❶ 簡愛96版 中英字幕 電影 謝謝
只找到一個雙語字幕，對應兩個視頻，請點擊參考資料地址下載
如果下載的是一個視頻的話請去射手網搜簡愛
1996，下載相對應的中文字幕
❷ 簡愛電影的英文影評。
A fast hour and a half
of psychological doom and gloom, and glimmers of happiness through true
love trounced by the realities of 1840 England. It's all pretty amazing
stuff, and you have to see it to believe it, those dark clouds and
sprawling stone buildings.
Yes, Orson Welles is the lead male here, Mr. Rochester, and he's a
physical presence, for sure, but a stiff one. As just one slightly
unfair comparison, watch how Lawrence Olivier handles being lead male
in a similar era (1939) Bronte film, Wuthering Heights. It's unfair
because this earlier movie, directed by William Wyler, is even better
than Jane Eyre. But here we have an actress who wowed the world in the
masterful Rebecca in 1940, and with Olivier himself, and if you see
this Hitchcock movie, based on a Daphne Maurier book, you'll see a
weirdly too similar echo of Charlotte Bronte's plot, complete with
mysterious master of the house and a big fire at the end.
This big mix and match is meant only to say that this kind of movie,
this kind of plot, reached a fever pitch in the early 1940s and
proced three masterpieces. You should see them all, and see the
influences back and front and sideways. Great stuff, with Jane Eyre the
third in line, made by the lesser known British director Robert
Stevenson (who had this one early success and then the other one, Mary
Poppins, of all things). But it was based on an Orson Welles radio
version of the story, which you can feel in the narrated lines with
Joan Fontaine's voice. You sense Welles had a hand in the whole feel of
the movie, the camera angles in the early scenes (looking up or down at
the child), and the overall Gothic excess and fog.
Great stuff to just feel and absorb.
❸ 求英文版電影《簡愛》
已發送，請查收。如沒看到請查看你的垃圾郵箱，看看是不是被攔截了。有問題請追問，謝謝
❹ 求1996版電影《簡愛》的中英字幕，只是要字幕！
以下是四個射手網提供的字幕，都是96年版的，因為不知道你電影具體是哪個格式，所以你下載下來看看哪個跟你的匹配吧 http://shooter.cn/xml/sub/52/52569.xmlhttp://shooter.cn/xml/sub/52/52571.xmlhttp://shooter.cn/xml/sub/52/52572.xmlhttp://shooter.cn/xml/sub/60/60974.xml
❺ 電影簡愛的英文對白
夏洛蒂·勃朗特的《簡愛》我已經看了N遍了，改編成電影以後也欣賞了很多遍。尤其是這段由李梓、邱岳峰配音的精彩對白，多年來一直鍾情，下面就一起來欣賞一下吧！
羅切斯特：還沒睡
簡：沒見你平安回來怎麼能睡！梅森先生怎麼樣？
羅：他沒事！有醫生照顧。
簡：昨兒晚上你說要受到的危險，過去了？
羅：梅森不離開英國很難保證！但願越快越好！
簡：他不象是一個蓄意要害你的人！
羅：當然不！他害我也可能出於無意！坐下。
簡：格雷斯·普爾究竟是誰？你為什麼要留著她？
羅：我別無辦法！
簡：怎麼會~
羅：你忍耐一會兒，別逼著我回答！我，我現在多麼依賴你！
唉，該怎麼辦？簡！有這樣一個例子，有個年青人，他從小就被寵愛壞了，他犯下個極大的錯誤。
不是罪惡，是錯誤，它的後果是可怕的，唯一的逃避是逍遙在外，尋歡作樂。
