電影海上鋼琴師影評英文版

A. 海上鋼琴師英文影評

這里有本片英文影評213篇：
http://207.171.166.140/title/tt0120731/usercomments
樓主可以借鑒，挑選幾篇，把內容編輯整理一下，就可以了。

推薦其中一篇：
When 1900 was a baby, he was abandoned in the ship. Since then, he never left the ship. His talents on piano made him welcome. After defeating the black jazz musician, he became more popular. But he was so afraid of getting off the ship that he gave up his love for a girl. His friend Max wanted to persuade him to leave the ship because the ship would be exploded. It did not work. A tragedy could not be avoided. In the end 1900 sank to the sea along with the ship.

Although the storyline was weak, the great piano music was good enough to make it uncommon. I particularly like the following scene. When 1900 played the piano for Max, he created different music for different people with different action and expression. The amazing place was that the music was so appropriate. That was the most interesting part of the movie.

Tim Roth convincingly played a sympathizing talented pianist. I think that its original sound track is sure to be sold well.

If you like piano music, you should not miss it.

B. 急，幫我把《海上鋼琴師》影評翻譯成英文

1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship， and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.

Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.

at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.

C. 海上鋼琴師影評英語

1900年1月1日，船工丹尼在弗吉尼亞號游輪舞廳的鋼琴上撿到了一個棄嬰，他將這個小孩起名叫1900。1900從小在丹尼細心的關懷和善意的謊言中自由健康地成長。丹尼因意外事故不幸去世後，1900一次無意間來到舞廳外，他第一次見到鋼琴。於是1900的傳奇正式開始！

人間如船上的乘客一般，上船，下船，再上船，下船。如此周而復始。對於1900來說，整個世界一覽無余。所以他雖身在海上，但卻早已看盡了陸上人世間的繁華與落寞，輝煌與凄涼。

最後這個天才要回到天堂去了，天堂里有鋼琴嗎？在輪船被炸毀的前一刻，1900的雙手在憑空彈奏，那纖巧的手指隨著背景音樂的節奏在上下起伏，彷彿在扣響天堂的大門。 翻譯:1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship， and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.

Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.

at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.

D. 求《海上鋼琴師》影評（英語）、要100~200詞內、較為簡單。

It's a really heart-warming story of 1900. The legend of 1900 tells a gifted pianist who has never leave a ship but created a legendary life.As far as I am concerned,it is 1900 who gives piano living characteristic,piano is 1900's whole life,and 1900 is piano's soul.I don't know why 1900 didn't want to leave the ship,perhaps,it's his fate to accompany the big big sea,the sea is also a part of his life.1900's first love just like candy but with a little bit bitterness,he is too shy to show his love.As for friendship,he is lucky enough to meet a bosom friend,which us everyone want forever.besides,I love the main music in the film,it contains something of hopeness,sweety,but desolation.When I heard it,my tears fell…

E. 《海上鋼琴師》英文觀後感

The legend of 1900
It's an incredible film about a taleny musician. His parents abandoned him on a steam ship which traveled to American from other places.The boy was brought up by a Negro who gave him the name 'Danny Boodmann T.D. Lemon Nineteen hundred .' His dad was killed in an accident and then he showed his talent in piano playing. He became a pianist on the steam boat in a group of 4 to 5 people.He never cooperated and always let his piano be aware of by the people in the dance floor so that other players would stop and look at those noblemen and noblewomen dancing crazily following the music .1900'skill was also well known among the people on the land . He hadn't got off the boat even for one time .He had seen uncountable people go to America to look for their dreams .He thought that the people on the land was too busy and didn't know what they were busy for.He wanted to do what he liked, what was easy ,what could make him happy. He could do anything but be ordinary.He was born on the boat and lived his all life on it .Just like a brief note passed through our ears and disappeared .
"The legend of 1990" Was directed by Giuseppe Tornatore .It was written by Alesscandro Baricco .Tim Roth played the role of 1900. The film was attractive because of its amazing plot ,wonderful actor ,meaningful opinion and the excellent music .The sound of the piano had its moods and feelings .When 1900 met a graceful girl ,the sound became lyric.When he was arround by the poor who were enthusiastic ,the sound became brisk .When he played alone ,the sound became sad .The changeable appeared any time in the film. 1900's last song was silence .Before a ll explosion ,his fingers moved in the air ,played his last note.
The film let me think a lot on life .I'll definitely recommend it to you .Let the music start ,telling you the legend of 1900.

