之政、驕者之傲、失戀之痛、法章之慢、貪官之侮、或庸民之辱,
假如他能簡單的一刃了之?
還有誰會肯去做牛做馬, 終生疲於操勞,
默默的忍受其苦其難, 而不遠走高飛, 飄於渺茫之境,
倘若他不是因恐懼身後之事而使他猶豫不前?
此境乃無人知曉之邦, 自古無返者。
所以,理智能使我們成為懦夫,
而顧慮能使我們本來輝煌之心志變得黯然無光, 像個病夫。
再之, 這些更能壞大事, 亂大謀, 使它們失去魄力。
5. 英文電影的經典電影獨白
to be or not to be,這是《哈姆雷特》（莎士比亞）的經典台詞． To be, or not to be- that is the question 漢文意思是：生存還是死去，這是一個問題． 此段的全文如下： Hamlet:To be, or not to be- that is the question: Whether it's nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die- to sleep- No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to. 'Tis a consummation Devoutly to be wish'd. To die- to sleep. To sleep- perchance to dream: ay, there's the rub! For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despis'd love, the law's delay, The insolence of office, and the spurns That patient merit of th' unworthy takes, When he himself might his quietus make With a bare bodkin? Who would these fardels bear, To grunt and sweat under a weary life, But that the dread of something after death- The undiscover'd country, from whose bourn No traveller returns- puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action. 哈: {自言自語} 生存或死去, 這是個問題: 是否應默默的忍受坎坷命運之無情打擊, 還是應與深如大海之無涯苦難奮然為敵, 並將其克服。 此二抉擇, 究竟是哪個較崇高? 死即睡眠, 它不過如此! 倘若一眠能了結心靈之苦楚與肉體之百患, 那麼, 此結局是可盼的! 死去, 睡去... 但在睡眠中可能有夢, 啊, 這就是個阻礙: 當我們擺脫了此垂死之皮囊, 在死之長眠中會有何夢來臨? 它令我們躊躇, 使我們心甘情願的承受長年之災, 否則誰肯容忍人間之百般折磨, 如暴君之政、驕者之傲、失戀之痛、法章之慢、貪官之侮、或庸民之辱, 假如他能簡單的一刀了之? 還有誰會肯去做牛做馬, 終生疲於操勞, 默默的忍受其苦其難, 而不遠走高飛, 飄於渺茫之境, 倘若他不是因恐懼身後之事而使他猶豫不前? 此境乃無人知曉之邦, 自古無返者。---哈姆雷特經典台詞(中英文）
6. 跪求...... 一部英語電影中經典獨白（一定是一段，帶中文翻譯）
海上鋼琴師里的台詞都比較經典，列出一些作參考，樓主可以選擇一段
「陸上的人喜歡尋根問底，虛度了大好光陰。冬天憂慮夏天的姍姍來遲，夏天則擔心冬天的將至。所以他們不停四處遊走，追求一個遙不可及、四季如夏的地方—我並不羨慕。」 Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living dread of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me. 「所有那些城市，你就是無法看見盡頭。盡頭？拜託！拜託你給我看它的盡頭在哪？當時，站在舷梯向外看還好。我那時穿著大衣，感覺也很棒，覺得自己前途無量，然後我就要下船去。放心！完全沒問題！可是，阻止了我的腳步的，並不是我所看見的東西，而是我所無法看見的那些東西。你明白么？我看不見的那些。在那個無限蔓延的城市裡，什麼東西都有，可惟獨沒有盡頭。根本就沒有盡頭。我看不見的是這一切的盡頭，世界的盡頭。」 「All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world... 」 「鍵盤有始有終，你確切知道 88 個鍵就在那兒，錯不了。它並不是無限的，而音樂，才是無限的。你能在鍵盤上表現的音樂是無限的，我喜歡這樣，我能輕松應對 ! 」 「Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by. 」 「你把我推到舷梯上然後扔給我一架有百萬琴鍵的鋼琴，百萬千萬的沒有盡頭的琴鍵，那是事實，max，它們沒有盡頭。那鍵盤是無限延伸的。然而如果琴鍵是無限的，那麼在那架琴上就沒有你能彈奏的音樂，你坐錯了地方，那是上帝的鋼琴。」 「You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. 」 「天啊！你……你看過那些街道嗎？僅僅是街道，就有上千條！你下去該怎麼辦？你怎麼選擇其中一條來走？怎麼選擇「屬於你自己的」一個女人，一棟房子，一塊地，或者選擇一道風景欣賞，選擇一種方法死去。 」 「Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there？How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die... 」 「那個世界好重，壓在我身上。你甚至不知道它在哪裡結束，你難道從來不為自己生活在無窮選擇里而害怕得快崩潰掉嗎？」 「All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? 」 「我是在這艘船上出生的，整個世界跟我並肩而行，但是，行走一次只攜帶兩千人。這里也有慾望，但不會虛妄到超出船頭和船尾。你用鋼琴表達你的快樂，但音符不是無限的。我已經習慣這么生活。」 「I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way. 」「陸地？陸地對我來說是一艘太大的船，一個太漂亮的女人，一段太長的旅行，一瓶太刺鼻的香水，一種我不會創作的音樂。我永遠無法放棄這艘船，不過幸好，我可以放棄我的生命。反正沒人記得我存在過，而你是例外，max，你是唯一一個知道我在這里的人。你是唯一一個，而且你最好習慣如此。原諒我，朋友，我不會下船的。」 「Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off.」