後來他遇見個女人，一個二十年裡他從沒見過的高尚女人，他重新找了生活的機會，可是世故人情阻礙了他，那個女人能無視這些嗎？
簡：你在說自己？羅切斯特先生？
羅：是的！
簡：每個人以自己的行為向上帝負責，不能要求別人承擔自己的命運，更不能要求英格拉姆小姐！
羅：哼！你不覺得我娶了她，她可以使我獲得完全的新生？
簡：既然你問我，我想不會！
羅：你不喜歡她？說實話吧！
簡：我想她對你不合適！
羅：啊哈~，那麼自信！那麼誰合適？你有沒有什麼人可以推薦？哼！唉~
你在這兒已經住慣了？
簡：我在這兒很快活！
羅：你捨得離開這兒嗎？
簡：離開這兒？
羅：結婚以後我不住這兒了！
簡：當然！阿黛勒可以上學，我可以另找個事兒。……我要進去了！我冷！
羅：簡！
簡：讓我走吧！
羅：等等！
簡：讓我走！
羅：簡。
簡：你為什麼要跟我講這些？她跟你與我無關！你以為我窮，不好看，就沒有感情嗎？
我也會的！如果上帝賦予我財富和美貌，我一定要使你難於離開我，就象現在我難於離開你。
上帝沒有這樣！我們的精神是同等的，就如同你跟我經過墳墓將同樣地站在上帝面前。
羅：簡~
簡：讓我走吧！
羅：我愛你！我愛你！
簡：不！別拿我取笑了
羅：取笑？我要你！布蘭奇有什麼？我對她不過是她父親用以開懇土地的本錢！ 嫁給我！簡！說你嫁我！
簡：是真的？
羅：唉！你呀！你的懷疑折磨著我！答應吧！答應吧！
簡：我愛你,愛德華.（簡依偎在羅切斯特的胸前，羅切斯特緊緊地抱住了她）
羅：上帝饒恕我！別讓任何人干擾我！她是我的！我的！
❻ 請問英文版《簡愛》電影中哪個片段比較經典
羅切斯特：簡。Jane.
簡：您為什麼對我講這些？您和她(英格拉姆小姐)跟我有什麼關系？您以為我窮，不好看，就沒有感情嗎？告訴你吧，如果上帝賜予我財富和美貌，我會讓您難以離開我，就想我現在難以離開您。可上帝沒有這樣做，但我的靈魂能夠同您的靈魂說話，彷彿我們都經過了墳墓，平等地站在上帝面前。Why do you confide in me like this? What are you and she to me? You think that because I'm poor and plain, Ihave no feelings? I promise you, if God had gifted me with wealth and beauty, I would make it as hard for you to leave me now as it is for me to leave you. But He did not. But my spirit can address yours, as if both have passed through the grave and stood before heaven equal.
簡：讓我走，先生。Let me go, sir.
羅切斯特：我愛你。我愛你！I love you. I love you!
簡：別，別讓我干傻事。No, don't make me foolish.
羅切斯特：傻事？我需要你，布蘭奇(英格拉姆小姐)有什麼？我知道我對她意味著什麼，是使她父親的土地變得肥沃的金錢。嫁給我，簡。說你嫁給我。Foolish? I need you. What's Blanch to me? I know what I am to her. Money to manure her father's land with. Marry me, Jane. Say you marry me.
簡：你是說真的？You mean it?
羅切斯特：你的懷疑折磨著我，答應吧，答應吧。(他把她摟在懷里，吻她。)上帝饒恕我，別讓任何人干涉我，她是我的，是我的。You torture me with your doubts.Say yes,say yes(He takes hersintoshis arm and kisser her.)God forgive me.And let no men meddle with me.She is mine.Mine.
簡發現羅切斯特先生有個精神失常的妻子之後。After Jane finds out Mr. Rochester has an insane wife.
羅切斯特：總算出來了。你把自己關在房間里一個人傷心。一句責難的話也沒有。什麼都沒有。這就是對我的懲罰？我不是有心要這樣傷你，你相信嗎？我無論如何也不會傷害你，我怎麼辦？都對你說了我就會失去你，那我還不如去死。So come out at last. You shut yourself in your room and grieve alone. Not one word of reproach.Nothing.Is that to be my punishment? I didn't mean to wound you like this. Do you believe that?I wouldn't hurt you not for the world.What was I to do? Confess everything I might as well have lost my life.
簡：你已經失去我了，愛德華。我也失去了您。You have lost me, Edward.And I've lost you.
羅切斯特：為什麼跟我說這些？繼續懲罰我嗎？簡，我已經受夠了！我生平第一次找到我真正的愛，你不要把她拿走。Why did you say that to me? To punish me a little longer? Jane, I've been though! For the first time I have found what I can truly love. Don't take if away from me.