F. 海上鋼琴師 英文影評 誰能告訴我一下！~

這里有些經典台詞，不知有用否？

海上鋼琴師 經典台詞

All that city. You just couldn』t see the end to it. The end Please
You please just show me where it ends It was all very fine on that
gangway. And I was grand too, in my overcoat. I cut quite a figure.
And I was getting off. Guaranteed. There was no problem. It wasn』t
what I saw that stopped me, Max. It was what I didn』t see. You
understand that What I didn』t see. In all that sprawling city there
was everything except an end. There was no end. What I did not see
was where the whole thing came to an end. The end of the world...

Take a piano. The keys begin, the keys end. You know there are
eighty-eight of them, nobody can tell you any different. They are
not infinite. You are infinite. And on these keys the music that you
can make is infinite. I like that. That I can live by.

You get me up on that gangway and you』re rolling out in front of me
a keyboard of millions of keys, millions and billions of keys that
never end, and that』s the truth, Max. That they never end. That
keyboard is infinite. And if that keyboard is infinite, then on that
keyboard there is no music you can play. You』re sitting on the wrong
bench. That』s God』s piano.

Christ! Did, did you see the streets Just the streets… There were
thousands of them! And how do you do it down there How do you
choose just one One woman, one house, one piece of land to call
your own, one landscape to look at, one way to die...

All that world is weighing down on me, you don』t even know where it
comes to an end, and aren』t you ever just scared of breaking apart
at the thought of it The enormity of living it

I was born on this ship, and the world passed me by, but two
thousand people at a time. And there were wishes here, but never
more than fit between prow and stern. You played out your happiness,
but on a piano that was not infinite. I learned to live that way.

Land Land is a ship too big for me. It』s a woman too beautiful;
it』s a voyage too long, a perfume too strong. It』s a music I don』t
know how to make. I could never get off this ship. At best, I can
step off my life. After all, I don』t exist for anyone. You』re an
exception, Max, you』re the only one who knows I』m here. You』re a
minority, and you better get used to it. Forgive me, my friend, but
I』m not getting off.

This is the way the world ends
Not with a bang but a whimper
——T·S·Eliot

所有那些城市，你就是無法看見盡頭。盡頭？拜託！拜託你給我看它的盡頭在哪？當時，站在舷梯向外看還好。我那時穿著大衣，感覺也很棒，覺得自己前途無量，然後我就要下船去。放心！完全沒問題！可是，阻止了我的腳步的，並不是我所看見的東西，而是我所無法看見的那些東西。你明白么？我看不見的那些。在那個無限蔓延的城市裡，什麼東西都有，可惟獨沒有盡頭。根本就沒有盡頭。我看不見的是這一切的盡頭，世界的盡頭。

拿一部鋼琴來說，從琴鍵開始，又結束。你知道鋼琴只有88個鍵，隨便什麼琴都沒差。它們不是無限的。你才是無限的，在琴鍵上製作出的音樂是無限的。我喜歡這樣，我活的慣。

你把我推到舷梯上然後扔給我一架有百萬琴鍵的鋼琴，百萬千萬的沒有盡頭的琴鍵，那是事實，max，它們沒有盡頭。那鍵盤是無限延伸的。然而如果琴鍵是無限的，那麼在那架琴上就沒有你能彈奏的音樂，你坐錯了地方，那是上帝的鋼琴。

天啊！你……你看過那些街道嗎？僅僅是街道，就有上千條！你下去該怎麼辦？你怎麼選擇其中一條來走？怎麼選擇「屬於你自己的」一個女人，一棟房子，一塊地，或者選擇一道風景欣賞，選擇一種方法死去。

那個世界好重，壓在我身上。你甚至不知道它在哪裡結束，你難道從來不為自己生活在無窮選擇里而害怕得快崩潰掉嗎？

我是在這艘船上出生的，整個世界跟我並肩而行，但是，行走一次只攜帶兩千人。這里也有慾望，但不會虛妄到超出船頭和船尾。你用鋼琴表達你的快樂，但音符不是無限的。我已經習慣這么生活。

陸地？陸地對我來說是一艘太大的船，一個太漂亮的女人，一段太長的旅行，一瓶太刺鼻的香水，一種我不會創作的音樂。我永遠無法放棄這艘船，不過幸好，我可以放棄我的生命。反正沒人記得我存在過，而你是例外，max，你是唯一一個知道我在這里的人。你是唯一一個，而且你最好習慣如此。原諒我，朋友，我不會下船的。

附：
1900 Moonlight city. You just couldn』t see an end to it.
It wasn』t what I saw that stopped me ,Max.
It was what I didn』t see.

Take the piano.
Keys begin. Keys end.
You know there are 88 of them.
They』re not infinite. You』re infinite.
And on those keys, the music that you can make is infinite.
I like that. That I can live by.
But you get me up on that gangway, and you roll them out
in front of me.
Keyboards have millions and billions of keys that never end.
That keyboard is infinite.
Then on that keyboard there』s no music you can play.
That』s God』s piano.