7. 經典英語電影片段三到五分鍾獨白的配音台詞
諾頓《第25小時》超爽的5分鍾獨白
Fuck you and this whole city and everyone in it
Fuck the panhandlers grubbing for money, smiling at me behind my back.
Fuck the squeegee men dirtying up the clean windshield of my car.
Get a fucking job.
Fuck the Sikhs and the Pakistanis bombing down the avenues in decrepit cabs,curry steaming out their pores,stinking up my day.
Terrorists in fucking training.Slow the fuck down!
getting one of those operations that elongate your penis.
Fuck the Chelsea Boys with their waxed chests and pumped-up biceps, going down on each other in my parks and on my piers,jiggling their dicks on my Channel 35!
Fuck the Korean grocers with their pyramids of overpriced fruit and their tulips and roses wrapped in plastic .
Ten yeras in the country,still no speakee English.
Fuck the Russians in Brighton Beach.
Mobster thugs sitting in cafes,sipping tea in little glasses,sugar cubes between their teeth,wheelin'
and dealin' and schemin'.
Go back where you fucking came from.
Fuck the black-hatted Hasidim strolling up and down 47th Street in their dirty gabardine with their dandruff,selling South African apartheid diamonds.
Come on.Your wife deserves this.
Fuck the Wall Street brokers.
Self-styled masters of the universe.
Michael Douglas-Gordon Gekko wannabe motherfuckers figuring out new ways to rob hardworking people blind.
Send those Enron assholes to jail for fucking life.
You think Bush and Cheney didn't know about that shit?
Give me a fucking break.
Fuck the Puerto Ricans.
Twenty to a car,swelling up the welfare rolls.
worst fucking parade in the city.
And don't even get me started on the Dominicans, 'cause they make the Puerto Ricans look good.
Who's this fuckin' guy?! Get the fuck outta here!
Fuck the Bensonhurst Italians with their pomaded hair,their nylon warm-up suits,their St.anthony medallions,swinging their Jason Giambi Louisville Slugger baseball bats trying to audition for "The Sopranos."
Fuckin' crack your fuckin' head open !
Bensonhurst!bensonhurst!
Fuck the Upper EAst Side wives wth their Hermes scarves and their $50 Balcci artichoke.
Taxi!
Overfed faces getting pulled and lifted and stretched all taut and shiny.
You're not fooling anybody,sweetheart.
Taxi!
Fuck the Uptown brothers.
They never pass the ball,they don't want to play defense,they take five steps on every layup to the hoop,and then they want to turn around and blame evrything on the white man.
We not giving it up!