簡：我必須離開您。I must leave you.
❼ 誰看過簡愛的電影，是中文版還是英文版，多少集
中文的，一集，不過還是小說好。
❽ 簡愛電影英文簡介/介紹。求幫忙。暑假內回答。
一、《簡愛》是英國小說阿基夏洛蒂•勃朗特的作品，刻畫了一個女性的成長歷程。就讓我們一起重溫這部經典，來看看《簡愛》的英文簡介。 Jane Eyre is a novel by English writer Charlotte Brontë. It was published in London, England, in 1847 with the title Jane Eyre. An Autobiography under the pen name "Currer Bell". The Penguin edition describes it as an "influential feminist text" because of its in-depth exploration of a strong female character's feelings. 《簡愛》是英國小說作家夏洛蒂•勃朗特的作品，1847年在英國倫敦出版，書名定為自傳《簡愛》，以筆名「庫瑞爾•貝爾」署名。Penguin出版社的版次將小說譽為「具有影響力的女權主義文本」，因為小說深入探索了女主角的強烈情感。 The novel merges elements of three distinct genres. It has the form of a Bilngsroman, a story about a child's maturation, focusing on the emotions and experiences that accompany growth to althood. The novel also contains much social criticism, with a strong sense of morality at its core, and finally has the brooding and moody quality and Byronic character typical of Gothic fiction. 小說融合了三截然不同的寫作風格。小說文本是教育小說，講述了一個小孩的成長過程，聚 焦陪伴孩子成長到成人的情感和經歷。小說同樣含有不少社會批判的內容，強烈的道德感尤為突出。最後，小說還有哥特式小說特點，婉約曲折，人物嘲諷而浪漫。 It is a novel often considered ahead of its time e to its portrayal of the development of a thinking and passionate young woman who is both indivialistic, desiring for a full life, while also highly moral. Jane evolves from her beginnings as a poor and plain woman without captivating charm to her mature stage as a compassionate and confident whole woman. As she matures, she comments much on the complexities of the human condition. Jane also has a deeply pious personal trust in God, but is also highly self-reliant. Although Jane suffers much, she is never portrayed as a damsel in distress who needs rescuing. For this reason, it is sometimes regarded as an important early feminist (or proto-feminist) novel. 這部小說被認為走在時代的前面，因為小說刻畫了一個有思想、有熱情的年輕女子，她熱衷個人主義，期望完整的生活，同時有著高尚的道德操守。簡愛從一個清貧而平凡無奇的姑娘演變成一個富有同情、充滿自信的完整女性。隨著她的成熟，她開始對人性的復雜表達自己的見解。簡愛極度忠誠於上帝，但又非常獨立自主。雖然簡愛經歷許多苦難，她給人的印象從來不是一個需要救贖的可憐姑娘。因為這些原因，這部小說被認為一部重要的早期女權主義（或原始女權主義）小說。
或長一點的
Jane Eyre, is a poor orphan with a joyless life as a child in the opening chapters. Her wealthy aunt, the widowed Mrs. Reed, is bound by a deathbed promise to her husband to raise his orphaned niece, Jane. However, she and her children are unkind to Jane, never failing to emphasize how she is below them. Jane's plain, intelligent, and passionate nature, combined with her occasional "visions" or vivid dreams, certainly do not help to secure her relatives' affections.
When tensions escalate, Jane is sent to Lowood, a boarding school run by the inhumane Mr. Brocklehurst. She is soon branded a liar, which hurts her even more than malnutrition and cold, but Miss Temple, the teacher Jane admires, later clears her of these charges. She also finds her only friend in Helen Burns, who is very learned and intelligent, has a patient and philosophical mind, and believes firmly in God. Helen is often singled out for punishment by a teacher, Miss Scatcherd, who claims she is a bad child because she is disorganized, incompetent, and often late. Helen accepts these faults, and teaches Jane to accept discipline in order to improve her fiery temper and character. While Jane responds to the injustices of the world with a barely contained burning temper, Helen accepts earthly sufferings, including her own premature death from consumption (now known as tuberculosis), with calmness and a martyr-like attitude.