Did you see the streets
There』re thousands of them.
How do you choose just one
One woman, one house, one way to die…….
You don』t even know where it comes to an end.
Aren』t you ever just scared of breaking apart with the
thought of it

I was born on this ship.
And the world passed me by.
But 2000 people at a time and there』re old wishes here .
But nevermore that fit between prow and stern..
You played out your happiness bit on a piano that was not
infinite.
I learned to live that way.

Land
Land is a ship too big for me,
It』s a woman too beautiful, a bridge too long, perfume to
strong, music I don』t know how to play.
I can never get off this ship.
At best, I didn』t step off my life.
After all, I don』t exist for anyone.

譯文：

偌大的城市，綿延無盡。
並非是我眼見的讓我停住了腳步，
而是我所看不見的。你能明白嗎？

拿鋼琴來說。
鍵盤有始亦有終。
你確切地知道88個鍵就在那兒，錯不了。
它們並不是無限的，而你，才是無限的。你能在鍵盤上表現的音樂是無限的。
我喜歡這樣，我能輕松應付。
而你現在讓我走過跳板，走到城市裡，
等著我的是一個沒有盡頭的鍵盤。
我又怎能在這樣的鍵盤上彈奏呢？
那是上帝的鍵盤啊！

你看到那數不清的街道嗎？
如何只選擇其中一條去走？
一個共渡一生的女人，一幢屬於自己的屋子，一種生與死的方式

你甚至不知道什麼時候才是盡頭。
一想到這個，難道不會害怕、會崩潰嗎？

我在這艘船上出生。
世事千變萬化，然這艘船每次只載2000人。
這里有著希望，但僅在船頭和船尾之間。
你可以在有限的鋼琴上奏出你的歡欣快樂。
我習慣了這樣的生活。

陸地？
陸地對我來說是一艘太大的船，
太漂亮的女人，太長的旅程，太濃烈的香水，無從著手的音樂。
我永遠無法走下這艘船，
這樣的話，我寧可舍棄我的生命。
畢竟，我從來沒有為任何人存在過，不是么？

G. 海上鋼琴師 英語影評

Legend Of Film CriticsPianist, I saw quite a few times, and each time playing hero superb way to attract.Pianist, I saw quite a few times, and each time playing hero superb way to attract.Until finally the piano on the tobacco burns, my emotions rise to the extreme, without reservation vent out.Fast approach, focused expression, quiet environment, everything always flashed in my mind again and again shocked to Heaven.Hero was born in the ship, grew up in the boat, and finally buried in the sea with the ship together. Lifetime, he had not been under the boat, even if only once, and he finally gave up. All the land so that he was afraid, I looked boundless land, can not see on the streets of tall buildings, he will cap off his head and thrown into the sea. The moment he gave up the idea because of love arise, to give up his love for the woman's.In the end, said it is regrettable. But this outcome is the best pianist and his all back to the sea, because he was born in the sea, grew up in the sea.He is the little man know Legend Of -1,992

H. 求 海上鋼琴師影評

生命像極了一場茫無頭緒的冒險，所以我們往往會敬佩那些流連於同一個地方，專注於同一件事情的人。被無常的命運折磨的時候，拒絕改變有時候能提供給人一種安全感。所以《海上鋼琴師》從一開始便給了我們很多期待。一個被遺棄在巨型渡輪上的孤兒突然間成了天才的鋼琴師，他一輩子都不曾下過這艘船。海、船、來來往往的兩千名乘客和他的鋼琴構成了他唯一的世界。這部根據義大利作家亞歷山德羅-巴里柯的獨白體小說改編的電影原本可以成為一個非常豐富有趣的寓言，無論它是用來表現世事滄桑間閃現出的純真與靈感，還是那些勇敢自信、充滿夢想的移民，還是音樂給人的力量，還是一點點過了時的英雄主義……只不過，影片想告訴我們的太多了，結果倒好像什麼也沒有說清楚。

基斯比-湯納度，曾經導演了那部感人至深的《天堂影院》(Cinema Paradise)。和很多歐洲導演一樣，他不願意大量的美國觀眾是通過字幕來理解他的電影的，所以他拍了《海上鋼琴師》這部英語片。影片中裝點上了很多好萊塢風味的元素：泰坦尼克式豪華龐大的海上巨輪、泛著煤氣燈光的鵝卵石街道、看到自由女神像時歡呼雀躍的移民，當然還有擦肩而過的愛情和爵士樂，只是這些看似聰明的小伎倆加上並不十分聰明的敘事，使《海上鋼琴師》看上去不再像一部哀傷、浪漫的義大利電影，那種帶著笨拙翻譯感的做作和書生氣糟糕地彌漫於影片的始終。