We not giving it up!
slavery ended 137 years ago.
Move the fuck on.
Fuck the corrupt cops with their anus-violating plungers
and their 41 shots,standing behind a blue wall of silence.
You betray our trust!
Fuck the priests who put their hands sown some innocent child's pants.
Fuck the church that protects them,delivering us into evil.And while you're at it,fuck J.C.
He got off easy-- a day on the cross ,a weekend in hell, and all the hallelujahs of the legioned angels for eternity.Try seven years in fucking Otisville,J.
FUck Osama bin Laden ,AI Qaeda,and backward-ass cave-dwelling fundamentalist assholes everywhere.
On the names of innoceant thousands murdered,I pray you spend the rest of eternity with your 72 whores roasting in a jet-fuel fire in hell.You towel-headed camel jockeys can kiss my royal Irish ass.
"I notice how many of what Ionce thought
"were evidences of repression ,sexual or otherwis.."
fuck Jacob Elinsky.
Whinin malcontent.
Fuck Francis Xavier Slaughtery, my best friend,judging me while he stares at my girlfriend's ass.
Fuck Naturelle Riviera.I gave her my trust, and she stabbed me in the back.Sold me up the river.Fucking bitch.
Fuck my father with his endless grief,standing behind that bar,sipping on club soda,selling whiskey to firemen and cheering the Bronx Bombers.
ALL:Let's go ,Yankees!
Fuck this whole city and everyone in it,from the row houses of Astoria to the penthouses on Park Avevue,from the projects in the Bronx to the lofts in soho,from the tenements in Alphabet city to the brownstones in Park Slope to the split-levels in Staten Island, let an earthquake crumble it, let the fires rage ,let it burn to fucking ash,and then let the waters rise and submerge this whole art-infested place.
No,Fuck you,Montgomery Brogan.You had it all,and you threw it away,you mb fuck
8. 一段經典的英文電影獨白
電影返老還童又名本傑明巴頓奇事
Benjamin Button: Sometimes we're on a collision course, and we just don't know it. Whether it's by accident or by design, there's not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she'd stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who'd stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn't been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater.
本傑明·巴頓：有些時候我們就活在即將發生沖撞的軌道上，渾然不知。無論它是意外發生的還是蓄謀已久的，對此我們都無能為力。一個住在巴黎的女人正在去購物的路上，但是她忘記拿她的大衣，便回去取了。當她去拿衣服時，電話鈴響了，所以她停下來去接電話，並聊了幾分鍾。就在那個女人打電話的時候，黛西就在為巴黎大劇院的演出而排練。就在她排練時，那個女人打完了電話，離開了屋子去叫一輛計程車（但錯過了一班）。現在一個計程車司機由於這班工作完的比較早，便停下來去喝杯咖啡，與此同時黛西還在排練。這個提前完成了這趟工作喝了杯咖啡的計程車司機，接了那個錯過一班計程車的去購物的女人。計程車被迫因為一個橫穿道路的人急停了一下，因為一個男人比原來上班的時間晚起了五分鍾，由於他忘記了上好鬧鍾。而就在那個晚起的，忘記上鬧鍾的男人過馬路時，黛西也完成了排練，正在沖澡。而就在黛西洗澡的時候，那個計程車司機在精品店外，等那個女人去拿她的商品。那個商品還沒有被服務員提前包裝好，因為昨天晚上那個服務員剛剛和男朋友分手，把這件事情忘的一干二凈。當商品被包好後，那個女人回到車上，車租車又被一輛運貨車擋了一下，此時此刻黛西也梳妝完畢。在運貨車離開後，計程車終於可以行駛了。當黛西最後一個打扮完後，便等待她其中一個鞋帶斷了的朋友。就在計程車停著等候紅綠燈時，黛西和她朋友從劇院出來了。
Benjamin Button: And if only one thing had happened differently: if that shoelace hadn't broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn't broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn't stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would've crossed the street, and the taxi would've driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone's control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
本傑明·巴頓：如果只有那麼一件事情，並沒有按原來發生的話，如果那個鞋帶沒有斷掉；或者如果那輛貨車提前幾分鍾開走；如果那個商品早早就被包裝好，因為她沒有和他的男朋友分手；如果那個男人的鬧鍾提前上了五分鍾；如果那個司機沒有停下來去喝杯咖啡；如果那個女人沒有忘記她的大衣，而坐上了早一班的計程車，黛西和她的朋友就將穿過馬路，計程車也只會擦肩而過。但是生活就是這么不可預測，在一系列的交錯層疊的人與事中，沒有誰能掌控它們，而計程車沒有碰巧開過去，那個司機也有些精力不集中，那個計程車還是撞到了黛西，她的腿被撞傷了。
希望能幫到你哦~~
9. 英文電影兩人對白,要長的，越長越好。至少5分鍾。英語期末考試用的。
以下是《亂世佳人/飄》的電影中瑞特和斯嘉麗 (也有白瑞德和郝思嘉這種翻譯法）的最後一段對話。
R指Rhett, 即瑞特
S指Scarlett, 即斯嘉麗
R:
Come in.