After a serious typhoid fever epidemic occurs simultaneously with Helen's death, the conditions in Lowood improve and Jane slowly finds her place in the institution, eventually becoming a teacher. When Miss Temple marries and moves away, Jane decides to change careers. She is desperate to see the world beyond Lowood and puts out an advertisement in the local paper, soon securing a position as governess in Thornfield Hall.
At first, life is very quiet with Jane teaching a young French girl, Adèle, and spending time with the old housekeeper, Mrs. Fairfax. But everything changes when the owner of the manor—brooding, Byronic, fiery Edward Rochester—arrives. Though on rough footing at first, he and Jane slowly become acquainted with and grow to respect each other. Mr. Rochester creates an elaborate set-up by seemingly courting a proud local beauty named Miss Blanche Ingram until Jane cannot bear it any longer. Mr. Rochester then admits that his courtship of Miss Ingram was a ruse to arouse Jane's jealousy and that it is she whom he truly loves. His feelings are returned, and they become engaged despite their differences in social status, age, and experience. Jane is young and innocent at nineteen years old, while Rochester is nearly forty—worldly, and thoroughly disillusioned with life and religion. Jane is determined to stay modest, plain, and virtuous, and Rochester is almost equally determined to offer her expensive presents and finery. The former has the moral high ground, though, and the weeks before the wedding are spent mostly as she wishes.
The wedding ceremony is interrupted by a lawyer, who declares that Mr. Rochester is already married. His mad wife Bertha Mason, a Creole from Jamaica whom his family forced him to marry, resides in the attic of Thornfield Hall, and her presence explains all sorts of mysterious events that have taken place ring Jane's stay in Thornfield. Mr. Rochester offers to take her abroad to live with him, but Jane is not willing to sacrifice her morals or self-respect for earthly pleasures, let alone accept the status of mistress, even though Rochester insists Jane will break his heart if she refuses him. Torn between her love for Rochester and her own integrity and religion, Jane flees Thornfield in the middle of the night, with very little money and nowhere to go.
She wanders for a few days and finally finds safe haven, under an alias, with a vicar, St. John Rivers, and his two sisters. They bond, and in e course Jane is given a position as village schoolteacher. Later, St. John learns Jane's true identity, and, by an incredible coincidence, it transpires that he and his sisters are actually her cousins. Additionally, Jane conveniently inherits a large sum of money from an uncle who lived abroad. The cousins are left without inheritance because of an old family feud, but she promptly splits the money so that all four of them are now financially secure. This gives St. John the means to pursue his true calling, to go to India as a missionary, but not without proposing marriage to Jane in order for her to accompany him. Though this is her opportunity to choose a husband of high morals, she knows St. John does not truly love her. Contrary to her protest, he insists they must be married if they are to go to India. Jane nearly succumbs to his proposal, but at the last minute, in another supernatural episode, she hears Rochester's voice calling her in the wind, and feels the need to respond to it.
Jane immediately travels to Thornfield Hall, only to find it destroyed by a fire and abandoned. She learns that Mr. Rochester lost a hand, an eye, and sight in the other eye as a result of an unsuccessful attempt to save Bertha from the flames, of which she was the cause. Upon acquiring the knowledge of his location, at a country manor called Ferndean, she sets off for it. She and Mr. Rochester reconcile and marry, for he has adopted love and religion. She writes from the perspective of ten years after their marriage, ring which she gave birth to a son and Mr. Rochester gained part of his sight back. Jane's long quest to find love and a sense of belonging is finally fulfilled. The book ends with a look at the noble missionary death of St. John Rivers far away in India, most likely representing the righteousness of the path Jane did not take.
❾ 找一部老英文電影不記得名字了（看過兩遍的）類似與《簡愛》
應該就是《音樂之聲》（The
Sound
of
Music），樓至也許記錯了，女主角是去上校家當家庭教師，不是保姆哦。這是一個真實的故事，先被寫成了一本書：《馮·特拉普家的歌手們》，然後被改編成電影。您可以在這里看到這部電影：
http://www.tudou.com/playlist/playindex.do?lid=1642566
❿ 關於簡愛電影的英文字幕
那麼多版本，去射手找