在影片里，你時常可以看到這樣的場面：一個個穿著體面的角色，站在甲板上憑欄眺海，發表著關於自由生活和人生真諦的冠冕堂皇的演說，看起來就像在演莎士比亞戲劇的「泰坦尼克」版。影片擁有兩位十分優秀的演員：有著憂郁氣質、連笑起來都像在懺悔的添-羅夫和那個很會作眼球運動的胖子普里特-泰勒-文斯，只是這兩個本來都靈氣十足的演員在本片里卻顯得像兩個牽線木偶一樣。這完全是導演的錯誤，他災難性地讓主角每時每刻都用那些廉價的對白說出他們內心本可以更微妙的感情。毫無疑問，添-羅夫是個好演員，但不幸的是他碰到了一個執意要破壞那些含蓄微妙感覺的導演。

Ennio Morricone的配樂成了全片唯一值得關注的亮點，但可惜連這個唯一的亮點都被基斯比-湯納度處理成是超能力製造出的贗品。1900和那個傲慢的爵士鋼琴手Jelly Roll Morton(由Clarence Williams III飾演)在船上「飈琴」的那段戲應該是全片的高潮之一，只是好像兩人比的與其說是音樂的表現力，倒毋寧說是比誰彈得快、彈得響，添-羅夫的手部動作經過數碼剪輯看上去就好像有六隻手在琴鍵上翻飛。一場琴技與內心的較量成了神乎其神的「武功大對決」，不禁讓人覺得有點滑稽。

看片的時候我們也許隱約感覺到了點什麼：1900的音樂是和他心底始終保有的那些價值分不開的，他彈琴很大程度上是為了不離開他內心那個與世隔絕的世界。但影片沒有印證我們內心的期待，我們不知道這個男人在想什麼？他是個英雄還是個瘋子？影片最後那段小號演奏彷彿是在追憶些什麼。是的，也許的確是在追憶些什麼，但，憑什麼追憶呢？(張帆)

I. 《海上鋼琴師》的英文版電影分析

該片的英文譯名是THE LEGEND OF 1900

The Legend of 1900 is an interesting fable from legendary Italian filmmaker Guiseppe Tornatore, maker of Cinema Paradiso and The Star Maker. Based on a monologue by Alessandro Baricco, The Legend of 1900 tells the story of a unique man who never set foot upon dry land. On January 1, 1900, a small baby boy was found abandoned on the Virginian, a transatlantic ship. The crewman who found him names the boy Danny Boodman T.D. Lemon 1900; 1900 for short. 1900 is a true orphan. He knows nothing about his parents or his past. The Virginian is the only thing he knows.

The story unfolds as a series of flashbacks told by a man named Max (Pruitt Taylor Vance, Nobody's Fool, Mumford). In a series of events that seem awkward to the viewer, Max tells various people he meets about his experiences aboard the Virginian with 1900 (Tim Roth, No Way Home, Gridlock'd). The transitions are clunky, causing the story to frequently halt for further exposition before continuing. At a young age, 1900 became a piano prodigy. He entranced people with his ability to play the piano, and mbfounded people with his refusal to leave the ship. 1900 helped Max ease his transition onto the ocean, and the two became friends, playing together in the band. Max details 1900's experiences with love (in a very Titanic-like meeting), and his encounter with Jelly Roll Morton (Clarence Williams III, The General's Daughter, Reindeer Games). Morton is irrationally jealous of 1900 and challenges him to a piano el to determine the better player. Williams glowers through his role, which is interesting but one-dimensional.

Roth plays 1900 as an enigma. He shows emotion only when he is playing the piano. Vance's character is much more annoying. His only purpose is the narrator. Tornatore gives no reason as to why the two become friends, or remain friends for such a long time. 1900 is well liked by the crew, so why is Max the person 1900 confides in the most? The music of The Legend of 1900 was composed by another legend, Ennio Morricone. Morricone composed more than 400 scores over his career, garnering numerous nominations in the process. Morricone's music permeates the movie, rising and falling with the moods of the characters. The proction on The Legend of 1900 is gorgeous. The special effects are great, but here it is a good thing. Long shots of the Virginian do not look quite real, instead it looks almost magical. This is Tornatore's first English film, and although it isn't outstanding, it is a nice effort.

J. 海上鋼琴師英語讀後感50個字

寫作思路：首先先表明海上鋼琴師講的是什麼故事，再具體講述海上鋼琴師的內容。

範文：

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship. The ship called Virginian bears his whole life.

這是一個關於精神自由和純凈靈魂的故事。一個叫1900的人在船上出生，在船上長大，死在船上。這艘名為弗吉尼亞號的船承載著他的一生。

In 1900's time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.

在20世紀，只有一次他決定離開船去看世界。但最後他還是轉過身來。因為他無法面對無限的城市生活。