S:
Rhett...
R:
Melanie, she's...
Well, God rest her.
She was the only completely kind person I ever knew.
A great lady.
A very great lady.
So she's dead. That makes it nice for you, doesn't it?
S:
Oh, how can you say such a thing? You know how I loved her, really!
R:
No, I don't know that I do.
But at least it's to your credit that you could appreciate her at the end.
S:
Of course I appreciated her. She thought of everybody except herself.
Why, her last words were about you.
R:
What did she say?
S:
She said:
"Be kind to Capt. Butler. He loves you so."
R:
Did she say anything else?
S:
She said...
She asked me to look after Ashley, too.
R:
It's convenient to have the first wife's permission, isn't it?
S:
What do you mean?
What are you doing?
R:
I'm leaving you, my dear.
All you need now is a divorce, and your dreams of Ashley can come true.
S:
Oh, no!
No, you're wrong! Terribly wrong!
I don't want a divorce. Oh, Rhett, when I knew tonight...
when I knew I loved you, I ran home to tell you.
Oh, darling, darling...
R:
Please don't go on with this.
Leave us some dignity to remember out of our marriage. Spare us this last.
S:
This last?
Oh, Rhett, do listen to me.
I must have loved you for years, only I was such a stupid fool I didn't know it.
Please believe me. You must care.
Melly said you did.
R:
I believe you. What about Ashley Wilkes?
S:
I never really loved Ashley.
R:
You certainly gave a good imitation of it, up till this morning.
No, Scarlett. I tried everything.
If you'd only met me halfway, even when I came back from London.
S:
I was so glad to see you. I was, Rhett, but you were so nasty.
R:
And then, when you were sick and it was all my fault...
I hoped against hope that you'd call for me, but you didn't.
S:
I wanted you. I wanted you desperately, but I didn't think you wanted me.
R:
It seems we've been at cross-purposes, doesn't it? But it's no use now.
As long as there was Bonnie, there was a chance we might be happy.
I liked to think that Bonnie was you.
A little girl again, before the war and poverty had done things to you.
She was so like you, and I could pet her and spoil her as I wanted to spoil you.
But when she went, she took everything.
S:
Oh, Rhett!
Rhett, please don't say that.
I'm so sorry, I'm so sorry for everything.
R:
My darling, you're such a child.
You think that by saying, "I'm sorry," all the past can be corrected.
Here, take my handkerchief.
Never at any crisis of your life have I known you to have a handkerchief.
S:
Rhett, where are you going?
R:
I'm going to Charleston. Back where I belong.
Please. Please take me with you.
No. I'm through with everything here.
I want peace.
I want to see if somewhere there isn't something left in life of charm and grace.
Do you know what I'm talking about?
S:
No. I only know that I love you.
R:
That's your misfortune.
S:
Oh, Rhett.
Rhett!
Rhett!
If you go, where shall I go? What shall I do?
R:
Frankly, my dear, I don't give a damn.